- Table View
- List View
Poetry of the Civil War
by John BoyesOn January 17 1861, a few weeks after South Carolina became the first state to formally secede from the Union, Quaker poet John Greenleaf Whittier's 'A Word for the Hour' was published in The Boston Evening Transcript. It was to herald the birth of a new era of American poetry - one that expressed the hopes and fears, and the hatred and hostility, of a nation torn in two.The only conflict to be fought on American soil by Americans, the Civil War pitched brother against brother, father against son and left a legacy burned deep in the American psyche, as this superb collection of poetry reveals.In Poetry of the Civil War the tragedy, heroism, pathos, and futility of the bloodshed are brought vividly to life and leave an indelible impression of what it must have been like to live through some of the nation's darkest hours.
Poetry of the First World War (Macmillan Collector's Library #141)
by Marcus ClaphamThe First World War was one of the deadliest conflicts in modern history and produced horrors undreamed of by the young men who cheerfully volunteered for a war that was supposed to be over by Christmas. Whether in the patriotic enthusiasm of Rupert Brooke, the disillusionment of Charles Hamilton Sorley, or the bitter denunciations of Siegfried Sassoon and Wilfred Owen, the war produced an astonishing outpouring of powerful poetry. Edited by author and editor Marcus Clapham, the major poets are all represented in this beautiful Macmillan Collector’s Library anthology, Poetry of the First World War, alongside many others whose voices are less well known, and their verse is accompanied by contemporary motifs.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
Poetry of the First World War: An Anthology (Oxford World's Classics)
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
Poetry of the New Woman: Public Concerns, Private Matters (Palgrave Studies in Nineteenth-Century Writing and Culture)
by Patricia MurphyThe New Woman sought vast improvements in Victorian culture that would enlarge educational, professional, and domestic opportunities. Although New Women resist ready classification or appraisal as a monolithic body, they tended to share many of the same beliefs and objectives aimed at improving female conditions. While novels about the iconoclastic New Woman have garnered much interest in recent decades, poetry from the cultural and literary figure has received considerably less attention. Yet the very issues that propelled New Woman fiction are integral to the poetry of the fin de siècle. This book – the first in-depth account on the subject – enriches our knowledge of exceptionally gifted writers, including Mathilde Blind, M. E. Coleridge, Olive Custance, and Edith Nesbit. It focuses on their long-neglected British verse, analyzing its treatment of crucial matters on both the personal and public level to provide the attention the poetry so richly deserves.
Poetry of the Romantic Period (Routledge Library Editions: Romanticism #18)
by J. R. JacksonFirst published in 1980. This title provides a critical and historical account of poetry written between 1780 and 1835. The author has been especially concerned to place the great poems and poets of the age in the context of the conventions and traditions in which they wrote, offering new perspectives on familiar works. Poems still famous are examined often in relation to works of a similar kind fashionable at the time but now neglected, and these unconventional groupings throw fresh light on Romantic poetry as a whole. An appendix is included, designed to be read as a supplement to the main text, serving both as a chronology and as a brief guide to works that do not fall within the scope of the main argument. This title will be of interest to students of literature.
Poetry of the Romantic Period (Routledge Library Editions: Romanticism)
by J. R. JacksonFirst published in 1980. This title provides a critical and historical account of poetry written between 1780 and 1835. The author has been especially concerned to place the great poems and poets of the age in the context of the conventions and traditions in which they wrote, offering new perspectives on familiar works. Poems still famous are examined often in relation to works of a similar kind fashionable at the time but now neglected, and these unconventional groupings throw fresh light on Romantic poetry as a whole. An appendix is included, designed to be read as a supplement to the main text, serving both as a chronology and as a brief guide to works that do not fall within the scope of the main argument. This title will be of interest to students of literature.
Poetry of the Thirties
by Robin SkeltonAuden, Day, Lewis, Spender, MacNeice and the other key poets of the Thirties were children of the First World War, obsessed by war and by communalism, by the class-struggle and a passionate belief in poets as people whose actions are as publically important as their poems.For them, the Spanish Civil War epitomized the mood of the times, as their symbolic obsessions were transmuted into tragic reality. But from within their strongly defined unity of ideals, an astonishingly varied body of poetry emerged.Robin Skelton has arranged the poetry to make an illuminating ‘critical essay’ of the period, and in his introduction he brilliantly probes the moods and mores of an intensely troubled and creative decade.
The Poetry of Thomas Hardy: A Handbook and Commentary
by J. O. BaileyThis handbook provides the background necessary for fully understanding the nearly one thousand poems of Hardy. As it treats the poems individually and often supplements the analysis of a poem by relating it to other poems and to passages in the fiction, every comment helps build a portrait of Hardy as a poet.Originally published in 1970.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The Poetry of Weldon Kees: Vanishing as Presence
by John T. IrwinWeldon Kees is one of those fascinating people of whom you’ve likely never heard. Most intriguingly, he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande. Kees’s vanishing has led critics to compare him to another American modernist poet who met a similar end two decades priorâ€�Hart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet. Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Kees’s fascination with death, disappearance, and the lasting interpretation of an artist’s work. Arguing that Kees’s apparent suicide was a carefully plotted final aesthetic act, Irwin uses the poet’s disappearance as a lens through which to detect and interpret the structures, motifs, and images throughout his poemsâ€�as the author intended. The first rigorous literary engagement with Weldon Kees’s poetry, this book is an astonishing reassessment of one of the twentieth century’s most gifted writers.
The Poetry of Weldon Kees: Vanishing as Presence
by John T. IrwinWeldon Kees is one of those fascinating people of whom you’ve likely never heard. Most intriguingly, he disappeared without a trace on July 18, 1955. Police found his 1954 Plymouth Savoy abandoned on the north side of the Golden Gate Bridge one day later. The keys were still in the ignition. Though Kees had alluded days prior to picking up and moving to Mexico, none of his poetry, art, or criticism has since surfaced either north or south of the Rio Grande. Kees’s vanishing has led critics to compare him to another American modernist poet who met a similar end two decades priorâ€�Hart Crane. In comparison to Crane, Kees is certainly now a more obscure figure. John T. Irwin, however, is not content to allow Kees to fall out of the twentieth-century literary canon. In The Poetry of Weldon Kees, Irwin ties together elements of biography and literary criticism, spurring renewed interest in Kees as both an individual and as a poet. Irwin acts the part of literary detective, following clues left behind by the poet to make sense of Kees’s fascination with death, disappearance, and the lasting interpretation of an artist’s work. Arguing that Kees’s apparent suicide was a carefully plotted final aesthetic act, Irwin uses the poet’s disappearance as a lens through which to detect and interpret the structures, motifs, and images throughout his poemsâ€�as the author intended. The first rigorous literary engagement with Weldon Kees’s poetry, this book is an astonishing reassessment of one of the twentieth century’s most gifted writers.
The Poetry Pharmacy: Tried-and-True Prescriptions for the Heart, Mind and Soul
by William Sieghart'Truly a marvellous collection ... There is balm for the soul, fire for the belly, a cooling compress for the fevered brow, solace for the wounded, an arm around the lonely shoulder - the whole collection is a matchless compound of hug, tonic and kiss' Stephen FryAs heard on BBC Radio 4, the essential prescriptions from William Sieghart's poetic dispensarySometimes only a poem will do. These poetic prescriptions and wise words of advice offer comfort, delight and inspiration for all; a space for reflection, and a chance to realize - I'm not the only one who feels like this.In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This pocket-sized book presents the most essential poems in his dispensary: those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness, or even from an excess of ego, there is something here to ease your pain.'The book is delightful; it rightly resituates poetryin relation to its biggest and most serious task: helping us to live and diewell' Alain de Botton
The Poetry Pharmacy Forever: New Prescriptions to Soothe, Revive and Inspire
by William SieghartThe world has reopened and so has the Poetry Pharmacy: the powerful final instalment in the hugely beloved seriesAfter the tumult of the last years, William Sieghart is back to prescribe the perfect poem for a variety of life's ailments, offering hope and comfort to readers in need. Here, he draws on the emails he received from the public during multiple lockdowns, as well as tried-and-true classics from his in-person pharmacies, to create an essential anthology of poetry for our times. Through his expert curation and insightful commentary, he reminds us of the power of words to help us heal, to reconnect us with the world and to recover what has been lost.From weathering sorrow and sudden loss, to dealing with environmental despair and burnout, this new selection speaks directly to a society in urgent need of comfort and compassion. Whether you're searching for guidance, hope, or simply a moment of beauty, The Poetry Pharmacy Forever is here to provide solace, joy and inspiration, one verse at a time.
The Poetry Pharmacy Returns: More Prescriptions for Courage, Healing and Hope
by William Sieghart'A matchless compound of hug, tonic and kiss' Stephen Fry on William Sieghart's bestselling Poetry PharmacyThe Poetry Pharmacy is one of the bestselling (and most giftable) poetry anthologies of recent decades. Now, after huge demand for more prescriptions from readers and 'patients' alike, William Sieghart is back. This time, tried-and-true classics from his in-person pharmacies are joined by readers' favourite poems and the new conditions most requested by the public - all accompanied by his trademark meditations (warm, witty and understanding, with just a twist of the challenging) on the spiritual ailments he seeks to cure.From ageing bodies and existential crises to long-distance relationships and embracing your slovenliness, The Poetry Pharmacy Returns caters to all-new conditions while drilling further down into the universals: this time, the challenges of family life, and of living as a person among others, receive a much closer look. Perfect for the treasured friends, barely tolerated siblings, beloved aunts and revered grandparents in your life.
Poetry, Physics, and Painting in Twentieth-Century Spain
by C. GalaThis book reads the work of Salinas, Guillén, Larrea, Diego, Alberti, Méndez, and Lorca in analogical relation with Cubism and with the revolutionary discoveries of modern physics. Gala advances traditional criticism by considering these artists in the broader cultural context of Spain, Europe, and European Modernism.
Poetry Pie (Puffin Poetry)
by Roger McGoughPOETRY PIE is a brilliant collection of poems for children by Roger McGough, There are over 50 poems in this hugely enjoyable poetry collection with themes ranging from food and animals to school and ghouls. As always, Roger Mcgough's poems are full of wit and wisdom, with word play, puns and sharp observations on all aspects of life. He has included his own unique line drawings which are full of humour and pathos. Children are sure to ask for another slice of this brand new poetry pie!Roger McGough is one of the UK's most celebrated and distinctive poets. He is the author of more than fifty books and has written numerous scripts, including the script for the Beatles' film Yellow Submarine. He is an international ambassador for poetry and in 1997 was awarded an OBE.
Poetry Please: Love Poems
by Various Poets'What will survive of us is love.'In this new anthology poets from across the ages lead us on a journey of love in its many forms. From Shakespeare to Rossetti, Keats to Auden, Byron to Browning an beyond, as well as a host of contemporary voices including Wendy Cope, Simon Armitage and Carol Ann Duffy, this new gathering of timeless love poems speaks to the heart about this most universal of themes.Whether in marriage or heartbreak, friendship or infatuation, whether in pursuit of the unattainable ideal or else settling down together for life, whether in love or out of it, you will find poems here to touch the heart. A vital assembly of our most treasured and enduring love poems.
Poetry Please
by Various PoetsBBC Radio 4's Poetry Please is the longest-running broadcast of verse anywhere in the world. First aired in 1979, the programme, a request show which broadcasts to two million listeners a week, has become a unique record of the country's best-loved poems over the decades since its inception. The BBC has looked back through its rich archive of recordings to produce a poll of the most asked for and most broadcast pieces ever: it is those poems that this anthology brings together here. A showcase, in effect, for the nation's favourite verse, Poetry Please is a treasure trove for our most requested and most listened to poems of all time. It is a compelling invitation for readers of all ages and backgrounds to celebrate the verse that we care so much about: from new readers to old, from schools to reading groups, this a book for giving, a book for cherishing.
Poetry Please: The Seasons
by Various PoetsThis new anthology of poems, favourites from the nation's longest-running and best-loved request programme for verse, moves with the seasons, following the turning year from John Clare's 'pale splendour of the winter sun' to John Keats's 'Season of mists and mellow fruitfulness', by way of Larkin's 'young-leafed June' and Gerard Manley Hopkins' 'glassy peartree leaves and blooms' when 'Nothing is so beautiful as Spring'. As the year changes, so we change with it. Since time out of mind our daily lives have been shaped and directed by the seasons, and it is here that we find poems about harvest and hardship, growth and new life, the warmth of the life-giving sun, Christmas and the closing of the year. Poetry Please: Seasonal Poems is a vital and generous gathering to treasure.
Poetry, Poetic Inquiry and Rwanda: Engaging with the Lives of Others (Studies in Arts-Based Educational Research #3)
by Laura ApolThis book describes the practice of poetic inquiry and takes the reader through the process of translating lived experience into poetry that attends to the lives of others. Using her own writing—from early drafts to published poems—Apol demonstrates elements of poetic inquiry that both give it strength and make it complicated: the importance of craft (the aesthetic); the imperative of accuracy and reliability (the investigative); the significance of ethical responsibility that leads to action (witness); and the centrality of relational connectedness and accountability (withness). Apol raises questions about what it means for poems to function as both research and art, and illustrates what happens when there are irresolvable conflicts between the demands of the poem and a commitment to relationship. Throughout, Apol addresses her white privilege, as well as the dominant white/colonial narrative that often seeps into arts-based work unless it is overtly and critically addressed. The book goes beyond arts-based research, speaking as well to other forms of cross-national, cross-cultural research. It is a call for relational scholarship that moves toward action, a heart-rending teaching, a post-traumatic aesthetic map laid down with clear and poignant theory and praxis to extend, serve and guide.
Poetry, Politics, and Culture: Argument in the Work of Eliot, Pound, Stevens, and Williams
by Harold KaplanA salient feature of modern poetics is its direct connection with cultural history and politics. Among the great American poets of the twentieth century, Wallace Stevens and William Carlos Williams offer a significant contrast with T. S. Eliot and Ezra Pound. Where the latter advocated a theocentric or reactionary response to the cultural crises of modernity, the former affirmed an essentially humanist and democratic social and aesthetic ethos. In Poetry, Politics, and Culture, Harold Kaplan offers a penetrating comparative study of these representative and distinctively influential poets.All four poets wrote in an atmosphere of cultural crisis following World War I, caught as they were between outmoded belief systems and various forms of artistic and political nihilism. While each believed in poetry as a source of cultural values and beliefs, they nevertheless experienced loss of confidence in their own vocation in a world characterized by scientific, rationalist thinking and the mundane struggle for survival. For each, therefore, the poetic imagination was a means of restoring order, or building a new civilization out of chaos. In trying to define a revitalized culture, the four exemplified the perennial quarrel between Europe and America.
Poetry, Politics, and Culture: Argument in the Work of Eliot, Pound, Stevens, and Williams
by Harold KaplanA salient feature of modern poetics is its direct connection with cultural history and politics. Among the great American poets of the twentieth century, Wallace Stevens and William Carlos Williams offer a significant contrast with T. S. Eliot and Ezra Pound. Where the latter advocated a theocentric or reactionary response to the cultural crises of modernity, the former affirmed an essentially humanist and democratic social and aesthetic ethos. In Poetry, Politics, and Culture, Harold Kaplan offers a penetrating comparative study of these representative and distinctively influential poets.All four poets wrote in an atmosphere of cultural crisis following World War I, caught as they were between outmoded belief systems and various forms of artistic and political nihilism. While each believed in poetry as a source of cultural values and beliefs, they nevertheless experienced loss of confidence in their own vocation in a world characterized by scientific, rationalist thinking and the mundane struggle for survival. For each, therefore, the poetic imagination was a means of restoring order, or building a new civilization out of chaos. In trying to define a revitalized culture, the four exemplified the perennial quarrel between Europe and America.
Poetry, Politics, and the Body in Rimbaud: Lyrical Material
by Robert St. ClairBodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
Poetry, Politics, and the Body in Rimbaud: Lyrical Material
by Robert St. ClairBodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century: Fugitive Pieces
by Natalie PollardThis is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.