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The Diary of Samuel Pepys, September 1667
by Samuel PepysSeptember 1667 diary of the English writer.
Diary of Samuel Pepys -- Volume 01: Preface and Life
by Samuel PepysRichard Le Gallienne’s elegant abridgment of the Diary captures the essential writings of Samuel Pepys (1633–1703), a remarkable man who witnessed the coronation of Charles II, the Great Plague of 1665, and the Great Fire of 1666. Originally scribbled in a cryptic shorthand, Pepys’s quotidian journal of life in Restoration London provides an astonishingly frank and diverting account of political intrigues; naval, church, and cultural affairs; and the sexual escapades and domestic strife of a man with a voracious, childlike appetite for living. “As a human document the Diary is literally unique,” notes Le Gallienne. “It will have a still greater value for its historical importance.”
The Diary of Samuel Pepys, Volume 8
by Samuel PepysThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
Diary of the Dark Years, 1940-1944: Collaboration, Resistance, and Daily Life in Occupied Paris
by Jean GuéhennoWinner of the French-American Foundation Translation Prize for Nonfiction Jean Guéhenno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.
Diary of the Dark Years, 1940-1944: Collaboration, Resistance, and Daily Life in Occupied Paris
by Jean GuéhennoWinner of the French-American Foundation Translation Prize for Nonfiction Jean Guéhenno's Diary of the Dark Years, 1940-1945 is the most oft-quoted piece of testimony on life in occupied France. A sharply observed record of day-to-day life under Nazi rule in Paris and a bitter commentary on literary life in those years, it has also been called "a remarkable essay on courage and cowardice" (Caroline Moorehead, Wall Street Journal). Here, David Ball provides not only the first English-translation of this important historical document, but also the first ever annotated, corrected edition. Guéhenno was a well-known political and cultural critic, left-wing but not communist, and uncompromisingly anti-fascist. Unlike most French writers during the Occupation, he refused to pen a word for a publishing industry under Nazi control. He expressed his intellectual, moral, and emotional resistance in this diary: his shame at the Vichy government's collaboration with Nazi Germany, his contempt for its falsely patriotic reactionary ideology, his outrage at its anti-Semitism and its vilification of the Republic it had abolished, his horror at its increasingly savage repression and his disgust with his fellow intellectuals who kept on blithely writing about art and culture as if the Occupation did not exist - not to mention those who praised their new masters in prose and poetry. Also a teacher of French literature, he constantly observed the young people he taught, sometimes saddened by their conformism but always passionately trying to inspire them with the values of the French cultural tradition he loved. Guéhenno's diary often includes his own reflections on the great texts he is teaching, instilling them with special meaning in the context of the Occupation. Complete with meticulous notes and a biographical index, Ball's edition of Guéhenno's epic diary offers readers a deeper understanding not only of the diarist's cultural allusions, but also of the dramatic, historic events through which he lived.
A Diary of The Lady: My First Year As Editor
by Rachel JohnsonRachel Johnson takes on the challenge of saving The Lady, Britain's oldest women's weekly, in her hilarious diary, A Diary of The Lady: My First Year and a Half as Editor.'The whole place seemed completely bonkers: dusty, tatty, disorganized and impossibly old-fashioned, set in an age of doilies and flag-waving patriotism and jam still for tea, some sunny day.'Appointed editor of The Lady - the oldest women's weekly in the world - Rachel Johnson faced the challenge of a lifetime. For a start, how do you become an editor when you've never, well, edited? How do you turn a venerable title, full of ads for walk-in baths, during the worst recession ever? And forget doubling the circulation in a year - what on earth do you wear to work when you've spent the last fifteen years at home in sweatpants?Will Rachel save The Lady - or sink it?'Action-packed, entertaining, marvellously indiscreet. Johnson is everything you want in a diarist and has a compulsive habit of saying the wrong thing' Sunday Times'She's a loose cannon. All she thinks of is sex. You can't get her away from a penis' Mrs Julia Budworth, co-owner, The Lady'A total romp, wonderfully readable, unflinchingly described' Guardian'HYSTERICAL. For the first time, everyone is talking about The Lady for reasons other than nannies' Piers MorganRachel Johnson is a journalist who has written two previous novels and two volumes of diaries. The Mummy Diaries, Notting Hell, Shire Hell and A Diary of The Lady are all available now from Penguin.
The Diary of Two Nobodies
by Mary Killen Giles WoodWelcome to Giles and Mary reality.Giles is a countryman who relishes solitude. His wife Mary thrives in company and enjoys frequent escapes to London.After thirty years in a marriage of opposites, Giles and Mary have adapted to a life of domestic misunderstandings within comical misadventures.In The Diary of Two Nobodies, you will have the unique opportunity to discover, first hand, what occurs when a man who sees himself as a cross between Mr Bean and Basil Fawlty shares his life with a woman who identifies closely with the Queen.Featuring original illustrations by the artist Giles, himself.
The Diary of William Young of Cotchford Farm
by Kevin LastWilliam Young was the son of gentleman farmer Henry Young who owned Cotchford Farm in the mid-nineteenth century. At the age of just twenty-three William left the farm for what we might now term a 'gap year’ working in Canada. This book, based on his own diary from 1854/5, tells the fascinating story of his journey via Liverpool and onwards on a three-masted schooner to New York, Buffalo and eventually Lake Erie. The voyage had its own perils, a long way from transatlantic travel today. Unbeknown to our diarist, the ship he travelled on was part of a criminal enterprise and eventually suffered both mutiny and wreck. In the mill towns on Lake Erie Young proves an indispensable worker both on crops and stonework. Just as he is about to return to England he is beset with difficulties..... His is a young, clear voice on life a hundred and sixty years ago.
Diary Poetics: Form and Style in Writers� Diaries, 1915-1962 (Routledge Studies in Twentieth-Century Literature)
by Anna JacksonThe diary is a genre that is often thought of as virtually formless, a "capacious hold-all" for the writer’s thoughts, and as offering unmediated access to the diarist’s true self. Focusing on the diaries of Katherine Mansfield, Virginia Woolf, Antonia White, Joe Orton, John Cheever, and Sylvia Plath, this book looks at how six very different professional writers have approached the diary form with its particular demands and literary potential. As a sequence of separate entries the diary is made up of both gaps and continuities, and the different ways diarists negotiate these aspects of the diary form has radical effects on how their diaries represent both the world and the biographical self. The different published editions of the diaries by Katherine Mansfield, Virginia Woolf and Sylvia Plath show how editorial decisions can construct sometimes startlingly different biographical portraits. Yet all diaries are constructed, and all diary constructions depend on how the writer works with the diary form.
Diary Poetics: Form and Style in Writers� Diaries, 1915-1962 (Routledge Studies in Twentieth-Century Literature #12)
by Anna JacksonThe diary is a genre that is often thought of as virtually formless, a "capacious hold-all" for the writer’s thoughts, and as offering unmediated access to the diarist’s true self. Focusing on the diaries of Katherine Mansfield, Virginia Woolf, Antonia White, Joe Orton, John Cheever, and Sylvia Plath, this book looks at how six very different professional writers have approached the diary form with its particular demands and literary potential. As a sequence of separate entries the diary is made up of both gaps and continuities, and the different ways diarists negotiate these aspects of the diary form has radical effects on how their diaries represent both the world and the biographical self. The different published editions of the diaries by Katherine Mansfield, Virginia Woolf and Sylvia Plath show how editorial decisions can construct sometimes startlingly different biographical portraits. Yet all diaries are constructed, and all diary constructions depend on how the writer works with the diary form.
Dick Taverne: Politics and Beyond: A Memoir
by Dick TaverneIn 1973, Labour MP Dick Taverne caused a national sensation when he stood against his own party as an independent to win a historic by-election in Lincoln. Demonstrating the power of the individual against party politics, his bold move was a forerunner for the formation of the SDP some eight years later and cemented his own place in political history. Peppered with entertaining anecdotes, Against the Tide sets Taverne's political battles in the context of a rich and varied life. After studying at Oxford University, Taverne juggled a legal career while taking his first steps in politics, before serving in Harold Wilson's government during the 1960s. His later achievements included the launch of the Institute for Fiscal Studies and the founding of the charity Sense About Science, whose objective of advancing public understanding of science continues to inform public debate today. Still an active member of the House of Lords, Dick Taverne presents a thoughtful and compelling memoir, as well as a measured account of fraught and turbulent times.
