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The guitar player by Jan Vermeer (UEB contracted)
by Rnib BookshareThis is an image of a painting of an attractive young lady who is seated and playing a guitar. It was painted in 1672. A locator dot and title are shown. These must always be at the top left of the page when the image is the right way up. The chair and her legs are not shown. The original painting is a beautiful old oil master with rich colours and subtle tones. Moving down the page from the title in the top left is a thick line border all around the image to define the edge of the painting. In the top left of the image is an old oil painting of a tree hanging on the wall. It is a painting within a painting. It is in a heavy gold frame with ornate decorations. The decorations glow in the light from a window. The rounded leafy parts of the top of the tree are at the top and the trunk is down from this. Down from the picture is the lady's head. She has a pretty face with rosy cheeks and hair in attractive ringlets on each side of her head. Both eyes and the nose and smiley mouth can be found. Down from her face is a pearl necklace around her neck. The necklace is shining in the light from the window. Moving down from the necklace are her shoulders and chest. She is wearing a yellow silk dress which has a large ermine fur collar and fur trimmings down the centre of her chest where it is fastened. On the left of her chest is her arm with some more fur at the bent elbow. Her lower arm, moving to the right, is bare skin. To the right of her lower arm is her hand with the fingers splayed. She is playing a guitar. To the right of her hand are the strings, follow them to the right and up slightly along the fingerboard. Halfway along is the lady's other hand, only four fingers can be found as her thumb is hidden. At the end of the fingerboard there are six tuning pegs in two rows of three. They stick up towards you not out sideways. Below the guitar is the rest of her very full dress. It has two more strips of ermine fur to the left and right. In the bottom right corner of the picture is a small cabinet made from dark varnished wood with a large leather bound book resting on it. It is the sort with gilt embossed lettering. It is seen from the end with the spine on the left and the pages to the right. In the top right corner hangs a heavy velvet curtain in front of a window, which is not seen. It is from here the light comes and plays on the gold frame of the picture on the wall and the lady's pearl necklace.
The guitar player by Jan Vermeer (UEB uncontracted)
by Rnib BookshareThis is an image of a painting of an attractive young lady who is seated and playing a guitar. It was painted in 1672. A locator dot and title are shown. These must always be at the top left of the page when the image is the right way up. The chair and her legs are not shown. The original painting is a beautiful old oil master with rich colours and subtle tones. Moving down the page from the title in the top left is a thick line border all around the image to define the edge of the painting. In the top left of the image is an old oil painting of a tree hanging on the wall. It is a painting within a painting. It is in a heavy gold frame with ornate decorations. The decorations glow in the light from a window. The rounded leafy parts of the top of the tree are at the top and the trunk is down from this. Down from the picture is the lady's head. She has a pretty face with rosy cheeks and hair in attractive ringlets on each side of her head. Both eyes and the nose and smiley mouth can be found. Down from her face is a pearl necklace around her neck. The necklace is shining in the light from the window. Moving down from the necklace are her shoulders and chest. She is wearing a yellow silk dress which has a large ermine fur collar and fur trimmings down the centre of her chest where it is fastened. On the left of her chest is her arm with some more fur at the bent elbow. Her lower arm, moving to the right, is bare skin. To the right of her lower arm is her hand with the fingers splayed. She is playing a guitar. To the right of her hand are the strings, follow them to the right and up slightly along the fingerboard. Halfway along is the lady's other hand, only four fingers can be found as her thumb is hidden. At the end of the fingerboard there are six tuning pegs in two rows of three. They stick up towards you not out sideways. Below the guitar is the rest of her very full dress. It has two more strips of ermine fur to the left and right. In the bottom right corner of the picture is a small cabinet made from dark varnished wood with a large leather bound book resting on it. It is the sort with gilt embossed lettering. It is seen from the end with the spine on the left and the pages to the right. In the top right corner hangs a heavy velvet curtain in front of a window, which is not seen. It is from here the light comes and plays on the gold frame of the picture on the wall and the lady's pearl necklace.
Angel of the North by Antony Gormley (Large Print)
by RnibThis is an image of a steel sculpture of a standing man with wings, his head is top centre and feet bottom centre of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. He has no facial features and his legs and feet are not separated. Instead of arms he has long aeroplane wings which stretch out to the left and right. The thin vertical lines are ridges of steel which are part of the sculptures structure. It is unpainted, the orange red colour comes from natural rust staining.
Angel of the North by Antony Gormley (UEB Contracted)
by RnibThis is an image of a steel sculpture of a standing man with wings, his head is top centre and feet bottom centre of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. He has no facial features and his legs and feet are not separated. Instead of arms he has long aeroplane wings which stretch out to the left and right. The thin vertical lines are ridges of steel which are part of the sculptures structure. It is unpainted, the orange red colour comes from natural rust staining.
Angel of the North by Antony Gormley (UEB Uncontracted)
by RnibThis is an image of a steel sculpture of a standing man with wings, his head is top centre and feet bottom centre of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. He has no facial features and his legs and feet are not separated. Instead of arms he has long aeroplane wings which stretch out to the left and right. The thin vertical lines are ridges of steel which are part of the sculptures structure. It is unpainted, the orange red colour comes from natural rust staining.
Reclining Figure by Henry Moore (Large Print)
by Rnib BookshareThis is an image of a sculpture of a reclining woman. There is a locator dot shown, which will be at the top left when the image is the right way up. The sculpture is shown from the side with the â œheadâ to the top right, and where the feet would be to the bottom left. It is an abstract sculpture. The upper part of the head has a downward curving recess. Down and slightly right from it is the sculptures left shoulder and upper arm. The figure rests on her elbows so the lower arm goes to the left from the bent elbow. The other arm is similarly bent but only parts of this lower arm can be found as it is partially hidden by part of the body. From the elbow it goes left, disappears behind the body then reappears briefly where there is a â œholeâ in the body and it shows through. The rest of the body is to the left. The knees are bent up and the lower legs go down to the bottom left of the image. The sculpture does not have feet.
Reclining Figure by Henry Moore (UEB contracted)
by Rnib BookshareThis is an image of a sculpture of a reclining woman. There is a locator dot shown, which will be at the top left when the image is the right way up. The sculpture is shown from the side with the head to the top right, and where the feet would be to the bottom left. It is an abstract sculpture. The upper part of the head has a downward curving recess. Down and slightly right from it is the sculptures left shoulder and upper arm. The figure rests on her elbows so the lower arm goes to the left from the bent elbow. The other arm is similarly bent but only parts of this lower arm can be found as it is partially hidden by part of the body. From the elbow it goes left, disappears behind the body then reappears briefly where there is a hole in the body and it shows through. The rest of the body is to the left. The knees are bent up and the lower legs go down to the bottom left of the image. The sculpture does not have feet.
Reclining Figure by Henry Moore (UEB uncontracted)
by Rnib BookshareThis is an image of a sculpture of a reclining woman. There is a locator dot shown, which will be at the top left when the image is the right way up. The sculpture is shown from the side with the head to the top right, and where the feet would be to the bottom left. It is an abstract sculpture. The upper part of the head has a downward curving recess. Down and slightly right from it is the sculptures left shoulder and upper arm. The figure rests on her elbows so the lower arm goes to the left from the bent elbow. The other arm is similarly bent but only parts of this lower arm can be found as it is partially hidden by part of the body. From the elbow it goes left, disappears behind the body then reappears briefly where there is a hole in the body and it shows through. The rest of the body is to the left. The knees are bent up and the lower legs go down to the bottom left of the image. The sculpture does not have feet.
Reclining Figure by Henry Moore (Large Print)
by Rnib BookshareThis is an image of a marble sculpture of a standing man with his head at the top of the page and his feet at the bottom of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. The head is upright and facing slightly to the right so one blank eye can be found but the other is largely hidden by the nose. He has medium length curly hair. He is naked with a sculpted cloth over his shoulder held by his bent arm on the right. The arm to the left hangs down straight. The body is slim and slightly muscular. The statue is in a classic pose with the body's weight on the leg to the left and the right leg relaxed to the right. The hips are level, the waist is slightly to the right and the shoulders tilted to the left. The statue stands on a low plinth. There is a small stump of wood behind his leg on the left in the bottom centre of the page.
Reclining Figure by Henry Moore (UEB uncontracted)
by Rnib BookshareThis is an image of a marble sculpture of a standing man with his head at the top of the page and his feet at the bottom of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. The head is upright and facing slightly to the right so one blank eye can be found but the other is largely hidden by the nose. He has medium length curly hair. He is naked with a sculpted cloth over his shoulder held by his bent arm on the right. The arm to the left hangs down straight. The body is slim and slightly muscular. The statue is in a classic pose with the body's weight on the leg to the left and the right leg relaxed to the right. The hips are level, the waist is slightly to the right and the shoulders tilted to the left. The statue stands on a low plinth. There is a small stump of wood behind his leg on the left in the bottom centre of the page.
Reclining Figure by Henry Moore (UEB contracted)
by Rnib BookshareThis is an image of a marble sculpture of a standing man with his head at the top of the page and his feet at the bottom of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. The man is facing forward. The head is upright and facing slightly to the right so one blank eye can be found but the other is largely hidden by the nose. He has medium length curly hair. He is naked with a sculpted cloth over his shoulder held by his bent arm on the right. The arm to the left hangs down straight. The body is slim and slightly muscular. The statue is in a classic pose with the body's weight on the leg to the left and the right leg relaxed to the right. The hips are level, the waist is slightly to the right and the shoulders tilted to the left. The statue stands on a low plinth. There is a small stump of wood behind his leg on the left in the bottom centre of the page.
Venus de Milo (Large Print)
by Rnib BookshareThis is an image of a front view of a marble sculpture of a standing woman dating from the second century. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward with her head at the top of the page. She is naked from the waist up with a sculpted cloth draped around her legs and feet making it difficult to find them. The arm to the right has been broken off at the shoulder and is not shown. The arm to the left is broken off just above the elbow and is not shown either. The statue is in a classic pose with the hips tilted to the right and the shoulders tilted to the left. The head is upright and looking slightly down and to the right. The statue stands on a low plinth.
Venus de Milo (UEB contracted)
by Rnib BookshareThis is an image of a front view of a marble sculpture of a standing woman dating from the second century. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward with her head at the top of the page. She is naked from the waist up with a sculpted cloth draped around her legs and feet making it difficult to find them. The arm to the right has been broken off at the shoulder and is not shown. The arm to the left is broken off just above the elbow and is not shown either. The statue is in a classic pose with the hips tilted to the right and the shoulders tilted to the left. The head is upright and looking slightly down and to the right. The statue stands on a low plinth.
Venus de Milo (UEB uncontracted)
by Rnib BookshareThis is an image of a front view of a marble sculpture of a standing woman dating from the second century. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward with her head at the top of the page. She is naked from the waist up with a sculpted cloth draped around her legs and feet making it difficult to find them. The arm to the right has been broken off at the shoulder and is not shown. The arm to the left is broken off just above the elbow and is not shown either. The statue is in a classic pose with the hips tilted to the right and the shoulders tilted to the left. The head is upright and looking slightly down and to the right. The statue stands on a low plinth.
Weeping woman by Pablo Picasso (Large Print)
by Rnib BookshareThese pages show a build up of an image of the abstract cubist painting. This is a style where different left and right views are combined into one image. It is a multi-page image set on four pages. There is a locator dot shown on each page, which will be at the top left when the image is the correct way up. Each image is surrounded by an image border. Weeping woman facial features and hand only. This is an image of an oil painting of a woman's head and shoulders. At the top of the page she is wearing a red hat with a yellow bow and a blue flowerâ to the left centre of the hat. The hat has a thick yellow line running along the top and horizontally through the middle on the left. To the left she has medium length hair and a short bang of hair at the top of her forehead. To the mid right of the medium length hair is her ear. Up and right from here the pupils of her eyes are jagged black star shapes surrounded by a heavy oval line. Lots of eyelashes are shown. Up from each eye there is an eyebrow, the one on the right is heavier. The nose is not clearly shown. The lower part of the face the mouth and chin are turned to face to the right slightly. The lips are parted so the upper and lower teeth of the front and right side of the mouth can be found. To the right of the mouth the left hand is shown empty with three fingertips and nails. The thumb is shown to the right and down from the chin. The wrist is down from the thumb coming from a sleeve cuff shown by a thick line. To the right, below and to the left is the cloth of the womanâ TMs dress. It has decorations shown by heavy dashed lines. Weeping woman simplified. This image is the same as the first image but with more detail around the eyes, and the hand now holds a crumpled handkerchief. There are three tears below the eye on the left and one below the eye on the right. The track of a fifth tear goes left from the eye on the left and down past the ear. At the end of the track the tear is shown as a small circle. Right from this tear is the angular thumb of the right hand, the rest of the hand is not shown. Weeping woman the full painting without background. This image is the same as the second image but with more detail below the eyes and on the neck. The area down from the eyes, the chin and the left thumb is without texture/colour and is a stark pattern of white, black and a very dark blue. Patches of colour and lines around the eyes convey the wrinkled despair of the distraught woman. It shows the almost violent grief of the weeping woman. Weeping woman by Picasso the full painting. This image is the same as the third image but with the detail of the background. On the left, the womans hair is shown as thick black lines with streaks of blue, purple and greenish yellow. Her ear is yellow and green. This side of her face is yellow with a purple patch under the eye and tear track on the left. Above her eye on the left is a patch of green and up from this is an eyebrow. Just to the right of the green patch is a patch of purple surrounded by a thick black line. Down from this and to the right of the eye on the left is a sort of yellow cup facing up. To the right of this is another yellow cup facing to the right. Above the eye on the right is a triangle of black on the left and one of yellow to the right. Up from this triangle is a thick black eyebrow. Below the eyes is a pattern of thick black lines and the rounded tear drops. The side of the face on the right is green with a purple triangle below the eye. The left hand in the bottom right of the image is green with yellow fingernails. The palm and wrist of the image is yellow. The dress is black with a pattern of white brush marks making geometric shapes. Immediately above the womans shoulders is an area of bright red in the background. Up from this on the right of the woman's head a broad stripe of brown runs across the image. It is trimmed with an orange line up and a yellow line down from it. Up from the small patch of red to the left of the womans head a broad stripe of brown runs diagonally up to the left. It is...
Weeping woman by Pablo Picasso (UEB contracted)
by Rnib BookshareThese pages show a build up of an image of the abstract cubist painting. This is a style where different left and right views are combined into one image. It is a multi-page image set on four pages. There is a locator dot shown on each page, which will be at the top left when the image is the correct way up. Each image is surrounded by an image border. Weeping woman facial features and hand only. This is an image of an oil painting of a woman's head and shoulders. At the top of the page she is wearing a red hat with a yellow bow and a blue flowerâ to the left centre of the hat. The hat has a thick yellow line running along the top and horizontally through the middle on the left. To the left she has medium length hair and a short bang of hair at the top of her forehead. To the mid right of the medium length hair is her ear. Up and right from here the pupils of her eyes are jagged black star shapes surrounded by a heavy oval line. Lots of eyelashes are shown. Up from each eye there is an eyebrow, the one on the right is heavier. The nose is not clearly shown. The lower part of the face the mouth and chin are turned to face to the right slightly. The lips are parted so the upper and lower teeth of the front and right side of the mouth can be found. To the right of the mouth the left hand is shown empty with three fingertips and nails. The thumb is shown to the right and down from the chin. The wrist is down from the thumb coming from a sleeve cuff shown by a thick line. To the right, below and to the left is the cloth of the womanâ TMs dress. It has decorations shown by heavy dashed lines. Weeping woman simplified. This image is the same as the first image but with more detail around the eyes, and the hand now holds a crumpled handkerchief. There are three tears below the eye on the left and one below the eye on the right. The track of a fifth tear goes left from the eye on the left and down past the ear. At the end of the track the tear is shown as a small circle. Right from this tear is the angular thumb of the right hand, the rest of the hand is not shown. Weeping woman the full painting without background. This image is the same as the second image but with more detail below the eyes and on the neck. The area down from the eyes, the chin and the left thumb is without texture/colour and is a stark pattern of white, black and a very dark blue. Patches of colour and lines around the eyes convey the wrinkled despair of the distraught woman. It shows the almost violent grief of the weeping woman. Weeping woman by Picasso the full painting. This image is the same as the third image but with the detail of the background. On the left, the womans hair is shown as thick black lines with streaks of blue, purple and greenish yellow. Her ear is yellow and green. This side of her face is yellow with a purple patch under the eye and tear track on the left. Above her eye on the left is a patch of green and up from this is an eyebrow. Just to the right of the green patch is a patch of purple surrounded by a thick black line. Down from this and to the right of the eye on the left is a sort of yellow cup facing up. To the right of this is another yellow cup facing to the right. Above the eye on the right is a triangle of black on the left and one of yellow to the right. Up from this triangle is a thick black eyebrow. Below the eyes is a pattern of thick black lines and the rounded tear drops. The side of the face on the right is green with a purple triangle below the eye. The left hand in the bottom right of the image is green with yellow fingernails. The palm and wrist of the image is yellow. The dress is black with a pattern of white brush marks making geometric shapes. Immediately above the womans shoulders is an area of bright red in the background. Up from this on the right of the woman's head a broad stripe of brown runs across the image. It is trimmed with an orange line up and a yellow line down from it. Up from the small patch of red to the left of the womans head a broad stripe of brown runs diagonally up to the left. It is...
Weeping woman by Pablo Picasso (UEB uncontracted)
by Rnib BookshareThese pages show a build up of an image of the abstract cubist painting. This is a style where different left and right views are combined into one image. It is a multi-page image set on four pages. There is a locator dot shown on each page, which will be at the top left when the image is the correct way up. Each image is surrounded by an image border. Weeping woman facial features and hand only. This is an image of an oil painting of a woman's head and shoulders. At the top of the page she is wearing a red hat with a yellow bow and a blue flowerâ to the left centre of the hat. The hat has a thick yellow line running along the top and horizontally through the middle on the left. To the left she has medium length hair and a short bang of hair at the top of her forehead. To the mid right of the medium length hair is her ear. Up and right from here the pupils of her eyes are jagged black star shapes surrounded by a heavy oval line. Lots of eyelashes are shown. Up from each eye there is an eyebrow, the one on the right is heavier. The nose is not clearly shown. The lower part of the face the mouth and chin are turned to face to the right slightly. The lips are parted so the upper and lower teeth of the front and right side of the mouth can be found. To the right of the mouth the left hand is shown empty with three fingertips and nails. The thumb is shown to the right and down from the chin. The wrist is down from the thumb coming from a sleeve cuff shown by a thick line. To the right, below and to the left is the cloth of the womanâ TMs dress. It has decorations shown by heavy dashed lines. Weeping woman simplified. This image is the same as the first image but with more detail around the eyes, and the hand now holds a crumpled handkerchief. There are three tears below the eye on the left and one below the eye on the right. The track of a fifth tear goes left from the eye on the left and down past the ear. At the end of the track the tear is shown as a small circle. Right from this tear is the angular thumb of the right hand, the rest of the hand is not shown. Weeping woman the full painting without background. This image is the same as the second image but with more detail below the eyes and on the neck. The area down from the eyes, the chin and the left thumb is without texture/colour and is a stark pattern of white, black and a very dark blue. Patches of colour and lines around the eyes convey the wrinkled despair of the distraught woman. It shows the almost violent grief of the weeping woman. Weeping woman by Picasso the full painting. This image is the same as the third image but with the detail of the background. On the left, the womans hair is shown as thick black lines with streaks of blue, purple and greenish yellow. Her ear is yellow and green. This side of her face is yellow with a purple patch under the eye and tear track on the left. Above her eye on the left is a patch of green and up from this is an eyebrow. Just to the right of the green patch is a patch of purple surrounded by a thick black line. Down from this and to the right of the eye on the left is a sort of yellow cup facing up. To the right of this is another yellow cup facing to the right. Above the eye on the right is a triangle of black on the left and one of yellow to the right. Up from this triangle is a thick black eyebrow. Below the eyes is a pattern of thick black lines and the rounded tear drops. The side of the face on the right is green with a purple triangle below the eye. The left hand in the bottom right of the image is green with yellow fingernails. The palm and wrist of the image is yellow. The dress is black with a pattern of white brush marks making geometric shapes. Immediately above the womans shoulders is an area of bright red in the background. Up from this on the right of the woman's head a broad stripe of brown runs across the image. It is trimmed with an orange line up and a yellow line down from it. Up from the small patch of red to the left of the womans head a broad stripe of brown runs diagonally up to the left. It is...
Mona Lisa by Leonardo da Vinci (Large Print)
by Rnib BookshareThis is an image of an oil painting of a woman. It was painted in 1505. The original is fairly dark from varnish with subdued colours. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward and shown from the waist up with her head in the top centre of the page. Her face is pointed slightly to the left but her eyes are turned to look straight at you. She has long dark brown hair with a hint of red. Both arms are bent at the elbow and her hands are crossed in the bottom centre of the page. She gently rests on the arm to the right. She is wearing a dark green dress with loose folds of cloth and paler sleeves on her lower arms. She has the famous slight enigmatic smile. The background is a view of a distant soft landscape comprising forests, lakes, a track and an arched bridge. It is a range of greens and blue-greens with quite a bright blue for the water.
Mona Lisa by Leonardo da Vinci (UEB contracted)
by Rnib BookshareThis is an image of an oil painting of a woman. It was painted in 1505. The original is fairly dark from varnish with subdued colours. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward and shown from the waist up with her head in the top centre of the page. Her face is pointed slightly to the left but her eyes are turned to look straight at you. She has long dark brown hair with a hint of red. Both arms are bent at the elbow and her hands are crossed in the bottom centre of the page. She gently rests on the arm to the right. She is wearing a dark green dress with loose folds of cloth and paler sleeves on her lower arms. She has the famous slight enigmatic smile. The background is a view of a distant soft landscape comprising forests, lakes, a track and an arched bridge. It is a range of greens and blue-greens with quite a bright blue for the water.
Mona Lisa by Leonardo da Vinci (UEB uncontracted)
by Rnib BookshareThis is an image of an oil painting of a woman. It was painted in 1505. The original is fairly dark from varnish with subdued colours. There is a locator dot shown, which will be at the top left when the image is the right way up. The woman is facing forward and shown from the waist up with her head in the top centre of the page. Her face is pointed slightly to the left but her eyes are turned to look straight at you. She has long dark brown hair with a hint of red. Both arms are bent at the elbow and her hands are crossed in the bottom centre of the page. She gently rests on the arm to the right. She is wearing a dark green dress with loose folds of cloth and paler sleeves on her lower arms. She has the famous slight enigmatic smile. The background is a view of a distant soft landscape comprising forests, lakes, a track and an arched bridge. It is a range of greens and blue-greens with quite a bright blue for the water.
The Kiss by Auguste Rodin (Large Print)
by Rnib BookshareThis is an image of a marble sculpture of a man and a woman sitting on a large rock. It was finished in 1904. The front of the sculpture is on the left and a close-up of the right side in an image border is on the right of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. On the left of the page the couple are sitting with their lower bodies facing forward and their upper bodies facing each other. The man is on the left and the woman on the right. They are naked and in an embrace. At the top of the image the man's head is facing to the right and down. A lot of his face cannot be found as the womans arm hides it. Only the upper part of his right ear can be found. In this view his left arm cannot be found. His right hand is holding the womans left hip. His left leg is partly obscured by the womans legs which hang over it. At the top of the image the womans left arm is wrapped around the mans neck. It obscures most of her face as well as his. Her hand is behind his neck and cannot be found. Her breasts are seen from a three quarter view so only the nearest nipple is showing. Her right leg crosses his left leg and her left foot rest on his left foot. In the image on the right not all the sculpture is shown. It is a view from the right side of the sculpture. The man is facing forward and the woman facing away at an angle so her back can be found in the centre of the image. At the top of the image the mans face is facing to the right and slightly down. His ear to the left, an eye, the upper nose and the other eye on the right of the face can be found. The lower part of his face and mouth cannot be found as it is obscured as the woman kisses him. Her head is on its side, the top of her head is to the right and her chin to the left. She is facing away towards the man so only one ear can be found and her eyes cannot be found. Her left arm goes around behind his head so the lower arm and hand cannot be found. On the left, the man's right arm goes behind the woman's hip so his hand cannot be found. She rests on her folded right elbow so this hand is not shown either. On the right the man's left arm and hand rest on the rock. There is a small piece of carved cloth in his elbow.
The Kiss by Auguste Rodin (UEB contracted)
by Rnib BookshareThis is an image of a marble sculpture of a man and a woman sitting on a large rock. It was finished in 1904. The front of the sculpture is on the left and a close-up of the right side in an image border is on the right of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. On the left of the page the couple are sitting with their lower bodies facing forward and their upper bodies facing each other. The man is on the left and the woman on the right. They are naked and in an embrace. At the top of the image the man's head is facing to the right and down. A lot of his face cannot be found as the womans arm hides it. Only the upper part of his right ear can be found. In this view his left arm cannot be found. His right hand is holding the womans left hip. His left leg is partly obscured by the womans legs which hang over it. At the top of the image the womans left arm is wrapped around the mans neck. It obscures most of her face as well as his. Her hand is behind his neck and cannot be found. Her breasts are seen from a three quarter view so only the nearest nipple is showing. Her right leg crosses his left leg and her left foot rest on his left foot. In the image on the right not all the sculpture is shown. It is a view from the right side of the sculpture. The man is facing forward and the woman facing away at an angle so her back can be found in the centre of the image. At the top of the image the mans face is facing to the right and slightly down. His ear to the left, an eye, the upper nose and the other eye on the right of the face can be found. The lower part of his face and mouth cannot be found as it is obscured as the woman kisses him. Her head is on its side, the top of her head is to the right and her chin to the left. She is facing away towards the man so only one ear can be found and her eyes cannot be found. Her left arm goes around behind his head so the lower arm and hand cannot be found. On the left, the man's right arm goes behind the woman's hip so his hand cannot be found. She rests on her folded right elbow so this hand is not shown either. On the right the man's left arm and hand rest on the rock. There is a small piece of carved cloth in his elbow.
The Kiss by Auguste Rodin (UEB uncontracted)
by Rnib BookshareThis is an image of a marble sculpture of a man and a woman sitting on a large rock. It was finished in 1904. The front of the sculpture is on the left and a close-up of the right side in an image border is on the right of the page. There is a locator dot shown, which will be at the top left when the image is the right way up. On the left of the page the couple are sitting with their lower bodies facing forward and their upper bodies facing each other. The man is on the left and the woman on the right. They are naked and in an embrace. At the top of the image the man's head is facing to the right and down. A lot of his face cannot be found as the womans arm hides it. Only the upper part of his right ear can be found. In this view his left arm cannot be found. His right hand is holding the womans left hip. His left leg is partly obscured by the womans legs which hang over it. At the top of the image the womans left arm is wrapped around the mans neck. It obscures most of her face as well as his. Her hand is behind his neck and cannot be found. Her breasts are seen from a three quarter view so only the nearest nipple is showing. Her right leg crosses his left leg and her left foot rest on his left foot. In the image on the right not all the sculpture is shown. It is a view from the right side of the sculpture. The man is facing forward and the woman facing away at an angle so her back can be found in the centre of the image. At the top of the image the mans face is facing to the right and slightly down. His ear to the left, an eye, the upper nose and the other eye on the right of the face can be found. The lower part of his face and mouth cannot be found as it is obscured as the woman kisses him. Her head is on its side, the top of her head is to the right and her chin to the left. She is facing away towards the man so only one ear can be found and her eyes cannot be found. Her left arm goes around behind his head so the lower arm and hand cannot be found. On the left, the man's right arm goes behind the woman's hip so his hand cannot be found. She rests on her folded right elbow so this hand is not shown either. On the right the man's left arm and hand rest on the rock. There is a small piece of carved cloth in his elbow.
Painting of Shakespeare in a frame (Large Print)
by Rnib BookshareThis is an image of a painting of the upper body and head of William Shakespeare, facing forward, in an ornate rectangular frame. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. His head is down the page from the top of the frame, with his long hair hanging on either side of his face. His eyebrows, eyes, nose, mouth, moustache and beard are also shown. He is wearing a shirt, which has laces hanging loose at the collar and has five buttons. His upper arms are to the left and right of his body.
Painting of Shakespeare in a frame (UEB Contracted)
by Rnib BookshareThis is an image of a painting of the upper body and head of William Shakespeare, facing forward, in an ornate rectangular frame. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. His head is down the page from the top of the frame, with his long hair hanging on either side of his face. His eyebrows, eyes, nose, mouth, moustache and beard are also shown. He is wearing a shirt, which has laces hanging loose at the collar and has five buttons. His upper arms are to the left and right of his body.