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Eyes On Stalks (Performance Books)
by John Fox"Welfare State International are brilliant at making an audience of strangers into a community" GuardianWelfare State International, the inspirational theatre company founded in 1968 and based in Cumbria, creates and facilitates celebratory art and theatre, ranging from carnivals, lantern processions and rites of passage, to flags, banners and pyrotechnics. In a mixture of personal stories, clear instructions, poems and artists' sketches, Eyes on Stalks is a detailed and practical guide to their production techniques. It includes sections on caravans and street shows, community regeneration, comedy extravaganzas and alternative naming, betrothal and funeral ceremonies.
F*ck You Pay Me (Oberon Modern Plays)
by Joana NastariAn evening of shameless entertainment,of divine feminine fury.A burial of preconceptions,a night of Sex-Witch Anarchy. Featuring a live score and nightly special guests, Joana Nastari’s award-winning debut Fuck You Pay Me is a love letter to strippers and a surreal collision of comedy, poetry and live music exploring power, money and sisterhood.
The Faber Pocket Guide to Greek and Roman Drama
by John BurgessAn essential, refreshingly accessible guide to Greek and Roman drama containing entries for forty plays by all the major dramatists in the classical world - Aeschylus, Sophocles, Euripides, Aristophanes, Menander, Plautus, Terence and Seneca.Features include:Playwright biographiesSynopses and detailed commentaryAdvice on the best translations availableA survey of the ancient theatre and its social and political background.Written by John Burgess, freelance director and former Head of New Writing at the National Theatre, this book is an indispensable resource for the theatregoer, student and general reader.
The Faber Pocket Guide to Musicals
by James InverneWith hit TV shows picking the leads in productions of Oliver! and The Sound Of Music, and smash musicals like Hairspray and Wicked all the West End rage, musical theatre is as popular as it's ever been. James Inverne provides an indispensable guide to his top one hundred greatest shows of all time - and ten of the worst. Whether you know your Pal Joey from The Producers, your West Side Story from your Witch Witch, the Faber Pocket Guide To Musicals is packed with entertaining behind-the-scenes stories, essential songlists and comprehensive recording guides. Did you know, for instance, that one of the best recordings of Les Miserables is in Hebrew? Or that the Mel Brooks wasn't the first person to want to make a musical of The Producers? (That claim goes to Eric Idle.) Or the ridiculous story of the huge purpose-built theatre constructed in Holland to house a flop about Grace Kelly?Key features include:- The hundred greatest musicals- Numbers to listen for- Snapshot plot summaries- Ten terrible musicals- Recommended recordingsJames Inverne has been writing about musical theatre for years and brings copious knowledge, passion for the subject and a sense of fun to a genre that continues to entertain us all. Make the most of the musicals with this vital book.
The Face of Mammon: The Matter of Money in English Renaissance Literature
by David LandrethMoney talked in sixteenth-century England, as money still does today. But what the sixteenth century's gold and silver had to say for itself is strikingly different from the modern discourse of money. As David Landreth demonstrates in The Face of Mammon, the material and historical differences between the coins of the English Renaissance and today's paper and electronic money propel a distinctive and complex assessment of the relation between material substance and human value. Although the sixteenth century was marked by the traumatic emergence of conditions that would prove to be characteristic of the modern economy, the discipline of economics had not been invented to assess those conditions. The Face of Mammon considers how literary texts investigated these unexplained material transformations through attention to the materiality of gold and silver money. In new readings of Spenser's Faerie Queene, Marlowe's Jew of Malta, three plays by Shakespeare-King John, The Merchant of Venice, and Measure for Measure-the poetry of John Donne, and the prose of Thomas Nashe, Landreth argues that these texts situate the act of exchange at the center of a system of "common wealth" that sought to integrate political, ethical, and religious values with material ones, and probe the ways in which market value corrodes that system even as it depends upon it. Joining the methods of material-culture studies to those of economic criticism, The Face of Mammon offers a new account of the historical transformations of the concept of value to scholars of early modern literature, culture, and art, as well as to those interested in economic history.
Facial Choreographies: Performing the Face in Popular Dance
by Sherril DoddsThe face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
Facial Choreographies: Performing the Face in Popular Dance
by Sherril DoddsThe face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.
Facial Hair and the Performance of Early Modern Masculinity (Studies in Performance and Early Modern Drama)
by Eleanor RycroftFacial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity. According to medical, cultural, and literary discourses of early modern era in England, facial hair marked adult manliness while beardlessness indicated boyhood. Beards were therefore a passport to cultural prerogatives. This book explores this in relation to the early modern stage, a space in which the processes of gender formation in early modern society were writ large, and how the uses of facial hair in the theatre illuminate the operations of power and politics in society more widely. Written for scholars of Early Modern Theatre and Theatre History, this volume anatomises the role of beards in the construction of onstage masculinity, acknowledging the challenges offered to the dominant ideology of manliness by boys and men who misrepresented or failed to fulfil bearded masculine ideals.
Facial Hair and the Performance of Early Modern Masculinity (Studies in Performance and Early Modern Drama)
by Eleanor RycroftFacial Hair and the Performance of Early Modern Masculinity is the first full-length critical study to analyse the importance of beards in terms of the theatrical performance of masculinity. According to medical, cultural, and literary discourses of early modern era in England, facial hair marked adult manliness while beardlessness indicated boyhood. Beards were therefore a passport to cultural prerogatives. This book explores this in relation to the early modern stage, a space in which the processes of gender formation in early modern society were writ large, and how the uses of facial hair in the theatre illuminate the operations of power and politics in society more widely. Written for scholars of Early Modern Theatre and Theatre History, this volume anatomises the role of beards in the construction of onstage masculinity, acknowledging the challenges offered to the dominant ideology of manliness by boys and men who misrepresented or failed to fulfil bearded masculine ideals.
Failure, Fascism, and Teachers in American Theatre: Pedagogy of the Oppressors (Palgrave Studies in Theatre and Performance History)
by James F. WilsonThis timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars.
Fair Play (Modern Plays)
by Ella RoadThe clocks are set. The line is drawn. They've got a chance to be champions. But at what cost?When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable – dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster… But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) – 'the most promising young playwright in Britain' (The Telegraph).This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021.
Fair Play (Modern Plays)
by Ella RoadThe clocks are set. The line is drawn. They've got a chance to be champions. But at what cost?When Ann joins Sophie's running club she's thrown into a world of regimented training and pure focus. The two girls couldn't be more different, but soon their shared passion makes them inseparable – dreaming in lanes and lap-times, waking up picturing Olympic medals, each day stronger and faster… But set head to head in the run up to the World Championships, they find themselves and their friendship put to the ultimate test. As their relationships, their bodies and their very identities are pulled into public scrutiny, does being exceptional come at too high a price? A gripping exploration of the underside of women's athletics, Fair Play is the new work from Ella Road (The Phlebotomist) – 'the most promising young playwright in Britain' (The Telegraph).This edition was published to coincide with the world premiere at Bush Theatre, London, in December 2021.
Fair Play - Art, Performance and Neoliberalism: Art, Performance And Neoliberalism (Performance Interventions)
by J. HarvieThis book asks what is the quality of participation in contemporary art and performance? Has it been damaged by cultural policies which have 'entrepreneurialized' artists, cut arts funding and cultivated corporate philanthropy? Has it been fortified by crowdfunding, pop-ups and craftsmanship? And how can it help us to understand social welfare?
Fairview (Oberon Modern Plays)
by Jackie Sibblies DruryIt’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom. But something isn't right. Who is watching them? A radical examination of the power of spectatorship and the pressure of destructive preconceptions, Jackie Sibblies Drury’s 2019 Pulitzer prize-winner Fairview is a searing meta-theatrical interrogation of the white gaze, performance, and the subjectivity of the audience.
Faith: Collected Plays (the Neighbour, The Editing Process, Faith, Her Mother And Bartok, Shadowmouth, Glide, The Mind Of The Meeting) (Oberon Modern Plays)
by Meredith OakesA vision of military conflict as a testing-ground for English values. Nightmarish contradictions face a group of soldiers in an isolated farmhouse on the edge of battle. Premiered at the Royal Court Theatre in 1997
Faith Healer: Philadelphia, Here I Come!; The Freedom Of The City; Living Quarters; Aristocrats; Faith Healer; Translations
by Brian FrielOne of the masterpieces of Ireland's greatest living playwright, Faith Healer weaves together the stories of a travelling healer, his wife and his manager. From their different versions of the healer's performances and a terrible event at the centre of the drama, Friel creates a powerful and haunting work of art.
Faith, Hope and Charity
by Odon von HorvathSet in the socially and economically oppressed Vienna of the early thirties, this play is the story of a young girl's struggle to survive in the city, a victim of forces she does not comprehend. As the play opens, she is trying to sell her body to an anatomical institute.
Faith, Hope and Charity (Modern Plays)
by Alexander ZeldinIn a run-down community hall on the edge of town, a woman has been cooking lunch for those in need.A choir is starting up, run by a volunteer who's looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling.Alexander Zeldin's new play is the culmination of a trilogy that began with Beyond Caring - 'Unforgettable' (The Times) - and followed by LOVE - 'the National's play of the year, and then some' (Evening Standard). Described as an uncompromising theatrical experience that goes to the heart of our uncertain times it offers a dose of social realism that taps into the humans behind the headlines. This edition was published to coincide with the world premiere at the National Theatre in September 2019.
Faith, Hope and Charity (Modern Plays)
by Alexander ZeldinIn a run-down community hall on the edge of town, a woman has been cooking lunch for those in need.A choir is starting up, run by a volunteer who's looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling.Alexander Zeldin's new play is the culmination of a trilogy that began with Beyond Caring - 'Unforgettable' (The Times) - and followed by LOVE - 'the National's play of the year, and then some' (Evening Standard). Described as an uncompromising theatrical experience that goes to the heart of our uncertain times it offers a dose of social realism that taps into the humans behind the headlines. This edition was published to coincide with the world premiere at the National Theatre in September 2019.
The Fake Food Cookbook: Props You Can't Eat for Theatre, Film, and TV
by Tamara Honesty Karestin HarrisonThe Fake Food Cookbook: Props You Can’t Eat for Theatre, Film, and TV contains step by step instructions on how to create the most realistic prop food for a theatrical production. From appetizers such as oysters on a half shell and chicken wings, entrees such as lobster and honey-glazed ham, to desserts, breakfasts, and even beverages, every meal is covered in this how-to guide. Full color images of each step and finished products illustrate each recipe, along with suggestions for keeping the budget for each project low. Safety Data Sheets and links to informative videos are hosted on a companion website.
The Fake Food Cookbook: Props You Can't Eat for Theatre, Film, and TV
by Tamara Honesty Karestin HarrisonThe Fake Food Cookbook: Props You Can’t Eat for Theatre, Film, and TV contains step by step instructions on how to create the most realistic prop food for a theatrical production. From appetizers such as oysters on a half shell and chicken wings, entrees such as lobster and honey-glazed ham, to desserts, breakfasts, and even beverages, every meal is covered in this how-to guide. Full color images of each step and finished products illustrate each recipe, along with suggestions for keeping the budget for each project low. Safety Data Sheets and links to informative videos are hosted on a companion website.
Fake It 'Til You Make It (Oberon Modern Plays)
by Tim Grayburn Bryony KimmingsSix months into their relationship, Bryony found out that Tim suffered from severe clinical depression. This was a secret Tim had kept for a very long time. Fake It ’Til You Make It is Edinburgh Fringe First-winner Bryony Kimmings’ new work about clinical depression and men, made in collaboration with her partner Tim, who works in advertising. A wickedly warming, brutally honest and powerfully heart breaking show about the wonders of the human brain, being in love and what it takes to be a ‘real man’. Includes forewords by James Leadbitter (the vacuum cleaner), Andy Field (Forest Fringe) and Georgie Harman (beyondblue). Winner Best Theatre Award 2015 Perth Fringe World Winner Best Theatre Award 2015 Adelaide Fringe Festival Winner Herald Angel Award 2015 Edinburgh Fringe
Falkland Sound (Modern Plays)
by Mr Brad BirchI stand at my open window. I feel like I'm on the edge of reality.April 1982. The Falkland Islands are invaded by Argentine forces. The shockwaves reverberate around the world. For some, it's overdue: seen in the gradual sweep to decolonise the world it is thought of as an inevitable next step. For others, the act strikes at the very heart of British identity.Falkland Sound tells the incredible story of a small community plunged into the middle of an international crisis. About half the size of Wales, populated by fewer than two thousand people, with conditions so hostile that trees struggle to grow, everyday life on these strange and beguiling islands is changed forever as two powerful nations fight for the right to claim sovereignty.Brad Birch's lyrical new play turns modern history into a theatrical epic, depicting a community and way of life turned upside down. Falkland Sound is a play about empire, community, and what it means to live in someone else's metaphor. This edition published to coincide with the world premiere at the Swan Theatre, Stratford-upon-Avon in August 2023.
Falkland Sound (Modern Plays)
by Mr Brad BirchI stand at my open window. I feel like I'm on the edge of reality.April 1982. The Falkland Islands are invaded by Argentine forces. The shockwaves reverberate around the world. For some, it's overdue: seen in the gradual sweep to decolonise the world it is thought of as an inevitable next step. For others, the act strikes at the very heart of British identity.Falkland Sound tells the incredible story of a small community plunged into the middle of an international crisis. About half the size of Wales, populated by fewer than two thousand people, with conditions so hostile that trees struggle to grow, everyday life on these strange and beguiling islands is changed forever as two powerful nations fight for the right to claim sovereignty.Brad Birch's lyrical new play turns modern history into a theatrical epic, depicting a community and way of life turned upside down. Falkland Sound is a play about empire, community, and what it means to live in someone else's metaphor. This edition published to coincide with the world premiere at the Swan Theatre, Stratford-upon-Avon in August 2023.
The Fall (Oberon Modern Plays)
by Baxter Theatre CentreThe #RhodesMustFall and subsequent student-led movements in South Africa alerted the country and the world to the latent ongoing issues brought about by colonialism and apartheid in South Africa. The Fall details the experiences of seven students within this movement and how they deal with their traumas, while still moving towards activism for a free decolonised education.The Fall is a play collaboratively written by the original cast as a reaction to and reflection on the South African student protests in 2015 and part of 2016.Devised by Ameera Conrad, Cleo Raatus, Kgomotso Khunoane, Oarabile Ditsele, Sihle Mnqwazana, Sizwesandile Mnisi, Tankiso Mamabolo, Thando Mangcu.