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Musikfernsehen im Wandel: MTV im Kontext des digitalen Wandels und jugendkultureller Interessensfelder (Medien • Kultur • Kommunikation)
by Jasmin KultererDie Studie von Jasmin Kulterer über die Entwicklung und den Stellenwert des (ehemaligen) Musiksenders MTV folgt den Prinzipien integrativer Kommunikationsforschung. Im Hinblick auf das Aufkommen alternativer Wege der Musik(video)distribution und -nutzung wird gezeigt, wie sich MTV gewandelt hat, wie er sich heute positioniert und welchen Stellenwert er im Kontext jugendkultureller Interessensfelder einnimmt. Die Autorin liefert empirische Daten aus Fragebögen, Gruppendiskussionen und Einzelinterviews, die in Österreich und den USA gesammelt wurden. Neben ausführlichen Fallbeispielen, die tiefe Einblicke in die Lebenswelt, in individuelle Medienrepertoires und in das von subjektiven Bedürfnissen geprägte Medienhandeln von Jugendlichen und jungen Erwachsenen bieten, wird eine Typologie von Nutzern und Nutzerinnen vorgestellt.
Musikfernsehen in Deutschland: Politische, soziologische und medienökonomische Aspekte
by Matthias Kurp Claudia Hauschild Klemens WieseVor dem Hintergrund eines grundlegenden Wertewandels sowie des weit verbreiteten vermeintlichen Hangs zum Unpolitischen und der Faszinationswirkung von Pop-Idolen werden die publizistischen Vermittlungspotenziale von Musikfernsehen dargestellt. Darüber hinaus bietet der Band einen umfassenden und aktuellen Überblick über die Entwicklung des Musikfernsehens in Deutschland sowie die intra- und intermedialen Vermarktungsstrategien von Popmusik-Unternehmen und Musikkanälen.
Musikjournalismus: Radio – Fernsehen – Print – Online (Journalistische Praxis)
by Peter OverbeckDieses Buch vermittelt die Grundlagen des Musikjournalismus. Erfahrene Praktiker informieren über die verschiedenen journalistischen Tätigkeiten – von der Programmgestaltung über die Musikkritik bis zur Moderation von Musiksendungen und Interviews mit Musikern in den Musiksparten von Klassik bis Pop. Die Besonderheiten in Radio, Fernsehen, Print und Online werden anhand zahlreicher Beispiele analysiert, die Funktion und der Einsatz von Musik sowie sprachliche, dramaturgische und gestalterische Mittel erörtert. Es gibt Tipps zum Berufsbild und zur Ausbildung und zu den vielfältigen Tätigkeiten.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Musings on Mortality: From Tolstoy to Primo Levi
by Victor Brombert“All art and the love of art,” Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, “allow us to negate our nothingness.” As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy’s Ivan Ilych and Mann’s Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers’ reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert’s own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.
Muslim and Supermuslim: The Quest for the Perfect Being and Beyond (Palgrave Studies in the Future of Humanity and its Successors)
by Roy JacksonThis book looks to the rich and varied Islamic tradition for insights into what it means to be human and, by implication, what this can tell us about the future human. The transhumanist movement, in its more radical expression, sees Homo sapiens as the cousin, perhaps the poorer cousin, of a new Humanity 2.0: ‘Man’ is replaced by ‘Superman’. The contribution that Islam can make to this movement concerns the central question of what this ‘Superman’ – or ‘Supermuslim’ – would actually entail. To look at what Islam can contribute we need not restrict ourselves to the Qur’an and the legal tradition, but also reach out to its philosophical and literary corpus. Roy Jackson focuses on such contributions from Muslim philosophy, science, and literature to see how Islam can confront and respond to the challenges raised by the growing movement of transhumanism.
Muslim Masculinities in Literature and Film: Transcultural Identity and Migration in Britain (Gender and Islam)
by Peter CherryA climate of Islamophobia allows anxieties about Muslim men living in and migrating to Britain to endure. British Muslims men are often profiled in highly negative terms or regarded with suspicion owing to their perceived religious and cultural heritage. But novels and films by British migrant and diaspora writers and filmmakers powerfully contest these stereotypes, and explore the rich diversity of Muslim masculinities in Britain. This book is the first critical study to engage with British Muslim masculinities in this literary and cinematic output from the perspective of Masculinity Studies. Through close analysis of work by Monica Ali, Nadeem Aslam, Guy Gunaratne, Sally El Hosaini, Hanif Kureishi, Suhayl Saadi, Sunjeev Sahota, Kamila Shamsie, Zadie Smith, Zia Haider Rahman and Salman Rushdie, Peter Cherry examines how migrant and diaspora protagonists negotiate their masculinity in a climate of Islamophobic and anti-migrant rhetoric. Cherry proposes a transcultural reading of these novels and films that exposes how conceptions of 'Britishness', 'Muslimness' and those of masculinity are unstable and contingent constructs shaped by migration, interaction with other cultures, and global and local politics.
Muslim Merit-making in Thailand's Far-South (Muslims in Global Societies Series #4)
by Christopher M. JollThis volume provides an ethnographic description of Muslim merit-making rhetoric, rituals and rationales in Thailand’s Malay far-south. This study is situated in Cabetigo, one of Pattani’s oldest and most important Malay communities that has been subjected to a range of Thai and Islamic influences over the last hundred years. The volume describes religious rhetoric related to merit-making being conducted in both Thai and Malay, that the spiritual currency of merit is generated through the performance of locally occurring Malay adat, and globally normative amal 'ibadat. Concerning the rationale for merit-making, merit-makers are motivated by both a desire to ensure their own comfort in the grave and personal vindication at judgment, as well as to transfer merit for those already in the grave, who are known to the merit-maker. While the rhetoric elements of Muslim merit-making reveal Thai influence, its ritual elements confirm the local impact of reformist activism.
The Muslim Reception of European Orientalism: Reversing the Gaze (Routledge Studies in Modern History)
by Susannah Heschel Umar RyadEdward Said’s Orientalism, now more than fifty years old, has to be one of the most frequently cited books among academics in a wide range of disciplines, and the most frequently assigned book to undergraduates at colleges. Among the common questions raised in response to Said’s book: Did scholars in Western Europe provide crucial support to the imperialist, colonialist activities of European regimes? Are their writings on Islam laden with denigrating, eroticized, distorting biases that have left an indelible impact on Western society? What is the "Orientalism" invented by Europe and what is its impact today? However, one question has been less raised (or less has been done about the question): How were the Orientalist writings of European scholars of Islam received among their Muslim contemporaries? An international team of contributors rectify this oversight in this volume.
The Muslim Reception of European Orientalism: Reversing the Gaze (Routledge Studies in Modern History)
by Susannah Heschel Umar RyadEdward Said’s Orientalism, now more than fifty years old, has to be one of the most frequently cited books among academics in a wide range of disciplines, and the most frequently assigned book to undergraduates at colleges. Among the common questions raised in response to Said’s book: Did scholars in Western Europe provide crucial support to the imperialist, colonialist activities of European regimes? Are their writings on Islam laden with denigrating, eroticized, distorting biases that have left an indelible impact on Western society? What is the "Orientalism" invented by Europe and what is its impact today? However, one question has been less raised (or less has been done about the question): How were the Orientalist writings of European scholars of Islam received among their Muslim contemporaries? An international team of contributors rectify this oversight in this volume.
Muslim Textualities: A Literary Approach to Feminism
by Jean M. KaneIn the first decade of the twenty-first century, Muslim women writers located in Europe and American entered the cultural mainstream. Literary and visual productions negotiated static visual emblems of Islam, most prominently "the veil." They did so not by rejecting veiling practices, but by adapting Muslim resources, concepts and visual tradition to empowerment narratives in popular media. Mainstream reception of their works has often overlooked or misread these negotiations. Muslim Textualities argues for more flexible and capacious interpretation, with particular attention to visibility as a metaphor for political agency and to knowledge of cultural contexts. This provocative volume aims to articulate Muslim female agency through clear and accessible analysis of the theory and concepts driving the interpretation of these works. Scholars interested in the working representations of Muslim women, feminist subjectivities, and the complexities of gender roles, patriarchy, and feminism will find this volume of particular interest.
Muslim Textualities: A Literary Approach to Feminism
by Jean M. KaneIn the first decade of the twenty-first century, Muslim women writers located in Europe and American entered the cultural mainstream. Literary and visual productions negotiated static visual emblems of Islam, most prominently "the veil." They did so not by rejecting veiling practices, but by adapting Muslim resources, concepts and visual tradition to empowerment narratives in popular media. Mainstream reception of their works has often overlooked or misread these negotiations. Muslim Textualities argues for more flexible and capacious interpretation, with particular attention to visibility as a metaphor for political agency and to knowledge of cultural contexts. This provocative volume aims to articulate Muslim female agency through clear and accessible analysis of the theory and concepts driving the interpretation of these works. Scholars interested in the working representations of Muslim women, feminist subjectivities, and the complexities of gender roles, patriarchy, and feminism will find this volume of particular interest.
Muslim Voices and Lives in the Contemporary World
by F. Trix J. WalbridgeThis book tells the stories of eleven remarkable people in the Islamic world, from a religious musician in Pakistan who sings the sufferings of the saints and hopes to bring reconciliation to his country, to the son of one of the greatest Shi'ite scholars of Iraq who was murdered trying to restore peace in his city.
Muslim Women as Speakers of English
by Madiha NeelamThis book examines representations of Muslim women as speakers of English in the context of a language ideological debate in the UK in 2016. The author shows how Muslim women are stereotyped as non-speakers of English through the manipulation of census data, and how this supposed lack of English is discursively constructed as an index of their supposed oppression, complicity in the threat of extremism emanating from their sons, and limited participation in the labour force. The book aims to complement a growing body of research on raciolinguistics and language ideologies. It illuminates the intersection of language, Islamophobia, and securitization, and will be of interest to postgraduate students and academics working in applied linguistics and discourse analysis, and interdisciplinary audiences in studies of race, Islamophobia, and gender.
Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Contemporary French and Francophone Cultures #41)
by Leslie Kealhofer-KempMuslim Women in French Cinema: Voices of Maghrebi Migrants in France is the first comprehensive study of cinematic representations of first-generation Muslim women from the Maghreb (Algeria, Morocco, Tunisia) in France. Women of this generation migrated to France during the decades preceding and following the end of French colonial rule, and they are generally – though not always accurately – regarded as belonging to a generation of migrants silenced under the weight of poverty, illiteracy, Islamic tradition, and majority ethnic Islamophobia. Situated at the intersection of post-colonial studies, gender studies, and film studies, this book brings together a diverse corpus of over 60 documentaries, short films, téléfilms (made-for-television films), and feature films released in France between 1979 and 2014, and it devotes one chapter to each kind of film. In examining the ways in which the voices, experiences, and points of view of Maghrebi migrant women in France are represented and communicated through a selection of key films, this study offers new perspectives on Maghrebi migrant women in France. It shows that women of this generation, as they are represented in these films, are far more diverse and often more empowered than has generally been thought. The films examined in this book contribute to larger contemporary debates and discussions relating to immigration, integration, and identity in France.
Muslim Women’s Writing from across South and Southeast Asia
by Feroza JussawallaThis essential collection examines South and Southeast Asian Muslim women’s writing and the ways they navigate cultural, political, and controversial boundaries. Providing a global, contemporary collection of essays, this volume uses varied methods of analysis and methodology, including: • Contemporary forms of expression, such as memoir, oral accounts, romance novels, poetry, and social media; • Inclusion of both recognized and lesser-known Muslim authors; • Division by theme to shed light on geographical and transnational concerns; and • Regional focus on Afghanistan, Pakistan, India, Bangladesh, Sri Lanka, Malaysia, and Indonesia. Muslim Women’s Writing from across South and Southeast Asia will deliver crucial scholarship for all readers interested in the varied perspectives and comparisons of Southern Asian writing, enabling both students and scholars alike to become better acquainted with the burgeoning field of Muslim women's writing. This timely and challenging volume aims to give voice to the creative women who are frequently overlooked and unheard.
Muslim Women’s Writing from across South and Southeast Asia
by Feroza Jussawalla Doaa OmranThis essential collection examines South and Southeast Asian Muslim women’s writing and the ways they navigate cultural, political, and controversial boundaries. Providing a global, contemporary collection of essays, this volume uses varied methods of analysis and methodology, including: • Contemporary forms of expression, such as memoir, oral accounts, romance novels, poetry, and social media; • Inclusion of both recognized and lesser-known Muslim authors; • Division by theme to shed light on geographical and transnational concerns; and • Regional focus on Afghanistan, Pakistan, India, Bangladesh, Sri Lanka, Malaysia, and Indonesia. Muslim Women’s Writing from across South and Southeast Asia will deliver crucial scholarship for all readers interested in the varied perspectives and comparisons of Southern Asian writing, enabling both students and scholars alike to become better acquainted with the burgeoning field of Muslim women's writing. This timely and challenging volume aims to give voice to the creative women who are frequently overlooked and unheard.
Muslime, Flüchtlinge und Pegida: Sozialpsychologische und kommunikationswissenschaftliche Studien in Zeiten globaler Bedrohungen
by Wolfgang Frindte Nico DietrichDas Buch bündelt sozialpsychologische und kommunikationswissenschaftliche Befunde über die öffentliche Einstellung zu Muslimen und dem Islam in Deutschland im Kontext von Flüchtlingsdebatte und Terrorbedrohung 2015 und 2016. Die Ergebnisse stützen sich zum einen auf drei standardisierte Befragungen der deutschen Bevölkerung. Zum anderen handelt es sich um Beiträge, die im Rahmen von Master- und Studienprojekten an der Friedrich-Schiller-Universität Jena realisiert wurden.
Muslims beyond the Arab World: The Odyssey of Ajami and the Muridiyya (AAR Religion, Culture, and History)
by Fallou NgomMuslims beyond the Arab World explores the vibrant tradition of writing African languages using the modified Arabic script ('Ajami) alongside the rise of the Muridiyya Sufi order in Senegal. The book demonstrates how the development of the 'Ajami literary tradition is entwined with the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, Shaykh Ahmadu Bamba Mbakke (1853-1927),his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that permanently shaped the identity and behaviors of his followers. Fallou Ngom evaluates prevailing representations of the Muridiyya movement and offers alternative perspectives. He demonstrates how the Mur?ds used their written, recited, and chanted 'Ajami materials as an effective mass communication tool in conveying to the masses Bamba's poignant odyssey, doctrine, the virtues he stood for and cultivated among his followers-self-esteem, self-reliance, strong faith, work ethic, pursuit of excellence, determination, nonviolence, and optimism in the face of adversity-without the knowledge of the French colonial administration and many academics. Muslims beyond the Arab World argues that this is the source of the resilience, appeal, and expansion of Muridiyya, which has fascinated observers since its inception in 1883.
Muslims beyond the Arab World: The Odyssey of Ajami and the Muridiyya (AAR Religion, Culture, and History)
by Fallou NgomMuslims beyond the Arab World explores the vibrant tradition of writing African languages using the modified Arabic script ('Ajami) alongside the rise of the Muridiyya Sufi order in Senegal. The book demonstrates how the development of the 'Ajami literary tradition is entwined with the flourishing of the Muridiyya into one of sub-Saharan Africa's most powerful and dynamic Sufi organizations. It offers a close reading of the rich hagiographic and didactic written, recited, and chanted 'Ajami texts of the Muridiyya, works largely unknown to scholars. The texts describe the life and Sufi odyssey of the order's founder, Shaykh Ahmadu Bamba Mbakke (1853-1927),his conflicts with local rulers and Muslim clerics and the French colonial administration, and the traditions and teachings he championed that permanently shaped the identity and behaviors of his followers. Fallou Ngom evaluates prevailing representations of the Muridiyya movement and offers alternative perspectives. He demonstrates how the Mur?ds used their written, recited, and chanted 'Ajami materials as an effective mass communication tool in conveying to the masses Bamba's poignant odyssey, doctrine, the virtues he stood for and cultivated among his followers-self-esteem, self-reliance, strong faith, work ethic, pursuit of excellence, determination, nonviolence, and optimism in the face of adversity-without the knowledge of the French colonial administration and many academics. Muslims beyond the Arab World argues that this is the source of the resilience, appeal, and expansion of Muridiyya, which has fascinated observers since its inception in 1883.
Muße und Müßiggang im Zeitalter der Arbeit: Zu einer Problemkonstellation der deutschen und französischen Literatur, Kultur und Gesellschaft im ‚langen‘ 19. Jahrhundert (Schriften zur Weltliteratur/Studies on World Literature #11)
by Robert KrauseDie Geschichte der Moderne wurde oft als eine Geschichte der modernen Arbeitswelt – im Sinne der Ausdifferenzierung, Ökonomisierung, Professionalisierung und Beschleunigung – erzählt. Sie ist aber auch eine Geschichte neuer Formen der ‚Muße‘ und des ‚Müßiggangs‘, die ebenso einen Teil dessen bilden, was wir heute ‚modern‘ nennen. Mit dem spannungsreichen Verhältnis von Arbeit, Muße und Müßiggang in der Moderne beschäftigt sich die vorliegende komparatistische Studie; sie bietet Einblicke in Konzepte, Diskurse und Figurationen der Muße und des Müßiggangs in der modernen deutschen und französischen Literatur, Kultur und Philosophie und unterzieht den schillernden Begriff der Moderne selbst einer fundamentalen Revision.