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Race in American Musical Theater (Topics in Musical Theatre)
by Josephine LeeWhile most discussions of race in American theater emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theater highlights elements of theatrical production and reception that are particular to musical theater. Examining how race functions through the recurrence of particular racial stereotypes and storylines, this introductory volume also looks at casting practices, the history of the chorus line, and the popularity of recent shows such as Hamilton. Moving from key examples such as Show Boat! and South Pacific through to all-Black musicals such as Dreamgirls, Bring in 'da Noise, Bring in 'da Funk, and Jelly's Last Jam, this concise study serves as a critical survey of how race is presented in the American musical theater canon.Providing readers with historical background, a range of case studies and models of critical analysis, this foundational book prompts questions from how stereotypes persist to “who tells your story?”
Race in American Musical Theater (Topics in Musical Theatre)
by Josephine LeeWhile most discussions of race in American theater emphasize the representation of race mainly in terms of character, plot, and action, Race in American Musical Theater highlights elements of theatrical production and reception that are particular to musical theater. Examining how race functions through the recurrence of particular racial stereotypes and storylines, this introductory volume also looks at casting practices, the history of the chorus line, and the popularity of recent shows such as Hamilton. Moving from key examples such as Show Boat! and South Pacific through to all-Black musicals such as Dreamgirls, Bring in 'da Noise, Bring in 'da Funk, and Jelly's Last Jam, this concise study serves as a critical survey of how race is presented in the American musical theater canon.Providing readers with historical background, a range of case studies and models of critical analysis, this foundational book prompts questions from how stereotypes persist to “who tells your story?”
Race in American Television [2 volumes]: Voices and Visions That Shaped a Nation [2 volumes]
by David J. Leonard and Stephanie Troutman RobbinsThis two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen.Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States.This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.
Race in American Television [2 volumes]: Voices and Visions That Shaped a Nation [2 volumes]
This two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen.Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States.This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.
Race in Cyberspace
by Beth E. Kolko Lisa Nakamura Gisbert B. RodmanGroundbreaking and timely, Race in Cyberspace brings to light the important yet vastly overlooked intersection of race and cyberspace.
Race in Cyberspace
by Beth Kolko Lisa Nakamura Gilbert RodmanGroundbreaking and timely, Race in Cyberspace brings to light the important yet vastly overlooked intersection of race and cyberspace.
Race-ing Art History: Critical Readings in Race and Art History
by Kymberly N. PinderFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Race-ing Art History: Critical Readings in Race and Art History
by Kymberly N. PinderFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Race, Nation and Cultural Power in Film Adaptation
by Gillian RobertsExamines race and nation in postcolonial, settler-colonial, and Indigenous film adaptation Advances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism 16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-colonial, and Indigenous film adaptation Wide-ranging comparative study, including literary and cinematic texts from Aotearoa/New Zealand, Australia, Canada, India, the UK, and the US In Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures. A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies’ rejection of ‘fidelity criticism’ to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves.
Race, Nation and Cultural Power in Film Adaptation
by Gillian RobertsExamines race and nation in postcolonial, settler-colonial, and Indigenous film adaptation Advances adaptation studies by offering a nuanced critique of the injunction against fidelity criticism 16 case studies of film adaptations across 7 chapters, detailing different modes of postcolonial, settler-colonial, and Indigenous film adaptation Wide-ranging comparative study, including literary and cinematic texts from Aotearoa/New Zealand, Australia, Canada, India, the UK, and the US In Race, Nation and Cultural Power in Film Adaptation, Roberts undertakes the first full-length study of postcolonial, settler-colonial and Indigenous film adaptation, encompassing literary and cinematic texts from Australian, Canadian, New Zealand, Indian, British, and US cultures. A necessary rethinking of adaptation in the context of race and nation, this book interrogates adaptation studies’ rejection of ‘fidelity criticism’ to consider the ethics and aesthetics of translating narratives from literature to cinema and across national borders for circulation in the global cultural marketplace. In this way, Roberts also traces the circulation of cultural power through these adaptations as they move into new contexts and find new audiences, often at a considerable geographical remove from the production of the source material. Further, this book assesses the impact of national and transnational industrial contexts of cultural production on the film adaptations themselves.
Race, Nation and Gender in Modern Italy: Intersectional Representations In Visual Culture (Mapping Global Racisms)
by Gaia GiulianiThis book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian ‘colonial archive’ in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the ‘figures of race’ peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness. Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
Race, Nation and Gender in Modern Italy (pdf)
by Gaia GiulianiThis book explores intersectional constructions of race and whiteness in modern and contemporary Italy. It contributes to transnational and interdisciplinary reflections on these issues through an analysis of political debates and social practices, focusing in particular on visual materials from the unification of Italy (1861) to the present day. Giuliani draws attention to rearticulations of the transnationally constructed Italian ‘colonial archive’ in Italian racialised identity-politics and cultural racisms across processes of nation building, emigration, colonial expansion, and the construction of the first post-fascist Italian society. The author considers the ‘figures of race’ peopling the Italian colonial archive as composing past and present ideas and representations of (white) Italianness and racialised/gendered Otherness. Students and scholars across a range of disciplines, including Italian studies, political philosophy, sociology, history, visual and cultural studies, race and whiteness studies and gender studies, will find this book of interest.
Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 2 (OXFORD HANDBOOKS SERIES)
by Dominic Broomfield-McHughHollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The second of three volumes, Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook, traces how the genre of the stage-to-screen musical has evolved, focusing in particular of issues of race, gender and sexuality. Enduringly popular adaptations such as Kiss Me Kate and Pal Joey are considered through the lens of identity, while several chapters consider how different adaptations of the same stage musical reflect shifting historical contexts. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies. Volume I: The Politics of the Musical Theatre Screen Adaptation Volume II: Race, Sexuality, and Gender and the Musical Screen Adaptation Volume III: Stars, Studios, and the Musical Theatre Screen Adaptation
Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook of Musical Theatre Screen Adaptations, Volume 2 (OXFORD HANDBOOKS SERIES)
Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St. Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The second of three volumes, Race, Sexuality, and Gender and the Musical Screen Adaptation: An Oxford Handbook, traces how the genre of the stage-to-screen musical has evolved, focusing in particular of issues of race, gender and sexuality. Enduringly popular adaptations such as Kiss Me Kate and Pal Joey are considered through the lens of identity, while several chapters consider how different adaptations of the same stage musical reflect shifting historical contexts. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies. Volume I: The Politics of the Musical Theatre Screen Adaptation Volume II: Race, Sexuality, and Gender and the Musical Screen Adaptation Volume III: Stars, Studios, and the Musical Theatre Screen Adaptation
Rachel (Oberon Modern Plays)
by Angelina Weld GrimkéToday, we colored men and women, everywhere - are up against it... In the South, they make it as impossible as they can for us to get educated. In the North, they make a pretence of liberality; they give us the ballot and a good education, and then snuff us out. Each year, the problem just to live, gets more difficult to solve.' The first play by an African American woman ever produced professionally. The European premiere – and the world's first production for nearly 100 years – of Rachel is directed by exciting young director Ola Ince, as part of Black History Month. Rachel is a young, educated, middle-class woman. But she is born into an African-American family in the early 20th century – a world in which ignorance and violence prevail. While her family and neighbours find different ways to survive, Rachel's dreams of getting married and becoming a mother collide with the tragic events of her family’s past as she confronts the harsh reality of a racist world. Written exactly midway between the American Civil War and the end of slavery, and the explosion of Civil Rights in the 1960s, this hauntingly beautiful and profoundly shocking play still asks urgent questions for today.
Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre (Studies in International Performance)
by Shannon SteenAn exciting new work on how black and Asian racial structures were woven together within US theatrical practices in the run up to the Second World War, Steen uses this history to model how we might use performance histories to more carefully assess how racial formation occurs on the boundaries between racial groups in an international context.
Racial Stigma on the Hollywood Screen from World War II to the Present: The Orientalist Buddy Film
by Brian LockeRacial Stigma on the Hollywood Screen from WWII to the Present charts how the dominant white and black binary of American racial discourse influences Hollywood s representation of the Asian. The Orientalist buddy film draws a scenario in which two buddies, one white and one black, transcend an initial hatred for one another by joining forces against a foreign Asian menace. Alongside an analysis of multiple genres of film, Brian Locke argues that this triangulated rendering of race ameliorates the longstanding historical contradiction between U.S. democratic ideals and white America s persistent domination over blacks.
Racine: Berenice, Phèdre, Britannicus (Oberon Classics)
by Jean Racine Robert David MacDonald Neil BartlettIncludes the plays Britannicus, Phedra and BereniceJean Racine is the greatest tragedian of the French seventeenth century, using its strict rules and conventions to tell stories of overwhelming passion and cruelty.This volume brings together three of his greatest plays. Britannicus, the earliest, is set in the court of the young Emperor Nero, and in an atmosphere seething with erotic tension, documents the power-struggles surrounding the birth of a legendary despot. Berenice probes the hearts of two lovers as they are torn apart amidst the splendours of Imperial Rome, and in Phedra, the most famous of the three, a woman betrayed by her own desires descends into a personal hell of shame, guilt and remorse. These classic versions, by two of the country's most distinguished director-translators, prove that Racine is far from untranslatable; they offer blisteringly effective poetry, urgent plotting and powerhouse roles for both actors and actresses.
Racing Demon
by David HareHow do you fight without hate?Racing Demon reveals the struggle of four clergymen to make sense of their mission. David Hare's play opened at the National Theatre, London, in 1990 to universal acclaim, and won four awards as Play of the Year. Racing Demon was the first part of David Hare's trilogy of plays about British institutions; Murmuring Judges and The Absence of War completed the trilogy.
Racism and Early Blackface Comic Traditions: From the Old World to the New (Palgrave Studies in Theatre and Performance History)
by Robert HornbackThis book traces blackface types from ancient masks of grinning Africans and phallus-bearing Roman fools through to comedic medieval devils, the pan-European black-masked Titivillus and Harlequin, and racial impersonation via stereotypical 'black speech' explored in the Renaissance by Lope de Vega and Shakespeare. Jim Crow and antebellum minstrelsy recycled Old World blackface stereotypes of irrationality, ignorance, pride, and immorality. Drawing upon biblical interpretations and philosophy, comic types from moral allegory originated supposedly modern racial stereotypes. Early blackface traditions thus spread damning race-belief that black people were less rational, hence less moral and less human. Such notions furthered the global Renaissance’s intertwined Atlantic slave and sugar trades and early nationalist movements. The latter featured overlapping definitions of race and nation, as well as of purity of blood, language, and religion in opposition to 'Strangers'. Ultimately, Old World beliefs still animate supposed 'biological racism' and so-called 'white nationalism' in the age of Trump.
Racism and Early Blackface Comic Traditions: From the Old World to the New (Palgrave Studies in Theatre and Performance History)
by Robert HornbackThis book traces blackface types from ancient masks of grinning Africans and phallus-bearing Roman fools through to comedic medieval devils, the pan-European black-masked Titivillus and Harlequin, and racial impersonation via stereotypical 'black speech' explored in the Renaissance by Lope de Vega and Shakespeare. Jim Crow and antebellum minstrelsy recycled Old World blackface stereotypes of irrationality, ignorance, pride, and immorality. Drawing upon biblical interpretations and philosophy, comic types from moral allegory originated supposedly modern racial stereotypes. Early blackface traditions thus spread damning race-belief that black people were less rational, hence less moral and less human. Such notions furthered the global Renaissance’s intertwined Atlantic slave and sugar trades and early nationalist movements. The latter featured overlapping definitions of race and nation, as well as of purity of blood, language, and religion in opposition to 'Strangers'. Ultimately, Old World beliefs still animate supposed 'biological racism' and so-called 'white nationalism' in the age of Trump.
Radar Remote Sensing of Urban Areas (Remote Sensing and Digital Image Processing #15)
by Uwe SoergelOne of the key milestones of radar remote sensing for civil applications was the launch of the European Remote Sensing Satellite 1 (ERS 1) in 1991. The platform carried a variety of sensors; the Synthetic Aperture Radar (SAR) is widely cons- ered to be the most important. This active sensing technique provides all-day and all-weather mapping capability of considerably ?ne spatial resolution. ERS 1 and its sister system ERS 2 (launch 1995) were primarily designed for ocean app- cations, but soon the focus of attention turned to onshore mapping. Examples for typical applications are land cover classi?cation also in tropical zones and mo- toring of glaciers or urban growth. In parallel, international Space Shuttle Missions dedicated to radar remote sensing were conducted starting already in the 1980s. The most prominent were the SIR-C/X-SAR mission focussing on the investigation of multi-frequency and multi-polarization SAR data and the famous Shuttle Radar Topography Mission (SRTM). Data acquired during the latter enabled to derive a DEM of almost global coverage by means of SAR Interferometry. It is indispe- ableeventodayandformanyregionsthebestelevationmodelavailable. Differential SAR Interferometry based on time series of imagery of the ERS satellites and their successor Envisat became an important and unique technique for surface defor- tion monitoring. The spatial resolution of those devices is in the order of some tens of meters.
Radar Signal Processing and Its Applications
by Jian Jian Li Robert Hummel Petre Stoica Edmund G. ZelnioRadar Signal Processing and Its Applications brings together in one place important contributions and up-to-date research results in this fast-moving area. In twelve selected chapters, it describes the latest advances in architectures, design methods, and applications of radar signal processing. The contributors to this work were selected from the leading researchers and practitioners in the field. This work, originally published as Volume 14, Numbers 1-3 of the journal, Multidimensional Systems and Signal Processing, will be valuable to anyone working or researching in the field of radar signal processing. It serves as an excellent reference, providing insight into some of the most challenging issues being examined today.
Radford's House Designs of the Twenties
by Wm. A. Radford Co.Created as an aid to architects, carpenters, and builders, this Radford Architectural Company of Chicago catalog was also welcomed by future home owners. Included are such houses as the Bixby, a two-bedroom bungalow, the Coventry, a charming Dutch Colonial with three bedrooms and other accommodations, and more. 189 black-and-white illustrations.
Radiant Raffia: 20 Inspiring Crochet Projects Made With Natural Yarn
by Olga PanagopoulouLearn how to crochet 20 beautiful objects in raffia from bags, hats and belts to cushions, vases and table decorations.Get your hooks ready for a crochet book which brings the warmth of summer all year round. Patterns, charts and stunning photography are intertwined to create an inspiring atmosphere where the land, sea, textures and colours of the Greek islands work in harmony with the materials and techniques. Through step-by-step instructions discover 20 beautiful projects which show you how you can make stylish items which are 100% plant-based and eco-friendly. Mindful and relaxing, enjoy crocheting with raffia to create lovely gifts for friends and family or fashionable summer-inspired pieces to keep for yourself. Radiant Raffia is the essential modern guide to this must-have accessory.