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The Novel and the Multispecies Soundscape (Palgrave Studies in Animals and Literature)
by Ben De BruynThe contemporary novel is not as silent as we tend to believe, nor does it only attend to human plots and characters. As this book shows, writers in a range of subgenres have devoted considerable attention to the voices of nonhuman animals, and to the histories and technologies of listening that shape twenty-first-century cultures and environments. In doing so, their multispecies novels illuminate the cultural meanings we attach to creatures like dogs, frogs, whales, chimpanzees, and Tasmanian tigers – not to mention various bird species and even plants. At the same time, these stories explore the attitudes of distinct communities of human listeners, ranging from vets and musicians to chimp caretakers and sonar technicians. In highlighting animal sounds and their cultural meanings, these novels by authors including Amitav Ghosh, Julia Leigh, Richard Powers, Karen Joy Fowler, Cormac McCarthy, and Han Kang also enrich pressing debates about species extinction, sound pollution, nonhuman communication, and human-animal relations. As we are violently reshaping the planet, they invite us to reimagine our own humanity and animality – and to rethink how we tell stories about multispecies contact zones and their complex soundscapes.
The Novel and the New Ethics (Post*45)
by Dorothy J. HaleFor a generation of contemporary Anglo-American novelists, the question "Why write?" has been answered with a renewed will to believe in the ethical value of literature. Dissatisfied with postmodernist parody and pastiche, a broad array of novelist-critics—including J.M. Coetzee, Toni Morrison, Zadie Smith, Gish Jen, Ian McEwan, and Jonathan Franzen—champion the novel as the literary genre most qualified to illuminate individual ethical action and decision-making within complex and diverse social worlds. Key to this contemporary vision of the novel's ethical power is the task of knowing and being responsible to people different from oneself, and so thoroughly have contemporary novelists devoted themselves to the ethics of otherness, that this ethics frequently sets the terms for plot, characterization, and theme. In The Novel and the New Ethics, literary critic Dorothy J. Hale investigates how the contemporary emphasis on literature's social relevance sparks a new ethical description of the novel's social value that is in fact rooted in the modernist notion of narrative form. This "new" ethics of the contemporary moment has its origin in the "new" idea of novelistic form that Henry James inaugurated and which was consolidated through the modernist narrative experiments and was developed over the course of the twentieth century. In Hale's reading, the art of the novel becomes defined with increasing explicitness as an aesthetics of alterity made visible as a formalist ethics. In fact, it is this commitment to otherness as a narrative act which has conferred on the genre an artistic intensity and richness that extends to the novel's every word.
A Novel Defense Of Scientific Realism
by Jarrett LeplinVigorous and controversial, this book develops a sustained argument for a realist interpretation of science, based on a new analysis of the concept of predictive novelty. Identifying a form of success achieved in science--the successful prediction of novel empirical results--which can be explained only by attributing some measure of truth to the theories that yield it, Jarrett Leplin demonstrates the incapacity of nonrealist accounts to accommodate novel success and constructs a deft realist explanation of novelty. To test the applicability of novel success as a standard of warrant for theories, Leplin examines current directions in theoretical physics, fashioning a powerful critique of currently developing standards of evaluation. Arguing that explanatory uniqueness warrants inference, and exposing flaws in contending philosophical positions that sever explanatory power from epistemic justification, Leplin holds that abductive, or explanatory, inference is as fundamental as enumerative or eliminative inference, and contends that neither induction nor abduction can proceed without the other on pain of generating paradoxes. Leplin's conception of novelty has two basic components: an independence condition , ensuring that a result novel for a theory have no essential role, even indirectly, in the theory's provenance; and a uniqueness condition , ensuring that no competing theory provides a basis for predicting the same result. Showing that alternative approaches to novelty fall short in both respects, Leplin proceeds to a series of test cases, engaging prominent scientific theories from nineteenth-century accounts of light to modern cosmology in an effort to demonstrate the epistemological superiority of his view. Ambitious and tightly argued, A Novel Defense of Scientific Realism advances new positions on major topics in philosophy of science and offers a version of realism as original as it is compelling, making it essential reading for philosophers of science, epistemologists, and scholars in science studies.
A Novel Defense of Scientific Realism
by Jarrett LeplinVigorous and controversial, this book develops a sustained argument for a realist interpretation of science, based on a new analysis of the concept of predictive novelty. Identifying a form of success achieved in science--the successful prediction of novel empirical results--which can be explained only by attributing some measure of truth to the theories that yield it, Jarrett Leplin demonstrates the incapacity of nonrealist accounts to accommodate novel success and constructs a deft realist explanation of novelty. To test the applicability of novel success as a standard of warrant for theories, Leplin examines current directions in theoretical physics, fashioning a powerful critique of currently developing standards of evaluation. Arguing that explanatory uniqueness warrants inference, and exposing flaws in contending philosophical positions that sever explanatory power from epistemic justification, Leplin holds that abductive, or explanatory, inference is as fundamental as enumerative or eliminative inference, and contends that neither induction nor abduction can proceed without the other on pain of generating paradoxes. Leplin's conception of novelty has two basic components: an independence condition, ensuring that a result novel for a theory have no essential role, even indirectly, in the theory's provenance; and a uniqueness condition, ensuring that no competing theory provides a basis for predicting the same result. Showing that alternative approaches to novelty fall short in both respects, Leplin proceeds to a series of test cases, engaging prominent scientific theories from nineteenth-century accounts of light to modern cosmology in an effort to demonstrate the epistemological superiority of his view. Ambitious and tightly argued, A Novel Defense of Scientific Realism advances new positions on major topics in philosophy of science and offers a version of realism as original as it is compelling, making it essential reading for philosophers of science, epistemologists, and scholars in science studies.
Novel Practices: Classic Modern Fiction
by Eugene GoodheartAn important debate in modern literary criticism concerns the exact relationship between the ancient epic and the novel. Both the epic and the most ambitious modern novels are large-scale attempts to present a comprehensive view of the world through the experience of a representative hero. However, in the older tradition the hero stood for the aspirations and highest ideals of his society. The protagonist of the modern novel is usually at odds with that society, whether as exile, active rebel, or antagonistic critic. In Novel Practices, the distinguished literary scholar Eugene Goodheart surveys a representative selection of modern novelists tracing how the epic impulse has been reshaped under the conditions of modernity.
Novel Practices: Classic Modern Fiction
by Eugene GoodheartAn important debate in modern literary criticism concerns the exact relationship between the ancient epic and the novel. Both the epic and the most ambitious modern novels are large-scale attempts to present a comprehensive view of the world through the experience of a representative hero. However, in the older tradition the hero stood for the aspirations and highest ideals of his society. The protagonist of the modern novel is usually at odds with that society, whether as exile, active rebel, or antagonistic critic. In Novel Practices, the distinguished literary scholar Eugene Goodheart surveys a representative selection of modern novelists tracing how the epic impulse has been reshaped under the conditions of modernity.
The Novels and Selected Works of Mary Shelley Vol 1
by Nora Crook Pamela Clemit Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels and Selected Works of Mary Shelley Vol 1
by Nora Crook Pamela Clemit Betty T BennettThese eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
The Novels of Simone de Beauvoir (Routledge Revivals)
by Elizabeth FallaizeFirst published in 1988, The Novels of Simone de Beauvoir concentrates specifically on the novels of the famous 20th Century French writer, Simone de Beauvoir. Her novels are popular with both the students and general readers of literature and philosophy, and they will welcome this authoritative introduction to Beauvoir’s fiction. The author examines Beauvoir’s choice of narrative strategies and interprets them both in relation to the sexual politics of writing and in relation to the place which the constraints of history, class and gender increasingly play in the texts. All quotations are translated.
The Novels of Simone de Beauvoir (Routledge Revivals)
by Elizabeth FallaizeFirst published in 1988, The Novels of Simone de Beauvoir concentrates specifically on the novels of the famous 20th Century French writer, Simone de Beauvoir. Her novels are popular with both the students and general readers of literature and philosophy, and they will welcome this authoritative introduction to Beauvoir’s fiction. The author examines Beauvoir’s choice of narrative strategies and interprets them both in relation to the sexual politics of writing and in relation to the place which the constraints of history, class and gender increasingly play in the texts. All quotations are translated.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
Novelty: A History of the New
by Michael NorthIf art and science have one thing in common, it’s a hunger for the new—new ideas and innovations, new ways of seeing and depicting the world. But that desire for novelty carries with it a fundamental philosophical problem: If everything has to come from something, how can anything truly new emerge? Is novelty even possible? In Novelty, Michael North takes us on a dazzling tour of more than two millennia of thinking about the problem of the new, from the puzzles of the pre-Socratics all the way up to the art world of the 1960s and ’70s. The terms of the debate, North shows, were established before Plato, and have changed very little since: novelty, philosophers argued, could only arise from either recurrence or recombination. The former, found in nature’s cycles of renewal, and the latter, seen most clearly in the workings of language, between them have accounted for nearly all the ways in which novelty has been conceived in Western history, taking in reformation, renaissance, invention, revolution, and even evolution. As he pursues this idea through centuries and across disciplines, North exhibits astonishing range, drawing on figures as diverse as Charles Darwin and Robert Smithson, Thomas Kuhn and Ezra Pound, Norbert Wiener and Andy Warhol, all of whom offer different ways of grappling with the idea of originality. Novelty, North demonstrates, remains a central problem of contemporary science and literature—an ever-receding target that, in its complexity and evasiveness, continues to inspire and propel the modern. A heady, ambitious intellectual feast, Novelty is rich with insight, a masterpiece of perceptive synthesis.
"Novitas mundi": Die Ursprünge moderner Wissenschaft in der Renaissance. M&P Schriftenreihe
by Jörg F. Maas
Now and Zen: Notes from a Buddhist Monastery: with Illustrations
by Eiyû Murakoshi'In Japan we have an expression, 'Float like Cloud, Flow like Water'. Its meaning is: to live free and unconstrained'In this short introduction to Zen Buddhism, a practising Japanese monk shares the many lessons he has learned from life inside a temple.With charm and humour, he guides us through everything from meditation to tea-drinking ceremonies, the meaning of koans to preparing Zen food. Accompanied by the author's own illustrations, this book invites you to change your perception through the wisdom of monastic life.
‘Now I Know’: Five Centuries of Aqedah Exegesis (Amsterdam Studies in Jewish Philosophy #17)
by Albert van der HeideThis book describes how medieval Jewish Bible scholars sought to answer the question of what is meant by the Angel’s message from God to Abraham: ‘Now I Know’, as written in Genesis 22 verse 12. It examines these scholars’ comments on the nineteen verses in Genesis that tell the story of Abraham’s readiness to sacrifice his own son Isaac, the Aqedat Yiṣḥaq. It explores the answers they found to the question of what, indeed, this story is trying to tell us. Is it a drastic way to condemn the practice of child sacrifice? Does it call for replacing human sacrifices with animal sacrifices? Is it a trial by which the Almighty tests the fidelity of one of His followers? Or is it His way to show the world the nature of true belief?The book starts with an introduction to familiarize readers with the many and varied manifestations of the Aqedah theme in Jewish culture and with the developments of medieval Jewish Bible exegesis in general. Next, it offers translations and analyses of the classical medieval Jewish Bible commentaries that deal with the exegesis of Genesis 22, exploring the many angles from which the Aqedah story has been understood. No less than five centuries of medieval Aqedah exegesis are reviewed, from Saadya (882-942) to Isaac Abrabanel (1437-1508). These texts from the commentaries are combined with hermeneutical key passages by Moses Maimonides, Joseph Ibn Kaspi, Ḥasdai Crescas, and others, which were familiar to the minds of the exegetes, or which, conversely, reflect the impact of biblical Aqedah exegesis on religious thought. Together, the passages discussed illustrate the growth and development of Jewish Bible exegesis in dialogue with the rabbinic sources and with the various trends of thought and theology of their times. The consistent focus on the Aqedah constitutes a unifying theme, while the insights presented here greatly advance our understanding of the various developments in medieval Jewish Bible exegesis.
Nozick's Libertarian Project: An Elaboration and Defense (Continuum Studies in Political Philosophy)
by Mark D. FriedmanElaborating on and defending a rigorous, rights-based libertarianism, Mark D. Friedman here develops the seminal ideas articulated by Robert Nozick in his landmark work Anarchy, State and Utopia. Consolidating more than three decades of scholarly and popular writing to have emerged in the wake of Nozick's text, Friedman offers a 21st century defense of the minimal libertarian state. In the course of this analysis, and drawing on further insights offered by the work of F.A. Hayek, Nozick's Libertarian Project shows that natural rights libertarianism can offer convincing answers to the fundamental questions that lie at the heart of political theory. The book also rebuts many of the most common criticisms to have been levelled at this worldview, including those from left libertarians and from egalitarians such as as G.A. Cohen.
Nozick's Libertarian Project: An Elaboration and Defense (Continuum Studies in Political Philosophy)
by Mark D. FriedmanElaborating on and defending a rigorous, rights-based libertarianism, Mark D. Friedman here develops the seminal ideas articulated by Robert Nozick in his landmark work Anarchy, State and Utopia. Consolidating more than three decades of scholarly and popular writing to have emerged in the wake of Nozick's text, Friedman offers a 21st century defense of the minimal libertarian state. In the course of this analysis, and drawing on further insights offered by the work of F.A. Hayek, Nozick's Libertarian Project shows that natural rights libertarianism can offer convincing answers to the fundamental questions that lie at the heart of political theory. The book also rebuts many of the most common criticisms to have been levelled at this worldview, including those from left libertarians and from egalitarians such as as G.A. Cohen.
Nuclear Illusion, Nuclear Reality: Britain, the United States and Nuclear Weapons, 1958-64 (Nuclear Weapons and International Security since 1945)
by R. MooreA study of the political, military and technical aspects of Britain's nuclear weapons programme under the Macmillan government, contrasting Britain's perceived political decline with its growth in technological mastery and military nuclear capability. Important reading for anyone interested in the history and military technology of the cold war.
Nuclear Power and Public Policy: The Social and Ethical Problems of Fission Technology (A Pallas Paperback)
by Kristin Shrader-FrechetteThis book grew out of projects funded by the Kentucky Human ities Council in 1974 and. 1975 and by the Environmental Protec tion Agency in 1976 and 1977. As a result of the generosity of these two agencies, I was able to study the logical, methodological, and ethical assumptions inherent in the decision to utilize nuclear fission for generating electricity. Since both grants gave me the opportunity to survey public policy-making, I discovered that there were critical lacunae in allegedly comprehensive analyses of various energy technologies. Ever since this discovery, one of my goals has been to fill one of these gaps by writing a well-docu mented study of some neglected social and ethical questions regarding nuclear power. Although many assessments of atomic energy written by en vironmentalists are highly persuasive, they often also are overly emotive and question-begging. Sometimes they employ what seem to be correct ethical conclusions, but they do so largely in an in tuitive, rather than a closely-reasoned, manner. On the other hand, books and reports written by nuclear proponents, often Under government contract, almost always ignore the social and ethical aspects of energy decision-making; they focus instead only on a purely scientific assessment of fission generation of electricity. What the energy debate needs, I believe, are more studies which aim at ethical analysis and which avoid unsubstantiated assertions. I hope that these essays are steps in that direction.
Nuclear Weapons in the Changing World: Perspectives from Europe, Asia, and North America (Issues in International Security)
by Patrick J. Garrity Steven A. MaaranenLawrence Freedman One of the major bonuses of the collapse of communism in Europe is that it may never again be necessary to enter into a sterile debate about whether it is better to be "red" or "dead." This appeared as the ultimate question in the great nuclear debate of the early 1980s. When put so starkly the answer appeared obvious better to live and struggle in a totalitarian system than to destroy totalitarian and democratic systems alike. There were a number of points to be made against this. Communist regimes had demonstrated the possibility of being both red and dead while the West had managed successfully to avoid the choice. If we allowed nuclear disarmament to become an overriding priority, this might encourage excessive respect for Soviet interests and a desire to avoid any sort of provocation to Moscow, a point not lost on those in Eastern Europe who were then struggling against repression and could not see why disarmament should be given a higher priority than freedom. Now that the old communist states have liberated themselves and the West no longer risks conspiring in their enslavement, there is a correspondingly re duced danger of mass death. As a result, and with so much else of immediate Lawrence Freedman • Department of War Studies, King's College, University of London, London WC2R 2LS, England. Nuclear Weapons in the Changing World: Perspectives from Europe, Asia, and North America.
The Nude: A Study in Ideal Form (The A. W. Mellon Lectures in the Fine Arts #2)
by Kenneth ClarkA landmark study of the nude in art—from the ancient Greeks to Henry Moore—by a towering figure in art historyIn this classic book, Kenneth Clark, one of the most eminent art historians of the twentieth century, examines the ever-changing fashion in what constitutes the ideal nude as a basis of humanist form, from the art of the ancient Greeks to that of Renoir, Matisse, and Henry Moore. The Nude reveals the sensitivity of aesthetic theory to fashion, what distinguishes the naked from the nude, and just why the nude has played such an important role in art history. As Clark writes, “The nude gains its enduring value from the fact that it reconciles several contrary states. It takes the most sensual and immediately interesting object, the human body, and puts it out of reach of time and desire; it takes the most purely rational concept of which man is capable, mathematical order, and makes it a delight to the senses; and it takes the vague fears of the unknown and sweetens them by showing that the gods are like men and may be worshipped for their life-giving beauty rather than their death-dealing powers.”Please note: All images in this ebook are presented in black and white and have been reduced in size.