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Live Artefacts: Literature in a Cognitive Environment
by Terence CaveLiterary artefacts—the stories people tell, the songs they sing, the scenes they enact—are neither a by-product nor a side-issue in human culture. They provide a model of everything that cognition does. They refuse to separate thought from emotion, bodily responses from ethical reflection, perception from imagination, logic from desire. Above all, they demonstrate the essential fluidity and mobility of human cognition, its adaptive inventiveness. If we are astonished by the art of Chauvet or Lascaux as an early model of human cognition, then we should be continually astonished by what literature is and does as it reaches beyond itself to reimagine the world. This book argues that literary artefacts are quasi-autonomous living entities, fashioned to animate captured environments, embodied people and other creatures, ways of being and living that remain virtual. They own a freely delegated agency that allows them to speak to listeners and readers present and distant, present and future, adapting themselves and their meanings to whatever cognitive environment they encounter. Such an approach offers a way of linking a close attention to the specific properties of literary artefacts with the insights of cognitive anthropology and archaeology, and thus of satisfying the conditions for a properly interdisciplinary understanding of literature. It aims both to defend literary study against utilitarian and reductive arguments of all kinds and to argue that literary artefacts may give us new insights into how the mind (and its indispensable substratum, the brain) functions in the human ecology.
Live Literature: The Experience and Cultural Value of Literary Performance Events from Salons to Festivals (Palgrave Studies in Literary Anthropology)
by Ellen WilesThis ground-breaking book explores the phenomenal growth of live literature in the digitalizing 21st century. Wiles asks why literary events appeal and matter to people, and how they can transform the ways in which fiction is received and valued. Readers are immersed in the experience of two contrasting events: a major literary festival and an intimate LGBTQ+ salon. Evocative scenes and observations are interwoven with sharp critical analysis and entertaining conversations with well-known author-performers, reader-audiences, producers, critics, and booksellers. Wiles’s experiential literary ethnography represents an innovative and vital contribution, not just to literary research, but to research into the value of cultural experience across art forms. This book probes intersections between readers and audiences, writers and performers, texts and events, bodies and memories, and curation and reception. It addresses key literary debates from cultural appropriation to diversity in publishing, the effects of social media, and the quest for authenticity. It will engage a broad audience, from academics and producers to writers and audiences.
Live Sports Media: The What, How and Why of Sports Broadcasting
by Dennis DeningerIn Live Sports Media: The What, How and Why of Sports Broadcasting, Dennis Deninger provides an all-encompassing view of the sports television industry from his own perspective as an Emmy Award-winning producer at ESPN, at a time of seismic shifts in the industry. Technological advances and the proliferation of sports content across multiple media platforms have increased accessibility to sports events of all kinds across the world. Shifts in viewing habits and audience preferences are changing the dynamic of sports media and the sports industry as a whole. The result: more power for some sectors and diminished power for many others, to which professionals in the field need to rapidly adapt. This second edition has been substantially updated to explore the impact of COVID-19 disruptions on sports and the growth of women's sports broadcasting and evolving sports, as well as political statements made in sports: Black Lives Matter, and "taking a knee." It illustrates the origins, impact, reach, economics, production, and presentation of sports on video media – including, but not limited to, television. It takes the reader behind the scenes to describe the forces and processes that have shaped and continue to change sports content, its delivery, and how it connects with fans. Dennis Deninger draws from his experiences as an expert in the industry to expose how the choices and decisions that are now being made affect the programming, content, storytelling, production, advertising, and delivery of the sports broadcasting that we will see next season and how it will evolve in the years to come. This practical, entertaining book provides insights into sports broadcasting that sports management, media, and journalism students and learning practitioners will not find anywhere else.
Live Sports Media: The What, How and Why of Sports Broadcasting
by Dennis DeningerIn Live Sports Media: The What, How and Why of Sports Broadcasting, Dennis Deninger provides an all-encompassing view of the sports television industry from his own perspective as an Emmy Award-winning producer at ESPN, at a time of seismic shifts in the industry. Technological advances and the proliferation of sports content across multiple media platforms have increased accessibility to sports events of all kinds across the world. Shifts in viewing habits and audience preferences are changing the dynamic of sports media and the sports industry as a whole. The result: more power for some sectors and diminished power for many others, to which professionals in the field need to rapidly adapt. This second edition has been substantially updated to explore the impact of COVID-19 disruptions on sports and the growth of women's sports broadcasting and evolving sports, as well as political statements made in sports: Black Lives Matter, and "taking a knee." It illustrates the origins, impact, reach, economics, production, and presentation of sports on video media – including, but not limited to, television. It takes the reader behind the scenes to describe the forces and processes that have shaped and continue to change sports content, its delivery, and how it connects with fans. Dennis Deninger draws from his experiences as an expert in the industry to expose how the choices and decisions that are now being made affect the programming, content, storytelling, production, advertising, and delivery of the sports broadcasting that we will see next season and how it will evolve in the years to come. This practical, entertaining book provides insights into sports broadcasting that sports management, media, and journalism students and learning practitioners will not find anywhere else.
Live Television: Time, Space and the Broadcast Event (PDF)
by Dr Stephanie Marriott"The study of television, still the most powerful of modern media, has long been fascinated by its capacity for 'liveness'. Marriott offers an insightful analysis of the complexities of this phenomenon, particularly its increasingly vital connection with the use of new media. A timely contribution to our understanding of media events, 24 hour news and the phenomenology of mediated experience." - Andrew Tolson, De Montfort University "In the steps of Marshall McLuhan and Alfred Schutz, Stephanie Marriott offers us a timely and sustained reflection upon the nature of mediation and the changing qualities of the live experience made possible by television. Elegant, lucid, witty and thought-provoking, her account will become a canonical text in television studies." - Martin Montgomery, University of Strathclyde In a fragmenting multichannel and multiplatform global broadcasting environment live television continues to attract huge audiences, bucking the trend towards narrowcasting and niche markets, yet little of a comprehensive nature has been written about the live television event. In this fascinating book, Stephanie Marriott engages in a close and detailed analysis of the nature of live television. She examines the transformations in our experience of time and space which are brought about by the capacity of broadcasting to bring us the world in the moment in which it is unfolding, situating the live television event in the context of an expanding and increasingly complex global communicative framework. Building her argument by means of a series of case studies of events as diverse as the assassination of President Kennedy in 1963, the attack on the World Trade Centre in 2001, the 2005 London bombings, election night coverage and live sports coverage, Marriott provides a meticulous and articulate account of the way in which live television mediates the event for its audience. This book will be essential reading for students and academics working in media, cultural studies, cultural sociology, and linguistics, and is an exciting new contribution to the field of broadcast talk and media discourse.
The Lived Experience of Chinese International Students in the U.S.: An Academic Journey (Education in the Asia-Pacific Region: Issues, Concerns and Prospects #56)
by Yalun Zhou Michael WeiThis book marks a departure from traditional assumptions concerning the deficiencies of Chinese international students in terms of learning and adapting. It employs phenomenological narrative inquiry and a small culture approach to investigate the evolved, fluid experience of pursuing a graduate degree in the U.S. at Blue Fountain University (a pseudonym for a mid-western university).Adopting an interdisciplinary perspective, this book addresses two fundamental questions: What study abroad is and what study abroad counts? The sociocultural dimensions that shape the cross-border degree seeking endeavors inform stakeholders what works for Chinese international students’ successful pursuits as EFL learners and ESL users and what could be improved. This book shares thoughts on the implications and impact of educational contexts to stakeholders at normal and dynamic contexts interrupted by global pandemic outbreak. It contributes to the understanding of the internationalization of the host institute and the EFL education reform efforts (policy making, teacher education, and classroom practice) in China (and in Asia at large).
Lived Nation as the History of Experiences and Emotions in Finland, 1800-2000 (Palgrave Studies in the History of Experience)
by Tanja Vahtikari Ville Kivimäki Sami SuodenjokiThis open access book uses Finland in the nineteenth and twentieth centuries as an empirical case in order to study the emergence, shaping and renewal of a nation through histories of experience and emotions. It revolves around the following questions: What kinds of experiences have engendered national mobilization and feelings of national belonging? How have political and societal conflicts turned into new communities of experience and emotion? What kinds of experiences have been integrated into, or excluded from, the national context in different instances? How have people internalized or contested the nation as a context for their personal, family and minority-group experiences? In what ways has the nation entered and affected people’s intimate spheres of life? How have “national” experiences been transmitted to children in the renewal of the nation? This edited collection points to the histories of experience and emotions as a novel way of studying nations and nationalism. Building on current debates in nationalism studies, it offers a theoretical framework for analyzing the historical construction of “lived nations,” and introduces a number of new methodological approaches to understand the experiences of the nation, extending from the investigation of personal reminiscences and music records to the study of dreams and children’s drawings.
The Lively Arts: Gilbert Seldes and the Transformation of Cultural Criticism in the United States
by Michael KammenHe was a friend of James Joyce, Pablo Picasso, e.e. cummings, John Dos Passos, Irving Berlin, and F. Scott Fitzgerald--and the enemy of Ezra Pound, H.L. Mencken, and Ernest Hemingway. He was so influential a critic that Edmund Wilson declared that he had played a leading role in the "liquidation of genteel culture in America." Yet today many students of American culture would not recognize his name. He was Gilbert Seldes, and in this brilliant biographical study, Pulitzer Prize-winning historian Michael Kammen recreates a singularly American life of letters. Equally important, Kammen uses Seldes's life as a lens through which to bring into sharp focus the dramatic shifts in American culture that occurred in the half-century after World War I. Born in 1893, Seldes saw in his lifetime an astonishing series of innovations in popular and mass culture: silent films and talkies, the phonograph and the radio, the coming of television, and the proliferation of journalism aimed at mainstream America in such venues as Vanity Fair, The Saturday Evening Post, and Esquire. (His monthly column in Esquire was called "The Lively Arts.") Seldes was more than a witness to these changes, however; he was the leading champion of popular culture in his time, and a skilled practitioner as well. Kammen, the first scholar to enjoy access to Seldes's unpublished papers, illuminates his immense influence as the earliest cultural critic to insist that the lively arts--vaudeville, musical revues, film, jazz, and the comics--should be taken just as seriously as grand opera, the legitimate theatre, and other manifestations of high culture. As he traces Seldes's remarkable evolution from an acknowledged aesthete and highbrow to a cultural democrat with a passion for the popular arts, Kammen recaptures the critic's prescience, wit, and generosity for a newly expanded audience. We witness Seldes's triumphs and travails as managing editor of The Dial, the most influential literary magazine of its time, and read of New York's endlessly feuding publications and literary rivalries. Kammen offers wonderfully detailed accounts of The Dial's introduction of "The Wasteland" in its November 1922 issue; Seldes's review of Ulysses for The Nation, one of the first (if not the very first) to appear in the U.S.; and the complete story of the writing, publication, and critical reception of The Seven Lively Arts, Seldes's most influential book. And Kammen also covers Seldes's astonishingly versatile later career as a freelance writer (on every conceivable subject), historian, novelist, playwright, filmmaker, radio scriptwriter, the first program director for CBS Television, and the founding dean of the Annenberg School of Communications at the University of Pennsylvania. One of popular culture's earliest and most eloquent champions, Seldes was nonetheless publicly worried as early as 1937 that the popularity of radio, film, and television would mean the demise of the "private art of reading." By 1957 he was warning that "with the shift of all entertainment into the area of big business, we are being engulfed into a mass-produced mediocrity." At a time when many thoughtful Americans despair of popular culture, The Lively Arts revisits the opening salvos in the ongoing debate over "democratization" versus "dumbing down" of the arts. It offers a penetrating and timely analysis of Gilbert Seldes's pioneering conviction that the popular and the great arts must not only co-exist but enrich one another if we are to realize the innovation and intensity of American culture at its best.
The Liverpool English Dictionary: A Record of the Language of Liverpool 1850–2015
by Tony CrowleyKnow someone with an antwacky stem-winder? Heard the Band of Hope Street? Ever been on a vinegar trip? Do you jangle? Ever met a Cunard yank in the Dingle? Could you pay for a dodger with a joey? Have you heard a maccyowler in a jigger? The Liverpool English Dictionary records the rich vocabulary that has evolved over the past century and a half, as part of the complex, stratified, multi-faceted and changing culture of this singular city. With over 2,000 entries from ‘Abbadabba’ to ‘Z-Cars’, the roots/routes, meanings and histories of the words of Liverpool are presented in a concise, clear and accessible format. Born and bred in Liverpool, Professor Tony Crowley has spent over thirty years compiling this bold and innovative dictionary, investigating historical lexicons, sociological studies, works of history, local newspapers, popular cultural representations, and, most importantly, the extensive ‘lost’ literature of the city. Illuminating, often remarkable, and always enjoyable, this book transforms our understanding of the history of language in Liverpool.
The Liverpool English Dictionary: A Record of the Language of Liverpool 1850–2015
by Tony CrowleyKnow someone with an antwacky stem-winder? Heard the Band of Hope Street? Ever been on a vinegar trip? Do you jangle? Ever met a Cunard yank in the Dingle? Could you pay for a dodger with a joey? Have you heard a maccyowler in a jigger? The Liverpool English Dictionary records the rich vocabulary that has evolved over the past century and a half, as part of the complex, stratified, multi-faceted and changing culture of this singular city. With over 2,000 entries from ‘Abbadabba’ to ‘Z-Cars’, the roots/routes, meanings and histories of the words of Liverpool are presented in a concise, clear and accessible format. Born and bred in Liverpool, Professor Tony Crowley has spent over thirty years compiling this bold and innovative dictionary, investigating historical lexicons, sociological studies, works of history, local newspapers, popular cultural representations, and, most importantly, the extensive ‘lost’ literature of the city. Illuminating, often remarkable, and always enjoyable, this book transforms our understanding of the history of language in Liverpool.
Liverpool: A Memoir of Words
by Tony CrowleyWritten by an author brought up in working-class Liverpool in the 1960s and 1970s, Liverpool: A Memoir of Words is a work of creative non-fiction that combines the study of language in Liverpool with social history, the history of the English language and personal memoir. A beautifully written book, based on a lifetime’s academic research, it explores the relationship between language and memory, and demonstrates the ways in which words are enmeshed in history and history in words. Starting with ‘Ace’ and weaving its way alphabetically to ‘Z-Cars’, the work illustrates the deep relationship that has been forged in the past two hundred years or so between a form of language, a place and a social identity. The account is funny, sad, full of surprises and always illuminating. It tells the real history of ‘Scouse’, details the multicultural complexity of Liverpool English, examines the common use of ‘plazzymorphs’, and shows how Liverpudlian words exemplify standard processes of change and development. Neither a memoir, dictionary or history book, this work crosses different fields of knowledge in order to weave an engaging and fascinating story. It is a book that will educate and delight Liverpudlians, students of language and social historians alike.
Liverpool: A Memoir of Words
by Tony CrowleyWritten by an author brought up in working-class Liverpool in the 1960s and 1970s, Liverpool: A Memoir of Words is a work of creative non-fiction that combines the study of language in Liverpool with social history, the history of the English language and personal memoir. A beautifully written book, based on a lifetime’s academic research, it explores the relationship between language and memory, and demonstrates the ways in which words are enmeshed in history and history in words. Starting with ‘Ace’ and weaving its way alphabetically to ‘Z-Cars’, the work illustrates the deep relationship that has been forged in the past two hundred years or so between a form of language, a place and a social identity. The account is funny, sad, full of surprises and always illuminating. It tells the real history of ‘Scouse’, details the multicultural complexity of Liverpool English, examines the common use of ‘plazzymorphs’, and shows how Liverpudlian words exemplify standard processes of change and development. Neither a memoir, dictionary or history book, this work crosses different fields of knowledge in order to weave an engaging and fascinating story. It is a book that will educate and delight Liverpudlians, students of language and social historians alike.
The Lives of Frederick Douglass
by Robert S. LevineFrederick Douglass’s changeable sense of his own life story is reflected in his many conflicting accounts of events during his journey from slavery to freedom. Robert S. Levine creates a fascinating collage of this elusive subject—revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer.
The Lives of Frederick Douglass
by Robert S. LevineFrederick Douglass’s changeable sense of his own life story is reflected in his many conflicting accounts of events during his journey from slavery to freedom. Robert S. Levine creates a fascinating collage of this elusive subject—revisionist biography at its best, offering new perspectives on Douglass the social reformer, orator, and writer.
The Lives of Literature: Reading, Teaching, Knowing
by Arnold WeinsteinA passionate, wry, and personal book about how the greatest works of literature illuminate our livesWhy do we read literature? For Arnold Weinstein, the answer is clear: literature allows us to become someone else. Literature changes us by giving us intimate access to an astonishing variety of other lives, experiences, and places across the ages. Reflecting on a lifetime of reading, teaching, and writing, The Lives of Literature explores, with passion, humor, and whirring intellect, a professor’s life, the thrills and traps of teaching, and, most of all, the power of literature to lead us to a deeper understanding of ourselves and the worlds we inhabit.As an identical twin, Weinstein experienced early the dislocation of being mistaken for another person—and of feeling that he might be someone other than he had thought. In vivid readings elucidating the classics of authors ranging from Sophocles to James Joyce and Toni Morrison, he explores what we learn by identifying with their protagonists, including those who, undone by wreckage and loss, discover that all their beliefs are illusions. Weinstein masterfully argues that literature’s knowing differs entirely from what one ends up knowing when studying mathematics or physics or even history: by entering these characters’ lives, readers acquire a unique form of knowledge—and come to understand its cost.In The Lives of Literature, a master writer and teacher shares his love of the books that he has taught and been taught by, showing us that literature matters because we never stop discovering who we are.
The Lives of Ovid in Seventeenth-Century French Culture (Oxford Modern Languages and Literature Monographs)
by Helena TaylorSeventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid's enormously influential work in this period, but little attention has been paid to Ovid's lives and their uses. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical dictionaries, poetry, and memoirs, this study investigates how the figure of Ovid was used to debate literary taste and modernity and to reflect on translation practice. It shows how the narrative of Ovid's life was deployed to explore the politics and poetics of exile writing; and to question the relationship between fiction and history. In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of Versailles, the poetry he wrote after being exiled by the Emperor Augustus made him a figure through which to question the relationship between authority and narrative. The Lives of Ovid in Seventeenth-Century French Culture not only nuances understanding of both Ovid and life-writing in this period, but also offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
The Lives of Ovid in Seventeenth-Century French Culture (Oxford Modern Languages and Literature Monographs)
by Helena TaylorSeventeenth-century France saw one of the most significant 'culture wars' Europe has ever known. Culminating in the Quarrel of the Ancients and Moderns, this was a confrontational, transitional time for the reception of the classics. Helena Taylor explores responses to the life of the ancient Roman poet, Ovid, within this charged atmosphere. To date, criticism has focused on the reception of Ovid's enormously influential work in this period, but little attention has been paid to Ovid's lives and their uses. Through close analysis of a diverse corpus, which includes prefatory Lives, novels, plays, biographical dictionaries, poetry, and memoirs, this study investigates how the figure of Ovid was used to debate literary taste and modernity and to reflect on translation practice. It shows how the narrative of Ovid's life was deployed to explore the politics and poetics of exile writing; and to question the relationship between fiction and history. In so doing, this book identifies two paradoxes: although an ancient poet, Ovid became key to the formulation of aspects of self-consciously 'modern' cultural movements; and while Ovid's work might have adorned the royal palaces of Versailles, the poetry he wrote after being exiled by the Emperor Augustus made him a figure through which to question the relationship between authority and narrative. The Lives of Ovid in Seventeenth-Century French Culture not only nuances understanding of both Ovid and life-writing in this period, but also offers a fresh perspective on classical reception: its paradoxes, uses, and quarrels.
Lives of Shakespearian Actors, Part II, Volume 1: Edmund Kean, Sarah Siddons and Harriet Smithson by Their Contemporaries
by Gail Marshall Tetsuo Kishi Jim Davis Lisa Freeman Peter RabyDuring the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Lives of Shakespearian Actors, Part II, Volume 2: Edmund Kean, Sarah Siddons and Harriet Smithson by Their Contemporaries
by Gail Marshall Tetsuo Kishi Jim Davis Lisa Freeman Peter RabyDuring the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Lives of Shakespearian Actors, Part II, Volume 2: Edmund Kean, Sarah Siddons and Harriet Smithson by Their Contemporaries
by Gail Marshall Tetsuo Kishi Jim Davis Lisa Freeman Peter RabyDuring the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Lives of Shakespearian Actors, Part II, Volume 3: Edmund Kean, Sarah Siddons and Harriet Smithson by Their Contemporaries
by Gail Marshall Tetsuo Kishi Jim Davis Lisa Freeman Peter RabyDuring the eighteenth century, theatrical writing developed as a genre. The publishing market responded to a seemingly insatiable appetite for accounts of the personalities, social lives and performances of celebrated entertainers. This series features actors who were significant in their development of new ways of performing Shakespeare.
Lives of Shakespearian Actors, Part III, Volume 1: Charles Kean, Samuel Phelps and William Charles Macready by their Contemporaries
by Gail Marshall Tetsuo Kishi Richard Foulkes Julia Swindells Robert Sawyer David Francis TaylorFeatures actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Lives of Shakespearian Actors, Part III, Volume 2: Charles Kean, Samuel Phelps and William Charles Macready by their Contemporaries
by Gail Marshall Tetsuo Kishi Richard Foulkes Julia Swindells Robert Sawyer David Francis TaylorFeatures actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Lives of Shakespearian Actors, Part III, Volume 3: Charles Kean, Samuel Phelps and William Charles Macready by their Contemporaries
by Gail Marshall Tetsuo Kishi Richard Foulkes Julia Swindells Robert Sawyer David Francis TaylorFeatures actors who were significant in their development of new and innovative ways of performing Shakespeare. This title contains extracts from diaries, memoirs, private letters, and obituaries that present a contemporary account of their acting achievements and personal lives.
Lives of Shakespearian Actors, Part IV, Volume 1: Helen Faucit, Lucia Elizabeth Vestris and Fanny Kemble by Their Contemporaries
by Gail Marshall Tetsuo Kishi Christy Desmet Janice NorwoodFeatures three female actors who were significant in their development of new and innovative ways of performing Shakespeare.