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Marrano Poets of the Seventeenth Century: An Anthology of the Poetry of João Pinto Delgado, Antonio Enríquez Gómez and Miguel De Barrios (The Littman Library of Jewish Civilization)
by Timothy OelmanThe story of the Marranos (the Jewish converts to Christianity in Spain and Portugal) has long been a source of fascination for Jews interested in their heritage and for all those concerned with the struggle for freedom of conscience against authoritarianism. In this volume are presented the selected works of three Marrano poets, together with translations into English and explanatory notes. Each of the three poets is introduced with a biography and brief critical assessment. In a general introduction the editor explains the historical and literary background of their works and examines the inter-relationship between the Jewish and Christian cultural elements. Drawing on a wide range of published and manuscript sources, he gives a balanced picture of the Marranos and describes the process of Jewish re-education they had to undergo in order to reach their goal of integration with authentic Judaism in the Jewish communities outside the Iberian peninsula. The three poets—João Pinto Delgado, Antonio Enríquez Gómez, and Miguel de Barrios—are presented against this background as exemplifying three different 'paths to Judaism', which nonetheless have in common the dramatic experience of life under the Inquisition and the halfway house of the Marrano communities. Symbols of exile and insecurity abound. Each poet shares a sense of guilt over his past observance of Christianity and endeavours to reach out towards the authentic sources of the Jewish tradition, such as the Talmud and the rabbinic commentaries, to invest his writings with a greater cultural depth. The poems in this volume have been selected with the aim of giving a representative view of each individual poet's experience and particular literary talents. Through the translations and notes the general reader is provided with insight into their significance and purpose. The specialist reader, too, will gain from finding the writings of three little-known poets of similar background brought together for the first time and set in context.
Martial: The World of the Epigram
by William FitzgeraldIn this age of the sound bite, what sort of author could be more relevant than a master of the epigram? Martial, the most influential epigrammatist of classical antiquity, was just such a virtuoso of the form, but despite his pertinence to today’s culture, his work has been largely neglected in contemporary scholarship. Arguing that Martial is a major author who deserves more sustained attention, William Fitzgerald provides an insightful tour of his works, shedding new and much-needed light on the Roman poet’s world—and how it might speak to our own. Writing in the late first century CE—when the epigram was firmly embedded in the social life of the Roman elite—Martial published his poems in a series of books that were widely read and enjoyed. Exploring what it means to read such a collection of epigrams, Fitzgerald examines the paradoxical relationship between the self-enclosed epigram and the book of poems that is more than the sum of its parts. And he goes on to show how Martial, by imagining these books being displayed in shops and shipped across the empire to admiring readers, prophetically behaved like a modern author. Chock-full of epigrams itself—in both Latin and English versions—Fitzgerald’s study will delight classicists, literary scholars, and anyone who appreciates an ingenious witticism.
Martial: The World of the Epigram
by William FitzgeraldIn this age of the sound bite, what sort of author could be more relevant than a master of the epigram? Martial, the most influential epigrammatist of classical antiquity, was just such a virtuoso of the form, but despite his pertinence to today’s culture, his work has been largely neglected in contemporary scholarship. Arguing that Martial is a major author who deserves more sustained attention, William Fitzgerald provides an insightful tour of his works, shedding new and much-needed light on the Roman poet’s world—and how it might speak to our own. Writing in the late first century CE—when the epigram was firmly embedded in the social life of the Roman elite—Martial published his poems in a series of books that were widely read and enjoyed. Exploring what it means to read such a collection of epigrams, Fitzgerald examines the paradoxical relationship between the self-enclosed epigram and the book of poems that is more than the sum of its parts. And he goes on to show how Martial, by imagining these books being displayed in shops and shipped across the empire to admiring readers, prophetically behaved like a modern author. Chock-full of epigrams itself—in both Latin and English versions—Fitzgerald’s study will delight classicists, literary scholars, and anyone who appreciates an ingenious witticism.
Martial: The World of the Epigram
by William FitzgeraldIn this age of the sound bite, what sort of author could be more relevant than a master of the epigram? Martial, the most influential epigrammatist of classical antiquity, was just such a virtuoso of the form, but despite his pertinence to today’s culture, his work has been largely neglected in contemporary scholarship. Arguing that Martial is a major author who deserves more sustained attention, William Fitzgerald provides an insightful tour of his works, shedding new and much-needed light on the Roman poet’s world—and how it might speak to our own. Writing in the late first century CE—when the epigram was firmly embedded in the social life of the Roman elite—Martial published his poems in a series of books that were widely read and enjoyed. Exploring what it means to read such a collection of epigrams, Fitzgerald examines the paradoxical relationship between the self-enclosed epigram and the book of poems that is more than the sum of its parts. And he goes on to show how Martial, by imagining these books being displayed in shops and shipped across the empire to admiring readers, prophetically behaved like a modern author. Chock-full of epigrams itself—in both Latin and English versions—Fitzgerald’s study will delight classicists, literary scholars, and anyone who appreciates an ingenious witticism.
Martial: The World of the Epigram
by William FitzgeraldIn this age of the sound bite, what sort of author could be more relevant than a master of the epigram? Martial, the most influential epigrammatist of classical antiquity, was just such a virtuoso of the form, but despite his pertinence to today’s culture, his work has been largely neglected in contemporary scholarship. Arguing that Martial is a major author who deserves more sustained attention, William Fitzgerald provides an insightful tour of his works, shedding new and much-needed light on the Roman poet’s world—and how it might speak to our own. Writing in the late first century CE—when the epigram was firmly embedded in the social life of the Roman elite—Martial published his poems in a series of books that were widely read and enjoyed. Exploring what it means to read such a collection of epigrams, Fitzgerald examines the paradoxical relationship between the self-enclosed epigram and the book of poems that is more than the sum of its parts. And he goes on to show how Martial, by imagining these books being displayed in shops and shipped across the empire to admiring readers, prophetically behaved like a modern author. Chock-full of epigrams itself—in both Latin and English versions—Fitzgerald’s study will delight classicists, literary scholars, and anyone who appreciates an ingenious witticism.
Martial (Ancients in Action)
by Peter HowellMartial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as 'a short poem ending in a witty turn of thought', their effectiveness has shaped this definition. This book tells what we know about the man's commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. This book is part of the Ancient in Action series which features short incisive books introducing major figures of the ancient world to the modern general reader, including the essentials of each subject's life, works, and significance for later western civilisation.
Martial: The Epigrams (Ancients in Action)
by Peter HowellMartial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as 'a short poem ending in a witty turn of thought', their effectiveness has shaped this definition. This book tells what we know about the man's commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. This book is part of the Ancient in Action series which features short incisive books introducing major figures of the ancient world to the modern general reader, including the essentials of each subject's life, works, and significance for later western civilisation.
The Martian's Regress
by J. O. MorganFrom the winner of the Costa Poetry AwardA lone martian returns to Earth. He leaves behind him a hardened survivalist culture, its muddled myths and songs, its continued abuse of the environment that sustains it. During this journey back to the now-broken and long-abandoned mother planet, the martian begins to consider his own uncertain origins, and his own future.Cut off from his people, the martian's story is that of the individual: his duty at odds with his desire; the race of which he’s still a part playing always on his mind, as well as the race that once was. This is the story of what life becomes when stripped of all that makes it worth living – of what humans become when they lose their humanity.The Martian's Regress is a brilliant, provocative, often darkly comic work that explores what a fragile environment eventually makes of those who persist in tampering with it.
Marvell and Liberty
by Martin DzelzainisMarvell and Liberty is a collection of original essays by leading scholars which treats this major poet in an entirely new light. Uniquely, it gives equal attention to the full range of Marvell's writings. Marvell is a writer deeply implicated in the history of his time, and as the essays in this volume show, also exercised a potent political influence after his death. Marvell and Liberty constitutes a major reassessment of a figure who lived much of his life close to the epicentre of the revolutionary upheavals of the seventeenth century.
Marvin K. Mooney Will You Please Go Now? (Bright And Early Bks. #No. 13)
by Dr. SeussIn this classic Dr. Seuss tale, it’s time for Marvin K. Mooney to go to bed… but will he get the message?
Mary Had a Little Jam: And Other Silly Rhymes (Giggle Poetry Ser.)
by Bruce LanskyThese original nursery rhymes recount the latest adventures of Jack and Jill, Humpty Dumpty, Old King Cole, Old Mother Hubbard, Little Boy Blue, Little Bo-Peep, Yankee Doodle, Georgie Porgie, Peter Piper, and other best-loved Mother Goose characters. Written by a gang of gifted poets including Bruce Lansky, Kenn Nesbitt, Linda Knaus, and Darren Sardelli, these rhymes are guaranteed to delight children of all ages. It's the most popular book of funny, contemporary nursery rhymes in the English language. Double the Fun with Twice as many Silly Rhymes! We've added a Second Helping: 40 Hilarious Poems from Peter, Peter, Pizza Eater.
Mary Shelley's Literary Lives and Other Writings, Volume 2: Spanish And Portuguese Lives
by Lisa VargoThis collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 2: Spanish And Portuguese Lives
by Lisa VargoThis collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 4
by Nora CrookThis collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Mary Shelley's Literary Lives and Other Writings, Volume 4
by Nora CrookThis collection covers the lyrical poetry of Mary Shelley, as well as her writings for Lardner's "Cabinet Cyclopaedia of Biography" and some other materials only recently attributed to her.
Masks and Shadows: A Collection of Poetry (Wordcatcher Modern Poetry)
by Ian MullinsPoems are like superheroes; they often struggle to get off the ground. But when they reach the open air everything they see is changed by being in flight. A city becomes a fleck of dust; an ant becomes a brontosaurus. And people? What happens to them? Some of them will look up with strange longing, then glance down to find superhero costumes welded onto their skins. While others, who have no doubt they belong in the stratosphere, find their jet-boots only nail them to the ground. My superpower is writing poems... Poetry is just another name for dreaming, but it's also synonymous with nightmares. The nightmare of finding your superhero suit growing as baggy as your skin; of discovering that your real superpower is silence. That the fear you strike in others is easily eclipsed by the fear they strike into you. That power comes at a price that may not be worth paying. How much do you really want to take to the air? The handsomest birds are the easiest to shoot down. Even by-standers keep kryptonite in their pockets. What do we own, except for our dreams? Not everyone is built for speed. It has been argued that the bravest person in the Marvel cinematic universe is the man who climbs to his feet in Avengers Assemble when Loki demands that humanity embraces its natural subservience and kneel before him. Is a god anything more than the one who wields the biggest stick? What force compels Superman to call the President 'Sir'? In Alan Moore's Marvelman the hero embraces his unnatural superiority and takes over the world to save it from itself. Tragedy eclipses destiny: but by Watchmen Moore has reversed the equation. The god-like Dr. Manhattan re-creates himself as Satan and leaves humanity to fend for itself. He adopts the moral high ground, telling us we'll be stronger for living without gods: but perhaps he's just bored with us. What god wouldn't be? Let's come back down to earth. In a culture that demands we prove our worth by constantly improving our performance, whether we run the corporation or only the photocopier, have we all become ashamed of merely being human? What happens when you tear off the mask and find another mask beneath it? Or if you find nothing, not even a face. Maybe we're nothing more – or less – than the sum of our dreams. No wonder we look up and cry Is it a bird, is it a plane? And answer no, it's only me; trying my wings for size. Here are a few of my wings. Why not try them on? They might suit you perfectly, and held you find your own. Or fly you to strange lands and abandon you there, forcing you to build a ship from your dreams and set sail on crimson seas. Travel boldly enough and you might never need a mask again.
The Masnavi of Rumi, Book Two: A New English Translation with Explanatory Notes
by Jalaloddin RumiJalaloddin Rumi's Masnavi-ye Ma'navi, or 'Spiritual Couplets', composed in the 13th Century, is a monumental work of poetry in the Sufi tradition of Islamic mysticism. For centuries before his love poetry became a literary phenomenon in the West, Rumi's Masnavi had been revered in the Islamic world as its greatest mystical text. Drawing upon a vast array of characters, stories and fables, and deeply versed in spiritual teaching, it takes us on a profound and playful journey of discovery along the path of divine love, toward its ultimate goal of union with the source of all Truth. In Book Two of the Masnavi, the second of six volumes, we travel with Rumi toward an understanding of the deeper truth and reality, beyond the limits of the self. Alan Williams's authoritative new translation is rendered in highly readable blank verse and includes the original Persian text for reference. True to the spirit of Rumi's poem, this new translation establishes the Masnavi as one of the world's great literary achievements for a global readership. Translated with an introduction, notes and analysis by Alan Williams and including the Persian text edited by Mohammad Este'lami.
The Masnavi of Rumi, Book Two: A New English Translation with Explanatory Notes
by Jalaloddin RumiJalaloddin Rumi's Masnavi-ye Ma'navi, or 'Spiritual Couplets', composed in the 13th Century, is a monumental work of poetry in the Sufi tradition of Islamic mysticism. For centuries before his love poetry became a literary phenomenon in the West, Rumi's Masnavi had been revered in the Islamic world as its greatest mystical text. Drawing upon a vast array of characters, stories and fables, and deeply versed in spiritual teaching, it takes us on a profound and playful journey of discovery along the path of divine love, toward its ultimate goal of union with the source of all Truth. In Book Two of the Masnavi, the second of six volumes, we travel with Rumi toward an understanding of the deeper truth and reality, beyond the limits of the self. Alan Williams's authoritative new translation is rendered in highly readable blank verse and includes the original Persian text for reference. True to the spirit of Rumi's poem, this new translation establishes the Masnavi as one of the world's great literary achievements for a global readership. Translated with an introduction, notes and analysis by Alan Williams and including the Persian text edited by Mohammad Este'lami.
Material Properties
by Jacob PolleyMaterial Properties asks what it might mean to interpret and translate wildness into human language and human understanding. The book is a multi-faceted and vital exploration of the non-human, the elemental and the borders between existences. Through poems of parenthood at a time of environmental emergency, and poetic versions of Old English riddles in which animals, objects and natural phenomena speak, the book poses essential questions about our relationship with the living world and with each other.Praise for previous work, Jackself, from T.S. Eliot Prize judges: ‘a firework of a book, inventive, exciting and outstanding in its imaginative range and depth of feeling’.
Materializing Englishness in Early Medieval Texts (Oxford Textual Perspectives)
by Jacqueline FayThe aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.
Materializing Englishness in Early Medieval Texts (Oxford Textual Perspectives)
by Jacqueline FayThe aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.
The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Michigan Monographs In Chinese Studies #75)
by Zong-qi Cai Zong-qu CaiPentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.
Matsuo Bash?’s Poetic Spaces: Exploring Haikai Intersections
by E. KerkhamHaikai is an art that parodies and often subverts its linguistic, generic, and personal predecessors, and its intersections include imaginative links to the rest of Japanese literature and culture. This collection of essays explores certain neglected aspects of this haikaimaster's literary and philosophical contributions.
The Matter of Rhyme: Verse-Music and the Ring of Ideas (Critical Voices)
by Christopher NorrisThe poetry of ideas, a long neglected genre, has now found a vigorous and resourceful champion in Christopher Norris. Hitherto best known as philosopher and literary theorist, he has treated that genre to a full-scale modern revival of singular scope and ambition. His poems combine intellectual agility with a verse-music both keen-eared and frequently haunting. This latest collection sees Norris at the top of his bent as lyric poet, poet-philosopher, verse-essayist, political satirist, social commentator, and skilful re-worker of traditional verse-forms to suit contemporary contexts and concerns. It exhibits all the wit and erudition that readers will have come to expect, along with a marked broadening of purview and heightened stylistic virtuosity. These poems engage with topics ranging from the personal (though never private-confessional) to the deeply enquiring (though never abstruse) and the forcefully political (though never excluding issues that transcend the narrowly partisan). Above all they make the case for viewing rhyme, meter, and prosodic structure as intrinsically a part of verse-practice and a source of everything that is most distinctive and valuable in poetry.