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Theology from the Great Tradition
by Steven D. ConeThis textbook provides complete and comprehensive coverage of the theological tradition of Aquinas, Maximus, Luther, Irenaeus, Lonergan, von Balthasar, Schmemann, Meyendorf and Barth. Each section of this textbook explores a wide variety of questions – who are we? Is there a God, and if so, what is his nature? Who is Jesus? What does it mean that we live both in sin and righteousness? It consists of 15 modules that are comprised of 46 chapters. Each module has two parts: there are systematic chapters that discuss and explain each module's topic; and the final chapter of each module examines 4 to 6 primary sources that are important for each topic.This textbook includes an extensive range of pedagogical features: - Sample tests in which each objective question has been quality tested by classroom use (with a discrimination index) - A discussion guide for each chapter - Learning objectives linked to each chapter - The text includes bold-faced terms, boxed text sections that identify central figures and points of debate, study question, chapter summaries, glossary
Theology Goes to the Movies: An Introduction to Critical Christian Thinking
by Clive MarshDrawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the social practice of cinema-going. Written by a leading expert in the field, Theology Goes to the Movies analyzes: the role of cinema and Church in Western culture the power of Christian symbols and images within popular culture theological concepts of humanity, evil and redemption, eschatology and God. This is an ideal text for students seeking a new way into the study of theology.
Theology Goes to the Movies: An Introduction to Critical Christian Thinking
by Clive MarshDrawing a comparison between religion and cinema-going, this text examines a range of contemporary films in relation to key theological concepts. Cinema as a religion-like activity is explored through cognitive, affective, aesthetic and ethical levels, identifying the religious aspects in the social practice of cinema-going. Written by a leading expert in the field, Theology Goes to the Movies analyzes: the role of cinema and Church in Western culture the power of Christian symbols and images within popular culture theological concepts of humanity, evil and redemption, eschatology and God. This is an ideal text for students seeking a new way into the study of theology.
Theology, History, and Biblical Interpretation: Modern Readings
by Darren SariskyThe Christian Bible serves as the sacred scripture of the Christian community. It is read regularly by many people around the world today, as it has been for centuries. But how should one interpret this text? This reader presents a variety of perspective on how to relate historical and theological considerations when approaching the Bible. It encourages students and scholars to ponder how historical and theological categories shape one's view of three crucial realities: the text of the Bible, the human subject who reads the text, and the nature of the exchange between the two in the practice of reading. As historical and theological categories are applied to these realities, are they mutually exclusive, or can they be combined in some way? This reader encourages students and scholars to explore these important questions by bringing together a selection of some of modernity's most influential discussions of the issues as well as some of the present day's most distinguished attempts to weigh in on the debate.
Theology, History, and Biblical Interpretation: Modern Readings
by Dr Darren SariskyThe Christian Bible serves as the sacred scripture of the Christian community. It is read regularly by many people around the world today, as it has been for centuries. But how should one interpret this text? This reader presents a variety of perspective on how to relate historical and theological considerations when approaching the Bible. It encourages students and scholars to ponder how historical and theological categories shape one's view of three crucial realities: the text of the Bible, the human subject who reads the text, and the nature of the exchange between the two in the practice of reading. As historical and theological categories are applied to these realities, are they mutually exclusive, or can they be combined in some way? This reader encourages students and scholars to explore these important questions by bringing together a selection of some of modernity's most influential discussions of the issues as well as some of the present day's most distinguished attempts to weigh in on the debate.
Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century
by Jonathan GreenawaySurpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Theology, Horror and Fiction offers the beginnings of a modern theology of the Gothic.
Theology, Horror and Fiction: A Reading of the Gothic Nineteenth Century
by Jonathan GreenawaySurpassing scholarly discourse surrounding the emergent secularism of the 19th century, Theology, Horror and Fiction argues that the Victorian Gothic is a genre fascinated with the immaterial. Through close readings of popular Gothic novels across the 19th century – Frankenstein, Wuthering Heights, Dracula and The Picture of Dorian Gray, among others – Jonathan Greenaway demonstrates that to understand and read Gothic novels is to be drawn into the discourses of theology. Despite the differences in time, place and context that informed the writers of these stories, the Gothic novel is irreducibly fascinated with religious and theological ideas, and this angle has been often overlooked in broader scholarly investigations into the intersections between literature and religion. Combining historical theological awareness with interventions into contemporary theology, particularly around imaginative apologetics and theology and the arts, Theology, Horror and Fiction offers the beginnings of a modern theology of the Gothic.
Theology in Built Environments: Exploring Religion, Architecture and Design
by Sigurd BergmannBuilt space is both a physical entity as well as a socially and historically constructed place. It constantly interacts with human beings, affecting their behavior, thinking, and feeling. Doing religious work in a particular environment implies acknowledging the surroundings to be integral to theology itself. The contributors to this volume view buildings, scriptures, conversations, prayers, preaching, artifacts, music and drama, and built and natural surroundings as contributors to a contextual theology.The view of the environment in which religion is practiced as integrated with theology represents not just a new theme but also a necessity if one is to understand religion's own depth. Reflections about space and place and how they reflect and affect religious experience provide a challenge and an urgent necessity for theology. This is particularly important if religious practitioners are to become aware of how theology is given expression in the existential spatiality of life. Can space set theology free? This is a challenging question, one that the editor hopes can be answered, at least in part, in this volume.The diversity of theoretical concepts in aesthetics, cultural theory, and architecture are not regarded as a problem to be solved by constructing one overarching dominant theory. Instead, this diversity is viewed in terms of its positive potential to inspire discourse about theology and aesthetics. In this discourse, theology does not need to become fully dependent on one or another theory, but should always clearly present its criteria for choosing this or that theoretical framework. This volume shows clearly how different modes of design in sacred spaces capture a sense of the religious.
Theology in Built Environments: Exploring Religion, Architecture and Design
by Sigurd BergmannBuilt space is both a physical entity as well as a socially and historically constructed place. It constantly interacts with human beings, affecting their behavior, thinking, and feeling. Doing religious work in a particular environment implies acknowledging the surroundings to be integral to theology itself. The contributors to this volume view buildings, scriptures, conversations, prayers, preaching, artifacts, music and drama, and built and natural surroundings as contributors to a contextual theology.The view of the environment in which religion is practiced as integrated with theology represents not just a new theme but also a necessity if one is to understand religion's own depth. Reflections about space and place and how they reflect and affect religious experience provide a challenge and an urgent necessity for theology. This is particularly important if religious practitioners are to become aware of how theology is given expression in the existential spatiality of life. Can space set theology free? This is a challenging question, one that the editor hopes can be answered, at least in part, in this volume.The diversity of theoretical concepts in aesthetics, cultural theory, and architecture are not regarded as a problem to be solved by constructing one overarching dominant theory. Instead, this diversity is viewed in terms of its positive potential to inspire discourse about theology and aesthetics. In this discourse, theology does not need to become fully dependent on one or another theory, but should always clearly present its criteria for choosing this or that theoretical framework. This volume shows clearly how different modes of design in sacred spaces capture a sense of the religious.
Theology in Global Context: Essays in Honor of Robert Cummings Neville (Religious Studies: Bloomsbury Academic Collections)
by Amos Yong Peter G. HeltzelRobert Cummings Neville has been a consistent advocate for the necessity of global theology. Early in his career, he realized that the philosophical framework of the West alone was inadequate for a truly global theology. Since then, he has sought to develop theology creatively and responsibly within the world context. The original essays in this volume, written in his honour by fellow theologians, participate in and model the kind of dialogical, global theology embodied in Neville's work.
A Theology in Outline: Can These Bones Live?
by Robert W. JensonA Theology in Outline: Can These Bones Live? began with an undergraduate course taught by Robert W. Jenson at Princeton University in the spring of 2008. Based on a series of twenty-three course lectures, it offers a concise and accessible overview of Christian theology while retaining the atmosphere of Jenson's classroom. Much as does Jenson's Systematic Theology, A Theology in Outline treats a standard sequence of doctrines in Christian theology--God, Trinity, creation, humanity, sin, salvation, church, among others. However, its organizing principle and leitmotiv are less traditional. Reflecting his recent interest in theological interpretation of scripture, Jenson frames the whole of Christian theology as a response to the question posed to the prophet Ezekiel: "Son of man, can these bones live?" For Jenson, to ask this question is to ask whether Christian theology itself is a pile of dead bones. Can the story that God lives with his people be told today? From first to last the chapters of this book proceed under the impelling pressure of this question. They thus comprise a single sequence of illustrative conversations for the purpose of introducing beginners to Christian theology.
A Theology in Outline: Can These Bones Live?
by Robert W. JensonA Theology in Outline: Can These Bones Live? began with an undergraduate course taught by Robert W. Jenson at Princeton University in the spring of 2008. Based on a series of twenty-three course lectures, it offers a concise and accessible overview of Christian theology while retaining the atmosphere of Jenson's classroom. Much as does Jenson's Systematic Theology, A Theology in Outline treats a standard sequence of doctrines in Christian theology--God, Trinity, creation, humanity, sin, salvation, church, among others. However, its organizing principle and leitmotiv are less traditional. Reflecting his recent interest in theological interpretation of scripture, Jenson frames the whole of Christian theology as a response to the question posed to the prophet Ezekiel: "Son of man, can these bones live?" For Jenson, to ask this question is to ask whether Christian theology itself is a pile of dead bones. Can the story that God lives with his people be told today? From first to last the chapters of this book proceed under the impelling pressure of this question. They thus comprise a single sequence of illustrative conversations for the purpose of introducing beginners to Christian theology.
Theology in Stone: Church Architecture From Byzantium to Berkeley
by Richard KieckheferThinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. In Theology in Stone , Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers refreshing new ideas about the meanings and uses of church architecture.
Theology in Stone: Church Architecture From Byzantium to Berkeley
by Richard KieckheferThinking about church architecture has come to an impasse. Reformers and traditionalists are talking past each other. In Theology in Stone , Richard Kieckhefer seeks to help both sides move beyond the standoff toward a fruitful conversation about houses of worship. Drawing on a wide range of historical examples with an eye to their contemporary relevance, he offers refreshing new ideas about the meanings and uses of church architecture.
Theology in the Age of Global AIDS & HIV: Complicity and Possibility (Content and Context in Theological Ethics)
by C. TrentazTrentaz proposes an inclusive, complex framework for understanding the creation and maintenance of risk of contracting HIV & AIDS, takes a hard look at dominant theologies and proposes a new way of approaching a theo-ethical response to the pandemic within a communal ethic of 'risk-sharing,' privileging the voices of the marginalized.
Theology in the Public Square: Church, Academy, and Nation (Challenges in Contemporary Theology)
by Gavin D'CostaThis imaginative study rethinks the nature of theology and its role in universities. The author sketches out a fascinating project using examples from US and UK institutions, whereby theology becomes a transformative force within universities. Imagines what a Christian university, in which all disciplines have been theologized, would look like. Feeds into discussions about the religious identity of denominationally-linked colleges and universities. Forms part of a wider attempt to imagine a vital public role for theology that enables it to serve both the Church and the wider community.
Theology in the Public Square: Church, Academy, and Nation (Challenges in Contemporary Theology)
by Gavin D'CostaThis imaginative study rethinks the nature of theology and its role in universities. The author sketches out a fascinating project using examples from US and UK institutions, whereby theology becomes a transformative force within universities. Imagines what a Christian university, in which all disciplines have been theologized, would look like. Feeds into discussions about the religious identity of denominationally-linked colleges and universities. Forms part of a wider attempt to imagine a vital public role for theology that enables it to serve both the Church and the wider community.
Theology in the Responsa (The Littman Library of Jewish Civilization)
by Louis JacobsResponsa are replies given by prominent rabbinic authorities to questions put to them by other scholars, asking for rulings on specific issues, generally of a practical nature. The responsa literature is thus a repository of the learning and sound sense of some of the greatest rabbinic authorities over a period of more than a thousand years down to the present, and relates to all the countries where Jews have lived. Although most of the emphasis in the responsa literature is undoubtedly on practice, nearly all the great compilations of responsa also contain discussions of a theological nature since changing conditions posed problems for belief as well as practice. In this volume, first published in 1975 and unrivalled in its treatment of the subject, Louis Jacobs examines those responsa in which theology is considered and highlights the changes that have occurred in the theological principles affecting the rabbis’ attitudes to such questions as life after death, reward and punishment, and the problem of suffering.
Theology, Music, and Modernity: Struggles for Freedom
by Jeremy Begbie Markus Rathey Daniel K L ChuaTheology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
Theology, Music, and Modernity: Struggles for Freedom
Theology, Music, and Modernity addresses the question: how can the study of music contribute to a theological reading of modernity? It has grown out of the conviction that music has often been ignored in narrations of modernity's theological struggles. Featuring contributions from an international team of distinguished theologians, musicologists, and music theorists, the volume shows how music—and discourse about music—has remarkable powers to bring to light the theological currents that have shaped modern culture. It focuses on the concept of freedom, concentrating on the years 1740-1850, a period when freedom—especially religious and political freedom-became a burning matter of concern in virtually every stratum of Western society. The collection is divided into four sections, each section focusing on a key phenomenon of this period—the rise of the concept of 'revolutionary' freedom; the move of music from church to concert hall; the cry for eschatological justice in the work of black hymn-writer and church leader Richard Allen; and the often fierce tensions between music and language. There is a particular concern to draw on a distinctively 'Scriptural imagination' (especially the theme of New Creation) in order to elicit the key issues at stake, and to suggest constructive ways forward for a contemporary Christian theological engagement with the legacies of modernity today.
The Theology of Colin Gunton
by Lincoln HarveyIn The Theology of Colin E. Gunton, a number of contemporary theologians from across the world critically engage with the work of this influential British theologian. Gunton's handling of the gospel of Jesus Christ is celebrated, key doctrines critically examined, and his contribution to the ongoing theological task carefully evaluated. Contributors address key issues at the centre of Gunton's understanding of the Christian gospel, thereby enabling readers to appreciate how Gunton's fundamental analysis of the relation between God, creation and Jesus Christ impacts the church's ongoing task of faithful theological enquiry. In this volume of essays, contributors explore Gunton's constructive thinking on a range of doctrinal topics, as well as critically analyze Gunton's theological method and use of the Christian tradition. As such, this collection of essays provides the Christian theological community with its first wide-ranging and carefully argued examination into the influential work of Colin E. Gunton.
A Theology of Community Organizing: Power to the People (Routledge Studies in Religion)
by Chris ShannahanThe rising importance of community organizing in the US and more recently in Britain has coincided with the developing significance of social movements and identity politics, debates about citizenship, social capital, civil society, and religion in the public sphere. At a time when participation in formal political process and membership of faith groups have both declined dramatically, community organizing has provided a new opportunity for small community groups, marginalized urban communities, and people of faith to engage in effective political action through the developments of inter-faith and cross-cultural coalitions of groups. In spite of its renewed popularity, little critical attention has been paid to community organizing. This book places community organizing within debates about the role of religion in the public sphere and the rise of public theology in recent years. The book explores the history, methodology, and achievements of community organizing, engaging in a series of conversations with key community organizers in the US and Britain. This volume breaks new ground by beginning to articulate a cross-cultural and inter-faith ‘Theology for Community Organizing’ that arises from fresh readings of Liberation Theology.
A Theology of Community Organizing: Power to the People (Routledge Studies in Religion)
by Chris ShannahanThe rising importance of community organizing in the US and more recently in Britain has coincided with the developing significance of social movements and identity politics, debates about citizenship, social capital, civil society, and religion in the public sphere. At a time when participation in formal political process and membership of faith groups have both declined dramatically, community organizing has provided a new opportunity for small community groups, marginalized urban communities, and people of faith to engage in effective political action through the developments of inter-faith and cross-cultural coalitions of groups. In spite of its renewed popularity, little critical attention has been paid to community organizing. This book places community organizing within debates about the role of religion in the public sphere and the rise of public theology in recent years. The book explores the history, methodology, and achievements of community organizing, engaging in a series of conversations with key community organizers in the US and Britain. This volume breaks new ground by beginning to articulate a cross-cultural and inter-faith ‘Theology for Community Organizing’ that arises from fresh readings of Liberation Theology.
The Theology of Craft and the Craft of Work: From Tabernacle to Eucharist
by Jeremy KidwellAn important reconceptualisation is taking place in the way people express creativity, work together, and engage in labour; particularly, suggests Kidwell, a surprising resurgence in recent years of manual and craft work. Noting the wide array of outlets that now market hand-made goods and the array of popular books which advocate ‘making’ as a basis for activism or personal improvement, this book seeks to understand how the micro-politics of craft work might offer insights for a broader theology of work. Why does it matter that we do work which is meaningful, excellent, and beautiful? Through a close reading of Christian scripture, The Theology of Craft and the Craft of Work examines the theology and ethics of work in light of original biblical exegesis. Kidwell presents a detailed exegetical study of temple construction accounts in the Hebrew bible and the New Testament. Illuminating a theological account of craft, and employing the ancient vision of ‘good work’ which is preserved in these biblical texts, Kidwell critically interrogates modern forms of industrial manufacture. This includes a variety of contemporary work problems particularly the instrumentalisation and exploitation of the non-human material world and the dehumanisation of workers. Primary themes taken up in the book include agency, aesthetics, sociality, skill, and the material culture of work, culminating with the conclusion that the church (or ‘new temple’) is both the product and the site of moral work. Arguing that Christian worship provides a moral context for work, this book also examines early Christian practices to suggest a theological reconceptualisation of work.
The Theology of Craft and the Craft of Work: From Tabernacle to Eucharist
by Jeremy KidwellAn important reconceptualisation is taking place in the way people express creativity, work together, and engage in labour; particularly, suggests Kidwell, a surprising resurgence in recent years of manual and craft work. Noting the wide array of outlets that now market hand-made goods and the array of popular books which advocate ‘making’ as a basis for activism or personal improvement, this book seeks to understand how the micro-politics of craft work might offer insights for a broader theology of work. Why does it matter that we do work which is meaningful, excellent, and beautiful? Through a close reading of Christian scripture, The Theology of Craft and the Craft of Work examines the theology and ethics of work in light of original biblical exegesis. Kidwell presents a detailed exegetical study of temple construction accounts in the Hebrew bible and the New Testament. Illuminating a theological account of craft, and employing the ancient vision of ‘good work’ which is preserved in these biblical texts, Kidwell critically interrogates modern forms of industrial manufacture. This includes a variety of contemporary work problems particularly the instrumentalisation and exploitation of the non-human material world and the dehumanisation of workers. Primary themes taken up in the book include agency, aesthetics, sociality, skill, and the material culture of work, culminating with the conclusion that the church (or ‘new temple’) is both the product and the site of moral work. Arguing that Christian worship provides a moral context for work, this book also examines early Christian practices to suggest a theological reconceptualisation of work.