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Critical Essays on Roman Literature: Satire (Routledge Revivals: Critical Essays on Roman Literature #2)

First published in 1963, this book is the second of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on satire, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.

Critical Essays on Roman Literature: Elegy and Lyric (Routledge Revivals: Critical Essays on Roman Literature #1)

First published in 1962, this book is the first of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on elegy and lyric, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.

Critical Essays on Roman Literature: Satire (Routledge Revivals: Critical Essays on Roman Literature #2)

First published in 1963, this book is the second of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on satire, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.

Critical Essays on Roman Literature: Elegy and Lyric (Routledge Revivals: Critical Essays on Roman Literature #1)

First published in 1962, this book is the first of two volumes which bridge the gap between the study of classics and the study of literature and attempt to reconcile the two disciplines. Focusing on elegy and lyric, this collection of essays offers a critical examination of Latin literature and aims to stimulate critical discussion of a selection of Latin poets. This experimental and ground-breaking book will be of particular interest to students of Roman Literature, Classics and Poetry.

Critical Essays on Shakespeare's A Lover's Complaint: Suffering Ecstasy

Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.

Critical Essays on Shakespeare's A Lover's Complaint: Suffering Ecstasy

Despite the outpour of interpretations, from critics of all schools, on Shakespeare's dramatic works and other poetic works, A Lover's Complaint has been almost totally ignored by criticism. This collection of essays is designed to bring to the poem the attention it deserves for its beauty, its aesthetic, psychological and conceptual complexity, and its representation of its cultural moment. A series of readings of A Lover's Complaint, particularly engaging with issues of psychoanalysis and gender, the volume cumulatively builds a detailed picture of the poem, its reception, and its critical neglect. The essays in the volume, by leading Shakespeareans, open up this important text before scholars, and together generate the long-overdue critical conversation about the many intriguing facets of the poem.

Critical Ethics: Text, Theory and Responsibility

The current resurgence of ethics in the beleaguered humanities reflects an increasing anxiety about the value and utility of critical/philosophical debate in the wake of poststructuralism. This book addresses this 'return to ethics' in relation to a wide variety of theories and texts. It covers substantial areas of ethical debate, particularly in relation to queer politics, biography, history, postmodernism, atrocity literature, utilitarianism, pedagogy and the philosophy of science. Theorists discussed in the volume include Rorty, Heidegger, Levinas, Mill, Lyotard, Leavis, Kuhn, Davidson, Nussbaum and Freud.

Critical Excess: Overreading in Derrida, Deleuze, Levinas, Žižek and Cavell

The "ancient quarrel" between philosophy and literature seems to have been resolved once and for all with the recognition that philosophy and the arts may be allies instead of enemies. Critical Excess examines in detail the work of five thinkers who have had a huge, ongoing impact on the study of literature and film: Jacques Derrida, Gilles Deleuze, Emmanuel Levinas, Slavoj Žižek, and Stanley Cavell. Their approaches are very different from one another, but they each make unexpected interpretive leaps that render their readings exhilarating and unnerving. But do they go too far? Does a scribbled note left behind by Nietzsche really tell us about the nature of textuality? Can Hitchcock truly tell you "everything you always wanted to know about Lacan"? Does the blanket hung up in a motel room invoke the Kantian divide between the knowable phenomenal world and the unknowable things in themselves? Contextualizing the work of the five thinkers in the intellectual debates to which they contribute, this book analyzes the stakes and advantages of "overreading."

Critical Exposure

CLASSIFIED ANNIHILATION

Critical Exposure (Security Breach #2)

NOTHING COULD BE WORSE…OR SO SINGLE MOTHER ECHO SLOANE THOUGHT Her brother had disappeared after a security breach and the detective assigned to help her find him assumed him guilty. But the flinty-eyed Rand McClellan was her only hope…especially when her baby was kidnapped and the ransom demanded was her missing brother.

Critical Fictions: Nerval's "Les Illumines"

"Nerval's ""Les Illumines"" (1852) has often been seen as a problem text, and as a strange supplement to his masterpieces ""Les Chimeres"", ""Les Filles du feu"", and ""Aurelia"". In this first book-length study, in English or French, of ""Les Illumines"", Meryl Tyers argues that it is a complex work of art in its own right and that its originality has been obscured by the tangled publishing history of its individual narratives. Tyers re-examines that history and provides a complete documentary basis for critical discussion of the work. She also traces the critical response from the earliest reviews through to the scholarly editions and studies of the present day. Tyers's own critical reading pays particular attention to 'La Bibliotheque de mon oncle', Nerval's intriguing preface. By investigating in detail those fragmentary structures and varying themes that may at first make the unity of ""Les Illumines"" seem elusive, she is able to show that subtle integrative mechanisms are at work in a volume that deserves to be placed among the highest achievements of this incomparable poet."

Critical Fictions: Nerval's "Les Illumines"

"Nerval's ""Les Illumines"" (1852) has often been seen as a problem text, and as a strange supplement to his masterpieces ""Les Chimeres"", ""Les Filles du feu"", and ""Aurelia"". In this first book-length study, in English or French, of ""Les Illumines"", Meryl Tyers argues that it is a complex work of art in its own right and that its originality has been obscured by the tangled publishing history of its individual narratives. Tyers re-examines that history and provides a complete documentary basis for critical discussion of the work. She also traces the critical response from the earliest reviews through to the scholarly editions and studies of the present day. Tyers's own critical reading pays particular attention to 'La Bibliotheque de mon oncle', Nerval's intriguing preface. By investigating in detail those fragmentary structures and varying themes that may at first make the unity of ""Les Illumines"" seem elusive, she is able to show that subtle integrative mechanisms are at work in a volume that deserves to be placed among the highest achievements of this incomparable poet."

Critical Forms: Forms of Literary Criticism, 1750-2020

Critical Forms is an account of the generic forms in which literary criticism has been undertaken. It examines chiefly Anglophone literary criticism, with comparative discussion of French and German material, from around 1750 to the present and examines prefaces, selections and anthologies, reviews, lectures, dialogues, letters, and life-writing. Though not intended to be an exhaustive history of the period, Critical Forms begins in the mid-eighteenth century with the emergence of something like the forms (chiefly, the essay and the treatise) in which criticism is still predominantly practised. In order at least to complicate this predominance, the book documents an abiding plurality in the forms of literary critical writing in the subsequent period, leading up to the present. Ross Wilson both questions the status of the essay and treatise as the 'natural' forms of literary criticism and shows that the history of literary criticism is much more formally various and innovative than the usual ways of recounting that history as a succession of schools and movements would allow. Critical Forms harbours the hope that it will make available a wider array of forms for the practice of literary criticism today; it is this hope that licenses its own experiments in critical form.

Critical Forms: Forms of Literary Criticism, 1750-2020

Critical Forms is an account of the generic forms in which literary criticism has been undertaken. It examines chiefly Anglophone literary criticism, with comparative discussion of French and German material, from around 1750 to the present and examines prefaces, selections and anthologies, reviews, lectures, dialogues, letters, and life-writing. Though not intended to be an exhaustive history of the period, Critical Forms begins in the mid-eighteenth century with the emergence of something like the forms (chiefly, the essay and the treatise) in which criticism is still predominantly practised. In order at least to complicate this predominance, the book documents an abiding plurality in the forms of literary critical writing in the subsequent period, leading up to the present. Ross Wilson both questions the status of the essay and treatise as the 'natural' forms of literary criticism and shows that the history of literary criticism is much more formally various and innovative than the usual ways of recounting that history as a succession of schools and movements would allow. Critical Forms harbours the hope that it will make available a wider array of forms for the practice of literary criticism today; it is this hope that licenses its own experiments in critical form.

The Critical History of Edgar Allan Poe's The Narrative of Arthur Gordon Pym: A Dialogue with Unreason (Garland Studies in 19th Century American Literature)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The Critical History of Edgar Allan Poe's The Narrative of Arthur Gordon Pym: A Dialogue with Unreason (Garland Studies in 19th Century American Literature #Vol. 8)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

A Critical History of English Poetry (Bloomsbury Academic Collections: English Literary Criticism)

This famous work was the result of the wartime collaboration of two Scottish scholars. Their tracing of the course of English poetry has been described by The Times Literary Supplement as a 'volume of masterly compression'. They deliberately spend most time on the greatest poets, believing that, significant as traditions and influences are, the great poet himself affects the spirit of his age and moulds the tradition he has inherited. At the same time, enough attention is paid to minor poets to make the book historically complete, and to fill in the most important links in the chain of poetic development. Thus Gower is here, as well as Chaucer; Patmore, as well as Browning. Both in scope and in detail A Critical History of English Poetry is a distinguished and valuable work.

Critical Identities in Contemporary Anglophone Diasporic Literature

The figure of the migrant has been celebrated by some as an icon of postmodernity, an emblematic figure in a world increasingly characterized by transnationalism, globalization and mass migrations. Král takes issue with this view of the migrant experience through in-depth analyses of writers including Salman Rushdie, Zadie Smith and Monica Ali.

Critical Impact (Whisper Lake #3)

The bomb wasn't supposed to be real. But the mock-disaster explosion to test emergency procedures killed two people in a small Maine town.

Critical Incidents

A missing girl. A murdered friend. No one left to trust. ‘Seriously good suspense … trust me, you’ll need to know what happens’ Lee Child ‘Superb characterisation, humour and galloping plot’ Susie Steiner ‘This is that deeply satisfying thing, a strong, deft thriller with real depth’ Tana French

Critical Incidents

A missing girl. A murdered friend. No one left to trust. ‘Seriously good suspense … trust me, you’ll need to know what happens’ Lee Child ‘Superb characterisation, humour and galloping plot’ Susie Steiner ‘This is that deeply satisfying thing, a strong, deft thriller with real depth’ Tana French

Critical Intelligence

Operating under covert presidential directive, the clandestine antiterrorist organization Stony Man doesn't officially exist. Unofficially, they fight the fires bureaucracy can't or won't touch.

A Critical Introduction to Henry Green’s Novels: The Living Vision (pdf) (Studies in 20th Century Literature)

A Critical Introduction to the Poems of Thomas Hardy: (pdf)

Critical Judgement: an incredibly suspenseful and gripping medical thriller you won’t be able to forget…

Dr Abby Dolan was on the fast track at a major San Francisco hospital when she made a critical choice: to follow her fiance, Josh Wyler, to the picturesque California town of Patience, where he has a new job with the manufacturing giant Colstar. Working in a small-town emergency room, knowing her every move sparks gossip, Abby nonetheless begins to feel at home-until the first undiagnosable patients start to showing up. Abby calls them NIWWs: No Idea What, s Wrong. And despite her cosiderable skills, she can, tcrack these baffling, seemingly random cases. When Josh too begins to suffer disturbing symptoms, followed by manic, even violent behaviour, she wonders: could Colstar somehow be poisoning the town? Warned by a colleague that her predecessor in the ER died in a dubious accident after makink similar allegations, Abby refuses to back off. She begins to question everyone and everything around her in the now hosti le town of patience-while her most dangerous enemy is far closer than she thinks.