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The Hymns of Zoroaster: A New Translation of the Most Ancient Sacred Texts of Iran
by M. L. WestZoroaster was one of the greatest and most radical religious reformers in the history of the world. The faith that he founded some 2600 years ago in a remote region of central Asia flourished to become the bedrock of a great empire as well as its official religion. Zoroastrianism is still practised today in parts of India and Iran and in smaller communities elsewhere, where its adherents are known as Parsis. It has the distinction of being one of the most ancient religions in the world: only Hinduism can lay claim to greater antiquity. The foundation texts of this venerable system of belief are the founder's own passionate poems, known as the Gathas ('Songs'), and a short ritual composed soon after his death, called the Liturgy in Seven Chapters. These hymns are the authentic utterances of a religious leader whose thought was way ahead of his time, and are among the most precious relics of human civilization. After so many millennia they continue to speak to us of an impressively austere theology and of an inspiring and easily understood moral code. Yet existing translations are few, divergent in their interpretations of the original Avestan language of Zoroaster, and frequently hard to access. M L West's new translation, based on the best modern scholarship, and augmented by a substantial introduction and notes, makes these powerfully resonant texts available to a wide audience in clear and accessible form.'A thoroughly worthwhile and refreshingly readable translation of the Older Avesta, M L West's book will be widely welcomed, by students and general readers alike.'- Almut Hintze, Zartoshty Reader in Zoroastrianism, School of Oriental and African Studies, London
In My Sky at Twilight: Poems of Eternal Love
by Gaby MorganThis swooningly gorgeous collection of poems celebrates love in all its guises from silent admiration through heart-stopping passion to tearful resignation. Whether you are star-crossed lovers, kindred spirits or smitten by the boy next door these exquisite verses speak of the universal experiences of the heart and prove that love transcends time itself. from In My Sky At Twilight In my sky at twilight you are like a cloud And your form and colour are the way I love them. You are mine, mine, woman with sweet lips And in your life my infinite dreams live. Pablo Neruda
Interior Night
by John StammersJohn Stammers has a poetic mind original enough to read the most mundane and familiar events as great portents and wonders, and an eye clear enough to uncover the surreal when it’s right under our noses. Stammers’ third collection is a vast map of an imaginative space that coincides with the known world, but radically changes the way we perceive it. Interior Night sees a restlessly eclectic mind engaged with the whole range of human creation, from our cultural icons to our cultural detritus. There are also dramatic monologues from the dark worlds of poverty and addiction, as well as typically unsettling run-ins with the shades of Rimbaud, Sterne and Keats. Stammers has focused all his celebrated daring and oblique strategie to produce a book of great emotional candour and seriousness.
Interior Night (PDF)
by John StammersJohn Stammers has a poetic mind original enough to read the most mundane and familiar events as great portents and wonders, and an eye clear enough to uncover the surreal when it’s right under our noses. Stammers’ third collection is a vast map of an imaginative space that coincides with the known world, but radically changes the way we perceive it. Interior Night sees a restlessly eclectic mind engaged with the whole range of human creation, from our cultural icons to our cultural detritus. There are also dramatic monologues from the dark worlds of poverty and addiction, as well as typically unsettling run-ins with the shades of Rimbaud, Sterne and Keats. Stammers has focused all his celebrated daring and oblique strategie to produce a book of great emotional candour and seriousness.
John Keats: A Literary Life (Literary Lives)
by R. WhiteAt the heart of this 'Literary Life' are fresh interpretations of Keats's most loved poems, alongside other neglected but rich poems. The readings are placed in the context of his letters to family and friends, his medical training, radical politics of the time, his love for Fanny Brawne, his coterie of literary figures and his tragic early death.
Kid (Faber Pocket Poetry Ser.)
by Simon ArmitageKid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.
Kleist-Jahrbuch 2010
by Heinrich-von-Kleist-Gesellschaft Heinrich-von-Kleist-Gesellschaft und des Kleist-MuseumsDas Jahrbuch dokumentiert die Verleihung des Kleist-Preises 2009 u. a. mit der Rede des Preisträgers Arnold Stadler. Es beinhaltet Beiträge zur Rezeptions- und Forschungsgeschichte sowie Abhandlungen zu Kleists Werken und Rezensionen wissenschaftlicher Neuerscheinungen zu Kleist.
Knowing Shakespeare: Senses, Embodiment and Cognition (Palgrave Shakespeare Studies)
by Lowell Gallagher and Shankar RamanA collection of essays on the ways the senses 'speak' on Shakespeare's stage. Drawing on historical phenomenology, science studies, gender studies and natural philosophy, the essays provide critical tools for understanding Shakespeare's investment in staging the senses.
Labors of Innocence in Early Modern England
by Joanna PicciottoIn seventeenth-century England, intellectuals of all kinds discovered their idealized self-image in the Adam who investigated, named, and commanded the creatures. Reinvented as the agent of innocent curiosity, Adam was central to the project of redefining contemplation as a productive and public labor. It was by identifying with creation’s original sovereign, Joanna Picciotto argues, that early modern scientists, poets, and pamphleteers claimed authority as both workers and “public persons.” Tracking an ethos of imitatio Adami across a wide range of disciplines and devotions, Picciotto reveals how practical efforts to restore paradise generated the modern concept of objectivity and a novel understanding of the author as an agent of estranged perception. Finally, she shows how the effort to restore Adam as a working collective transformed the corpus mysticum into a public. Offering new readings of key texts by writers such as Robert Hooke, John Locke, Andrew Marvell, Joseph Addison, and most of all John Milton, Labors of Innocence in Early Modern England advances a new account of the relationship between Protestantism, experimental science, the public sphere, and intellectual labor itself.
Langston Hughes and the South African Drum Generation: The Correspondence
by Shane Graham and John WaltersThis collection combines previously unpublished letters between African-American poet Langston Hughes and South-African writers of the 1950s and 1960s with scholarly commentary and criticism. The letters tell a fascinating story of the civil rights movement and apartheid and the struggle to overthrow it.
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill
by Helen VendlerIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Last Looks, Last Books: Stevens, Plath, Lowell, Bishop, Merrill
by Helen VendlerIn Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.
Learned Queen: The Image of Elizabeth I in Politics and Poetry (Queenship and Power)
by L. ShenkThe first book to examine Elizabeth I as a learned princess, Learned Queen examines Elizabeth's own demonstrations of erudition alongside literary works produced by such political luminaries as Sir Philip Sidney and Robert Devereux, earl of Essex.
Lessing-Handbuch: Leben – Werk – Wirkung
by Monika FickBedeutender Dichter und großer Geist der Aufklärung. Das Handbuch vermittelt einen Zugang zum Gesamtwerk Gotthold Ephraim Lessings und ergänzt mit einer Fülle von Interpretationen das aktuelle Lessingbild. Die 3. Auflage bietet zu jedem Werk und jeder Werkgruppe neue Forschungsreferate und Analysen auf aktuellem Stand. Neben neuen Einblicken in die Verflechtung von Lessings Werk mit den anthropologischen und religionsphilosophischen Fragestellungen der Aufklärung wird auch der Bezug zu zeitgeschichtlichen Ereignissen verdeutlicht.
Love Poems: An Anthology Of Love Poems
by Carol Ann DuffyWhether writing of longing or seduction, of passion, adultery, or simple, everyday acts of love, Carol Ann Duffy perfectly captures the truth of each experience. Love Poems contains some of her most popular poems and, always imaginative, heartfelt and direct, displays all the eloquence and skill that have made her one of the foremost poets of her time.
Love Poems by Pedro Salinas: My Voice Because of You and Letter Poems to Katherine
by Pedro SalinasWhen Pedro Salinas’s 1933 collection of love poems, La voz a ti debida, was introduced to American audiences in Willis Barnstone’s 1975 English translation, it was widely regarded as the greatest sequence of love poems written by a man or a woman, in any language, in the twentieth century. Now, seventy-five years after its publication, the reputation of the poems and its multifaceted writer remains untarnished. A portrait of their era, the poems, from a writer in exile from his native civil war–torn Spain, now reemerge in our time. In this new, facing-page bilingual edition, Barnstone has added thirty-six poems written in the form of letters from Salinas to his great love, Katherine Whitmore. Discovered years later, these poems were written during and after the composition of La voz and, though disguised as prose, have all the rhythms and sounds of lineated lyric poetry. Taken together, the poems and letters are a history, a dramatic monologue, and a crushing and inevitable ending to the story of a man consumed by his love and his art. Bolstered by an elegant foreword by Salinas’s contemporary, the poet Jorge Guillén, and a masterly afterword by the Salinas scholar, Enric Bou, that considers the poet and his legacy for twenty-first century world poetry, Love Poems by Pedro Salinas will be cause for celebration throughout the world of verse and beyond.
Male Subjectivity and Poetic Form in "New American" Poetry (Modern and Contemporary Poetry and Poetics)
by A. MossinFocusing in particular on pairings of writers within the larger grouping of poets, this book suggests how literary partnerships became pivotal to American poets in the wake of Donald Allen's 'New American Poetry' anthology.
Medicine Show (Phoenix Poets)
by Tom YuillIn Medicine Show, inner conflict is wonderfully realized in the clash of down-home plain speech and European high culture utterances. Freely translating and adapting Catullus (Latin), Villon (Middle French), Corbiere (French), Hikmet (Turkish), and Orpheus (Greek), and placing them alongside Jagger and Richards, skinheads, and psalms, Tom Yuill’s book mirrors an old-style hawking of wares, with all the charm and absurdity that results when high culture meets pop, when city meets small town, and when provincialism confronts urbanity. Here, the poems talk to one another, one poem nudging the cusps of many others, those poems touching still others' circumferences. Yuill, by invoking the Rolling Stones as muses and as background music, offers cover versions of Shakespeare, Keats, and Dylan Thomas, ultimately giving us a new kind of verse, funneled through the languages and rhythms of his masters' voices.
Medicine Show (Phoenix Poets)
by Tom YuillIn Medicine Show, inner conflict is wonderfully realized in the clash of down-home plain speech and European high culture utterances. Freely translating and adapting Catullus (Latin), Villon (Middle French), Corbiere (French), Hikmet (Turkish), and Orpheus (Greek), and placing them alongside Jagger and Richards, skinheads, and psalms, Tom Yuill’s book mirrors an old-style hawking of wares, with all the charm and absurdity that results when high culture meets pop, when city meets small town, and when provincialism confronts urbanity. Here, the poems talk to one another, one poem nudging the cusps of many others, those poems touching still others' circumferences. Yuill, by invoking the Rolling Stones as muses and as background music, offers cover versions of Shakespeare, Keats, and Dylan Thomas, ultimately giving us a new kind of verse, funneled through the languages and rhythms of his masters' voices.
Medicine Show (Phoenix Poets)
by Tom YuillIn Medicine Show, inner conflict is wonderfully realized in the clash of down-home plain speech and European high culture utterances. Freely translating and adapting Catullus (Latin), Villon (Middle French), Corbiere (French), Hikmet (Turkish), and Orpheus (Greek), and placing them alongside Jagger and Richards, skinheads, and psalms, Tom Yuill’s book mirrors an old-style hawking of wares, with all the charm and absurdity that results when high culture meets pop, when city meets small town, and when provincialism confronts urbanity. Here, the poems talk to one another, one poem nudging the cusps of many others, those poems touching still others' circumferences. Yuill, by invoking the Rolling Stones as muses and as background music, offers cover versions of Shakespeare, Keats, and Dylan Thomas, ultimately giving us a new kind of verse, funneled through the languages and rhythms of his masters' voices.
Medicine Show (Phoenix Poets)
by Tom YuillIn Medicine Show, inner conflict is wonderfully realized in the clash of down-home plain speech and European high culture utterances. Freely translating and adapting Catullus (Latin), Villon (Middle French), Corbiere (French), Hikmet (Turkish), and Orpheus (Greek), and placing them alongside Jagger and Richards, skinheads, and psalms, Tom Yuill’s book mirrors an old-style hawking of wares, with all the charm and absurdity that results when high culture meets pop, when city meets small town, and when provincialism confronts urbanity. Here, the poems talk to one another, one poem nudging the cusps of many others, those poems touching still others' circumferences. Yuill, by invoking the Rolling Stones as muses and as background music, offers cover versions of Shakespeare, Keats, and Dylan Thomas, ultimately giving us a new kind of verse, funneled through the languages and rhythms of his masters' voices.
Michael Rosen's Big Book of Bad Things
by Michael RosenThe arrival of a new poetry collection from one of Britain's greatest children's poets Michael Rosen is always cause for great excitement - and this collection promises to be one of the best. Coinciding with his laureateship and very welcome public promotion of the need for children's poetry in our education system, this brand-new collection of poetry for Puffin will delight readers young and old with Michael's famous sense of humour, wonder and pathos.
Milton among the Puritans: The Case for Historical Revisionism
by Catherine Gimelli MartinSolidly grounded in Milton's prose works and the long history of Milton scholarship, Milton among the Puritans: The Case for Historical Revisionism challenges many received ideas about Milton's brand of Christianity, philosophy, and poetry. It does so chiefly by retracing his history as a great "Puritan poet" and reexamining the surprisingly tenuous Whig paradigm upon which this history has been built. Catherine Martin not only questions the current habit of "lumping" Milton with the religious Puritans but agrees with a long line of literary scholars who find his values and lifestyle markedly inconsistent with their beliefs and practices. Pursuing this argument, Martin carefully reexamines the whole spectrum of seventeenth-century English Puritanism from the standpoint of the most recent and respected scholarship on the subject. Martin also explores other, more secular sources of Milton's thought, including his Baconianism, his Christian Stoic ethics, and his classical republicanism; she establishes the importance of these influences through numerous direct references, silent but clear citations, and typical tropes. All in all, Milton among the Puritans presents a radical reassessment of Milton's religious identity; it shows that many received ideas about the "Puritan Milton" are neither as long-established as most scholars believe nor as historically defensible as most literary critics still assume, and resituates Milton's great poems in the period when they were written, the Restoration.
Milton among the Puritans: The Case for Historical Revisionism
by Catherine Gimelli MartinSolidly grounded in Milton's prose works and the long history of Milton scholarship, Milton among the Puritans: The Case for Historical Revisionism challenges many received ideas about Milton's brand of Christianity, philosophy, and poetry. It does so chiefly by retracing his history as a great "Puritan poet" and reexamining the surprisingly tenuous Whig paradigm upon which this history has been built. Catherine Martin not only questions the current habit of "lumping" Milton with the religious Puritans but agrees with a long line of literary scholars who find his values and lifestyle markedly inconsistent with their beliefs and practices. Pursuing this argument, Martin carefully reexamines the whole spectrum of seventeenth-century English Puritanism from the standpoint of the most recent and respected scholarship on the subject. Martin also explores other, more secular sources of Milton's thought, including his Baconianism, his Christian Stoic ethics, and his classical republicanism; she establishes the importance of these influences through numerous direct references, silent but clear citations, and typical tropes. All in all, Milton among the Puritans presents a radical reassessment of Milton's religious identity; it shows that many received ideas about the "Puritan Milton" are neither as long-established as most scholars believe nor as historically defensible as most literary critics still assume, and resituates Milton's great poems in the period when they were written, the Restoration.
The Mirabelles
by Annie FreudAnnie Freud’s award-winning first collection, The Best Man That Ever Was, introduced readers to a remarkably versatile new voice; The Mirabelles delivers a similarly exhilarating cornucopia – the Mask of Temporary Madness, Marc Almond, mini-novels a sonnet long, Carottes Vichy, and the most gripping account of a billiard game you’ll ever read. However, in a new sequence derived from family letters, Freud has invented almost a new kind of writing: neither ‘found’ nor ‘made’ in the conventional sense, these poems are profoundly moving, and startling in their boldly unfashionable lack of irony. Elsewhere The Mirabelles is full of the world-stuff – the clothes and food, the art and social intrigues – with which we dress and conceal our deeper emotions and appetites. In the end, this is a book about reality and its representations, and the truth and lies we tell about ourselves.