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Hegemony and Fantasy in Irish Drama, 1899-1949
by P. MurphyHegemony and Fantasy in Irish Drama, 1899-1949 offers a theoretically innovative reconsideration of drama produced in the Irish Renaissance, as well as an engagement with non-canonical drama in the under-researched period 1926-1949.
Transnational Women's Fiction: Unsettling Home and Homeland
by S. StrehleThis study argues that the private homes in transnational women's fiction reflect public legacies of colonialism. Published in Australia, Canada, India, Nigeria, Puerto Rico and the United States between 1995 and 2005, the novels use fictional houses to criticize and unsettle home and homeland, depicting their linked oppressions and exclusions.
Bestsellers: Popular Fiction since 1900
by C. BloomThis essential guide, now available in a fully updated new edition, is the only available study of all bestselling books, authors and genres since the start of the last century, giving an unique insight into a hundred years of publishing and reading and taking us on a journey into the heart of the British imagination.
British Labouring-Class Nature Poetry, 1730-1837
by B. KeeganThis study shows how poets worked within and against the available forms of nature writing to challenge their place within physical, political, and cultural landscapes. Looking at the treatment of different ecosystems, it argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions.
Shakespeare and Character: Theory, History, Performance and Theatrical Persons (Palgrave Shakespeare Studies)
by P. Yachnin J. SlightsShakespeare and Character brings together leading scholars in theory, literary criticism, and performance studies in order to redress a serious gap in Shakespeare studies and to put character back at the centre of our understanding of Shakespeare's achievement as an artist and thinker.
National Myth and Imperial Fantasy: Representations of British Identity on the Early Eighteenth-Century Stage
by Louise H. MarshallEighteenth-century drama is often dismissed as homogenous, aesthetically uninteresting, or politically complacent. This book reveals the incredibly intriguing and intricate nature of the period's history plays and their often messy dramatisaton of the complexities of patriotic rhetoric and national identification.
Blake and Conflict
by S. Haggarty J. MeeFamously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.
Petrarch in Romantic England
by E. ZuccatoThe Petrarchan revival in Romantic England was a unique phenomenon which involved an impressive number of scholars, translators and poets. This book analyses the way Petrarch was read and re-written by Romantic figures. The result is a history of the Romantic-era sonnet and a new lens for understanding English Romantic poetry.
Félix Guattari: Thought, Friendship, and Visionary Cartography
by Franco Berardi BifoFélix Guattari: Thought, Friendship, and Visionary Cartography, by Franco Berardi 'Bifo', originates in the author's close personal acquaintance with Félix Guattari's writings and political engagement in the context of Berardi Bifo's activism in Italian autonomist politics and his ongoing collaboration with Guattari in the 1970s and 1980s. This biography gains distinction from its keen insight into Guattari's political practice and from a precise understanding of how this practice relates to the theoretical and conceptual aspects of Guattari's writings, alone and with Gilles Deleuze. Thanks to an approach at once personal and theoretically well informed, Bifo's biography provides a clear and accessible introduction to Guattari's works. This edition also includes a critical introduction and a 2005 interview with Bifo on a range of topics relating Guattari's works to the current political conjuncture.
Hitler: A Chronology of his Life and Time
by M. HaunerThis detailed reference guide, based on a vast amount of source data, traces every known detail of Hitler's career, with extensive quotation both from Hitler's own speeches and writings and from those of his contemporaries. This new edition features an enlarged and updated bibliography and introduction.
From Performance to Print in Shakespeare's England (Redefining British Theatre History)
by P. Holland S. OrgelWhat can the printed texts of plays from Shakespeare's time say about performance? How have printed plays been read and interpreted? This collection of essays considers the evidence of early modern printed plays and their histories of production and reception, examining a wide variety of cases, from early performance to the psychology of Hamlet.
The Literary Tourist
by N. WatsonThis original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.
Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations
by B. ReynoldsThis study expands on Reynolds' 'transversal poetics' - the theory, methodology, and aesthetics developed in response to the need for an approach that fosters agency, creativity and conscientious scholarship and pedagogy. It offers new readings of plays by, amongst others, Shakespeare, Marlowe, Middleton, Webster and Greene.
Samuel Richardson, Dress, and Discourse
by K. OliverThis book concerns itself with dress in the novels of Samuel Richardson, and how attire confirms, contributes to, or challenges the characters' fashioning of self and the self as others (characters or readers) perceive it.
The Performing Century: Nineteenth-Century Theatre's History (Redefining British Theatre History)
by T. Davis P. HollandThis book looks at modes of performance and forms of theatre in Nineteenth-century Britain and Ireland. On subjects as varied as the vogue for fairy plays to the representation of economics to the work of a parliamentary committee in regulating theatres, the authors redefine what theatre and performance in the Nineteenth century might be.
Nature, Technology and Cultural Change in Twentieth-Century German Literature: The Challenge of Ecocriticism (New Perspectives in German Political Studies)
by A. GoodbodyThis book traces shifting attitudes towards science and technology, nature and the environment in Twentieth-century Germany. It approaches them through discussion of a range of literary texts and explores the philosophical influences on them and their political contexts, and asks what part novels and plays have played in environmental debate.
Drama and the Sacraments in Sixteenth-Century England: Indelible Characters (Early Modern Literature in History)
by D. ColemanThis is the first book-length study of the relationship between early modern drama and sacramental ritual and theology. It examines dramatic forms, such as morality plays. Offering new insights into the religious practices on which early modern subjectivity is founded. Coleman offers radical new ways of reading canonical Renaissance plays.
Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of Memory (New Perspectives in German Political Studies)
by A. FuchsPhantoms of War in Contemporary German Literature, Films and Discourse offers an up-to-date and comprehensive analysis of fundamental shifts in German cultural memory. Focusing on the resurgence of family stories in fiction, autobiography and in film, this study challenges the institutional boundaries of Germany's memory culture that have guided and arguably limited German identity debates. Essays on contemporary German literature are complemented by explorations of heritage films and museum discourse. Together these essays put forward a compelling theory of family narratives and a critical evaluation of generational discourse.
Family Authorship and Romantic Print Culture (Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print)
by M. LevyThis book explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. It traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print, grappling with an evolving tension between the private and public spheres.
Children and Sexuality: From the Greeks to the Great War (Palgrave Studies in the History of Childhood)
by G. RousseauChildren and Sexuality probes the hidden relations between children and sexuality in case studies from the Greeks to the Great War. The lives reconstructed here extend from Greek Alcibiades to Lewis Carroll and Baden-Powell, each recounted with scrupulous vigilance to detail and nuance.
Consuming Texts: Readers and Reading Communities, 1695-1870
by Stephen ColcloughThis volume explores the history of reading in the British Isles during a period in which the printed word became all pervasive. From wealthy readers of 'amatory fiction', through to men and women reading surreptitiously at the Victorian railway bookstall, it argues that a variety of new reading communities emerged during this period.
Vindiciæ Gallicæ: Defence of the French Revolution: A Critical Edition (Studies in Modern History)
by J. MackintoshThis new edition offers an extensive editor's introduction, a fully annotated text of the first edition of Vindiciæ Gallicæ and an appendix which includes the significant substantive revisions that Mackintosh made to Vindiciæ Gallicæ in the late summer of 1791.
The Theatre of War: The First World War in British and Irish Drama
by H. KosokThe Theatre of War surveys more than two hundred plays about the First World War written, published and/or performed in Britain and Ireland between 1909 and 1998. Perspectives discussed include: subject matter, technique and evaluation. The result is an understanding of the First World War as a watershed in international history.
Wordsworth and Word-Preserving Arts: Typographic Inscription, Ekphrasis and Posterity in the Later Work
by P. SimonsenBy looking at the later Wordsworth's ekphrastic writings about visual art and his increased awareness of the printed dimension of his work, Simonsen calls attention to what is uniquely exciting about this neglected body of work, and argues that it complicates traditional understandings of Wordsworth based on his so-called Great Decade.
Agatha Christie: Power and Illusion (Crime Files)
by R.A. YorkThis study shows how she sought to reconcile her attachment to the Victorian past with her recognition of a new society that undermined established order and in doing so gave more opportunities to women, confused class-boundaries, extended tolerance, allowed the cult of pleasure and self-assertion and revealed the ambiguities of respectability.