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In Hora Mortis / Under the Iron of the Moon: Poems
by Thomas Bernhard James ReidelInternationally acclaimed Austrian novelist, playwright, and memoirist Thomas Bernhard (1931-1989) has been compared to Kafka and Beckett, and critics have ranked his novels among the masterpieces of the twentieth century. But in fact he began his career in the 1950s as a poet, publishing three books of well-received verse before turning to fiction. In Hora Mortis / Under the Iron of the Moon is the first book of his expressionist-like poetry to be published in English. Bringing together Bernhard's second and third books of poetry, the collection's short, untitled lyrics reveal his early explorations of themes that would continue to preoccupy him in his novels, plays, and other writings--especially his intense ambivalence toward the land and people of Austria and their then-recent Nazi past. As the translator James Reidel writes in his preface, "Bernhard found Austrian soil . . . to be like a hair shirt and a blanket. It is a killing ground but with a postcard setting." In poems that both subvert and pay homage to such influences as Georg Trakl, Bernhard begins to develop his characteristic dark humor while exploring themes of nature, death, meaninglessness, and faith.
In Late Light: Poems (Johns Hopkins: Poetry and Fiction)
by Brian SwannThere is a clearing by a certain stonewhere images flow and are worth stopping for. I have stayed there almost all day in silenceuntil night remembered what belonged to it and its shadows started to take back its own.I’ve found it hard to walk away as starlight infused daisies and the stone itself beganto feel like a star so, although what I have done with my life may not be much, for a whileit seemed to be in line.The poems of In Late Light situate objects and experiences (both large and small, concrete and abstract) within Brian Swann’s perspective of the natural world. Sixty-two poems presented in four sections explore his life—from early days to the present—evoking friends and family on two continents. His sharp, bright imagery affirms the unique beauty of our world and explores its invisible mysteries.
In Late Light: Poems (Johns Hopkins: Poetry and Fiction)
by Brian SwannThere is a clearing by a certain stonewhere images flow and are worth stopping for. I have stayed there almost all day in silenceuntil night remembered what belonged to it and its shadows started to take back its own.I’ve found it hard to walk away as starlight infused daisies and the stone itself beganto feel like a star so, although what I have done with my life may not be much, for a whileit seemed to be in line.The poems of In Late Light situate objects and experiences (both large and small, concrete and abstract) within Brian Swann’s perspective of the natural world. Sixty-two poems presented in four sections explore his life—from early days to the present—evoking friends and family on two continents. His sharp, bright imagery affirms the unique beauty of our world and explores its invisible mysteries.
In Love with Hell: Drink in the Lives and Work of Eleven Writers
by William Palmer'Sympathetic and wonderfully perceptive . . . a heartbreaking read'NICK COHEN, Critic'Wise, witty and empathetic . . . outstanding'JIM CRACE'A fascinating treatment of the age-old problem of writers and drink which displays the same subtle qualities as William Palmer's own undervalued novels'D. J. TAYLOR'A vastly absorbing and entertaining study of this ever-interesting subject'ANDREW DAVIES, screenwriter and novelist'In Love with Hell is a fascinating and beautifully written account of the lives of eleven British and American authors whose addiction to alcohol may have been a necessary adjunct to their writing but ruined their lives. Palmer's succinct biographies contain fine descriptions of the writers, their work and the times they lived in; and there are convincing insights into what led so many authors to take to drink.'PIERS PAUL READWhy do some writers destroy themselves by drinking alcohol? Before our health-conscious age it would be true to say that many writers drank what we now regard as excessive amounts. Graham Greene, for instance, drank on a daily basis quantities of spirits and wine and beer most doctors would consider as being dangerous to his health. But he was rarely out of control and lived with his considerable wits intact to the age of eighty-six. W. H. Auden drank the most of a bottle of spirits a day, but also worked hard and steadily every day until his death. Even T. S. Eliot, for all his pontifical demeanour, was extremely fond of gin and was once observed completely drunk on a London Tube station by a startled friend. These were not writers who are generally regarded as alcoholics. 'Alcoholic' is, in any case, a slippery word, as exemplified by Dylan Thomas's definition of an alcoholic as 'someone you dislike who drinks as much as you.' The word is still controversial and often misunderstood and misapplied. What acclaimed novelist and poet William Palmer's book is interested in is the effect that heavy drinking had on writers, how they lived with it and were sometimes destroyed by it, and how they described the whole private and social world of the drinker in their work.He looks at Patrick Hamilton ('the feverish magic that alcohol can work'); Jean Rhys ('As soon as I sober up I start again'); Charles Jackson ('Delirium is a disease of the night'); Malcolm Lowry ('I love hell. I can't wait to go back there'); Dylan Thomas ('A womb with a view'); John Cheever ('The singing of the bottles in the pantry'); Flann O'Brien ('A pint of plain is your only man'); Anthony Burgess ('Writing is an agony mitigated by drink'); Kingsley Amis ('Beer makes you drunk'); Richard Yates ('The road to Revolutionary Road'); and Elizabeth Bishop ('The writer's writer's writer').
In The Mud: Red Ditty Book 10 (Read Write Inc Series (PDF))
by Gill Munton Tim Archbold Ruth MiskinThe Red Ditty Books offer children practice in reading short decodable passages that form an important bridge between reading single words and whole sentences. They reinforce the Read Write Inc. Phonics Set 1 sounds. Each book contains three fun and humorous ditties with linked reading activities to develop accuracy, fluency and comprehension. They also prepare children for reading the longer Storybooks and Non-fiction books. Activities at the start of the books help children to practise the sounds and words they will encounter in the book. Questions to talk about at the end of the story provide an extra opportunity for developing childrens comprehension. The books are part of the Read Write Inc. Phonics programme, developed by Ruth Miskin. The programme is designed to create fluent readers, confident speakers and willing writers. It includes Handbooks, Sounds Cards, Word Cards, Storybooks, Non-fiction, Writing books and an Online resource. Read Write Inc. is fully supported by comprehensive professional development from Ruth Miskin Training.
In My Sky at Twilight: Poems of Eternal Love
by Gaby MorganThis swooningly gorgeous collection of poems celebrates love in all its guises from silent admiration through heart-stopping passion to tearful resignation. Whether you are star-crossed lovers, kindred spirits or smitten by the boy next door these exquisite verses speak of the universal experiences of the heart and prove that love transcends time itself. from In My Sky At Twilight In my sky at twilight you are like a cloud And your form and colour are the way I love them. You are mine, mine, woman with sweet lips And in your life my infinite dreams live. Pablo Neruda
In Praise of Krishna: Songs from the Bengali
by Edward C. Dimock Denise LevertovArising out of a devotional and enthusiastic religious movement that swept across most of northern and eastern India in the period from the fourteenth through the seventeenth centuries, the powerful and moving lyrics collected and elegantly translated here depict the love of Radha for the god Krishna—a love whose intensity and range of emotions trace the course of all true love between man and woman and between man and God. Intermingling physical and metaphysical imagery, the spiritual yearning for the divine is articulated in the passionate language of intense sensual desire for an irresistible but ultimately unpossessable lover, thus touching a resonant chord in our humanity.
In Springtime (Wesleyan Poetry Series)
by Sarah BlakeIn Sarah Blake's epic poem of survival, we follow a nameless main character lost in the woods. There, they discover the world anew, negotiating their place among the trees and the rain and the animals. Something brought them to the woods that nearly killed them, and they're not sure they want to live through this experience either. But the world surprises them again and again with beauty and intrigue. They come to meet a pregnant horse, a curious mouse, and a dead bird, who is set on haunting them all. Blake examines what makes us human when removed from the human world, what identity means where it is a useless thing, and how loss shapes us. In a stunning setting and with ominous dreams, In Springtime will take you into a magical world without using any magic at all—just the strangeness of the woods. Includes a stunning art feature by Nicky Arscott.7.If only the night held one dream instead of many.In the next dream you dig up the bird.In the next dream you dig in the same place and find a gun. You've shot someone. You weren't supposed to return to this place where you hid the gun.You're an idiot in your dream.In the next dream the horse returns. The horse startles you awake. But you are still asleep. Dreams are some wicked things.In the next dream you are in a desert. That's different.You forget what grass is. What it smells like. What the shadows of trees look like across your legs.You laugh your head off at the sight of a cactus.In the next dream you can see the spirit of the bird that will haunt you for weeks. Her tongue makes you think all of her words will come out garbled.Then you remember all she does is sing.
In the Flesh
by Adam O'RiordanAdam O'Riordan's remarkable first collection traces the hidden paths from past to present, from the lost to the living, seeking familiarity in a world of 'false trails and disappearing acts'. Here relatives, friends and other absences are coaxed into life and urgently pressed on the reader as they surface, in the flesh.Journeys begin with indelible detail and open into new and astonishing landscapes of the head and the heart. Whether in graceful elegies for the dead or the charged lyrics of love and desire, poems cross space as well as time, from the 'blackened lung' of Victorian Manchester and the fateful events of the 1913 Derby, to enter a modern era of satellites and late night searches for lost lovers. At the heart of the collection lies the sonnet sequence 'Home', a slant look at the lives of William and Dorothy Wordsworth, intersected by more recent, sometimes unsettling, personal portraits.Clear-eyed and sensuous, these are poems linked by a strong sense of place and presence, longing and loss; of history captured in an irrevocable moment. In the Flesh is a startling debut from one of our finest young British poets.
In the Forest of Faded Wisdom: 104 Poems by Gendun Chopel, a Bilingual Edition (Buddhism and Modernity)
by Gendun ChopelIn a culture where poetry is considered the highest form of human language, Gendun Chopel is revered as Tibet’s greatest modern poet. Born in 1903 as British troops were preparing to invade his homeland, Gendun Chopel was identified at any early age as the incarnation of a famous lama and became a Buddhist monk, excelling in the debating courtyards of the great monasteries of Tibet. At the age of thirty-one, he gave up his monk’s vows and set off for India, where he would wander, often alone and impoverished, for over a decade. Returning to Tibet, he was arrested by the government of the young Dalai Lama on trumped-up charges of treason, emerging from prison three years later a broken man. He died in 1951 as troops of the People’s Liberation Army marched into Lhasa. Throughout his life, from his childhood to his time in prison, Gendun Chopel wrote poetry that conveyed the events of his remarkable life. In the Forest of Faded Wisdom is the first comprehensive collection of his oeuvre in any language, assembling poems in both the original Tibetan and in English translation. A master of many forms of Tibetan verse, Gendun Chopel composed heartfelt hymns to the Buddha, pithy instructions for the practice of the dharma, stirring tributes to the Tibetan warrior-kings, cynical reflections on the ways of the world, and laments of a wanderer, forgotten in a foreign land. These poems exhibit the technical skill—wordplay, puns, the ability to evoke moods of pathos and irony—for which Gendun Chopel was known and reveal the poet to be a consummate craftsman, skilled in both Tibetan and Indian poetics. With a directness and force often at odds with the conventions of belles lettres, this is a poetry that is at once elegant and earthy. In the Forest of Faded Wisdom is a remarkable introduction to Tibet’s sophisticated poetic tradition and its most intriguing twentieth-century writer.
In the Forest of Faded Wisdom: 104 Poems by Gendun Chopel, a Bilingual Edition (Buddhism and Modernity)
by Gendun ChopelIn a culture where poetry is considered the highest form of human language, Gendun Chopel is revered as Tibet’s greatest modern poet. Born in 1903 as British troops were preparing to invade his homeland, Gendun Chopel was identified at any early age as the incarnation of a famous lama and became a Buddhist monk, excelling in the debating courtyards of the great monasteries of Tibet. At the age of thirty-one, he gave up his monk’s vows and set off for India, where he would wander, often alone and impoverished, for over a decade. Returning to Tibet, he was arrested by the government of the young Dalai Lama on trumped-up charges of treason, emerging from prison three years later a broken man. He died in 1951 as troops of the People’s Liberation Army marched into Lhasa. Throughout his life, from his childhood to his time in prison, Gendun Chopel wrote poetry that conveyed the events of his remarkable life. In the Forest of Faded Wisdom is the first comprehensive collection of his oeuvre in any language, assembling poems in both the original Tibetan and in English translation. A master of many forms of Tibetan verse, Gendun Chopel composed heartfelt hymns to the Buddha, pithy instructions for the practice of the dharma, stirring tributes to the Tibetan warrior-kings, cynical reflections on the ways of the world, and laments of a wanderer, forgotten in a foreign land. These poems exhibit the technical skill—wordplay, puns, the ability to evoke moods of pathos and irony—for which Gendun Chopel was known and reveal the poet to be a consummate craftsman, skilled in both Tibetan and Indian poetics. With a directness and force often at odds with the conventions of belles lettres, this is a poetry that is at once elegant and earthy. In the Forest of Faded Wisdom is a remarkable introduction to Tibet’s sophisticated poetic tradition and its most intriguing twentieth-century writer.
In the Language of My Captor (Wesleyan Poetry Series)
by Shane McCraeWinner of the Lannan Literary Award for Poetry (2017)Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently examined connections between racism and love. A reader's companion is available at wesleyan.edu/wespress/readerscompanions.
In the Shadow's Light
by Yves BonnefoyThis bilingual edition of the contemporary master's fifth work, Ce qui fut sans lumi, re, will delight, engage, and stir all lovers of poetry. Included here is an extensive new interview with the poet in English translation. "Included here is a very helpful and touchingly personal interview with the poet. . . . For readers with no prior knowledge of Bonnefoy's work, this volume would be an excellent place to start."—Stephen Romer, Times Literary Supplement
In Time: Poets, Poems, and the Rest
by C. K. WilliamsWinner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole. In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics. Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.
In Time: Poets, Poems, and the Rest
by C. K. WilliamsWinner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole. In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics. Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.
In Time: Poets, Poems, and the Rest
by C. K. WilliamsWinner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole. In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics. Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.
In Time: Poets, Poems, and the Rest
by C. K. WilliamsWinner of the National Book Award, the Pulitzer Prize for Poetry, and numerous other awards, C. K. Williams is one of the most distinguished poets of his generation. Known for the variety of his subject matter and the expressive intensity of his verse, he has written on topics as resonant as war, social injustice, love, family, sex, death, depression, and intellectual despair and delight. He is also a gifted essayist, and In Time collects his best recent prose along with an illuminating series of interview excerpts in which he discusses a wide range of subjects, from his own work as a poet and translator to the current state of American poetry as a whole. In Time begins with six essays that meditate on poetic subjects, from reflections on such forebears as Philip Larkin and Robert Lowell to “A Letter to a Workshop,” in which he considers the work of composing a poem. In the book’s innovative middle section, Williams extracts short essays from interviews into an alphabetized series of reflections on subjects ranging from poetry and politics to personal accounts of his own struggles as an artist. The seven essays of the final section branch into more public concerns, including an essay on Paris as a place of inspiration, “Letter to a German Friend,” which addresses the issue of national guilt, and a concluding essay on aging, into which Williams incorporates three moving new poems. Written in his lucid, powerful, and accessible prose, Williams’s essays are characterized by reasoned and complex judgments and a willingness to confront hard moral questions in both art and politics. Wide-ranging and deeply thoughtful, In Time is the culmination of a lifetime of reading and writing by a man whose work has made a substantial contribution to contemporary American poetry.
The Incomplete Tim Key: About 300 of his poetical gems and what-nots
by Tim KeyThis is an updated version of the ebook. And it is ram-jammed full of poems by KEY. Within its pages you will find the vast majority of the same poems as you'll find in its predecessor. Poems skewering such thorny issues as sex, pancakes, footy and vodka. But, in order to drum up renewed interest, KEY has also added a new poem. And there are also seven new introductions. And KEY has also been allowed to waddle round the text with his Lamy fountain pen, altering and updating. Improving. Making everything just so.
Indenture: Free to Live
by Eunice E. FrimpongRefreshing and uplifting, Frimpong's poetry will kindle pursuit of resolution and truth.Indenture, a legal contract, has long held an historic association with slavery.Indenture: Free the Live by Eunice E. Frimpong explores far-ranging themes including wealth, addiction and purpose, to challenge our perceptions of enslavement in the present era.These poems are designed to reveal dimensions of a pressing contract, with the promise of freedom.Lovingly composed, to anchor souls.
Indigeneity, Globalization, and African Literature: Personally Speaking (African Histories and Modernities)
by Tanure OjaideLiterature remains one of the few disciplines that reflect the experiences, sensibility, worldview, and living realities of its people. Contemporary African literature captures the African experience in history and politics in a multiplicity of ways. Politics itself has come to intersect and impact on most, if not all, aspects of the African reality. This relationship of literature with African people’s lives and condition forms the setting of this study. Tanure Ojaide’s Indigeneity, Globalization, and African Literature: Personally Speaking belongs with a well-established tradition of personal reflections on literature by African creative writer-critics. Ojaide’s contribution brings to the table the perspective of what is now recognized as a “second generation” writer, a poet, and a concerned citizen of Nigeria’s Niger Delta area.
An Industry Now Lost: The Pride, Passion and Pain of Mining (Wordcatcher Modern Poetry)
by Arthur ColeAn ‘Industry Now Lost’ is a book of poems on the subject of coal mining throughout the UK and other countries of the world. It mostly portrays mining disasters from Victorian times, however there are more modern disasters depicted like 'Aberfan’ in 1966 and ‘Gleision’ in 2011. Arthur Cole is from a mining background and has seen the industry decimated in modern times. There are poems relating to the resolve of miners and their endeavour to succeed, one such poem, A tribute to tower, is about a colliery bought out by the work miners. For thirteen years they worked for themselves. The driving force behind this was their leader, Tyrone O’Sullivan. This was a great achievement at a time when collieries were closing left, right and centre. On a sadder note there is one on the closing of Kellingley Colliery, the last deep mine in the UK. There are many other noteworthy disasters commemorated ,such as Senghenydd, Gresford and Parc Slip. In these disasters many brave men and children lost their lives. Many of the poems relate to conditions during Victorian times, where whole families worked underground, even children as young as six years of age. To say conditions were grim is an understatement. Workers were treated with disdain and health and safety was non existent. In Victorian times it was all about profit, the rich got richer and the poor were discarded. There are poems relating to pit ponies and canaries outlining the vital role they played underground. There is a poem ‘The Keeper of the Collieries’ a nine-foot-high oak statue of a miner. The statue looks down on the Llynfi Valley, Maesteg. This valley that once boasted three working coal mines within two miles of each other, sadly no more. With the poems Arthur describes the dangers of mining over a long period of time and the bravery and resolve of those individuals who dare to work in the bowels of the earth.
Inescapable Romance: Studies in the Poetics of a Mode
by Patricia A. ParkerDefining "romance" as a form that simultaneously seeks and postpones a particular end, revelation, or object, Patricia Parker interprets its implications and transformations in the works of four major poets—Ariosto, Spenser, Milton, and Keats. In placing the texts within their literary and historical contexts, Professor Parker provides at once a literary history of romance as genre, a fresh reading of individual poems, and an exploration of the continuing romance of figurative language itself.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Infernal Triad: The Flesh, the World, and the Devil in Spenser and Milton
by Patrick CullenOne of the few theological formulas of medieval times to survive the scrutiny of the Reformation was that of the infernal triad of the sins of the Flesh, the World, and the Devil. Through a close analysis of the structural and thematic role that this triad plays in Books I and II of the Faerie Queene and in Paradise Lost, Paradise Regained, and Samson Agonistes, Patrick Cullen explores the imaginative continuity between two of the greatest poets of the English Renaissance, Edmund Spenser and John Milton. By presenting the two poets in a single focus. Professor Cullen demonstrates the profound indebtedness of Milton to Spenser, a relationship which has not received due scholarly attention, despite Milton's praise of Spenser as "a better teacher than Aquinas" and his admission according to Dryden, that Spenser was his "original." Professor Cullen's new approach allows him to define a clear allegorical lineage between some of the major poems of the period, demonstrating the imaginative affinity of Spenser and Milton with great concreteness and specificity.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.