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Ian Hamilton Collected Poems

A professional man of letters - critic, editor, biographer - though never a professional poet, Ian Hamilton (1938-2001) referred to his poems as 'miraculous lyrical arrivals', and he bided their time with exemplary patience and humility. His widely praised first collection, The Visit, published by Faber in 1970, was incorporated into Fifty Poems in 1988, itself expanded to Sixty Poems in 1998. In a preface to the former collection, he wrote: 'Fifty poems in twenty-five years: not much to show for half a lifetime, you might think. And in certain moods, I would agree.' Readers of Hamilton's condensed and immaculate oeuvre have felt otherwise: the poems of his youth and middle years (there was to be no opportunity for a late flowering) acquired talismanic significance for his contemporaries, and their combination of terseness and emotional intensity continues to set an example to younger poets. Edited by Alan Jenkins, this authoritative Collected Poems contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most disinctive bodies of work in twentieth-century English poetry.

Ibsen and the Theatre: Essays in Celebration of the 150th Anniversary of Henrik Ibsen’s Birth

‘Ibsen the Romantic’: Analogues of Paradise in the Later Plays

Ic3: The Penguin Book of New Black Writing in Britain

A celebratory 20th anniversary edition of this landmark collection from black writers across the literary spectrumThis ground-breaking anthology was first published twenty years ago, into a different literary landscape. Showcasing the work of more than 100 black British authors, this 20th anniversary edition celebrates their lasting contributions to literature and to our wider culture.Including poetry from Roger Robinson, David Dabydeen, Bernardine Evaristo, Jackie Kay and Benjamin Zephaniah, short stories from Ferdinand Dennis, Diana Evans, Catherine Jonson, E.A. Markham and Ray Shell; essays from Floella Benjamin, Linda Bellos, Treva Etienne, Kevin Le Gendre and Labi Siffre; memoirs from Margaret Busby, Henry Bonsu, Buchi Emecheta, Sol B. River and Leone Ross, and many others.IC3 spans a wealth of genres - from poetry, to short fiction, memoir and essays - to demonstrate the range and astonishing literary achievements of black writers, who remain underrepresented in British culture today. Featuring a new introduction from original editors Kadija Sesay and Courttia Newland, this collection reflects on the legacy of these writers and their extraordinary work.

The Ice Age: poems

Paul Farley’s debut collection, The Boy From the Chemist is Here to See You, was one of the most celebrated debuts of the nineties. The poems in The Ice Age are as engaged and engaging as ever, but also display a new philosophical depth: Farley’s gift is to uncover the evidence so often overlooked by less attentive observers, finding – in childhood games, dental records and dog-eared field guides – those details by which we are proven and elegized. The Ice Age will only enhance Farley’s reputation as one of the most formally gifted and imaginative poets to have emerged in recent years.

Icelight (Wesleyan Poetry Series)

Icelight, Ranjit Hoskote's eighth collection of poems, enacts the experience of standing at the edge—of a life, a landscape, a world assuming new contours or going up in flames. Yet, the protagonists of these poems also stand at the edge of epiphany. In the title poem, we meet the Neolithic cave-dweller who, dazzled by a shapeshifting nature, crafts the first icon. The 'I' of these poems is not a sovereign 'I'. A questing, questioning voice, it locates itself in the web of life, in relation to the cosmos. In 'Tacet', the speaker asks: "What if I had/ no skin/ Of what/ am I the barometer?" Long committed to the Japanese mono no aware aesthetic, Hoskote embraces talismans, premonitions, fossils: active residues from the previous lives of people and places. Icelight is a book about transitions and departures, eloquent in its acceptance of transience in the face of mortality. AubadeRumours of wind, banners of cloud.The low earth shakes but the stormhas not arrived. You packfor the journey, look up, look throughthe doors at trees shedding their leavestoo soon, a track on which silk shoeswould be wasted, a moonstill dangling above a boat.Wearing your salt mask, you facethe mulberry shadows.The valley into whichyou're rappellingis you.

"Ich singe daz wir alle werden vol": Das Steinmar-Oeuvre in der Manesseschen Liederhandschrift

"Ich will das rote Sefchen küssen": Nachdenken über Heines letzten Gedichtzyklus. (Heine Studien)

Heines letzter Gedichtzyklus »Gedichte. 1853 und 1854« ist bis heute ein Stiefkind der Forschung wie der Leser geblieben - trotz der Versicherung des Dichters: »Die Poesien sind etwas ganz Neues und geben keine alten Stimmungen in alter Manier.«

I'd Know You Anywhere, My Love: A special gift celebrating family love

There are things about you quite unlike any other.Things always known by your father or mother.So if you decide to be different one day,no worries . . . I'd know you anyway.Every child is special and unique, but every child also loves to dream of being something different. In I'd Know You Anywhere, My Love, bestselling author and artist Nancy Tillman has created another heartfelt masterpiece celebrating the joys of imagination, and the comfort of always knowing that "you are loved."

The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form (Routledge Studies in Romanticism)

This book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. …a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)

The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form (Routledge Studies in Romanticism)

This book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. …a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)

Ideas of Space in Contemporary Poetry

This book draws out connections between ideas of space in cultural and social theory and developments in contemporary poetry. Studying the works of poets from the UK and USA we explore relationships between the texts, ideas of globalization and issues of nationality, identity, language and geography.

Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry

An exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.

Ideographic Modernism: China, Writing, Media

Ideographic Modernism offers a critical account of the ideograph (Chinese writing as imagined in the West) as a modernist invention. Through analyses of works by Claudel, Pound, Kafka, Benjamin, Segalen, and Valery, among others, Christopher Bush traces the interweaving of Western modernity's ethnographic and technological imaginaries, in which the cultural effects of technological media assumed "Chinese" forms, even as traditional representations of "the Orient" lived on in modernist-era responses to media. The book also makes a methodological argument, demonstrating new ways of recovering the generally overlooked presence of China in the text of Western modernism.

Ideologue: Just a Collection of Poetry (Wordcatcher Modern Poetry)

ideologue I. An often blindly partisan advocate or adherent of a particular ideology. II. An impractical idealist, uncompromising and dogmatic. III. A Poem...? In this collection, Ross examines the topic of thoughts and ideas, whilst evaluating their weight and consequence. He has brought together a collection of writing that focuses on the creation, application and impact of ideas, and how easily their presence can influence the wider world. Ideologue is a book about consciousness and wakefulness, and how, as a captor to some of our ideals, we can find ourselves forming conclusive concepts at the expense of embracing wider thoughts and notions. Ross takes us on a journey through the destructiveness and joyfulness of blind advocacy to ideas, and the ebb and flow of limitless or limited thought.

Idleness, Indolence and Leisure in English Literature

Idleness, Indolence and Leisure in English Literature is the first study to provide transhistorical perspectives and cutting-edge critical analyses of debates concerning idleness in English literature. The topicality of the subject is emphasized by two pieces of sociological analysis.

Idols of the Marketplace: Idolatry and Commodity Fetishism in English Literature, 1580–1680 (Early Modern Cultural Studies 1500–1700)

Postmodern society seems incapable of elaborating an ethical critique of the market economy. Early modern society showed no such reticence. Between 1580 and 1680, Aristotelian teleology was replaced as the dominant mode of philosophy in England by Baconian empiricism. This was a process with implications for every sphere of life: for politics and theology, economics and ethics, aesthetics and sexuality. Through nuanced and original readings of Shakespeare, Herbert, Donne, Milton, Traherne, and Bunyan, David Hawkes sheds light on the antitheatrical controversy, and early modern debates over idolatry and value and trade. Hawkes argues that the people of Renaissance England believed that the decline of telos resulted in a reified, fetishistic mode of consciousness which manifests itself in such phenomena as religious idolatry, commodity fetish, and carnal sensuality. He suggests that the resulting early modern critique of the market economy has much to offer postmodern society.

Idylls of the King

Idylls of the King: In Twelve Books

Tennyson had a life-long interest in the legend of King Arthur and after the huge success of his poem 'Morte d'Arthur' he built on the theme with this series of twelve poems, written in two periods of intense creativity over nearly twenty years. Idylls of the King traces the story of Arthur's rule, from his first encounter with Guinevere and the quest for the Holy Grail to the adultery of his Queen with Launcelot and the King's death in a final battle that spells the ruin of his kingdom. Told with lyrical and dreamlike eloquence, Tennyson's depiction of the Round Table reflects a longing for a past age of valour and chivalry. And in his depiction of King Arthur he created a hero imbued with the values of the Victorian age - one who embodies the highest ideals of manhood and kingship.

Idylls of the King

The timeless legend of King Arthur retold in Alfred, Lord Tennyson's scintillating poetry. Tennyson brings to the page his own unique take on many of the classic Arthurian tales, including Lancelots marriage to Elaine and his affair with Queen Guinevere, and the quest for the Holy Grail. The saga is bookended by the story of Arthur - his ascent to the throne, and the fall of Camelot. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.

iF: A Treasury of Poems for Almost Every Possibility

If you need cheering up... If you need guidance... If you want to laugh... If you need courage... Sometimes only a poem will do. In this magical new collection of our best-loved poems, selected and introduced by the creators of the bestselling app iF Poems, discover the joy, solace and beauty of poetry with your family. Whether you're after a poem that is charming, funny, sad, silly, magical, sleepy, long or short, there's something in here for everyone. From Lear's The Owl and the Pussycat to Tennyson's The Charge of the Light Brigade to Eliot's Macavity the Mystery Cat, these are poems to pass down the generations. A favourite poem will stay with you for life, and this beautifully illustrated collection for children aged 0 to 90 is sure to delight and entertain for years to come.

If All the World and Love Were Young

When Stephen Sexton was young, video games were a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of Super Mario World, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut is a daring exploration of memory, grief and the necessity of the unreal.

If I Don't Know

Wendy Cope's most recent collection, her first since Serious Concerns in 1992, extends her concern with the comedy of the examined life ('the way we have been, the way we sometimes are'), and imagines those adjustments to the ordinary which would fulfil our futures, or allow us to realize the golden age of five minutes ago, or weigh the 'out there' of the present moment, where what is in sight is also out of reach. These are poems of well-tempered yearning, conditional idylls which sing in praise of lying fallow, the creativity of daydream, the yeast of boredom, the truths of intermediacy. Wendy Cope's formal tact is alertly present - in triolets, rondeaux, villanelles, squibs, epigrams - small forms whose power to disarm goes hand in hand with her characteristically tart ripostes to the way things (usually) are. This collection extends the variousness of her occasions.

If I Ran The Circus (Classic Seuss Ser.)

In this delightful classic from the one and only Dr. Seuss, Morris McGurk dreams about staging the world’s greatest show!