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Viral Economies: Bird Flu Experiments in Vietnam
by Natalie PorterOver the last decade, infectious disease outbreaks have heightened fears of a catastrophic pandemic passing from animals to humans. From Ebola and bird flu to swine flu and MERS, zoonotic viruses are killing animals and wreaking havoc on the people living near them. Given this clear correlation between animals and viral infection, why are animals largely invisible in social science accounts of pandemics, and why do they remain marginal in critiques of global public health? In Viral Economies, Natalie Porter draws from long-term research on bird flu in Vietnam to chart the pathways of scientists, NGO workers, state veterinarians, and poultry farmers as they define and address pandemic risks. Porter argues that as global health programs expand their purview to include life and livestock, they weigh the interests of public health against those of commercial agriculture, rural tradition, and scientific innovation. Porter challenges human-centered analyses of pandemics and shows how dynamic and often dangerous human-animal relations take on global significance as poultry and their pathogens travel through global livestock economies and transnational health networks. Viral Economies urges readers to think critically about the ideas, relationships, and practices that produce our everyday commodities, and that shape how we determine the value of life—both human and nonhuman.
Viral Economies: Bird Flu Experiments in Vietnam
by Natalie PorterOver the last decade, infectious disease outbreaks have heightened fears of a catastrophic pandemic passing from animals to humans. From Ebola and bird flu to swine flu and MERS, zoonotic viruses are killing animals and wreaking havoc on the people living near them. Given this clear correlation between animals and viral infection, why are animals largely invisible in social science accounts of pandemics, and why do they remain marginal in critiques of global public health? In Viral Economies, Natalie Porter draws from long-term research on bird flu in Vietnam to chart the pathways of scientists, NGO workers, state veterinarians, and poultry farmers as they define and address pandemic risks. Porter argues that as global health programs expand their purview to include life and livestock, they weigh the interests of public health against those of commercial agriculture, rural tradition, and scientific innovation. Porter challenges human-centered analyses of pandemics and shows how dynamic and often dangerous human-animal relations take on global significance as poultry and their pathogens travel through global livestock economies and transnational health networks. Viral Economies urges readers to think critically about the ideas, relationships, and practices that produce our everyday commodities, and that shape how we determine the value of life—both human and nonhuman.
Viral Economies: Bird Flu Experiments in Vietnam
by Natalie PorterOver the last decade, infectious disease outbreaks have heightened fears of a catastrophic pandemic passing from animals to humans. From Ebola and bird flu to swine flu and MERS, zoonotic viruses are killing animals and wreaking havoc on the people living near them. Given this clear correlation between animals and viral infection, why are animals largely invisible in social science accounts of pandemics, and why do they remain marginal in critiques of global public health? In Viral Economies, Natalie Porter draws from long-term research on bird flu in Vietnam to chart the pathways of scientists, NGO workers, state veterinarians, and poultry farmers as they define and address pandemic risks. Porter argues that as global health programs expand their purview to include life and livestock, they weigh the interests of public health against those of commercial agriculture, rural tradition, and scientific innovation. Porter challenges human-centered analyses of pandemics and shows how dynamic and often dangerous human-animal relations take on global significance as poultry and their pathogens travel through global livestock economies and transnational health networks. Viral Economies urges readers to think critically about the ideas, relationships, and practices that produce our everyday commodities, and that shape how we determine the value of life—both human and nonhuman.
Viral Economies: Bird Flu Experiments in Vietnam
by Natalie PorterOver the last decade, infectious disease outbreaks have heightened fears of a catastrophic pandemic passing from animals to humans. From Ebola and bird flu to swine flu and MERS, zoonotic viruses are killing animals and wreaking havoc on the people living near them. Given this clear correlation between animals and viral infection, why are animals largely invisible in social science accounts of pandemics, and why do they remain marginal in critiques of global public health? In Viral Economies, Natalie Porter draws from long-term research on bird flu in Vietnam to chart the pathways of scientists, NGO workers, state veterinarians, and poultry farmers as they define and address pandemic risks. Porter argues that as global health programs expand their purview to include life and livestock, they weigh the interests of public health against those of commercial agriculture, rural tradition, and scientific innovation. Porter challenges human-centered analyses of pandemics and shows how dynamic and often dangerous human-animal relations take on global significance as poultry and their pathogens travel through global livestock economies and transnational health networks. Viral Economies urges readers to think critically about the ideas, relationships, and practices that produce our everyday commodities, and that shape how we determine the value of life—both human and nonhuman.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Music and the New Global Culture: From the Great Exhibitions to the Jazz Age (Big Issues in Music)
by Harry LiebersohnMusic listeners today can effortlessly flip from K-pop to Ravi Shankar to Amadou & Mariam with a few quick clicks of a mouse. While contemporary globalized musical culture has become ubiquitous and unremarkable, its fascinating origins long predate the internet era. In Music and the New Global Culture, Harry Liebersohn traces the origins of global music to a handful of critical transformations that took place between the mid-nineteenth and early twentieth century. In Britain, the arts and crafts movement inspired a fascination with non-Western music; Germany fostered a scholarly approach to global musical comparison, creating the field we now call ethnomusicology; and the United States provided the technological foundation for the dissemination of a diverse spectrum of musical cultures by launching the phonograph industry. This is not just a story of Western innovation, however: Liebersohn shows musical responses to globalization in diverse areas that include the major metropolises of India and China and remote settlements in South America and the Arctic. By tracing this long history of world music, Liebersohn shows how global movement has forever changed how we hear music—and indeed, how we feel about the world around us.
Black on the Block: The Politics of Race and Class in the City
by Mary PattilloIn Black on the Block, Mary Pattillo—a Newsweek Woman of the 21st Century—uses the historic rise, alarming fall, and equally dramatic renewal of Chicago’s North Kenwood–Oakland neighborhood to explore the politics of race and class in contemporary urban America. There was a time when North Kenwood–Oakland was plagued by gangs, drugs, violence, and the font of poverty from which they sprang. But in the late 1980s, activists rose up to tackle the social problems that had plagued the area for decades. Black on the Block tells the remarkable story of how these residents laid the groundwork for a revitalized and self-consciously black neighborhood that continues to flourish today. But theirs is not a tale of easy consensus and political unity, and here Pattillo teases out the divergent class interests that have come to define black communities like North Kenwood–Oakland. She explores the often heated battles between haves and have-nots, home owners and apartment dwellers, and newcomers and old-timers as they clash over the social implications of gentrification. Along the way, Pattillo highlights the conflicted but crucial role that middle-class blacks play in transforming such districts as they negotiate between established centers of white economic and political power and the needs of their less fortunate black neighbors. “A century from now, when today's sociologists and journalists are dust and their books are too, those who want to understand what the hell happened to Chicago will be finding the answer in this one.”—Chicago Reader “To see how diversity creates strange and sometimes awkward bedfellows . . . turn to Mary Pattillo's Black on the Block.”—Boston Globe
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Film, Music, Memory (Cinema and Modernity)
by Berthold HoecknerFilm has shaped modern society in part by changing its cultures of memory. Film, Music, Memory reveals that this change has rested in no small measure on the mnemonic powers of music. As films were consumed by growing American and European audiences, their soundtracks became an integral part of individual and collective memory. Berthold Hoeckner analyzes three critical processes through which music influenced this new culture of memory: storage, retrieval, and affect. Films store memory through an archive of cinematic scores. In turn, a few bars from a soundtrack instantly recall the image that accompanied them, and along with it, the affective experience of the movie. Hoeckner examines films that reflect directly on memory, whether by featuring an amnesic character, a traumatic event, or a surge of nostalgia. As the history of cinema unfolded, movies even began to recall their own history through quotations, remakes, and stories about how cinema contributed to the soundtrack of people’s lives. Ultimately, Film, Music, Memory demonstrates that music has transformed not only what we remember about the cinematic experience, but also how we relate to memory itself.
Slices and Lumps: Division and Aggregation in Law and Life
by Lee Anne FennellHow things are divided up or pieced together matters. Half a bridge is of no use at all. Conversely, many things would do more good if they could be divided up differently: Perhaps you would prefer a job that involves a third less work and a third less pay or a car that materializes only when needed and is priced accordingly? Difficulties in “slicing” and “lumping” shape nearly every facet of how we live and work—and a great deal of law and policy as well. Lee Anne Fennell explores how both types of challenges—carving out useful slices and assembling useful lumps—surface in myriad contexts, from hot button issues like conservation and eminent domain to developments in the sharing economy to personal struggles over work, money, time, diet, and exercise. Yet the significance of configuration is often overlooked, leading to missed opportunities for improving our lives. With a technology-fueled entrepreneurial explosion underway that is dividing goods, services, and jobs in novel ways, and as urbanization and environmental threats raise the stakes for assembling resources and cooperation, this is an especially exciting and crucial time to confront questions of slicing and lumping. The future of the city, the workplace, the marketplace, and the environment all turn on matters of configuration, as do the prospects for more effective legal doctrines, for better management of finances and health, and more. This book reveals configuration’s power and potential—as a unifying concept and as a focus of public and private innovation.
Slices and Lumps: Division and Aggregation in Law and Life
by Lee Anne FennellHow things are divided up or pieced together matters. Half a bridge is of no use at all. Conversely, many things would do more good if they could be divided up differently: Perhaps you would prefer a job that involves a third less work and a third less pay or a car that materializes only when needed and is priced accordingly? Difficulties in “slicing” and “lumping” shape nearly every facet of how we live and work—and a great deal of law and policy as well. Lee Anne Fennell explores how both types of challenges—carving out useful slices and assembling useful lumps—surface in myriad contexts, from hot button issues like conservation and eminent domain to developments in the sharing economy to personal struggles over work, money, time, diet, and exercise. Yet the significance of configuration is often overlooked, leading to missed opportunities for improving our lives. With a technology-fueled entrepreneurial explosion underway that is dividing goods, services, and jobs in novel ways, and as urbanization and environmental threats raise the stakes for assembling resources and cooperation, this is an especially exciting and crucial time to confront questions of slicing and lumping. The future of the city, the workplace, the marketplace, and the environment all turn on matters of configuration, as do the prospects for more effective legal doctrines, for better management of finances and health, and more. This book reveals configuration’s power and potential—as a unifying concept and as a focus of public and private innovation.
Slices and Lumps: Division and Aggregation in Law and Life
by Lee Anne FennellHow things are divided up or pieced together matters. Half a bridge is of no use at all. Conversely, many things would do more good if they could be divided up differently: Perhaps you would prefer a job that involves a third less work and a third less pay or a car that materializes only when needed and is priced accordingly? Difficulties in “slicing” and “lumping” shape nearly every facet of how we live and work—and a great deal of law and policy as well. Lee Anne Fennell explores how both types of challenges—carving out useful slices and assembling useful lumps—surface in myriad contexts, from hot button issues like conservation and eminent domain to developments in the sharing economy to personal struggles over work, money, time, diet, and exercise. Yet the significance of configuration is often overlooked, leading to missed opportunities for improving our lives. With a technology-fueled entrepreneurial explosion underway that is dividing goods, services, and jobs in novel ways, and as urbanization and environmental threats raise the stakes for assembling resources and cooperation, this is an especially exciting and crucial time to confront questions of slicing and lumping. The future of the city, the workplace, the marketplace, and the environment all turn on matters of configuration, as do the prospects for more effective legal doctrines, for better management of finances and health, and more. This book reveals configuration’s power and potential—as a unifying concept and as a focus of public and private innovation.
Slices and Lumps: Division and Aggregation in Law and Life
by Lee Anne FennellHow things are divided up or pieced together matters. Half a bridge is of no use at all. Conversely, many things would do more good if they could be divided up differently: Perhaps you would prefer a job that involves a third less work and a third less pay or a car that materializes only when needed and is priced accordingly? Difficulties in “slicing” and “lumping” shape nearly every facet of how we live and work—and a great deal of law and policy as well. Lee Anne Fennell explores how both types of challenges—carving out useful slices and assembling useful lumps—surface in myriad contexts, from hot button issues like conservation and eminent domain to developments in the sharing economy to personal struggles over work, money, time, diet, and exercise. Yet the significance of configuration is often overlooked, leading to missed opportunities for improving our lives. With a technology-fueled entrepreneurial explosion underway that is dividing goods, services, and jobs in novel ways, and as urbanization and environmental threats raise the stakes for assembling resources and cooperation, this is an especially exciting and crucial time to confront questions of slicing and lumping. The future of the city, the workplace, the marketplace, and the environment all turn on matters of configuration, as do the prospects for more effective legal doctrines, for better management of finances and health, and more. This book reveals configuration’s power and potential—as a unifying concept and as a focus of public and private innovation.
Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (Chicago Studies in Practices of Meaning)
by Lisa WedeenIf the Arab uprisings initially heralded the end of tyrannies and a move toward liberal democratic governments, their defeat not only marked a reversal but was of a piece with emerging forms of authoritarianism worldwide. In Authoritarian Apprehensions, Lisa Wedeen draws on her decades-long engagement with Syria to offer an erudite and compassionate analysis of this extraordinary rush of events—the revolutionary exhilaration of the initial days of unrest and then the devastating violence that shattered hopes of any quick undoing of dictatorship. Developing a fresh, insightful, and theoretically imaginative approach to both authoritarianism and conflict, Wedeen asks, What led a sizable part of the citizenry to stick by the regime through one atrocity after another? What happens to political judgment in a context of pervasive misinformation? And what might the Syrian example suggest about how authoritarian leaders exploit digital media to create uncertainty, political impasses, and fractures among their citizens? Drawing on extensive fieldwork and a variety of Syrian artistic practices, Wedeen lays bare the ideological investments that sustain ambivalent attachments to established organizations of power and contribute to the ongoing challenge of pursuing political change. This masterful book is a testament to Wedeen’s deep engagement with some of the most troubling concerns of our political present and future.
Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (Chicago Studies in Practices of Meaning)
by Lisa WedeenIf the Arab uprisings initially heralded the end of tyrannies and a move toward liberal democratic governments, their defeat not only marked a reversal but was of a piece with emerging forms of authoritarianism worldwide. In Authoritarian Apprehensions, Lisa Wedeen draws on her decades-long engagement with Syria to offer an erudite and compassionate analysis of this extraordinary rush of events—the revolutionary exhilaration of the initial days of unrest and then the devastating violence that shattered hopes of any quick undoing of dictatorship. Developing a fresh, insightful, and theoretically imaginative approach to both authoritarianism and conflict, Wedeen asks, What led a sizable part of the citizenry to stick by the regime through one atrocity after another? What happens to political judgment in a context of pervasive misinformation? And what might the Syrian example suggest about how authoritarian leaders exploit digital media to create uncertainty, political impasses, and fractures among their citizens? Drawing on extensive fieldwork and a variety of Syrian artistic practices, Wedeen lays bare the ideological investments that sustain ambivalent attachments to established organizations of power and contribute to the ongoing challenge of pursuing political change. This masterful book is a testament to Wedeen’s deep engagement with some of the most troubling concerns of our political present and future.
Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (Chicago Studies in Practices of Meaning)
by Lisa WedeenIf the Arab uprisings initially heralded the end of tyrannies and a move toward liberal democratic governments, their defeat not only marked a reversal but was of a piece with emerging forms of authoritarianism worldwide. In Authoritarian Apprehensions, Lisa Wedeen draws on her decades-long engagement with Syria to offer an erudite and compassionate analysis of this extraordinary rush of events—the revolutionary exhilaration of the initial days of unrest and then the devastating violence that shattered hopes of any quick undoing of dictatorship. Developing a fresh, insightful, and theoretically imaginative approach to both authoritarianism and conflict, Wedeen asks, What led a sizable part of the citizenry to stick by the regime through one atrocity after another? What happens to political judgment in a context of pervasive misinformation? And what might the Syrian example suggest about how authoritarian leaders exploit digital media to create uncertainty, political impasses, and fractures among their citizens? Drawing on extensive fieldwork and a variety of Syrian artistic practices, Wedeen lays bare the ideological investments that sustain ambivalent attachments to established organizations of power and contribute to the ongoing challenge of pursuing political change. This masterful book is a testament to Wedeen’s deep engagement with some of the most troubling concerns of our political present and future.
Authoritarian Apprehensions: Ideology, Judgment, and Mourning in Syria (Chicago Studies in Practices of Meaning)
by Lisa WedeenIf the Arab uprisings initially heralded the end of tyrannies and a move toward liberal democratic governments, their defeat not only marked a reversal but was of a piece with emerging forms of authoritarianism worldwide. In Authoritarian Apprehensions, Lisa Wedeen draws on her decades-long engagement with Syria to offer an erudite and compassionate analysis of this extraordinary rush of events—the revolutionary exhilaration of the initial days of unrest and then the devastating violence that shattered hopes of any quick undoing of dictatorship. Developing a fresh, insightful, and theoretically imaginative approach to both authoritarianism and conflict, Wedeen asks, What led a sizable part of the citizenry to stick by the regime through one atrocity after another? What happens to political judgment in a context of pervasive misinformation? And what might the Syrian example suggest about how authoritarian leaders exploit digital media to create uncertainty, political impasses, and fractures among their citizens? Drawing on extensive fieldwork and a variety of Syrian artistic practices, Wedeen lays bare the ideological investments that sustain ambivalent attachments to established organizations of power and contribute to the ongoing challenge of pursuing political change. This masterful book is a testament to Wedeen’s deep engagement with some of the most troubling concerns of our political present and future.