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Spring Awakening (Modern Classics)
by Frank WedekindWedekind's play about adolescent sexuality is as disturbing today as when it was first producedWedekind's notorious play Spring Awakening was written in 1891 but had to wait the greater part of a century before it received its first complete performance in Britain, at the National Theatre in 1974. The production was highly praised, much of its strength deriving from this translation by Edward Bond and Elisabeth Bond Pablé, 'scrupulously faithful both to Wedekind's irony and his poetry.' The Times This translation of Spring Awakening was first performed at the National Theatre, London on 24 May 1974. For this edition the translator, Edward Bond, has written a note on the play and a factual introduction to Wedekind's life and work.
Spring Awakening (Student Editions)
by Frank Wedekind Charlotte RylandA Student Edition of Wedekind's classic 1891 expressionist play about adolescent sexuality.Wedekind's notorious play Spring Awakening influenced a whole trend of modern drama and remains relevant to today's society, exploring the oppression and rebellion of adolescents among draconian parents and morals. This seminal work looks at the conflict between repressive adulthood and teenage sexual longings in a provincial German town. Highly controversial and with themes of sexuality, social attitudes and adolescence, the play is a popular and provocative text for study, especially at undergraduate level.This translation by Edward Bond and Elisabeth Bond Pablé first brought the play to English audiences when it premiered at the National Theatre in 1974. Receiving high praise ('scrupulously faithful both to Wedekind's irony and his poetry.' The Times), this version is now considered to be the definitive English translation.This Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well as a list of suggested reading and questions for further study and a review of performance history.
Spotlight on the Child: Studies in the History of American Children's Theatre (Contributions in Drama and Theatre Studies)
by Roger L. Bedard C. John TolchAlthough children's theatre has been a part of American culture from early times, historians have not always included it in the documentation of our theatrical heritage. Sometimes more the product of the educator and the social worker than the producer or the theatre artist, theatre with and for young people has been neglected in traditional theatre history studies; yet as early as 1792 Charles Stearns began creating his plays and dialogues for school children. The traditions and success of eighteenth-century school drama inspired social workers to explore similar activities in their playground and settlement house work, and at the end of the nineteenth and the beginning of the twentieth century, professional producers began experimenting more vigorously with the commercial possibilities of children as audience.This book is a collection of essays by leading authorities in the field on various aspects of the historical development of children's theatre in the United States. The discussions focus on the marked differences that have occurred from group to group and examine the ways in which children's theatre began to find definition, as theorists and writers such as Winifred Ward and Charlotte Chorpenning strove to articulate the differences between the child as participant in creative drama and the child as audience member. The introduction provides a review of early concepts and the evolution of present-day thought, and the essays illuminate facets of the rich and varied history of American theatre with and for children. This trailblazing study will serve as the beginning of a fuller understanding of the field and a challenge to others to document the missing pieces.
Sports Plays
by Eero Laine Broderick ChowSports Plays is a volume about sports in the theatre and what it means to stage sports. The chapters in this volume examine sports plays through a range of critical and theoretical approaches that highlight central concerns and questions both for sports and for theatre. The plays cut across boundaries and genres, from Broadway-style musicals to dramas to experimental and developmental work. The chapters examine and trouble the conventions of staging sports as they open possibilities for considering larger social and cultural issues and debates. This broad range of perspectives make the volume a compelling resource for students and scholars of sport, theatre, and performance studies whose interests span feminism, sexuality, politics, and race.
Sports Plays
by Sports PlaysSports Plays is a volume about sports in the theatre and what it means to stage sports. The chapters in this volume examine sports plays through a range of critical and theoretical approaches that highlight central concerns and questions both for sports and for theatre. The plays cut across boundaries and genres, from Broadway-style musicals to dramas to experimental and developmental work. The chapters examine and trouble the conventions of staging sports as they open possibilities for considering larger social and cultural issues and debates. This broad range of perspectives make the volume a compelling resource for students and scholars of sport, theatre, and performance studies whose interests span feminism, sexuality, politics, and race.
Sports Play (Oberon Modern Plays Ser.)
by Elfriede Jelinek Penny BlackFirst produced in 1998 at the famous Vienna Burgtheater, the remarkable and provocative Sports Play by Austrian playwright Elfriede Jelinek is a postdramatic theatrical exploration of the making, marketing and sale of the human body and of emotions in sport. It explores contemporary society’s obsession with fitness and body culture bringing into sharp focus our need to belong to a group, a team or a nation. Sport is seen as a form of war in peacetime
Sporting Performances: Politics in Play
by Shannon L. WalshSporting Performances is the first anthology to tackle sports and physical culture from a performance perspective; it serves as an invitation and provocation for scholarly discourse on the connections between sports and physical culture, and theatre and performance. Through a series of intriguing case studies that blur the lines between the realms of politics, sports, physical culture, and performance, this book assumes that sporting performances, much like theatre, serve as barometers, mirrors, and refractors of the culture in which they are enmeshed. Some of the topics include nineteenth-century variety show pugilists, athletes on Broadway, sumo wrestlers, rhythmic gymnasts, and Strava enthusiasts. While analyzing sport through the lens of theatre and performance, this anthology reflects on how physical culture and sports contribute to identity formation and the effects of nuanced imprints of physical activity on the mind, soul, and tongue. Written primarily for those interested in physical fitness, sports, dance, and physical theatre, this interdisciplinary volume is a crucial tool for Performance and Theatre Studies students and those in the fields of Sports Studies, Cultural Studies, Women’s and Gender Studies, and American Studies more broadly.
Sporting Performances: Politics in Play
by Shannon L. WalshSporting Performances is the first anthology to tackle sports and physical culture from a performance perspective; it serves as an invitation and provocation for scholarly discourse on the connections between sports and physical culture, and theatre and performance. Through a series of intriguing case studies that blur the lines between the realms of politics, sports, physical culture, and performance, this book assumes that sporting performances, much like theatre, serve as barometers, mirrors, and refractors of the culture in which they are enmeshed. Some of the topics include nineteenth-century variety show pugilists, athletes on Broadway, sumo wrestlers, rhythmic gymnasts, and Strava enthusiasts. While analyzing sport through the lens of theatre and performance, this anthology reflects on how physical culture and sports contribute to identity formation and the effects of nuanced imprints of physical activity on the mind, soul, and tongue. Written primarily for those interested in physical fitness, sports, dance, and physical theatre, this interdisciplinary volume is a crucial tool for Performance and Theatre Studies students and those in the fields of Sports Studies, Cultural Studies, Women’s and Gender Studies, and American Studies more broadly.
Sportin' Life: John W. Bubbles, An American Classic (Cultural Biographies)
by Brian HarkerJohn W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life. Coming of age with the great jazz musicians, he shared countless stages with the likes of Duke Ellington, Cab Calloway, and Ella Fitzgerald. Some of his disciples believed his rhythmic ideas had a formative impact on jazz itself. In later years he made a comeback as a TV personality, revving up the talk shows of Steve Allen and Johnny Carson and playing comic foil to Bob Hope, Judy Garland, and Lucille Ball. Finally, after a massive stroke ended his dancing career, he made a second comebackcomplete with acclaimed performances from his wheelchairas a living legend inspiring a new generation of entertainers. His biggest obstacle was the same one blocking the path of every other Black performer of his time: unrelenting, institutionalized racism. Yet Bubbles was an entertainer of the old school, fierce and indestructible. In this compelling and deeply researched biography, his dramatic story is told for the first time.
Sportin' Life: John W. Bubbles, An American Classic (Cultural Biographies)
by Brian HarkerJohn W. Bubbles was the ultimate song-and-dance man. A groundbreaking tap dancer, he provided inspiration to Fred Astaire, Eleanor Powell, and the Nicholas Brothers. His vaudeville team Buck and Bubbles captivated theater audiences for more than thirty years. Most memorably, in the role of Sportin' Life he stole the show in the original production of Gershwin's Porgy and Bess, in the process crafting a devilish alter ego that would follow him through life. Coming of age with the great jazz musicians, he shared countless stages with the likes of Duke Ellington, Cab Calloway, and Ella Fitzgerald. Some of his disciples believed his rhythmic ideas had a formative impact on jazz itself. In later years he made a comeback as a TV personality, revving up the talk shows of Steve Allen and Johnny Carson and playing comic foil to Bob Hope, Judy Garland, and Lucille Ball. Finally, after a massive stroke ended his dancing career, he made a second comebackcomplete with acclaimed performances from his wheelchairas a living legend inspiring a new generation of entertainers. His biggest obstacle was the same one blocking the path of every other Black performer of his time: unrelenting, institutionalized racism. Yet Bubbles was an entertainer of the old school, fierce and indestructible. In this compelling and deeply researched biography, his dramatic story is told for the first time.
Sport and Performance in the Twenty-First Century (Routledge Advances in Theatre & Performance Studies)
by Kelsey BlairAnalyzing sport through the lens of performance and theorizing performance through the lens of sport, Sport and Performance in the Twenty-First Century offers a field intervention, a series of in-depth performance analyses, and an investigation of the intersection between sport performances and public life in the historical present in the global north. The objectives of this book are three-fold. First, the book advocates for the study of sport in the fields of Theatre and Performance Studies and, through in-depth performance analyses, demonstrates how the critical language and methods of performance studies help illuminate the manifold impacts of the practices, activities, and events of sport. Second, the book introduces new critical language that was originally developed in conjunction with sport but is also designed for cross-genre performance analysis. In introducing novel terminology, the book aims to simultaneously facilitate analysis of sport performances and to demonstrate how the study of sport can contribute to the fields of Theatre and Performance Studies. Finally, the book investigates the epistemological, affective, and socio-political effects of sport performances in order to illuminate how sport performances influence, and are influenced by, their historical conditions. This study will be of great interest to students and scholars in Theatre and Performance Studies, Physical Culture Studies, and Socio-Cultural Sports Studies.
Sport and Performance in the Twenty-First Century (Routledge Advances in Theatre & Performance Studies)
by Kelsey BlairAnalyzing sport through the lens of performance and theorizing performance through the lens of sport, Sport and Performance in the Twenty-First Century offers a field intervention, a series of in-depth performance analyses, and an investigation of the intersection between sport performances and public life in the historical present in the global north. The objectives of this book are three-fold. First, the book advocates for the study of sport in the fields of Theatre and Performance Studies and, through in-depth performance analyses, demonstrates how the critical language and methods of performance studies help illuminate the manifold impacts of the practices, activities, and events of sport. Second, the book introduces new critical language that was originally developed in conjunction with sport but is also designed for cross-genre performance analysis. In introducing novel terminology, the book aims to simultaneously facilitate analysis of sport performances and to demonstrate how the study of sport can contribute to the fields of Theatre and Performance Studies. Finally, the book investigates the epistemological, affective, and socio-political effects of sport performances in order to illuminate how sport performances influence, and are influenced by, their historical conditions. This study will be of great interest to students and scholars in Theatre and Performance Studies, Physical Culture Studies, and Socio-Cultural Sports Studies.
Spoken Word in the UK
by Lucy EnglishSpoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK – its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The six sections of the book cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies.
Spoken Word in the UK
by Lucy English Jack McGowanSpoken Word in the UK is a comprehensive and in-depth introduction to spoken word performance in the UK – its origins and development, its performers and audiences, and the vast array of different styles and characteristics that make it unique. Drawing together a wide range of authors including scholars, critics, and practitioners, each chapter gives a new perspective on performance poetics. The six sections of the book cover the essential elements of understanding the form and discuss how this key aspect of contemporary performance can be analysed stylistically, how its development fits into the context of performance in the UK, the ways in which its performers reach and engage with their audiences, and its place in the education system. Each chapter is a case study of one key aspect, example, or context of spoken word performance, combining to make the most wide-ranging account of this form of performance currently available. This is a crucial and ground-breaking companion for those studying or teaching spoken word performance, as well as scholars and researchers across the fields of theatre and performance studies, literary studies, and cultural studies.
Spoken Like a Woman: Speech and Gender in Athenian Drama
by Laura McclureIn ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues.From gossip to seductive persuasion, women's verbal strategies in the theater potentially subverted social and political hierarchy, McClure argues, whether the women characters were overtly or covertly duplicitous, in pursuit of adultery, or imitating male orators. Such characterization helped justify the regulation of women's speech in the democratic polis. The fact that women's verbal strategies were also used to portray male transvestites and manipulators, however, suggests that a greater threat of subversion lay among the spectators' own ranks, among men of uncertain birth and unscrupulous intent, such as demagogues skilled in the art of persuasion. Traditionally viewed as outsiders with ambiguous loyalties, deceitful and tireless in their pursuit of eros, women provided the dramatic poets with a vehicle for illustrating the dangerous consequences of political power placed in the wrong hands.
Spoken Like a Woman: Speech and Gender in Athenian Drama
by Laura McClureIn ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues.From gossip to seductive persuasion, women's verbal strategies in the theater potentially subverted social and political hierarchy, McClure argues, whether the women characters were overtly or covertly duplicitous, in pursuit of adultery, or imitating male orators. Such characterization helped justify the regulation of women's speech in the democratic polis. The fact that women's verbal strategies were also used to portray male transvestites and manipulators, however, suggests that a greater threat of subversion lay among the spectators' own ranks, among men of uncertain birth and unscrupulous intent, such as demagogues skilled in the art of persuasion. Traditionally viewed as outsiders with ambiguous loyalties, deceitful and tireless in their pursuit of eros, women provided the dramatic poets with a vehicle for illustrating the dangerous consequences of political power placed in the wrong hands.
The Spoils: A Play (Books That Changed The World Ser.)
by Jesse EisenbergNobody likes Ben. Even Ben doesn't like Ben. He bullies everyone in his life, including his roommate Kalyan, an earnest Nepalese immigrant. When Ben discovers that his school crush is marrying a straight-laced banker, he sets out to destroy their relationship and win her back.Jesse Eisenberg's The Spoils was first produced by the New Group in New York. It was transferred by Lisa Matlin and Ambassador Theatre Group to Trafalgar Studios, London, where it received its UK premiere in May 2016.
Spoiling (Modern Plays)
by John McCannI'd always been interested in the referendum. Followed every bit of it. Was as surprised as anybody at the result. When I saw that they needed new people for the transition, experienced people, I jumped at the chance.Scotland has gained independence. It's the eve of the Scottish Foreign Minister giving her first public address and in half an hour she is due to make a keynote speech outlining the nation's relationship with its neighbours in the former UK. There is a problem. Aside from being on the brink of giving birth, she is refusing to speak the form of words she's been given. She has something else she wants to say. Spoiling is a brilliant political comedy that boldly and humorously deals with some inflammatory issues. It is the only one in fifty plays by the Traverse's writers to receive a full commission in 2014. It received its world premiere at the Traverse Theatre on 28 July 2014.
Spoiling (Modern Plays)
by John McCannI'd always been interested in the referendum. Followed every bit of it. Was as surprised as anybody at the result. When I saw that they needed new people for the transition, experienced people, I jumped at the chance.Scotland has gained independence. It's the eve of the Scottish Foreign Minister giving her first public address and in half an hour she is due to make a keynote speech outlining the nation's relationship with its neighbours in the former UK. There is a problem. Aside from being on the brink of giving birth, she is refusing to speak the form of words she's been given. She has something else she wants to say. Spoiling is a brilliant political comedy that boldly and humorously deals with some inflammatory issues. It is the only one in fifty plays by the Traverse's writers to receive a full commission in 2014. It received its world premiere at the Traverse Theatre on 28 July 2014.
Split Britches: Lesbian Practice/Feminist Performance
by Sue-Ellen CaseThe Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe. This unique anthology comes complete with: * seven of Split Britches' best loved performance texts * a critical, historical introduction by Sue-Ellen Case * programme notes to accompany each of the plays * a range of stunning photographic illustrations The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.
Split Britches: Lesbian Practice/Feminist Performance
by Sue-Ellen CaseThe Split Britches theatre company have led the way in innovative and challenging lesbian performance for the last decade. Split Britches: Lesbian Practice/Feminist Performance is a long awaited celebration of the theatre and writing of Lois Weaver, Peggy Shaw and Deborah Margolin, who make up this outstanding troupe. This unique anthology comes complete with: * seven of Split Britches' best loved performance texts * a critical, historical introduction by Sue-Ellen Case * programme notes to accompany each of the plays * a range of stunning photographic illustrations The publication of the Split Britches play texts, collected here for the first time, provides invaluable access to these celebrated performance pieces for both the student and contemporary arts audience.
A Splinter of Ice
by Ben BrownMoscow, 1987. As the cold war begins to thaw, an extraordinary reunion takes place between one of the great novelists of the twentieth century, Graham Greene, and his old MI6 boss, the notorious Soviet spy, Kim Philby. It's taken thirty years and the beginnings of a new world order.As the two men raise their vodka glasses under the watchful eye of Philby's last wife, Rufa, Ben Brown's compelling political drama asks whether Philby betrayed his friend as well as his country, and how much the writer of The Third Man knew about Philby's secret life.A Splinter of Ice was filmed on stage at the Everyman Theatre, Cheltenham, for release online in April 2021, before a UK tour.
Splendour (Oberon Modern Plays)
by Abi MorganIn the drawing room of the Presidential Palace, a Western photojournalist awaits the return of the dictator. She is here to take his portrait. The dictator's wife, her best friend, and an interpreter wait with her. All four women harbor secrets and suspicions. All four are in danger. A devastating play that allows a glimpse into the minds of four women as their world turns.
Spine (Oberon Modern Plays)
by Clara BrennanSpine charts the explosive friendship between a ferocious, wise-cracking teenager and an elderly East End widow. Activist pensioner Glenda is hell-bent on leaving a political legacy and saving Amy from the Tory scrapheap because ‘there’s nothing more terrifying than a teenager with something to say.’ In this era of damaging coalition cuts and disillusionment, has politics forgotten people? Can we really take the power back? Amy is about to find out. Spine was originally presented by FoolsCap in association with Soho Theatre at Underbelly as part of the Edinburgh Fringe Festival 2014.
Spindrift (Modern Plays)
by Curious Directive–Quantum mechanics is one of those topics that's always just there in a like a super 'I'm so clever' conversation about the grey areas of science. You know, two places at once, walk through walls kind of stuff.–It's attractive-–It's attractive because it's so spooky.In a cold converted garage by the sea, a science podcast troupe rehearse their next episode. Spindrift follows three sisters as they untangle what happened to their father when he disappeared whilst sailing around the world, 20 years ago.A mysterious, heart-breaking triptych, Spindrift traces the invisible waves orchestrating the boundaries of the natural world and examines family, endurance and the paths we choose. Two-time Fringe First-winning, curious directive tell their story with trademark visual storytelling with 3D animation, video projection and motion capture technology. Spindrift is a life-affirming story for anyone who has sat on the shore and stared out to sea for hours on end.