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Bug Club, Pirate School: The Birthday Bash (PDF)
by Maureen Haselhurst Ian Cunliffe Jeremy StrongThis title is part of Bug Club, the first whole-school reading programme that joins books with an online reading world to teach today's children to read. This title is suitable for ages 6-7 (Lime level).
Bug Club, Brown B/3B: The Quigleys Have Got Talent (PDF)
by Simon MasonThis title is part of Bug Club, the first whole-school reading programme to combine books with an online reading world to teach today's children to read. In this Year 3 Brown B (NC level 3b) fiction novel ... At the school talent show, Will plans to do a judo act with his friend, Tim. Lucy plans to give a skipping demonstration with her friend, Pokehead. When Tim and Pokehead get flu, Will and Lucy decide to put on a magic act together.
Bug Club, Grey A/3A: Gorillas vs The Leopard Men (PDF)
by Mr Nick WardThis title is part of Bug Club, the first whole-school reading programme to combine books with an online reading world to teach today's children to read. In this Year 4 Grey A (NC level 3a) fiction novel ... Something happened to Charlie when he was just eight years old.
Bug Club, Brown A/3C: The Quigleys Wild Life (PDF)
by Simon MasonThis title is part of Bug Club, the first whole-school reading programme to combine books with an online reading world to teach today's children to read. In this Year 3 Brown A (NC level 3c) fiction novel ... At the Wildlife Park, Will tells his family everything he knows about the big, fierce animals. Lucy is only interested in the small, furry animals. When Lucy bumps into a really big, fierce animal, some interesting facts tumble into Will's mind.
Pearson Baccalaureate PYP Companion Level 6 (PDF)
by Jackie HoldernessOne of nine engaging companions exploring each level's individual units with open-ended activities linked to the Learner Profile attributes: tear-out sheets ready for inclusion in the portfolio individual and group activities.
Cousin Betty
by Honoré De BalzacLa Cousine Bette (French pronunciation: [la kuzin bɛt], Cousin Bette) is an 1846 novel by French author Honoré de Balzac. Set in mid-19th century Paris, it tells the story of an unmarried middle-aged woman who plots the destruction of her extended family. Bette works with Valérie Marneffe, an unhappily married young lady, to seduce and torment a series of men. One of these is Baron Hector Hulot, husband to Bette's cousin Adeline. He sacrifices his family's fortune and good name to please Valérie, who leaves him for a tradesman named Crevel. The book is part of the Scènes de la vie parisienne section of Balzac's novel sequence La Comédie humaine ("The Human Comedy").
Cousin Pons
by Honoré De BalzacMild, harmless and ugly to behold, the impoverished Pons is an ageing musician whose brief fame has fallen to nothing. Living a placid Parisian life as a bachelor in a shared apartment with his friend Schmucke, he maintains only two passions: a devotion to fine dining in the company of wealthy but disdainful relatives, and a dedication to the collection of antiques. When these relatives become aware of the true value of his art collection, however, their sneering contempt for the parasitic Pons rapidly falls away as they struggle to obtain a piece of the weakening man's inheritance. Taking its place in the Human Comedy as a companion to Cousin Bette, the darkly humorous Cousin Pons is among of the last and greatest of Balzac's novels concerning French urban society: a cynical, pessimistic but never despairing consideration of human nature.
Laughter: An Essay on the Meaning of the Comic
by Henri BergsonIn this great philosophical essay, Henri Bergson explores why people laugh and what laughter means. Written at the turn of the twentieth century, Laughter explores what it is in language that makes a joke funny and what it is in us that makes us laugh. One of the functions of humor, according to Bergson, is to help us retain our humanity during an age of mechanization. Like other philosophers, novelists, poets, and humorists of his era, Bergson was concerned with the duality of man and machine. His belief in life as a vital impulse, indefinable by reason alone, informs his perception of comedy as the relief we experience upon distancing ourselves from the mechanistic and materialistic. "A situation is always comic," Bergson notes, "if it participates simultaneously in two series of events which are absolutely independent of each other, and if it can be interpreted in two quite different meanings. " The philosopher's thought-provoking insights (e. g. , "It seems that laughter needs an echo. Our laughter is always the laughter of a group. ") keep this work ever-relevant as a thesis on the principles of humor.
Polly of the Circus
by Margaret MayoThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
White Poppies Heinemann Plays (PDF)
by Sue SaundersWhen Tom Headley enlists underage in the Great War, he and his childhood friends head straight to the front line as tunnellers. In tragic circumstances, Tom is blamed for the deaths of his comrades. His family and sweetheart back home are shunned by the community. Eighty years later, a young schoolgril sets out to research her great grandparents as part of a Poppy Day project. She uncovers shocking truths, and in doing so rights a wrong that has lasted for generations, and rewrites history. . .
A Unique Story of a Marvellous Career: Life of Hon. Phineas T. Barnum
by Joel BentonThere is none that stands for more notable success in his chosen line none that recalls more memories of wholesome entertainment none that is more invested with the fragrance of kindliness and true humanity.
The Velvet Thief (PDF)
by Sally PrueBold, colourful readers with kid-friendly characters and subjects they'd choose for themselves.
The Spice Of Life (Rigby Navigator)
by Michaela Morgan Rosalind Kerven Anthony MastersPart of the Rigby Navigator series that builds on the foundations laid by Rigby Star Guided for successful guided reading lessons at KS2.
Heracles The Hero (Rigby Navigator)
by Antonio BarberPart of the Rigby Navigator series that builds on the foundations laid by Rigby Star Guided for successful guided reading lessons at KS2.
BC Red (KS2) A/5C Doctor Who: The Eleventh Hour (PDF)
by Trevor BaxendaleThis title is part of Bug Club, the first whole-school reading programme to combine books with an online reading world to teach today's children to read. In this Year 6 Red A (NC level 5c) fiction novel ... There's a strange crack in Amy Pond's bedroom wall. Behind it lurks a deadly, alien prisoner whose escape threatens the future of planet Earth. Only the Doctor understands what is at stake. He has just twenty minutes to save the world.
Savitri's Tale And Other Heroic Stories (PDF)
by Trevor Baxendale Anthony Horowitz Simone MassoniImagine Savitri follows Yama all the way to his shadowy kingdom. What does his shadowy kingdom look, smell and sound like? Write a short story describing Savitri's journey and what she finds at the end of it. Does she stay with Satyavan, trick Yama, or promise to do something in return for their freedom? When you havefinished your story, illustrate it and post it on your school website for others to see.
Edexcel Gcse (9-1) Drama Student Book (PDF)
by Melissa Jones Phil CleavesGCSE Drama is changing, from September 2016 there will be a new GCSE Drama qualification covering the revised criteria and 9-1 grading system. Our brand new published resources are designed to support teachers deliver the content in a practical and engaging way and help students of all abilities prepare for the new exam. 1) Tailor-made for the new specification New resources written specifically for the new Edexcel GCSE (9-1) Drama specification, to cover all components of the new qualification. 2) Focus on exam preparation Specific guidance for students on both sections of the exam 'Bringing Texts to Life' and 'Live Theatre Evaluation' with a focus on developing exam skills and sample answers and commentaries to help students prepare for the exam questions. 3) A practical focus at the heart Our resources are designed to support the new Edexcel specification in its practical focus. These include worksheets, teaching notes and practical workshop ideas to introduced students and teachers to the new content in a practical and engaging way. 4) Designed to help every student make progress Clearly structured sections help students of all abilities develop the skills needed throughout the course, with support for lower ability students with written work The Student Book includes: guidance and activities for studying and exploring all the set texts support with analysing and evaluation live theatre guidance on responding to unseen extracts in the exam a Preparing for your Exam section with sample answers and commentaries.
Clown riding a 'Giraffe' unicycle (Large Print)
This is an image of a circus clown riding a one-wheeled cycle in the middle of the page. He is facing to the right with only one eye visible. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top centre of the page is the clown's little bowler hat sitting on his long hair. Just to the right of this is his face seen from the side with one eye, his comedy red nose and his big wide mouth. His arms are thrown out wide to the left and right from his right-facing body and down the page from this is his bottom sitting on the seat of the unicycle. Down the page again is the frame of the cycle with the clown's legs to the left and right and his feet in enormous clown boots on the pedals of the machine. His foot to the left is behind the arm of the pedal. At the bottom of the page is the cycle's wheel, connected to the pedals by a chain.
Clown riding a 'Giraffe' unicycle (UEB Contracted)
This is an image of a circus clown riding a one-wheeled cycle in the middle of the page. He is facing to the right with only one eye visible. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top centre of the page is the clown's little bowler hat sitting on his long hair. Just to the right of this is his face seen from the side with one eye, his comedy red nose and his big wide mouth. His arms are thrown out wide to the left and right from his right-facing body and down the page from this is his bottom sitting on the seat of the unicycle. Down the page again is the frame of the cycle with the clown's legs to the left and right and his feet in enormous clown boots on the pedals of the machine. His foot to the left is behind the arm of the pedal. At the bottom of the page is the cycle's wheel, connected to the pedals by a chain.
Clown riding a 'Giraffe' unicycle (UEB uncontracted)
This is an image of a circus clown riding a one-wheeled cycle in the middle of the page. He is facing to the right with only one eye visible. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top centre of the page is the clown's little bowler hat sitting on his long hair. Just to the right of this is his face seen from the side with one eye, his comedy red nose and his big wide mouth. His arms are thrown out wide to the left and right from his right-facing body and down the page from this is his bottom sitting on the seat of the unicycle. Down the page again is the frame of the cycle with the clown's legs to the left and right and his feet in enormous clown boots on the pedals of the machine. His foot to the left is behind the arm of the pedal. At the bottom of the page is the cycle's wheel, connected to the pedals by a chain.
Circus Ringmaster (UEB uncontracted)
This is a picture of the circus ringmaster in his traditional costume holding a whip. He is standing facing forward in the middle of the page so all his limbs and facial features can be seen. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top of the page is the ringmaster's tall top hat with some wisps of hair sticking out. Just down the page is his face with two eyes, nose and mouth visible. Down again are his bow tie, shirt and three-buttoned waistcoat. To either side are the lapels of his long frock coat, which comes down to his waist at the front and to his knees at the back. It has two buttons to the left of the waistcoat buttons. His arms are held out wide, the one to the right is holding the whip. Further down the page the ringmaster wears long trousers tucked into his long leather riding boots.
Circus balancing act (UEB uncontracted)
This page shows two circus acrobats. The first acrobat stands facing forward at the bottom of the page, while the second one balances upside down, on one hand, on the first acrobat's head. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the bottom of the page are the feet of the first acrobat, who is supporting the second acrobat. Above these are his legs wearing tights, and his bare chest. Up again are his strong shoulders with his arms held out wide to the left and right, to make his stance more stable. He wears bands on his wrists to reduce the risk of injury. His head is bearing the weight of the second acrobat further up the page who is balancing on one hand. The second acrobat wears a band on his wrist, and his arm continues vertically up the page. To the right of this his upside-down head can be found, and to the right again is his other arm wearing a wristband. Up the page from his head are his bare chest and his two legs stretched out to the left and right to help him balance.
Circus Ringmaster (Large Print)
This is a picture of the circus ringmaster in his traditional costume holding a whip. He is standing facing forward in the middle of the page so all his limbs and facial features can be seen. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top of the page is the ringmaster's tall top hat with some wisps of hair sticking out. Just down the page is his face with two eyes, nose and mouth visible. Down again are his bow tie, shirt and three-buttoned waistcoat. To either side are the lapels of his long frock coat, which comes down to his waist at the front and to his knees at the back. It has two buttons to the left of the waistcoat buttons. His arms are held out wide, the one to the right is holding the whip. Further down the page the ringmaster wears long trousers tucked into his long leather riding boots.
Circus balancing act (Large Print)
This page shows two circus acrobats. The first acrobat stands facing forward at the bottom of the page, while the second one balances upside down, on one hand, on the first acrobat's head. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the bottom of the page are the feet of the first acrobat, who is supporting the second acrobat. Above these are his legs wearing tights, and his bare chest. Up again are his strong shoulders with his arms held out wide to the left and right, to make his stance more stable. He wears bands on his wrists to reduce the risk of injury. His head is bearing the weight of the second acrobat further up the page who is balancing on one hand. The second acrobat wears a band on his wrist, and his arm continues vertically up the page. To the right of this his upside-down head can be found, and to the right again is his other arm wearing a wristband. Up the page from his head are his bare chest and his two legs stretched out to the left and right to help him balance.
Circus Ringmaster (UEB Contracted)
This is a picture of the circus ringmaster in his traditional costume holding a whip. He is standing facing forward in the middle of the page so all his limbs and facial features can be seen. There is a locator dot shown, which will be at the top left of the page when the image is the right way up. At the top of the page is the ringmaster's tall top hat with some wisps of hair sticking out. Just down the page is his face with two eyes, nose and mouth visible. Down again are his bow tie, shirt and three-buttoned waistcoat. To either side are the lapels of his long frock coat, which comes down to his waist at the front and to his knees at the back. It has two buttons to the left of the waistcoat buttons. His arms are held out wide, the one to the right is holding the whip. Further down the page the ringmaster wears long trousers tucked into his long leather riding boots.