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Collaborative Playwriting: Polyvocal Approaches from the EU Collective Plays Project

by Paul Castagno

In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented. Based on the EU Collective Plays Project, this collection of plays showcases each voice in dialogic tension and in relation to the other voices of the text, offering an entirely novel approach to new play development that challenges the single (and privileged) authorial voice. Castagno’s case-study approach provides detailed commentary on each of the various experimental methods, exploring the plays’ processes in detail. The book offers an evolutionary path forward in how to develop new work, thus encouraging and promoting the writing of collective, hybrid plays as having profound benefits for all playwrights. The ground breaking approaches to playmaking in Collaborative Playwriting will appeal to playwriting programs, instructors, academics, professional playwrights, theaters and new play development programs; as well as courses in gender LGBTQ studies, script analysis, dramaturgy and dramatic literature across the theater studies curricula.

Collaborative Playwriting: Polyvocal Approaches from the EU Collective Plays Project

by Paul C. Castagno

In Collaborative Playwriting, five collectively written plays apply polyvocal methods in which clash and frisson replace synthesis, a dialogic approach to collective writing that has never before been articulated or documented. Based on the EU Collective Plays Project, this collection of plays showcases each voice in dialogic tension and in relation to the other voices of the text, offering an entirely novel approach to new play development that challenges the single (and privileged) authorial voice. Castagno’s case-study approach provides detailed commentary on each of the various experimental methods, exploring the plays’ processes in detail. The book offers an evolutionary path forward in how to develop new work, thus encouraging and promoting the writing of collective, hybrid plays as having profound benefits for all playwrights. The ground breaking approaches to playmaking in Collaborative Playwriting will appeal to playwriting programs, instructors, academics, professional playwrights, theaters and new play development programs; as well as courses in gender LGBTQ studies, script analysis, dramaturgy and dramatic literature across the theater studies curricula.

Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment

by Jean Burgess

Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment focuses on the director’s collaboration with actors and the creative team, and the importance of communication and leadership skills to create and manage a healthy working environment. Speaking directly to the student, this compact resource walks the aspiring director through basic principles of group dynamics, active listening, open-ended questioning, brainstorming, and motivational leadership, supported by examples and case studies offered by current professional and academic directors. With a focus on preparing the student director for resume-building opportunities beyond the studio lab, Collaborative Stage Directing challenges readers with reflective activities, a series of guiding questions to apply to three short plays, and an extensive checklist to assist them with independent directing projects. As an easy-to-use resource, Collaborative Stage Directing works as a supplement to a classic directing text or as a stand-alone guide.

Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment

by Jean Burgess

Collaborative Stage Directing: A Guide to Creating and Managing a Positive Theatre Environment focuses on the director’s collaboration with actors and the creative team, and the importance of communication and leadership skills to create and manage a healthy working environment. Speaking directly to the student, this compact resource walks the aspiring director through basic principles of group dynamics, active listening, open-ended questioning, brainstorming, and motivational leadership, supported by examples and case studies offered by current professional and academic directors. With a focus on preparing the student director for resume-building opportunities beyond the studio lab, Collaborative Stage Directing challenges readers with reflective activities, a series of guiding questions to apply to three short plays, and an extensive checklist to assist them with independent directing projects. As an easy-to-use resource, Collaborative Stage Directing works as a supplement to a classic directing text or as a stand-alone guide.

Collaborative Theatre: Le Theatre du Soleil

by Eric Prenowitz David Williams

Over the past thirty years Ariane Mnouchkine's 'Théâtre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors. Collaborative Theatre is the first in-depth sourcebook in English on 'Théâtre du Soleil', providing English readers with first-hand accounts of the development of its collectivist practices and ideals.Collaborative Theatre presents critical and historical essays by theatre scholars from around the world as well as the writings of and interviews with members of le Théâtre du Soleil, past and present. Projects discussed include: 1789, L'Age d'Or, Richard II, L'Indiade and Les Atriades.

Collaborative Theatre: Le Theatre du Soleil

by David Williams

Over the past thirty years Ariane Mnouchkine's 'Théâtre du Soleil' has become one of the most celebrated companies in Europe, and Mnouchkine one of its best-known directors. Collaborative Theatre is the first in-depth sourcebook in English on 'Théâtre du Soleil', providing English readers with first-hand accounts of the development of its collectivist practices and ideals.Collaborative Theatre presents critical and historical essays by theatre scholars from around the world as well as the writings of and interviews with members of le Théâtre du Soleil, past and present. Projects discussed include: 1789, L'Age d'Or, Richard II, L'Indiade and Les Atriades.

Collaborators (Books That Changed The World Ser.)

by John Hodge

Moscow, 1938. A dangerous place to have a sense of humour; even more so a sense of freedom. Mikhail Bulgakov, living among dissidents, stalked by secret police, has both. And then he's offered a poisoned chalice: a commission to write a play about Stalin to celebrate his sixtieth birthday.Inspired by historical fact, Collaborators embarks on a surreal journey into the fevered imagination of the writer as he loses himself in a macabre and disturbingly funny relationship with the omnipotent subject of his drama.Killing my enemies is easy. The challenge is to change the way they think, to control their minds. And I think I controlled yours pretty well. In years to come, I'll be able to say: Bulgakov? Yeah, we even trained him. He gave up. He saw the light. We broke him, we can break anybody. It's man versus monster, Mikhail. And the monster always wins.John Hodge's blistering new play depicts a lethal game of cat and mouse through which the appalling compromises and humiliations inflicted on any artist by those with power are held up to scrutiny.Collaborators by John Hodge premiered at the National Theatre, London, in October 2011. It is published here with an introduction by the author.

The Collected Essays of Arthur Miller (Theatre Makers)

by Arthur Miller

This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller's views on theater. They give eloquent expression to his belief in 'the theater as a serious business, one that makes or should make man more human, which is to say, less alone'. Published with the essays are articles that Miller had written and in-depth interviews he has given.This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudané, Regents Professor of American Drama at Georgia State University. 'Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer's work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.' Edward Albee

The Collected Essays of Arthur Miller (Theatre Makers)

by Arthur Miller Matthew C. Roudané

This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller's views on theater. They give eloquent expression to his belief in 'the theater as a serious business, one that makes or should make man more human, which is to say, less alone'. Published with the essays are articles that Miller had written and in-depth interviews he has given.This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudané, Regents Professor of American Drama at Georgia State University. 'Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer's work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.' Edward Albee

The Collected Plays (Penguin Twentieth Century Classics)

by Graham Greene

The Living Room. The Potting Shed. The Complaisant Lover. Carving a Statue. The Return of A. J. Raffles. The Great Jowett. Yes and No. For Whom the Bell Chimes.In these eight plays Graham Greene, one of the great writers of the twentieth century, demonstrates his considerable skills as a dramatist. Each of them explores themes that were of fundamental importance to Greene, and together they exhibit a daring wit and an exhilarating sense of experiment.

Collected Plays (OIP): Volume 1

by Girish Karnad

The troubled reign of a fourteenth-century sultan of Delhi helps dramatize the crisis of secular nationhood in post-Independence India. A twelfth century folktale about ‘transposed heads’ offers a path-breaking model for a quintessentially ‘Indian’ theatre in postcolonial times. The folktale about a woman with a snake lover explores gender relations within marriage. Individual human sexuality meets the historical debate on violence in Indian culture. The plays in this volume span roughly the first half of the career of Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide.

Collected Plays (OIP): Volume 2

by Girish Karnad

A violent history of the anti-caste movement in twelfth-century Karnataka. A myth from the Mahabharata depicted as a narrative of passion, betrayal, and parricide. Th e inner world of a man whose public life was a continual war against British colonialism. A reflection on the opposition between the spiritual and the erotic. The confrontation between a writer and her electronic image. The plays and monologues in this volume span the latter half of the career of Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide.

Collected Plays (OIP): Volume 3

by Girish Karnad

The tale of a mythic king’s aggression against his offspring, and his desperation to escape the curse of old age laid upon him in the prime of life. The anxieties that torment a middle-class family as their daughter awaits the arrival of the ‘suitable boy’ from abroad whom she has never met. The morphing of the city of Bangalore, whose founding myth celebrates its human ambience, into India’s ‘Silicon Valley’ where strangers are thrown together, get entangled, and are violently pulled apart. This volume contains the very first play as well as two later ones by Girish Karnad, one of India’s pre-eminent playwrights. The three-volume set of Karnad’s Collected Plays brings together English versions of his important works. Each volume contains an extensive introduction by theatre scholar Aparna Bhargava Dharwadker, Professor of English and Interdisciplinary Theatre Studies, University of Wisconsin–Madison. The introductions trace the literary and theatrical evolution of Karnad’s work over six decades and position it in the larger context of modern Indian drama. In addition, they comment on Karnad’s place as author and translator in a multilingual performance culture and the relation of his playwriting to his work in the popular media. Each of these volumes serves as a collector’s item, making Karnad’s works accessible to theatre lovers worldwide.

The Collected Works of John Ford: Volume IV (Oxford English Texts)

by Brian Vickers

Volume IV of the Collected Works of John Ford is the first of two volumes in the series to contain his sole-authored plays. It contains three of his most celebrated plays: 'Tis Pity She's a Whore (1622), The Lovers' Melancholy (1628), and The Broken Heart (1629), as well as the less well-known The Queen (1629). The volume opens with a general introduction to Ford's work as a sole author by Sir Brian Vickers and each play is given a detailed introduction emphasizing Ford's linguistic creativity and his effective use of the indoor private theatres. Authoritative old-spelling texts, freshly edited from the original quartos with full textual collations, are accompanied by a full commentary on all aspects of the plays, from archaic or obsolete words to classical allusions and historical references to people, places, and social customs.

The Collected Works of John Ford: Volume IV (Oxford English Texts)


Volume IV of the Collected Works of John Ford is the first of two volumes in the series to contain his sole-authored plays. It contains three of his most celebrated plays: 'Tis Pity She's a Whore (1622), The Lovers' Melancholy (1628), and The Broken Heart (1629), as well as the less well-known The Queen (1629). The volume opens with a general introduction to Ford's work as a sole author by Sir Brian Vickers and each play is given a detailed introduction emphasizing Ford's linguistic creativity and his effective use of the indoor private theatres. Authoritative old-spelling texts, freshly edited from the original quartos with full textual collations, are accompanied by a full commentary on all aspects of the plays, from archaic or obsolete words to classical allusions and historical references to people, places, and social customs.

Collective Creation in Contemporary Performance

by Kathryn Mederos Syssoyeva

This edited volume situates its contemporary practice in the tradition which emerged at the beginning of the twentieth century. Collective Creation in Contemporary Performance examines collective and devised theatre practices internationally and demonstrates the prevalence, breadth, and significance of modern collective creation.

Collective Rage: A Play In Five Betties (Oberon Modern Plays)

by Jen Silverman

In Collective Rage, the lives of five very different New York women named Betty collide at the intersection of anger, sex and “theat-ah.” As they meet, fall in love, rehearse, revel and rage, they realise that they’ve been stuck reading the same scripts for far too long.Hitting the ring with an electrifying soundtrack, looks to kill and spectacular routines, this outrageous comedy packs the punch to shatter lacquered femininity into a thousand glittering pieces. Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

Collins Big Cat, Band 17, Diamond: The Fall Of Julius Caesar (PDF)

by John Dougherty

Reacquaint yourself with Shakespeare's classic tale of power, control and leadership. When ruler Julius Caesar is offered more and more honours, and gains more and more power, there's only one way to put a stop to him. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the English literary heritage

Collins Big Cat, Band 17, Diamond: ANTONY AND CLEOPATRA (PDF)

by John Dougherty

A beautiful and powerful, retelling of the ultimate love story, between Anthony and the Egyptian queen, Cleopatra. But when war reopens old wounds, even a love as strong as theirs will struggle to survive. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the English literary heritage

Collins Big Cat, Band 17, Diamond: THE WINTER’S TALE (PDF)

by Alan Gibbons

Alan Gibbons movingly retells the ultimate story of jealousy. When King Leontes banishes his whole family, after suspecting his wife's infidelity, he destroys everything that matters to him. But, even utter devastation can be healed with the gift of time and a little love. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the literary heritage

Collins Big Cat, Band 17, Diamond: MUCH ADO ABOUT NOTHING (PDF)

by Sue Purkis

Follow the tangled love stories of Beatrice, Benedict, Hero and Claudio in Shakespeare's classic and much-loved comedy. Diamond/Band 17 books offer more complex, underlying themes to give opportunities for children to understand causes and points of view. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the literary heritage

Collins Big Cat, Band 18, Pearl: KING LEAR (PDF)

by Martin Howard

Revisit Shakespeare's most famous tragedy. When King Lear asks his three daughters to prove their love for him, he never expects the devastating outcome he faces. This remarkable edition allows readers into the minds of each of the principal characters to better understand their crafty plans and desperate motivations. Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the English literary heritage

Collins Big Cat, Band 18, Pearl: HAMLET (PDF)

by Jon Mayhew

A wonderfully creative retelling of Shakespeare's famous tale of revenge. When Hamlet's father unexpectedly dies and his mother quickly remarries his uncle, something doesn't feel right. A warning from a ghost sets in motion a terrifying investigation to uncover the truth. But at what cost? Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the English literary heritage

Collins Big Cat, Band 18, Pearl: Othello (PDF)

by Sally Prue

Sally Prue's gripping retelling of Shakespeare's devastating tragedy is both shocking and riveting. Find out how far Iago will go to get revenge on Othello, and what the terrible consequences will be. Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the English literary heritage

Collins Big Cat, Band 18, Pearl, RICHARD III (PDF)

by Chris Powling

Follow the twisted, evil plans of Richard III as he works his way to up become king of England. But, just how far will he go in order to reach the top, and once there, will he get the glory and triumph he so craves? Pearl/Band 18 books offer fluent readers a complex, substantial text with challenging themes to facilitate sustained comprehension, bridging the gap between a reading programme and longer chapter books. Text type: Fiction from our literary heritage Curriculum links: English: fiction from the literary heritage

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