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The Writing School
by Miranda France'Both extremely funny and deeply sad, The Writing School examines how and why we tell our own stories. It's beautifully written and structured, compelling, wise and fabulously readable' Lissa Evans'The Writing School is an extraordinary book. It is funny, exhilarating, heart-breaking and passionate. Its delicate pulsing themes are held like a bird in the writer's confident, gentle hand' Katharine Norbury'Life, with its unexpected troughs and highs, the disciplines of teaching a creative writing course and the shadow of a family tragedy provide the focus for a memoir that brims with humour, honesty and intelligence. The Writing School taught me a lot' Elizabeth BuchanA creative writing course is a chance for reinvention. When author Miranda France sets off to teach at a residential writing school in a remote valley, she expects to meet a group of aspiring writers with the usual mix of hope and unrealised ambitions, talents and motivation.Tensions are bound to emerge over the course of the week they spend together: personalities will clash, egos will need to be tamed or gently encouraged. What France doesn't expect, as she takes her tutees through a series of exercises designed to help them explore different aspects of their writing, is that a ghost from her own life will join them.As the daily drama of the writing school unfurls, so memories resurface concerning a death that profoundly shaped the author's world when she was a teenager. Soon France's memories interweave with her present task of thinking about writing and storytelling, and she too becomes a student: asking, what is to be done with our memories of those we have lost? What is behind the urge to put lives into words? And is it ever right to tell another person's story?A delightful and unusual blend of storytelling and memoir, packed full of literary anecdote and insight from the author's own experience as well as that of other writers and poets, The Writing School is a moving and often very funny book about why people write, as well as being a uniquely generous masterclass on the art of writing itself.
Writing the Radical Memoir: A Theoretical and Craft-based Approach
by Paul Williams Shelley DavidowFor those that have mastered the basics of memoir and wish to probe this brand of creative nonfiction further, Writing the Radical Memoir uses salient theories about memory and the self to challenge assumptions about how we remember and tell the truth of our lives when we write about it. Innovative in approach and making new critical ideas accessible, each chapter maps out the key principles of such writers as Barthes, Lacan, Derrida, Lewis Mehl-Madrona, Philippe Le Jeune and Joseph Campbell, invokes literary examples to show how other writers have mastered the idea before reflecting on how you can practically apply the theory to your writing. With original exercises and prompts for further reading that bridge the gap between the theoretical and how it might be put into practice, the book is attentive to the multiple facets of the genre of nonfiction writing generally, covering such topics as: - The writer/ reader contract- How to embark on a thematic/ symbolic exploration of themes and incidents in your life- How neuro-scientific theory can inform our understanding of memory and recall and what happens to our memories when we remember them- Character development and the ethics of writing about real people- How constructing your identity in memoir offers a chance to push back against traditional structures- That memoir might not be preservation of your past but a process of self-erasure- How J. M. Coetzee's Autrebiography trilogy challenges traditional biographyBy bringing together lived experience, post-structuralist and postmodernist theories, praxis and artistic vision as a unique approach to writing memoir, this book encourages you to think the self, how it is portrayed, created, erased and made strange through the process of writing and remembering.
Writing the Radical Memoir: A Theoretical and Craft-based Approach
by Paul Williams Shelley DavidowFor those that have mastered the basics of memoir and wish to probe this brand of creative nonfiction further, Writing the Radical Memoir uses salient theories about memory and the self to challenge assumptions about how we remember and tell the truth of our lives when we write about it. Innovative in approach and making new critical ideas accessible, each chapter maps out the key principles of such writers as Barthes, Lacan, Derrida, Lewis Mehl-Madrona, Philippe Le Jeune and Joseph Campbell, invokes literary examples to show how other writers have mastered the idea before reflecting on how you can practically apply the theory to your writing. With original exercises and prompts for further reading that bridge the gap between the theoretical and how it might be put into practice, the book is attentive to the multiple facets of the genre of nonfiction writing generally, covering such topics as: - The writer/ reader contract- How to embark on a thematic/ symbolic exploration of themes and incidents in your life- How neuro-scientific theory can inform our understanding of memory and recall and what happens to our memories when we remember them- Character development and the ethics of writing about real people- How constructing your identity in memoir offers a chance to push back against traditional structures- That memoir might not be preservation of your past but a process of self-erasure- How J. M. Coetzee's Autrebiography trilogy challenges traditional biographyBy bringing together lived experience, post-structuralist and postmodernist theories, praxis and artistic vision as a unique approach to writing memoir, this book encourages you to think the self, how it is portrayed, created, erased and made strange through the process of writing and remembering.
Writing to Save a Life: The Louis Till File (Canons #84)
by John Edgar WidemanWhen Emmett Till was murdered aged fourteen for allegedly whistling at a white woman, photographs of his destroyed face became a flashpoint in the civil rights movement. A decade earlier Emmett’s father, Louis, had also been killed – court-martialled and hanged. Though the circumstances could hardly have been more different, behind both deaths stood the same crime, of being black. In Writing to Save a Life, John Edgar Wideman, born the same year as Emmett Till, investigates the tragic fates of father and son. Mixing research, memoir and imagination, this book is an essential commentary on racism in America – illuminating, humane and profound.
Writing to the World: Letters and the Origins of Modern Print Genres
by Rachael Scarborough KingIn Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the "bridge genre," which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time;¢;‚¬;€?the newspaper, the periodical, the novel, and the biography;¢;‚¬;€?were united by their reliance on letters to accustom readers to these new forms of print media.King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication;¢;‚¬;€?as members of what they called "the world" of writing;¢;‚¬;€?King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele;€™s Spectator, Samuel Johnson;€™s Lives of the Poets, and Jane Austen;€™s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere.
Writing to the World: Letters and the Origins of Modern Print Genres
by Rachael Scarborough KingIn Writing to the World, Rachael Scarborough King examines the shift from manuscript to print media culture in the long eighteenth century. She introduces the concept of the "bridge genre," which enables such change by transferring existing textual conventions to emerging modes of composition and circulation. She draws on this concept to reveal how four crucial genres that emerged during this time;¢;‚¬;€?the newspaper, the periodical, the novel, and the biography;¢;‚¬;€?were united by their reliance on letters to accustom readers to these new forms of print media.King explains that as newspapers, scientific journals, book reviews, and other new genres began to circulate widely, much of their form and content was borrowed from letters, allowing for easier access to these unfamiliar modes of printing and reading texts. Arguing that bridge genres encouraged people to see themselves as connected by networks of communication;¢;‚¬;€?as members of what they called "the world" of writing;¢;‚¬;€?King combines techniques of genre theory with archival research and literary interpretation, analyzing canonical works such as Addison and Steele;€™s Spectator, Samuel Johnson;€™s Lives of the Poets, and Jane Austen;€™s Northanger Abbey alongside anonymous periodicals and the letters of middle-class housewives. This original and groundbreaking work in media and literary history offers a model for the process of genre formation. Ultimately, Writing to the World is a sophisticated look at the intersection of print and the public sphere.
Writing Was Everything (The William E. Massey Sr. Lectures In The History Of American Civilization Ser. #Vol. 1994)
by Alfred KazinA deft blend of autobiography, history, and criticism, Writing Was Everything emerges as a reaffirmation of literature in an age of deconstruction and critical dogma. It stands as clear testimony to Kazin's belief that "literature is not theory but, at best, the value we can give to our experience, which in our century has been and remains beyond the imagination of mankind."
Writing Was Everything (The William E. Massey Sr. Lectures In The History Of American Civilization Ser.)
by Alfred KazinA deft blend of autobiography, history, and criticism, Writing Was Everything emerges as a reaffirmation of literature in an age of deconstruction and critical dogma. It stands as clear testimony to Kazin's belief that "literature is not theory but, at best, the value we can give to our experience, which in our century has been and remains beyond the imagination of mankind."
Writing Your Self: Transforming personal material
by Myra Schneider John KillickWriting Your Self is a comprehensive resource for anyone who wants to explore personal material in their writing. It examines how many writers use personal subject matter in memoirs, poems, journals and novels. Part One focuses on universal experiences including childhood, identity, adult relationships and loss as well as more specific issues such as displacement and disability, physical and mental illness and abuse. Throughout the book writers, including the authors, give frank, firsthand accounts of their own experiences and how they have tackled writing about them. Part Two begins with a series of techniques for approaching personal material which include practical exercises and examples. It also considers the differences between raw and finished writing and the validity of each and offers ideas for developing work. With its wide range of writers and the exciting possibilities it offers, Writing Your Self is a definitive book for exploring personal literature and life writing.
Written In Bone: hidden stories in what we leave behind
by Professor Sue Black'Gripping from the start, Written in Bone is superb' - Dr Richard Shepherd, author of Unnatural CausesFrom the Sunday Times Bestselling author of All That Remains, Sue Black reveals the secrets hidden deep within our bones. Drawing upon her years of research and a wealth of remarkable experience, the world-renowned forensic anthropologist Professor Dame Sue Black takes us on a journey of revelation. From skull to feet, via the face, spine, chest, arms, hands, pelvis and legs, she shows that each part of us has a tale to tell. What we eat, where we go, everything we do leaves a trace, a message that waits patiently for months, years, sometimes centuries, until a forensic anthropologist is called upon to decipher it.Some of this information is easily understood, some holds its secrets tight and needs scientific cajoling to be released. But by carefully piecing together the evidence, the facts of a life can be rebuilt. Limb by limb, case by case - some criminal, some historical, some unaccountably bizarre - Sue Black reconstructs with intimate sensitivity and compassion the hidden stories in what we leave behind. Praise for Sue Black: 'Utterly gripping' - The Guardian 'Fascinating' - The Sunday Times 'Moving' - Scotsman 'Engrossing' - Financial Times
Written in History: Letters that Changed the World
by Simon Sebag MontefioreWRITTEN IN HISTORY celebrates the great letters of world history, creative culture and personal life. Acclaimed historian Simon Sebag Montefiore selects over one hundred letters from ancient times to the twenty-first century: some are noble and inspiring, some despicable and unsettling; some are exquisite works of literature, others brutal, coarse and frankly outrageous; many are erotic, others heartbreaking. The writers vary from Elizabeth I, Rameses the Great and Leonard Cohen to Emmeline Pankhurst, Mandela, Stalin, Michelangelo, Suleiman the Magnificent and unknown people in extraordinary circumstances - from love letters to calls for liberation, declarations of war to reflections on death. In the colourful, accessible style of a master storyteller, Montefiore shows why these letters are essential reading: how they enlighten our past, enrich the way we live now - and illuminate tomorrow.
Written Lives (Penguin Modern Classics)
by Javier MaríasIn these short, capricious and irreverent portraits of twenty-six great writers, from Joyce to Nabokov, Sterne to Wilde, Javier Marías, winner of the Dublin IMPAC prize and author of the bestselling A Heart So White, throws unexpected, and very human, light on authors too often enshrined in the halo of artistic sainthood. Revealing that Conrad actually hated sailing and Emily Brontë was so tough she was known as 'The Major', among many other stories of eccentricity, drunkenness and even murder, this joyful book uses unusual angles and peculiar details to illuminate writers' lives in a new way.Javier Marías was born in Madrid in 1951. He has published ten novels, two collections of short stories and several volumes of essays. His work has been translated into thirty-two languages and won a dazzling array of international literary awards, including the prestigious Dublin IMPAC award for A Heart So White. He is also a highly practised translator into Spanish of English authors, including Joseph Conrad, Robert Louis Stevenson, Sir Thomas Browne and Laurence Sterne. He has held academic posts in Spain, the United States and in Britain, as Lecturer in Spanish Literature at Oxford University.
Wrong About Japan: A Father's Journey With His Son (Vintage International Ser.)
by Peter CareyIn a stunning memoir-cum-travelogue Peter Carey charts this journey, inspired by Charley's passion for Japanese Manga and anime, and explores his own resulting re-evaluation of Japan. Although graphically violent and disturbing, the two mediums are both inherently concerned with Japan's rich history and heritage, and hold a huge popular appeal that crosses the generations.Led by their adolescent guide Takashi, an uncanny mix of generosity and derision, father and son look for the hidden puzzles and meanings, searching, often with comic results, for a greater understanding of these art forms, and for what they come to refer to as their own 'real Japan'. From Manhattan to Tokyo, Commodore Perry to Godzilla, kabuki theatre to the post-war robot craze, Wrong about Japan is a fascinatingly personal, witty and moving exploration of two very different cultures.
The Wrong Knickers - A Decade of Chaos
by Bryony GordonBryony Gordon survived her adolescence by dreaming about the life she'd have in her twenties: the perfect job; the lovely flat; the amazing boyfriend. The reality was something of a shock. Her Telegraph column was a diary of her daily screw-ups; she lived in a series of squalid shoe boxes; and her most meaningful relationship of the entire decade was with a Marlboro Light. Here in the Sunday Times bestselling THE WRONG KNICKERS Bryony busts open the glamorized myth of what it means to be a young (perpetually) single girl about London town, and shares the horrible and hilarious truth. The truth about picking up a colleague at the STI clinic; sinking into debt to fund a varied diet of wine, crisps and vodka; and how it feels when your dream man turns out to be a one night stand who hands you someone else's knickers in the morning.Bryony's wonderfully ridiculous and ultimately redemptive story is essential reading for everyone whose 'best years' weren't quite what they were expecting...
Wuhan Diary: Dispatches From A Quarantined City
by Fang FangFrom one of China’s most acclaimed and decorated writers comes a powerful first-person account of life in Wuhan during the COVID-19 outbreak.
Wuhu Diary: : The Mystery of My Daughter Lulu
by Emily PragerIn 1994 Emily Prager adopted a 7-month-old baby in China. Almost five years later, she goes back with LuLu, now a little American girl, to spend three months in Wuhu, the town where her daughter was born in Anhui Province, Southern China, searching for clues to unlock the mystery of LuLu.Within a week of their arrival, NATO has bombed the Chinese embassy in Belgrade, and anti-American feeling is running high; Emily's is the only non-Chinese face on the streets but Lulu, as a native of the town, is sacrosanct. Mother, daughter and townspeople become involved in a relationship of warmth and complexity that stands politics and prejudice on its head. It is Lulu's joy and pride at having found them that people cannot get over. After all, this is the same town that threw her away.
WWII: A Chronicle of Soldiering
by James JonesIn 1975, James Jones—the American author whose novels From Here to Eternity and The Thin Red Line had made him the preeminent voice of the enlisted man in World War II—was chosen to write the text for an oversized coffee table book edited by former Yank magazine art director Art Weithas and featuring visual art from World War II. The book was a best seller, praised for both its images and for Jones’s text, but in subsequent decades the artwork made it impossible for the book to be reproduced in its original form, and it fell out of print and was forgotten. This edition of WWII makes available for the first time in more than twenty years Jones’s stunning text, his only extended nonfiction writing on the war that defined his generation. Moving chronologically and thematically through the complex history of the conflict, Jones interweaves his own vivid memories of soldiering in the Pacific—from the look on a Japanese fighter pilot’s face as he bombed Pearl Harbor, so close that Jones could see him smile and wave, to hitting the beach under fire in Guadalcanal—while always returning to resounding larger themes. Much of WWII can be read as a tribute to the commitment of American soldiers, but Jones also pulls no punches, bluntly chronicling resentment at the privilege of the officers, questionable strategic choices, wartime suffering, disorganization, the needless loss of life, and the brutal realization that a single soldier is ultimately nothing but a replaceable cog in a heartless machine. As the generation that fought and won World War II leaves the stage, James Jones’s book reminds us of what they accomplished—and what they sacrificed to do so.