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The China from Buenos Aires: A Short Story From The Collection, Reader, I Married Him
by Patricia ParkA short story by Patricia Park from the collection Reader, I Married Him: Stories inspired by Jane Eyre.
China from the Ruins of Athens and Rome: Classics, Sinology, and Romanticism, 1793-1938 (Classical Presences)
by Chris MurrayFascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain's information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino-British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Britain, popular opinion on Chinese culture wavered during the nineteenth century, as Charles Lamb and Joanna Baillie demonstrated in ekphrastic responses to chinoiserie. A former reverence for China yielded gradually to hostility, and the classical inheritance informed a national identity-crisis over whether Britain's treatment of China was civilized or barbaric. Amidst this uncertainty, the melancholy conclusion to Virgil's Aeneid became the master-text for discussion of British conduct at the Summer Palace in 1860. Yet if Rome was to be the model for the British Empire, Tennyson, Sara Coleridge, and Thomas de Quincey found closer analogues for the Opium Wars in Greek tragedy and Homeric epic. Meanwhile, Sinology advanced considerably during the Victorian age. Britain broadened its horizons by interrogating the cultural past anew as it turned to Asia; Anglophone readers were cosmopolitans in time as well as space, aggregating knowledge of Periclean Athens, imperial Rome, and many other polities in their encounters with Qing Dynasty China.
China from the Ruins of Athens and Rome: Classics, Sinology, and Romanticism, 1793-1938 (Classical Presences)
by Chris MurrayFascinated and often baffled by China, Anglophone writers turned to classics for answers. In poetry, essays, and travel narratives, ancient Greece and Rome lent interpretative paradigms and narrative shape to Britain's information on the Middle Kingdom. While memoirists of the diplomatic missions in 1793 and 1816 used classical ideas to introduce Chinese concepts, Roman history held ominous precedents for Sino-British relations according to Edward Gibbon and Samuel Taylor Coleridge. John Keats illuminated how peculiar such contemporary processes of Orientalist knowledge-formation were. In Britain, popular opinion on Chinese culture wavered during the nineteenth century, as Charles Lamb and Joanna Baillie demonstrated in ekphrastic responses to chinoiserie. A former reverence for China yielded gradually to hostility, and the classical inheritance informed a national identity-crisis over whether Britain's treatment of China was civilized or barbaric. Amidst this uncertainty, the melancholy conclusion to Virgil's Aeneid became the master-text for discussion of British conduct at the Summer Palace in 1860. Yet if Rome was to be the model for the British Empire, Tennyson, Sara Coleridge, and Thomas de Quincey found closer analogues for the Opium Wars in Greek tragedy and Homeric epic. Meanwhile, Sinology advanced considerably during the Victorian age. Britain broadened its horizons by interrogating the cultural past anew as it turned to Asia; Anglophone readers were cosmopolitans in time as well as space, aggregating knowledge of Periclean Athens, imperial Rome, and many other polities in their encounters with Qing Dynasty China.
The China Governess: A Mystery (The\albert Campion Mysteries Ser.)
by Margery AllinghamA VINTAGE MURDER MYSTERYAgatha Christie called her ‘a shining light’. Have you discovered Margery Allingham, the 'true queen' of the classic murder mystery?Timothy Kinnit needs the help of private detective Albert Campion. Kinnit is rich, handsome and successful, but his past is a mystery to him and he needs Campion to find out how it connects him to the notorious Turk Street Mile slum. In addition, his own illustrious adopted family has a sinister secret of its own - involving a murderous nineteenth-century governess - that must also be brought to light by Campion's investigations.As urbane as Lord Wimsey…as ingenious as Poirot… Meet one of crime fiction’s Great Detectives, Mr Albert Campion.
China, India and Alternative Asian Modernities
by Kumar Sanjay Satya P. Mohanty Archana Kumar Raj KumarThe conception of modernity as a radical rupture from the past runs parallel to the conception of Europe as the primary locus of global history. The essays in this volume contest the temporal and spatial divisions—between past and present, modernity and tradition, and Europe’s progress and Asia’s stasis—which the conventional narrative of modernity creates. Drawing on early modern Chinese and Indian history and culture instead, the authors of the book explore the provenance of modernity beyond the west to see it in a transcultural and pluralistic light. The central argument of this volume is that modernity does not have a singular core or essence—a causal centre. Its key features need to be disaggregated and new configurations and combinations imagined. By studying the Bhakti movement, Confucian democracy, and the maritime and agrarian economies of China and India, this book enlarges the terms of debate and revisits devalued terms and concepts like tradition, religion, authority, and rural as resources for modernity. This book will be of great interest to researchers and academicians working in the areas of history, Sociology, Cultural Studies, literature, geopolitics, South Asian and East Asian Studies.
China, India and Alternative Asian Modernities
by Kumar Sanjay Satya P. Mohanty Archana Kumar Raj KumarThe conception of modernity as a radical rupture from the past runs parallel to the conception of Europe as the primary locus of global history. The essays in this volume contest the temporal and spatial divisions—between past and present, modernity and tradition, and Europe’s progress and Asia’s stasis—which the conventional narrative of modernity creates. Drawing on early modern Chinese and Indian history and culture instead, the authors of the book explore the provenance of modernity beyond the west to see it in a transcultural and pluralistic light. The central argument of this volume is that modernity does not have a singular core or essence—a causal centre. Its key features need to be disaggregated and new configurations and combinations imagined. By studying the Bhakti movement, Confucian democracy, and the maritime and agrarian economies of China and India, this book enlarges the terms of debate and revisits devalued terms and concepts like tradition, religion, authority, and rural as resources for modernity. This book will be of great interest to researchers and academicians working in the areas of history, Sociology, Cultural Studies, literature, geopolitics, South Asian and East Asian Studies.
The China Journals: Ideology and Intrigue in the 1960s
by Hugh Trevor-RoperThese private journals, made available here for the first time, record Hugh Trevor-Roper's visit to the People's Republic of China in the autumn of 1965, shortly before the outbreak of the Cultural Revolution, and describe the controversial aftermath of his journey on his return to England. The visit was a catalogue of frustrations, which he relates with the verve and irony of a master narrator who relished the human comedy. His efforts to meet the real life and mind of China, in whose history and politics he had long been interested, were blocked at every turn by the resources of state propaganda and the claustrophobic attention of sullen Party guides. The visit was arranged by the London-based Society for Anglo-Chinese Understanding, which was ostensibly committed to the impartial interchange of culture and ideas. It proved to be run by a Communist claque whose ruthless methods of control outwitted the well-connected membership. Back in England, and with help from MI5, he resolved to get to the bottom of the society's affairs. His investigations provoked a tumultuous public row which Trevor-Roper, no shirker of controversy, zestfully traces in these pages. Through the book, which closes with an account of his visit to Taiwan and South-East Asia in 1967, there run the wisdom of historical perspective that he brought to contemporary events and his lifelong commitment to the defence of liberal values and practices against their ideological adversaries.
The China Journals: Ideology and Intrigue in the 1960s
by Hugh Trevor-RoperThese private journals, made available here for the first time, record Hugh Trevor-Roper's visit to the People's Republic of China in the autumn of 1965, shortly before the outbreak of the Cultural Revolution, and describe the controversial aftermath of his journey on his return to England. The visit was a catalogue of frustrations, which he relates with the verve and irony of a master narrator who relished the human comedy. His efforts to meet the real life and mind of China, in whose history and politics he had long been interested, were blocked at every turn by the resources of state propaganda and the claustrophobic attention of sullen Party guides. The visit was arranged by the London-based Society for Anglo-Chinese Understanding, which was ostensibly committed to the impartial interchange of culture and ideas. It proved to be run by a Communist claque whose ruthless methods of control outwitted the well-connected membership. Back in England, and with help from MI5, he resolved to get to the bottom of the society's affairs. His investigations provoked a tumultuous public row which Trevor-Roper, no shirker of controversy, zestfully traces in these pages. Through the book, which closes with an account of his visit to Taiwan and South-East Asia in 1967, there run the wisdom of historical perspective that he brought to contemporary events and his lifelong commitment to the defence of liberal values and practices against their ideological adversaries.
China Lake: An Evan Delaney Novel (Bride Series #1)
by Meg GardinerEvan Delaney is a heroine of our times: a woman with a big heart, a quick tongue and a hot temper that get her into trouble. She is shocked to discover that Tabitha, her ex-sister-in-law, has joined the Remnant - the Reverend Peter Wyoming's fanatical band of disciples. And that Tabitha is trying to regain custody of her six-year-old son, Luke, currently in Evan's care, while his father is posted to the Naval Air Warfare Center. Then, one of the Remnant is killed, and Evan's brother is the prime suspect. With her boyfriend, lawyer Jesse Blackburn, Evan tries to clear her brother's name and rescue her nephew. In doing so, she finds herself caught up in a wild plan to steal weapons, and a blazing inferno on a Santa Barbara hillside.
The China Lover: A Novel
by Ian BurumaWhen Sidney Vanoven is sent to occupied Japan, in the immediate aftermath of the Second World War, it is his dream posting. By day, he works in the censor's office watching Japanese films; at night he immerses himself in the sensual pleasures of Tokyo.His job leads him into the circle of the beautiful film star Shirley Yamaguchi, a passionate and indomitable woman, whose wartime secrets hint at deception and betrayal. As he learns more of her story it seems to echo Japan's own dark secret. In The China Lover, Ian Buruma has created an exhilarating saga of war-torn Japan that is epic in scale, richly imagined and vividly populated. It is quite simply unforgettable.
The China Maze (Tony Underwood)
by Joseph Clyde‘Riveting and intriguing.’ Jung Chang, Wild Swans. A bloody insurrection in China’s turbulent New Silk Road province. The Guoanbu, the counter-intelligence agency, invites MI5 to interrogate a captured British gunrunner. The task falls to Tony Underwood, who finds himself sucked into an investigation into a terrorist spectacular, alongside American and Russian security men. Caught between his duties to a British citizen and the threat of the attack going ahead, Tony becomes lost in a labyrinth of lies and double-dealing. At the same time his discovery of China makes him question his values, and role in the intelligence world. With its insights into historical antagonisms and contemporary China, and atmospheric portrayal of its remote Northwest, which the author knows, The China Maze is a highly original, sophisticated and up-to-the-minute Oriental thriller. Previous praise for the trilogy: ‘Intelligent… in the tradition of Frederick Forsyth.’ The Times
China Mountain Zhang (S.F. MASTERWORKS)
by Maureen F. McHugh'I am Zhang, alone with my light, and in that light I think for a moment that I am free.' Imagine a world where Chinese Marxism has vanquished the values of capitalism and Lenin is the prophet of choice. A cybernetic world where the new charioteers are flyers, human-powered kites dancing in the skies over New York in a brief grab at glory. A world where the opulence of Beijing marks a new cultural imperialism, as wealthy urbanites flirt with interactive death in illegal speakeasies, and where Arctic research stations and communes on Mars are haunted by their own fragile dangers. A world of fear and hope, of global disaster and slow healing, where progress can only be found in the cracks of a crumbling hegemony. This is the world of Zhang. An anti-hero who's still finding his way, treading a path through a totalitarian order - a path that just might make a difference.
The China Mystique: Pearl S. Buck, Anna May Wong, Mayling Soong, And The Transformation Of American Orientalism
by Karen J. LeongThroughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930s and 1940s. Focusing on three women who were popularly and publicly associated with China—Pearl S. Buck, Anna May Wong, and Mayling Soong—Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture.
China Rich Girlfriend: There's Rich, There's Filthy Rich, and Then There's China Rich... (Crazy Rich Asians #2)
by Kevin KwanFrom the bestselling author of Crazy Rich Asians (Soon to be a MAJOR MOTION PICTURE starring Constance Wu, Henry Golding, Michelle Yeoh and Gemma Chan) comes a deliciously fun story of family, fortune, and fame in Mainland China. It's the eve of Rachel Chu's wedding, and she should be over the moon. She has a flawless oval-cut diamond, a wedding dress she loves, and a fiancé willing to give up one of the biggest fortunes in Asia in order to marry her. Still, Rachel mourns the fact that her birth father, a man she never knew, won't be there to walk her down the aisle.Then a chance accident reveals his identity. Suddenly, Rachel is drawn into a dizzying world of Shanghai splendor, a world where people attend church in a penthouse, where exotic cars race down the boulevard, and where people aren't just crazy rich... they're China rich.
China Rising: Peace, Power and Order in East Asia (The Macat Library)
by Matteo Dian Jason XidiasA critical analysis of David C. Kang’s China Rising, which is a fine example of an author making use of creative thinking skills to reach a conclusion that flies in the face of traditional thinking. The conventional view that the book opposed, known in international relations as ‘realism,’ was that the rise of any new global power results in global or regional instability. As such, China’s development as a world economic powerhouse worried mainstream western geopolitical scholars, whose concerns were based on the realist assumption that individual countries will inevitably compete for dominance. Evaluating these arguments, and finding both their relevance and adequacy wanting, Kang instead turned traditional thinking on its head by looking at Asian history without preconceptions, and with analytical open-mindedness. Producing several novel explanations for existing evidence, Kang concludes that China’s neighbors do not want to compete with it in the way that realist interpretations predict. Rather than creating instability by jockeying for position, he argues, surrounding countries are happy for China to be acknowledged as a leader, believing that its dominant position will stabilize Asia, and give the whole region more of a hand in international relations. Though critics have taken issue with Kang’s conclusions, his paradigm-shifting approach is nevertheless an excellent example of developing fresh new conclusions through creative thinking.
China Room: LONGLISTED FOR THE BOOKER PRIZE 2021
by Sunjeev SahotaRead the heart-stopping new novel from the Booker-shortlisted author of The Year of the Runaways'Sunjeev Sahota's writing is the stuff of miracles' Bryan Washington'A gorgeous, gripping read' Kamila ShamsieMehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. She and her sisters-in-law, married to three brothers in a single ceremony, spend their days hard at work in the family's 'china room', sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk. Spiralling around Mehar's story is that of a young man who in 1999 travels from England to the now-deserted farm, its 'china room' locked and barred. In enforced flight from the traumas of his adolescence - his experiences of addiction, racism, and estrangement from the culture of his birth - he spends a summer in painful contemplation and recovery, finally gathering the strength to return home.'I'm blown away by it. I was gripped from the first page to the last' Tessa Hadley'Such a thrilling combination of beauty and heartbreak. It's breathtaking' Charlotte Mendelson'An intense drama of classic themes - love, family, survival, and betrayal - told with passion and precision in Sahota's economical, lyrical prose' Adam Foulds
China Thrillers Omnibus
by Peter May* THE EXPLOSIVE CHINA THRILLERS OMNIBUS *The Firemaker - An unlikely partnership develops between Beijing detective Li Yan and American pathologist Margaret Campbell as they follow the resulting lead. A fiery and volatile chemistry ignites, exposing not only their individual demons, but an even greater evil - a conspiracy that threatens their lives, as well as those of millions of others. The Fourth Sacrifice - Li Yan and Margaret Campbell are reluctantly reunited, on the trail of a killer reenacting a series of gruesome rituals. The Killing Room - When a mass grave containing eighteen mutilated female corpses is discovered in Shanghai, detective Li Yan is sent from Beijing to establish if the bodies are linked to an unsolved murder in the capital. Here, Li will be working with Mei Ling, deputy head of Shanghai's serious crime squad. Snake Head - Human trafficking and inhuman terrorism. Li and Campbell find that the crime scene hides another secret: a biological time bomb linking traffickers, politicians and migrants in Beijing, Washington and Texas - posing multiple countries one, very singular, threat. The Runner - Li Yan and Margaret Campbell uncover an insidious conspiracy on the eve of the Beijing Olympics. Chinese Whispers - His victims are young, beautiful and coldly mutilated. He calls himself the Beijing Ripper. Li Yan, head of Beijing's serious crime squad, must stop him. The Ghost Marriage: A Chinese Novella - When a desperate mother appeals to Campbell's own maternal instincts, Li agrees to look into the disappearance of a 17-year-old Beijing girl, Jiang Meilin. Li's investigation soon turns from a favour into a full-scale murder enquiry. And when he receives an anonymous note he learns Jiang Meilin's death is tied to a dangerous underground trade, and a dark marital rite from China's past.'Peter May is one of the most accomplished novelists writing today' Undiscovered Scotland
The Chinaberry Tree: A Novel of American Life (African American Women Writers, 1910-1940 Ser.)
by Jessie Redmon FausetAdultery, incest, and questions of racial identity simmer beneath the tranquil surface of suburban life in this novel, set in a small New Jersey town of the early 1900s. Lovely young Laurentine is obsessed with her "bad blood," inherited from a common-law interracial union. Proud and independent, she longs for the respectability of a conventional marriage. Laurentine's vivacious and self-confident cousin, Melissa, also aspires to "marry up." But a family secret shadows Melissa's dreams and ambitions as she approaches an explosive revelation.African-American editor, poet, essayist, and novelist Jessie Redmon Fauset (1882–1961) was a prominent figure of the Harlem Renaissance. An editor of the NAACP magazine The Crisis, she was also an editor and co-author of the African-American children's magazine, The Brownies' Book. Her third novel, The Chinaberry Tree, draws upon elements of Greek tragedy in its powerful depiction of interracial love and marriage. The tale also offers a modern perspective on the struggle of its African-American heroines toward self-knowledge.
Chinaman: The Legend Of Pradeep Mathew
by Shehan KarunatilakaWhere is Pradeep S. Mathew - spin bowler extraordinaire and 'the greatest cricketer to walk the earth'? Retired sportswriter W. G. Karunasena is dying, and he wants to know.W.G. will spend his final months drinking arrack, making his wife unhappy, ignoring his son and tracking down the mysterious Pradeep. On his quest he will also uncover a coach with six fingers, a secret bunker below a famous stadium, a Tamil Tiger warlord, and startling truths about Sri Lanka, cricket and himself.Winner of the DSC Prize for South Asian Literature.
Chinatown Days
by Rita ChowdhuryIt is the early nineteenth century. The British East India Company has been bringing in Chinese slaves to work in the tea gardens of Assam. Amidst days of misery and toil, they slowly begin to find contentment in their day-to-day lives. In post-independence Assam, Mei Lin, descended from the slave Ho Han, lives a life of satisfaction with her husband Pulok Barua. But in 1962, as war breaks out in the high Himalayas between India and China, a close family member conspires to have Mei Lin deported to Maoist China. She and thousands of other Chinese Indians will now have to fend for themselves in a land that, despite their origins, is strangely foreign. From the horror-ridden hardships of the slave pens of Assam to the Sino-Indian war, this searing novel tells the story of the Chinese Indians, a community condemned by intolerance to obscurity and untold sorrow.
Chindi: Academy - Book 3 (Academy #3)
by Jack McDevitt'A writer who is a storyteller first and a science fiction writer second. In his ability to absolutely rivet the reader, it seems to me that he is the logical heir to Isaac Asimov and Arthur C. Clarke' Stephen KingThe universe has been explored - and humanity has all but given up on finding other intelligent life. Then an alien satellite orbiting a distant star sends out an unreadable signal. Is it the final programmed gasp of an ancient, long-dead race? Or the first greeting of an undiscovered life form?
Chinese Adaptations of Brecht: Appropriation and Intertextuality (Chinese Literature and Culture in the World)
by Wei ZhangThis book examines the two-way impacts between Brecht and Chinese culture and drama/theatre, focusing on Chinese theatrical productions since the end of the Cultural Revolution all the way to the first decades of the twenty-first century. Wei Zhang considers how Brecht’s plays have been adapted/appropriated by Chinese theatre artists to speak to the sociopolitical, economic, and cultural developments in China and how such endeavors reflect and result from dynamic interactions between Chinese philosophy, ethics, and aesthetics, especially as embodied in traditional xiqu and the Brechtian concepts of estrangement (Verfremdungseffekt) and political theatre. In examining these Brecht adaptations, Zhang offers an interdisciplinary study that contributes to the fields of comparative drama/theatre studies, intercultural studies, and performance studies.
The Chinese Agent
by Michael MoorcockArthur Hodgkiss - a master gem thief - is in London, about to realise his lifelong ambition to steal the Crown Jewels. But he is mistaken for Chinese agent, Kung Fu Tzu, and is unwittingly given a package containing stolen top secret government plans. Enter British Intelligence who put their top man on the job: the suave, fearless ladies' man, Jerry Cornell. There ensues a chaotic comedy of errors in which Jerry Cornell pursues Kung Fu Tzu, the titular Chinese agent, who is in turn pursuing Arthur Hodgkiss, who was given the secret plans for which Cornell is pursuing Kung Fu Tzu. In this perfect circle of bluff and counter-bluff, the only one thing that is certain is that nothing can be known for sure.
Chinese American Literature without Borders: Gender, Genre, and Form
by King-Kok CheungThis book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers’ formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the “other” country and to look homeward without blinders.