- Table View
- List View
The Georgic Revolution
by Anthony LowLow discusses the courtly or aristocratic ideal as the great enemy of the georgic spirit, and shows that georgic powerfully invaded English poetry in the years from 1590 to 1700.Originally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Georgics: A Poem of the Land
by Virgil Kimberly JohnsonOne of the greatest poems of the classical world, Virgil's Georgics is a glorious celebration of the eternal beauty of the natural world, now brought vividly to life in a powerful new translation.'Georgic' means 'to work the earth', and this poetic guide to country living combines practical wisdom on tending the land with exuberant fantasy and eulogies to the rhythms of nature. It describes hills strewn with wild berries in 'vine-spread autumn'; recommends watching the stars to determine the right time to plant seeds; and gives guidance on making wine and keeping bees. Yet the Georgics also tells of angry gods, bloody battles and a natural world fraught with danger from storms, pests and plagues. Expansive in its scope, lush in its language, this extraordinary work is at once a reflection on the cycles of life, death and rebirth, an argument for the nobility of labour and an impassioned reflection on the Roman Empire of Virgil's times. Kimberly Johnson's lyrical verse translation captures all the rich beauty and abundant imagery of the original, re-creating this ancient masterpiece for our times.
Gerard Manley Hopkins: A Literary Life (Literary Lives)
by Gerald RobertsA concise study of the life and poetry of the Victorian priest-poet. Gerald Roberts gives a chronological description and analysis of Hopkins's career and writing, and pays due attention to the Victorian and Jesuit background. The resulting picture is of a man divided between the religious and the aesthetic life, a story of apparent failure and real achievement.
Gerardo Diego’s Creation Myth of Music: Fábula de Equis y Zeda (Routledge Interdisciplinary Perspectives on Literature)
by Judith Stallings-WardSince its publication nearly eight decades ago, the consensus among scholars about Fábula de Equis y Zeda, by the Spanish poet Gerardo Diego (1896-1987) remains unchanged: Fábula is an enigmatic avant-garde curiosity. It seems to rob the reader of the reason necessary to interpret it, even as it lures him or her ineluctably to the task; nevertheless, the present study makes the case that this work is, in fact, not inaccessible, and that what the anhelante arquitecto, intended with his masterpiece was a creation myth that explains the evolution of music in his day. This monograph unlocks the fullness of the poem´s meaning sourced in music’s mythical consciousness and expressed in a poetic idiom that replicates aesthetic concepts and cubist strategies of form embraced by the neoclassical composers Bartok, Falla, Ravel, and Stravinsky.
Gerardo Diego’s Creation Myth of Music: Fábula de Equis y Zeda (Routledge Interdisciplinary Perspectives on Literature)
by Judith Stallings-WardSince its publication nearly eight decades ago, the consensus among scholars about Fábula de Equis y Zeda, by the Spanish poet Gerardo Diego (1896-1987) remains unchanged: Fábula is an enigmatic avant-garde curiosity. It seems to rob the reader of the reason necessary to interpret it, even as it lures him or her ineluctably to the task; nevertheless, the present study makes the case that this work is, in fact, not inaccessible, and that what the anhelante arquitecto, intended with his masterpiece was a creation myth that explains the evolution of music in his day. This monograph unlocks the fullness of the poem´s meaning sourced in music’s mythical consciousness and expressed in a poetic idiom that replicates aesthetic concepts and cubist strategies of form embraced by the neoclassical composers Bartok, Falla, Ravel, and Stravinsky.
Geschichte der deutschen Lyrik.: Einführung und Interpretationen
by Dieter BurdorfWie lese ich Gedichte der Klassik? Was ist bei Sonetten des Barock zu beachten? Und welche Besonderheiten bestehen bei expressionistischen Gedichten? - Dieser Band bietet einen Überblick über die historische Entwicklung der deutschsprachigen Lyrik von der Reformation bis in die unmittelbare Gegenwart. Der Autor erläutert kurz den historischen Kontext und die Hintergründe der Lyrikproduktion, die für das Verständnis der Gedichte unerlässlich sind. Zahlreiche Musterinterpretationen führen den Umgang und die Analyse der Gedichte vor. Kästen mit vertiefenden Informationen geben weitere Ausblicke. Mit umfangreichen Literaturhinweisen zu jeder Epoche und im zweifarbigen Layout.
Geschichte der deutschen Lyrik: Einführung und Interpretationen
by Dieter BurdorfWie lese ich Gedichte der Romantik? Wie kann ich Sonette des Barock entschlüsseln? Und welche Besonderheiten sind bei expressionistischen Gedichten zu beachten? Dieser Band bietet einen Überblick über die Entwicklung der deutschsprachigen Lyrik – von der Reformation bis in die unmittelbare Gegenwart. Der Autor erläutert den historischen Kontext und die Hintergründe der Lyrikproduktion, die für das Verständnis der Gedichte unerlässlich sind. Mit zahlreichen Musterinterpretationen und umfangreichen Literaturhinweisen zu jeder Epoche. – Für die zweite Auflage wurde der Band aktualisiert und erweitert.
The Gestalts of Mind and Text (Studies and Research in the Psychology of Art)
by Chanita Goodblatt Joseph GlicksohnThe Gestalts of Mind and Text bridges literary studies and cognitive psychology to provide a unique contribution to the field of Cognitive Literary Studies. The book presents an investigation of metaphor in poetic texts, adopting and developing empirical methods used by Gestalt Psychology, while integrating concepts informed by Gestalt Psychology. The title indicates an intellectual tradition, to be termed the Gestalt of the Mind, that begins with the Würzburg School of Psychology and its subsequent development into Gestalt Psychology, which provides a rich heritage for the field of Cognitive Literary Studies. The title further indicates an intellectual and creative tradition, to be termed the Gestalt of the Text, applied to various literary schools (Medieval, Early Modern, Modernist). Finally, the Gestalt-Interaction Theory of Metaphor delineates the potentialities for different types of readings of poetic metaphor. This book further makes three significant contributions: the first is the focus on the empirical investigation of metaphor in poetic texts; the second is the integration of the aspects of problem-solving, bidirectionality of metaphor, embodied cognition and the grotesque, in analyzing poetic texts and verbal protocols; and the third is the focus on various literary traditions, spanning languages and periods. The goal of this book is to present an interdisciplinary study of the Gestalts of Mind and Text. This will be of interest to a varied audience, including cognitive psychologists, literary scholars, researchers in aesthetics, scholars of metaphor and those with an interest in intellectual history.
The Gestalts of Mind and Text (Studies and Research in the Psychology of Art)
by Chanita Goodblatt Joseph GlicksohnThe Gestalts of Mind and Text bridges literary studies and cognitive psychology to provide a unique contribution to the field of Cognitive Literary Studies. The book presents an investigation of metaphor in poetic texts, adopting and developing empirical methods used by Gestalt Psychology, while integrating concepts informed by Gestalt Psychology. The title indicates an intellectual tradition, to be termed the Gestalt of the Mind, that begins with the Würzburg School of Psychology and its subsequent development into Gestalt Psychology, which provides a rich heritage for the field of Cognitive Literary Studies. The title further indicates an intellectual and creative tradition, to be termed the Gestalt of the Text, applied to various literary schools (Medieval, Early Modern, Modernist). Finally, the Gestalt-Interaction Theory of Metaphor delineates the potentialities for different types of readings of poetic metaphor. This book further makes three significant contributions: the first is the focus on the empirical investigation of metaphor in poetic texts; the second is the integration of the aspects of problem-solving, bidirectionality of metaphor, embodied cognition and the grotesque, in analyzing poetic texts and verbal protocols; and the third is the focus on various literary traditions, spanning languages and periods. The goal of this book is to present an interdisciplinary study of the Gestalts of Mind and Text. This will be of interest to a varied audience, including cognitive psychologists, literary scholars, researchers in aesthetics, scholars of metaphor and those with an interest in intellectual history.
Gethsemane Day
by Dorothy MolloyHare Soup, Dorothy Molloy's first collection of poems, was published by Faber in 2004, just weeks after the poet's untimely death. Gethsemane Day brings together her last and hitherto unpublished poems, which celebrate survival with all the anarchic zest, mordancy and lyric drive of Hare Soup, while confronting individual illness and death with moving lucidity.
Getting Higher: The Complete Mountain Poems
by Andrew GreigAndrew Greig is a Scottish poet of sensitivity and resilience. He deals with high-risk situations - from mountaineering to love - and is particularly good at presenting the gamut of feelings involved in rites of passage: high endeavour, commitment, holding back, drift, release' - Edwin Morgan 'A writer of integrity and imaginative energy' - TLS 'A lyric poet of rare gusto' - The Observer Alongside the mountain poems from Men on Ice, Order of the Day and Western Swing, Getting Higher features brand new material, facsimiles of previously unpublished material - including his first poem, written in 1972 - and illustrations and material from the National Library of Scotland archive. A beautiful collector's item full of illustrations, marginalia and notes.
Getting There
by Matt SimpsonMatt Simpson’s poetry has among its principal themes one of coming to terms with the past as a way of understanding the present. In the present collection Simpson continues his journey into his family history. He has also been on other travels: there are poems about Japan, Tasmania, Ireland and the Greek islands of Aegina and Leros. Simpson is not shy of big themes. Here are poems about identity, love, death, illness, friendship. Simpson can be tenderly elegiac as well as celebratory, meditative and also humorous.
Ghalib: Innovative Meanings and the Ingenious Mind
by Gopi Chand NarangMirza Asadullah Khan (1797–1869), popularly, Ghalib, is the most influential poet of the Urdu language. He is noted for the ghazals he wrote during his lifetime, which have since been interpreted and sung by different people in myriad ways. Ghalib’s popularity has today extended beyond the Indian subcontinent to the Hindustani diaspora around the world. In this book, Gopi Chand Narang studies Ghalib’s poetics by tracing the archetypical roots of his creative consciousness and enigmatic thought in Buddhist dialectical philosophy, particularly in the concept of shunyata. He underscores the importance of the Mughal era’s Sabke Hindi poetry, especially through Bedil, whom Ghalib considered his mentor. The author also engages with Ghalib criticism that has flourished since his death and analyses the important works of the poet, including pieces from early Nuskhas and Divan-e Ghalib, strengthening this central argument. Much has been written about Ghalib’s life and his poetry. A marked departure from this dominant trend, Narang’s book looks at Ghalib from different angles and places him in the galaxy of the great Eastern poets, stretching far beyond the boundaries of India and the Urdu language.
Ghalib: The Poet and his Age (Routledge Revivals)
by Ralph RussellFirst published in 1972, Ghalib presents aspects of Ghalib, the last great literary figured produced by Mughal India before the empire was swept away by the British after the Revolt of 1857, as he appears though the eyes of well-known British and other European scholars. The book gives a picture of Ghalib’s own personality as it emerges in passages from his own Persian and Urdu letters and prose writings. Percival Spear, who lived in Delhi for many years, describes the Delhi scene of Ghalib’s day. P. Hardy writes of his relations with the British, and finally, two essays, by A. Bausani and Ralph Russell respectively, give an account of his Persian and Urdu poetry. His book will be of interest to students of literature, poetry, South Asian studies and history.
Ghalib: The Poet and his Age (Routledge Revivals)
First published in 1972, Ghalib presents aspects of Ghalib, the last great literary figured produced by Mughal India before the empire was swept away by the British after the Revolt of 1857, as he appears though the eyes of well-known British and other European scholars. The book gives a picture of Ghalib’s own personality as it emerges in passages from his own Persian and Urdu letters and prose writings. Percival Spear, who lived in Delhi for many years, describes the Delhi scene of Ghalib’s day. P. Hardy writes of his relations with the British, and finally, two essays, by A. Bausani and Ralph Russell respectively, give an account of his Persian and Urdu poetry. His book will be of interest to students of literature, poetry, South Asian studies and history.
Ghazals: Translations of Classic Urdu Poetry
by Mir Taqi MirThe prolific Mir Taqi Mir (1723–1810), widely regarded as the most accomplished poet in Urdu, composed his ghazals—a poetic form of rhyming couplets—in a distinctive Indian style arising from the Persian ghazal tradition. Here, the lover and beloved live in a world of extremes: the outsider is the hero, prosperity is poverty, and death would be preferable to the indifference of the beloved. Ghazals offers a comprehensive collection of Mir’s finest work, translated by a renowned expert on Urdu poetry.
Ghosts: An Extraordinary True Story (The\ghost Of Flight 401 Ser.)
by John FullerLike the possible phantoms that stalk the dark passageways of its title poem, John Fuller's beautifully lucid collection explores the grey area between life and death. Full of self-deprecating wit and subtle insight, the poems contemplate the inevitability that, when one reaches a certain age, the moment of one's own passing will start to haunt one.In 'Flea Market' there is the pathos of once-loved objects laid out, meaningless, 'on the cobbles for scavengers'. In 'Positions in the Bed', the restless search for a comfortable way to sleep leads to thoughts of the morning when 'we find/ Ourselves absconded from the body's/ Weary roll-call'. And yet, out of this sense of mortality, grows a determination to take delight in the moment, to appreciate fully 'the business of living'.These poems are not only intimate, domestic and often funny, they are uncompromising in the way they confront the huge and unanswerable questions of life. The movement of thought is rendered beautifully concrete in the intricate music of their langauge, and melancholy co-exists with a lightness of touch that builds a moving and humane barricade against 'life's brevity/ And it's insignificance'.Shortlisted for the Whitbread Award for Poetry.
Ghosts and the Overplus: Reading Poetry in the Twenty-First Century (Poets On Poetry)
by Christina PughGhosts and the Overplus is a celebration of lyric poetry in the twenty-first century and how lyric poetry incorporates the voices of our age as well as the poetic “ghosts” from the past. Acclaimed poet and award-winning teacher Christina Pugh is fascinated by how poems continually look backward into literary history. Her essays find new resonance in poets ranging from Emily Dickinson to Gwendolyn Brooks to the poetry of the present. Some of these essays also consider the way that poetry interacts with the visual arts, dance, and the decision to live life as a nonconformist. This wide-ranging collection showcases the critical discussions around poetry that took place in America over the first two decades of our current millennium. Essay topics include poetic forms continually in migration, such as the sonnet; poetic borrowings across visual art and dance; and the idiosyncrasies of poets who lived their lives against the grain of literary celebrity and trend. What unites all of these essays is a drive to dig more deeply into the poetic word and act: to go beyond surface reading in order to reside longer with poems. In essays both discursive and personal, Pugh shows that poetry asks us to think differently—in a way that gathers feeling into the realm of thought, thereby opening the mysteries that reside in us and in the world around us.
Ghosts of Memories: A Collection of Poetry (Wordcatcher Modern Poetry)
by Husna ZebThis collection is in two parts: poetry in prose and poetry in verse. Husna Zeb crafts each piece with elegant use of the English language to tell stories in miniature, and evoke a range of feelings. From love and relationships, to matters of the world, this is a wide-ranging collection from an exciting new voice.
Gift Songs (Cape Poetry Ser.)
by John BurnsideTo the Shakers, a good song was a gift; indeed the test of a song's goodness was how much of a gift it was. In their call to 'labour to make the way of God your own', Shaker artists expressed an aesthetic that had much in common with the old Japanese notion, attributed to Hokusai, that to paint bamboo, one had first to become bamboo. In his tenth collection, John Burnside begins with an interrogation of the gift song, treating matters of faith and connection, the community of living creatures and the idea of a free church - where faith is placed, not in dogma or a possible credo, but in the indefinable - and moves on through explorations of time and place, towards a tentative and idiosyncratic re-ligere, the beginnings of a renewal of the connection to, and faith in, an ordered world. The book closes with a series of meditations on place, entitled 'Four Quartets', intended both as a spiritual response to the string quartets of Bartók and Britten (as Eliot's were to Beethoven's late quartets), and as an experiment in the poetic form that the finest of poets, the true miglior fabbro, chose as a medium for his own declaration of faith. The poems in this collection are true gifts: thrillingly beautiful, charged with power and mystery, each imbued with the generous skills of a master of his craft.