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Thomas Hardy (Routledge Guides to Literature)

by Geoffrey Harvey

Thomas Hardy was the foremost novelist of his time, as well as an established poet. Author of Jude the Obscure and Far from the Madding Crowd, Hardy reflected in his works the dynamics of social, intellectual and aesthetic change in nineteenth-century England.This guide provides students with a lucid introduction to Hardy's life and works and the basis for a sound comprehension of his work, including: the major aspects of Hardy's life in the context of contemporary culture a detailed commentary on Hardy's most important work and a critical map of Hardy's complete writing an outline of the vast body of criticism that has built up around Hardy's work with examples of recent critical debate. Exposition and guide, this volume enables readers to form their own readings of one of the most important writers of the nineteenth century.

Thomas Hardy (Routledge Guides to Literature)

by Geoffrey Harvey

Thomas Hardy was the foremost novelist of his time, as well as an established poet. Author of Jude the Obscure and Far from the Madding Crowd, Hardy reflected in his works the dynamics of social, intellectual and aesthetic change in nineteenth-century England.This guide provides students with a lucid introduction to Hardy's life and works and the basis for a sound comprehension of his work, including: the major aspects of Hardy's life in the context of contemporary culture a detailed commentary on Hardy's most important work and a critical map of Hardy's complete writing an outline of the vast body of criticism that has built up around Hardy's work with examples of recent critical debate. Exposition and guide, this volume enables readers to form their own readings of one of the most important writers of the nineteenth century.

Thomas Hardy: The Sociological Imagination

by Noorul Hasan

Thomas Hardy: The Complete Novels in One Sitting (RP Minis)

by Joelle Herr

Thomas Hardy was one of the greatest Victorian novelists and twentieth-century poets, exploring themes of the human experience and challenging sexual and religious conventions in a way that few other books of his time did. Collected here in this mini compact tome are comprehensive plot summaries and character profiles from each of his fourteen novels, complemented by two-color illustrations throughout.

Thomas Hardy

by P. Mallett

In Thomas Hardy: Texts and Contexts distinguished critics from Canada, Japan, the USA and the UK, offer fresh and challenging readings of Hardy's works. They also raise far wider and far-reaching questions about Hardy's attitude to his art, his relation to such contemporary forms as melodrama, and his response to the ongoing scientific debates, from Darwin to Einstein, about sexuality, personal identity, the meaning of suicide and the nature of time.

Thomas Hardy: His Career as a Novelist

by M. Millgate

'...a beautiful wrought study that belongs in every good library'. Publishers' Weekly '...remains a major contribution to Hardy studies' - Charles Osborne, Sunday Telegraph Originally published in 1971 and now for the first time reprinted, Thomas Hardy: His Career as a Novelist has long been recognized as a major - and exceptionally well-written - work of Hardy criticism that also set new standards for Hardy scholarship. A recent survey refers to it as 'one of the most permanently useful' of Hardy studies, characterized by an 'admirably clear, unpretentious style'. Although the central chapters are predominantly critical, offering independent readings of each of the novels (including those customarily considered 'minor'), those readings are developed within the context of available knowledge of Hardy's personal and intellectual backgrounds, his friendships and family relationships, and his evolution as a professional writer. Extensive use is made of Hardy's own manuscripts, notebooks, nd letters and of the correspondence and reminiscences of those who knew him, and in a new preface Michael Millgate speaks of having sought to resolve 'the standard work/life dichotomy' by pursuing 'the unitary conception of a career'.

Thomas Hardy: The Poetry of Perception (Faber Poetry Ser.)

by Tom Paulin

Thomas Hardy: A Textual Study of the Short Stories (The Nineteenth Century Series)

by Martin Ray

This is the definitive textual analysis of all of Hardy's collected short stories, tracing the development of each from manuscript, through newspaper serial versions, galley proofs and revises to collected editions in volume form. It is no surprise to discover that Hardy's capacity for inveterate revision is manifested in his tales as it was in his novels. Even those stories for which he professed little regard were meticulously and continuously revised, in some cases more than thirty years after their first publication. The alterations extend to the most minute details of plot, landscape, characterisation and style, as well as the restoration of bowdlerised passages which had been demanded by serial magazines. This study will play a major role in elevating the importance of this genre in Hardy's prolific output and will illuminate his textual practices - an area of considerable and growing interest to a large number of scholars and students.

Thomas Hardy: A Textual Study of the Short Stories (The Nineteenth Century Series)

by Martin Ray

This is the definitive textual analysis of all of Hardy's collected short stories, tracing the development of each from manuscript, through newspaper serial versions, galley proofs and revises to collected editions in volume form. It is no surprise to discover that Hardy's capacity for inveterate revision is manifested in his tales as it was in his novels. Even those stories for which he professed little regard were meticulously and continuously revised, in some cases more than thirty years after their first publication. The alterations extend to the most minute details of plot, landscape, characterisation and style, as well as the restoration of bowdlerised passages which had been demanded by serial magazines. This study will play a major role in elevating the importance of this genre in Hardy's prolific output and will illuminate his textual practices - an area of considerable and growing interest to a large number of scholars and students.

Thomas Hardy (Critical Issues)

by Julian Wolfreys

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy's novels and with reference to his poetry.

Thomas Hardy (Critical Issues)

by Julian Wolfreys

No other major author of the nineteenth century has arguably produced as much critical activity as Thomas Hardy. This timely addition to the Critical Issues series explores the various philosophical views of critics, with close textual analysis of Hardy's novels and with reference to his poetry.

Thomas Hardy: Selected Poetry and Non-Fictional Prose


Peter Widdowson's major new selection of Hardy's poetry offers the student a challenging assessment of his poetic achievement by juxtaposing Hardy's best known poems with some of his least known. In addition to the 184 poems and the selection of Hardy's prose writings (never before so fully annotated), Widdowson includes a lively introduction on Hardy's life and work, a critical essay re-assessing his place in literary history, and extensive explanatory notes on each poem and essay. The volume revitalises our understanding and enjoyment of a most enduringly popular poet and is set to prove a definitive student edition.

Thomas Gage

by James Fleming

Thomas Gage is a happy man. He has a fine house in Norfolk, two delightful children, a wife who brought with her a nice income from her father's paint firm, a Waterloo medal, and a painting on show at the Royal Academy Summer Exhibition. Then, a few months after Thomas Gage's fiftieth birthday, Julius Gooby enters his life. Mr Gooby is a man of the future, manager of the proposed North Norfolk Railway from Norwich to Cromer, and the route of the railway crosses Gage's land. With the railway comes tragedy, and Thomas Gage's life begins to unravel until, at the end, medal on his chest, he travels to London to watch the Duke of Wellington's funeral and to take his revenge. With Thomas Gage James Fleming has fashioned another historical fiction of the very first rank, a portrait of a good man undone by grief, by others' greed and, ultimately, by progress.

Thomas Eccleshare: I'm Not Here Right Now; Heather; Instructions for Correct Assembly (Oberon Modern Plays)

by Thomas Eccleshare

Collected together for the first time are four works by young British playwright Thomas Eccleshare, whose plays have been performed to national and international acclaim over the past decade. Plays One includes Pastoral (winner of the Verity Bargate Award, 2011), I'm Not Here Right Now, Heather, as well as Instructions for Correct Assembly, Eccleshare's most recent play, which premiered downstairs at the Royal Court in 2018. Exploring themes including parenthood, the power of stories, and the meaning of truth in the modern world, this collection presents one of the bright new writing talents in UK theatre.

Thomas Dekker and the Culture of Pamphleteering in Early Modern London

by Anna Bayman

Thomas Dekker (c.1572-1632) was a prolific playwright and pamphleteer chiefly remembered for his vivid and witty portrayals of everyday London life. This book uses Dekker’s prose pamphlets (published between 1613 and 1628) as a way in to a crucial and relatively neglected period of the history of pamphleteering. Under James I, after the aggressive Elizabethan exploitation of the new media, pamphleteers carved out a discursive space in which claims about truth and authority could be deconstructed. Avoiding the dangerous polemic employed by the Marprelate pamphleteers, they utilised playful, deliberately ambiguous language that drew readers’ attention to their own literary devices and games. Dekker shows pamphlets to be unstable and roguish, and the nakedly commercial imperatives of the book trade to be central to the world of Jacobean cheap print, as he introduces us to a world in which overlapping and competing discourses jostled for position in London’s streets, markets and pulpits. Contributing to the history of print and to the history of Jacobean London, this book also provides an appraisal of the often misunderstood prose works of an author who deserves more attention, especially from historians, than he has so far received. Critics are slowly becoming aware that Dekker was not the straightforward, simple hack writer of so many accounts; his works are complex and richly reward study in their own right as well as in the context of his more famous predecessors and contemporaries. As such this book will further contribute to a post-revisionist historiography of political consciousness and print cultures under the early Stuarts, as well as illuminate the career of a neglected writer.

Thomas Dekker and the Culture of Pamphleteering in Early Modern London

by Anna Bayman

Thomas Dekker (c.1572-1632) was a prolific playwright and pamphleteer chiefly remembered for his vivid and witty portrayals of everyday London life. This book uses Dekker’s prose pamphlets (published between 1613 and 1628) as a way in to a crucial and relatively neglected period of the history of pamphleteering. Under James I, after the aggressive Elizabethan exploitation of the new media, pamphleteers carved out a discursive space in which claims about truth and authority could be deconstructed. Avoiding the dangerous polemic employed by the Marprelate pamphleteers, they utilised playful, deliberately ambiguous language that drew readers’ attention to their own literary devices and games. Dekker shows pamphlets to be unstable and roguish, and the nakedly commercial imperatives of the book trade to be central to the world of Jacobean cheap print, as he introduces us to a world in which overlapping and competing discourses jostled for position in London’s streets, markets and pulpits. Contributing to the history of print and to the history of Jacobean London, this book also provides an appraisal of the often misunderstood prose works of an author who deserves more attention, especially from historians, than he has so far received. Critics are slowly becoming aware that Dekker was not the straightforward, simple hack writer of so many accounts; his works are complex and richly reward study in their own right as well as in the context of his more famous predecessors and contemporaries. As such this book will further contribute to a post-revisionist historiography of political consciousness and print cultures under the early Stuarts, as well as illuminate the career of a neglected writer.

Thomas De Quincey and the Cognitive Unconscious (Palgrave Studies in Literature, Science and Medicine)

by Markus Iseli

This book examines Thomas De Quincey's notion of the unconscious in the light of modern cognitive science and nineteenth-century science. It challenges Freudian theories as the default methodology in order to understand De Quincey's oeuvre and the unconscious in literature more generally.

Thomas de Quincey: Knowledge and Power (Romanticism in Perspective:Texts, Cultures, Histories)

by F. Burwick

This book examines what De Quincey called 'psychological criticism', a mode of studying how 'literature of power' arouses ideas and images dormant in the subconscious. He explores this 'power' by means of an introspective analysis of the effects produced in his own mind by reading Shakespeare and Milton, Wordsworth and Coleridge. Discussion of De Quincey's critical and narrative prose includes his skilled rewriting of a German forgery of a Waverly novel, as well as such better known works as 'Suspiria de Profundis', Murder Considered as one of the Fine Arts.' 'On the Knocking at the Gate in Macbeth', 'The English Mail-Coach,' and 'Wordsworth's Poetry.' New insight into each of these works is provided by drawing on a wealth of previously unpublished manuscripts.

Thomas Chatterton's Art: Experiments in Imagined History

by Donald S. Taylor

Thomas Chatterton's fabrications—or "forgeries"—of historical poems ostensibly written from the thirteenth through the fifteenth centuries have attracted a great deal of attention and discussion of their authenticity since the eighteenth century. Nevertheless, his works have never before been the subject of a sustained serious and critical investigation that focused on his artistic achievement rather than on the legend and myth surrounding his melodramatic life. Donald Taylor's study provides a thorough analysis of Chatterton's poems and to place them in the context of the poetic and literary traditions that influenced him. Setting his analyses within the contexts of "historic," heroic, satiric, pastoral, and descriptive modes, the author considers each of Chatterton's major works as solutions to the literary problems the poet set for himself, thus tracing the literary history of Chatterton's artistic development as a sequence of subjects and literary modes explored. As Professor Taylor amply demonstrates, Thomas Chatterton's brief career embodies important features of the literary transition from the Augustans to the Romantics and, contrary to traditional assumptions, shows that the historical worlds Chatterton imagined have close ties to the century and sensibility against which he is assumed to have rebelled.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Thomas Chatterton and Romantic Culture

by Nick Groom

Thomas Chatterton was a poet, forger, and adolescent suicide, and the debate over his work was a pivotal episode in the history of eighteenth-century literature. It ultimately established Chatterton as the inspiration for Romantic poets like Blake, Coleridge, and Keats. This book is a major collection of diverse new essays by scholars, critics, and writers like Peter Ackroyd and Richard Holmes. They show the mercurial Chatterton in exciting new contexts, and restore him as a seminal figure in English Literature.

Thomas Chatterton and Neglected Genius, 1760-1830

by Daniel Cook

Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett. His pseudo-medieval Rowley poems, in particular, engendered a renewed fascination with ancient English literature. With Chatterton as its case study, this book offers new insights into the formation and development of literary scholarship in the period, from the periodical press to the public lecture, from the review to the anthology, from textual to biographical criticism. Cook demonstrates that, while major scholars found Chatterton to be a pertinent subject for multiple literary debates in the eighteenth century, by the end of the Romantic period he had become, and still remains, an unsettling model of hubristic genius.

Thomas Browne: Selected Writings (21st-Century Oxford Authors)


This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature. Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include the hauntingly meditative Urn-Burial, and the elaborate The Garden of Cyrus, a work that borders on a madness of infinite pattern. Religio Medici, probably Browne's most famous work, is at once autobiography, intricate religious-scientific paradox, and a monument of tolerance in the era of the English civil war. This volume also includes his Pseudodoxia Epidemica, an encyclopaedia of error which contains within its vast remit the entire intellectual landscape of the seventeenth century-its science, its natural history, its painting, its history, its geography and its biblical oddities. The volume enables students to experience the ways in which Browne brings his lucid, baroque and stylish prose to bear across this range of diverse material, together with a carefully poised wit. This volume contains almost all of the author's work that was published in his lifetime, as well as a selection of writings published after his death. Explanatory notes and commentary are included, to enhance the study, understanding, and enjoyment of these works, and the edition includes an Introduction to the life and works of Browne.

The Thomas Berryman Number

by James Patterson

You are about to read one of the classic novels of suspense by the world's bestselling thriller writer.It starts with three terrifying murders in the American South. It ends with a relentless and unforgettable manhunt in the North.In between is the gripping story of a ruthless assassin, the woman he loves, and the beloved leader he is hired to kill.

Thomas Bernhards Theaterstücke: Metzler Studienausgabe

by Christian Klug

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Showing 20,151 through 20,175 of 100,000 results