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Writing the Short Film

by Patricia Cooper Ken Dancyger

The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

Writing the Short Film

by Patricia Cooper Ken Dancyger

The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

Writing Women for Film & Television: A Guide to Creating Complex Female Characters

by Anna Weinstein

This book is a detailed guide to creating complex female characters for film and television. Written for screen storytellers of any level, this book will help screenwriters and filmmakers recognize complicated portrayals of women on screen and evaluate the complexity of their own characters. Author Anna Weinstein provides a thorough analysis of key female characters in film and television, illustrating how some of our greatest screenwriters have developed smart, nuanced, and intriguing characters that successfully portray the female experience. The book features in-depth discussions of women’s representation both on screen and behind the scenes, including interviews with acclaimed women screenwriters and directors from around the globe. These conversations detail their perspectives on the relevance of women’s screen stories, the writing and development processes of these stories, and the challenges in getting female characters to the screen. With practical suggestions, exercises, guidelines, and a review of tired clichés to avoid, this book leaves readers prepared to draw their own female characters with confidence. A vital resource for screenwriters, filmmakers, and directors, whether aspiring or already established, who seek to champion the development of rich, layered, and unforgettable female characters for film and television.

Writing Women for Film & Television: A Guide to Creating Complex Female Characters

by Anna Weinstein

This book is a detailed guide to creating complex female characters for film and television. Written for screen storytellers of any level, this book will help screenwriters and filmmakers recognize complicated portrayals of women on screen and evaluate the complexity of their own characters. Author Anna Weinstein provides a thorough analysis of key female characters in film and television, illustrating how some of our greatest screenwriters have developed smart, nuanced, and intriguing characters that successfully portray the female experience. The book features in-depth discussions of women’s representation both on screen and behind the scenes, including interviews with acclaimed women screenwriters and directors from around the globe. These conversations detail their perspectives on the relevance of women’s screen stories, the writing and development processes of these stories, and the challenges in getting female characters to the screen. With practical suggestions, exercises, guidelines, and a review of tired clichés to avoid, this book leaves readers prepared to draw their own female characters with confidence. A vital resource for screenwriters, filmmakers, and directors, whether aspiring or already established, who seek to champion the development of rich, layered, and unforgettable female characters for film and television.

Writings, 1922-1934: Sergei Eisenstein Selected Works, Volume 1

by Sergei Eisenstein

I.B. Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Now in paperback for the first time, Volume 1 documents from the definitive Russian texts the complex course of Sergei Eisenstein's writings during the revolutionary years in the Soviet Union. It presents Eisenstein the innovative aesthetic thinker, socialist artist and humourist, passionately engaged in the debates over the art forms of the future. Importantly, this was also the period of Eisenstein's great silent masterpieces, 'The Strike', 'The Battleship Potemkin', 'October' and 'The General Line', and of his controversial sojourns in Hollywood and Mexico.

Writings, 1934-1947: Sergei Eisenstein Selected Works, Volume 3

by Sergei Eisenstein

Sergei Mikhailovich Eisenstein (1898-1948) was not only one of the world's greatest film-makers; he was also one of the greatest theorists and teachers of film and one of the most original aesthetic thinkers of the twentieth century. Before the initial publication of Selected Works however, only fragmentary selections from his writings had been available in English and little had been published that made use of the wealth of material that had become available in Russian in the late Soviet period and beyond. Selected Works, now published in three paperback volumes, has revolutionised our knowledge and understanding of Eisenstein as a writer and thinker.In the period covered by this volume, which follows on from Volume 1: Writings 1922-34 and parallels Volume 2: Towards a Theory of Montage, Eisenstein's film-making ran into the difficulties generated by the Soviet authorities' increasingly restrictive definition of Socialist Realism, by the show trials and the purges, the Second World War, and the post-war proclamation of rigid cultural orthodoxy by Stalin's henchman, Andrei Zhdanov.In this volume, we experience Eisenstein's reaction to this hostile environment, as film-maker, theorist and teacher, from his public obeisance over Bezhin Meadow to his private defiance with Ivan the Terrible.

Written on the Wind (BFI Film Classics)

by Peter William Evans

Written on the Wind (1956) is one of classical Hollywood's most striking films andranks among Douglas Sirk's finest achievements. An intense melodrama aboutan alcoholic playboy who marries the woman his best friend secretly loves,the film is highly stylised, psychologically complex, and marked by Sirk'scharacteristic charting of the social realities of 1950s America. This first single study of Written on the Wind reassesses the film's artisticheritage and place within the wider framework of contemporary Americanculture. Incorporating original archival research, Peter William Evans examinesthe production, promotion and reception of Written on the Wind, exploring itsthemes – of time, memory, space, family, class and sex – as well as its brillianceof form. Its vivid aesthetics, powerful performances and profound treatmentof human emotions, make Written on the Wind a masterpiece of Hollywoodmelodrama.

Wyndham Lewis: Collected Poems and Plays

by Wyndham Lewis

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

Wyndham Lewis: Collected Poems and Plays

by Alan Munton C. H. Sisson

At the beginning of his career Wyndham Lewis (1882-1957) wrote vigorous poetry, and plays which in their form and vehement characterisation resemble the later work of Samuel Beckett. This volume includes major works: One-Way Song , and Enemy of the Stars in its two very different versions, as well as other writings that can now be seen as central to the formation of Lewis's work. The plays and poems crackle with ferocious energy, concentrated and brilliant, as Lewis creates a literary equivalent to the visual revolutions of Cubism and Vorticism. He explores how an artist should think and write in an oppressive world, the relationship between imagination and action. This edition, with Alan Munton's annotations, is a definitive text based on Lewis's own final corrections. An introduction by C.H. Sisson places these radical works in the context of Lewis's other writings.

X Films: True Confessions of a Radical Filmmaker

by Alex Cox

British Cinema's oldest enfant terrible'. So remarked Philip French of Alex Cox, a description its recipient fully approves of. Alex Cox is the genuine article - a radical, international, independent filmmaker, who is also a good writer, insightful commentator on contemporary cinema and an expert critic of the power of Hollywood who grew up with a passion for the pictures. This book has as its centre the filmmaking autobiography of a fine director, the journey through all his major films and how they were made, including his new film, now in production. Cox takes us to varied locations, including the US, Mexico, and Nicaragua, where he made 'Walker' with the cooperation of the Sandinista government. His book is full of fresh ideas and rare insights into many films of different genres and the people he has worked with, including such greats as Dennis Potter and Harry Dean Stanton.As well as being the confessions of a radical filmmaker, 'X Films' is also the most readable working manual yet for the independent filmmaker. Enfant terrible he may be, but Alex Cox is also ahead of the game and is a pioneer and promoter of new forms of filmmaking for the cultural revolutionaries of the 21st century - visual, visceral but interactive, with multiple narrative possibilities.

The X List: The National Society of Film Critics' Guide to the Movies That Turn Us On

by Jami Bernard

National Society of Film Critics dares to go where few mainstream critics have gone before-to the heart of what gets the colored lights going, as they say in A Streetcar Named Desire. Here is their take on the films that quicken their (and our) pulses-an enterprise both risky and risque, an entertaining overview of the most arousing films Hollywood has every produced. But make no mistake about it: This isn't a collection of esoteric "critic's choice" movies. The films reflect individual taste, rubbing against the grain of popular wisdom. And, because of the personal nature of the erotic forces at play, these essays will reveal more about the individual critics than perhaps they have revealed thus far to their readers. The Society is a world-renowned, marquee-name organization embracing some of America's most distinguished critics, more than forty writers who have followings nationally as well as devoted local constituencies in such major cities as New York, Chicago, Los Angeles, Boston, Philadelphia, Atlanta, and Minneapolis.Yes, The X List will have something for every lover of film-and for every lover.

Xiangsheng and the Emergence of Guo Degang in Contemporary China

by Shenshen Cai Emily Dunn

This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.

Y Tu Mamá También: Mythologies of Youth (Cinema and Youth Cultures)

by Scott L. Baugh

Charting production, distribution, censorship, and reception, this book examines Y Tu Mamá También in its presentation as a journey of self-discoveries. Three young adults enjoy a road trip together in search of a legendary beach. Behind their stories are mythologies of youth, a network of ideas in the film that reflects life outside the theaters. The deceptively complex film leaves the characters and its viewers with, instead of oversimplified and hollow answers, provocative questions and existential concerns. Made independently in Mexico, the film crosses over transnational issues, global markets, and mainstream and alternative aesthetics. It transforms road movie and youth film genres and shows a ‘musical, magical’ Mexico to the world. This book synthesizes several approaches in order to extensively examine Y Tu Mamá También. Covering the film’s production history, its distribution and censorship, and larger industrial, political, and cultural contexts, this book analyzes the too-often overlooked aspects of youthful sexuality alongside figurations of maturity, rites of passage, and covenants—made, broken, and remade—that not only inform representations of identity but also complicate the processes of identity formation themselves.

Y Tu Mamá También: Mythologies of Youth (Cinema and Youth Cultures)

by Scott L. Baugh

Charting production, distribution, censorship, and reception, this book examines Y Tu Mamá También in its presentation as a journey of self-discoveries. Three young adults enjoy a road trip together in search of a legendary beach. Behind their stories are mythologies of youth, a network of ideas in the film that reflects life outside the theaters. The deceptively complex film leaves the characters and its viewers with, instead of oversimplified and hollow answers, provocative questions and existential concerns. Made independently in Mexico, the film crosses over transnational issues, global markets, and mainstream and alternative aesthetics. It transforms road movie and youth film genres and shows a ‘musical, magical’ Mexico to the world. This book synthesizes several approaches in order to extensively examine Y Tu Mamá También. Covering the film’s production history, its distribution and censorship, and larger industrial, political, and cultural contexts, this book analyzes the too-often overlooked aspects of youthful sexuality alongside figurations of maturity, rites of passage, and covenants—made, broken, and remade—that not only inform representations of identity but also complicate the processes of identity formation themselves.

Y Tu Mamá También (BFI Film Classics)

by Paul Julian Smith

Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema. Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment. Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.

Y Tu Mamá También (BFI Film Classics)

by Paul Julian Smith

Y Tu Mamá También (2001), an intelligent and sensual road movie directed by Alfonso Cuarón and co-written by him and his brother Carlos, is both an acclaimed feature by a director who would go on to win Oscars and a box office success abroad and in its native Mexico, where it was the biggest grossing local film of all time. Its teenage protagonists Gael García Bernal and Diego Luna went on to be major stars of global cinema. Yet on its release the film was vilified by established Mexican critics as a coarse comedy and 'Penthouse fantasy' of youthful lust for an older woman. Paul Julian Smith's lucid study of the film argues that Y Tu Mamá También not only addresses with playful seriousness such major issues as gender, race, class, and space, which are yet more urgent now than they were on its release; but that the film's apparently casual aesthetic masks a sophisticated audiovisual style, one which brings together popular genre film and auteurist experiment. Smith suggests Y Tu Mamá También remains an example for world cinema of how a very local film can connect with a global audience that is ignorant of such niceties. Combining production and distribution history, based on unexplored material held in Mexico City archives, with close textual analysis, Smith makes an argument for Cuarón's film as an enduring masterpiece that hides in plain sight as an ephemeral teen movie.

Yash Chopra (World Directors)

by Rachel Dwyer

As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.

Yash Chopra (World Directors)

by Rachel Dwyer

As a charismatic director in the Indian film industry, Chopra's name is synonymous with the glamour of the romantic film and a certain style within Indian culture. Spanning four decades, his directed features include some of the classic films of Indian film history, such as 'Deewaar' and 'Kabhi Kabhie'. His directorial career began in 1959 with 'Dhool Ka Phool' and he has been a major producer since 1973, consolidating his success in the 1990s with a series of huge box office hits including 'Dilwale Dulhaniya Le Jayenge'. He has also worked in other Hindi movie genres, directing action movies such as 'Mashaal' and a thriller, 'Darr'. This book discusses in depth his work with the Hindi megastar Amitabh Bachanan in films such as 'Deewaar', 'Trishul', 'Kala Patthar' and 'Silsila' and how, in his transformation of the look of mainstream cinema in 'Dil To Pagal Hai' and other films, Yash Chopra has proved to be a tireless innovator within a mainstream tradition. The author integrates this analysis with information about the man and his work, based on interviews with Yash Chopra, his family, his colleagues, his stars, his contemporaries and major critics that include views from Amitabh Bachchan, Shahrukh Khan, Shashi Kapoor and Sri Devi. A study of a top contemporary Indian film director, Rachel Dwyer's book also examines the influence on Chopra of predecessors such as Raj Kapoor and how his own legacy can be seen in such films as 'Kuch Kuch Hota Hai' and younger directors such as Karan Johar and Aditya Chopra.

Yeah, Nah!: A celebration of life and the words that make us who we are

by William McInnes

Have you ever bunged it on?Behaved like a drongo?Added mayo to a story?Lost your Reg Grundies?Join bestselling storyteller William McInnes as he offers his own take on our colourful and colloquial way with words. From the simpler times of childhood to today's testing (and unprecedented!) times, or when we're wasting time, enjoying sporting times or hitting the big time, Australians have a turn of phrase for every situation. Our love of plain speaking communicates the essence of the thing to our mates, to those in the know - and to those who should know better.Part memoir, part manifesto, this warm, witty, poignant and laugh-out-loud funny collection will have you thinking about what you say, how you say it and what that really says about us as a nation. Praise for the writing of William McInnes'Warm and engaging . . . feels a little bit like home' Daily Telegraph'If there is a quintessence of Australia at its best, William McInnes has distilled it' The Age'Warm, nostalgic, funny and undeniably Australian' Sydney Morning Herald

A Year at the Chateau: As seen on the hit Channel 4 show

by Dick Strawbridge Angel Strawbridge

Like many couples, Dick and Angel had long dreamed of living in France, but where others might settle for a modest bolthole in the French countryside, the Strawbridges fell in love with a 19th-century fairytale château, complete with 45 rooms, seven outbuildings, 12 acres of land and its own moat.Throwing caution to the wind, Dick and Angel swapped their two-bedroom flat in East London for an abandoned and derelict castle in the heart of the Loire valley and embarked on the adventure of a lifetime with their two young children Arthur and Dorothy.Sharing their full journey for the first time, A Year at the Château follows Dick and Angel from when they first moved to France in the depths of winter and found bedrooms infested with flies, turrets inhabited by bats, the wind rattling through cracked windows, and just one working toilet, which flushed into the moat, through to the monumental efforts that went into readying the château for their unforgettable wedding and their incredibly special first Christmas.Along the way we'll read glorious descriptions of rural life in France, with charming characters, delicious food and wonderful seasonal produce, together with the extraordinary list of renovations and restorations Dick and Angel completed, many of which were never shown on TV.As warm and entertaining as their much-loved show, A Year at the Château is a truly irresistible story of adventure and heart, epic ambitions and a huge amount of hard graft.

A Year of Doing Good: One Woman, One New Year's Resolution, 365 Good Deeds

by Judith O'Reilly

Judith O'Reilly, author of the hugely popular blog and book Wife in the North embarks on a year long social experiment in the witty A Year of Doing Good.Fed up of New Year's resolutions involving diets and exercise abandoned on January 2nd, Judith is attempting to be good. For one whole year.She embarked on a mission to do one good deed every day. Some called it a social experiment. At times she called it madness.Juggling family, friends and a variety of neighbours in the small Northumberland village she calls home, she recounts the ups, downs, moments of doubt and sheer bloody hard work of doing good. From the small - babysitting a friend's child, clearing up her neighbour's dead mice and feeding her friendship cake Herman the German, to the slightly larger - trying to raise £10,000 for charity with her Jam Jar Army and teaching a severely handicapped child to write - she describes what she learns along the way: that no good deed is too small and that being good makes you happy. Well, most of the time.'A funny, uplifting and admirable book' Observer 'Banish January blues with A Year of Doing Good by Judith O'Reilly who resolved to do one good turn day. . . utterly uplifting' Woman & Home 'Fizzing with energy Judith's writing is open-hearted and funny. . . though not a guide to doing good, Judith's story may inspire you to do a little more for others this year' Express 'Glorious sincerity. . .the admiring accounts of others' lives, the detailing of the deeds gladly done or furiously resented, the unending chaos of family life - all are rendered honestly, colourfully and occasionally hilariously' Lucy Mangan, Sunday Times A Year of Doing Good inspires the reader with the day-to-day journey of meaning, gratification and joy that comes from contributing to the lives of others in so many creative ways. For those who want to put "do unto others" in the centre of their lives and reap the unexpected benefits of happiness and health, this is the book for you. Elegantly written, the words jump off the page' Stephen G. Post, PhD, author of The Hidden Gifts of HelpingJudith O'Reilly is a writer and journalist. Her first book Wife in the North was based on her blog of the same name and was a bestseller. Her second book, a novel, is living in a drawer. Her third book is this one. She is married with three children, and for one year she tried to be good.

Year of the Monkey

by Patti Smith

From the National Book Award-winning author of Just Kids and M Train, a profound, beautifully realized memoir in which dreams and reality are vividly woven into a tapestry of one transformative year. Following a run of New Year's concerts at San Francisco's legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland, with no design yet heeding signs, including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger's words, “Anything is possible: after all, it's the year of the monkey.” For Patti Smith - inveterately curious, always exploring, tracking thoughts, writing the year evolves as one of reckoning with the changes in life's gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the Western landscape with her own dreamscape. Taking us from Southern California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places - this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment. But as Patti Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope of a better world. Riveting, elegant, often humorous, illustrated by Smith's signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times.

A Year of Weeks: 52 Awesome Weeks of Trying New Things

by Erica Root

Full of charming illustrations and inspiring prompts, A Year of Weeks is an interactive, imagination-sparking road map for a year of trying new things—broken into fifty-two exciting, achievable activities. From drinking enough water to trying out hand lettering, readers will delight in the engaging challenges and perspective-expanding activities curated by artist Erica Root in A Year of Weeks. Drawing on a wide range of prompts—from the practical to the dreamy—each week offers opportunities to try new things. And with each day broken down to bite-sized morsels and accomplishable goals, like dusting small corners or learning how to draw animal mugs, this adorable book has a little something for everyone in search of inspiration—from those who love decluttering to those who love lists. Through engaging activities and imagination-sparking illustrations, A Year of Weeks offers endless opportunities for enriching your life—one week at a time.

A Year on Our Farm: How the Countryside Made Me

by Matt Baker

Escape into nature with Matt Baker in his first ever book - a diary of the natural year and a glimpse into family life on the farmPeppered with his hand drawn sketches and moments from his TV career throughout, this is a heartfelt and fascinating insight into Matt's life outside of our TV screens_______Matt Baker is at his happiest on the farm.Away from the bright lights of hosting our favourite television programmes, Countryfile, The One Show, Blue Peter and many more, he is often in the company of his family, dogs, array of sheep, Mediterranean miniature donkeys and a whole host of wildlife in the farm's ancient woodland.Now, following the ever-changing seasons, Matt takes us on a journey with his family on the farm.We see woodland animals emerge after a long winter of hibernation, hear the dawn chorus in the height of summer and see the preparations unfold for the harsh and wild winter months.Peppered with hand drawn sketches, unforgettable moments from his TV career and stories of a landscape you'll fall in love with, Matt offers readers a touching insight into life on the farm, and how the power and beauty of the countryside can be an inspiration and source of joy for all of us.A celebration of the natural year, Matt Baker takes us on a journey through the seasons, his life on the farm and how the power and beauty of the countryside has made him who he is.

Yearbook

by Seth Rogen

Hi! I'm Seth! I was asked to describe my book, Yearbook, for the inside cover flap (which is a gross phrase) and for websites and shit like that, so... here it goes!!! Yearbook is a collection of true stories that I desperately hope are just funny at worst, and life-changingly amazing at best. (I understand that it's likely the former, which is a fancy "book" way of saying "the first one.") I talk about my grandparents, doing stand-up comedy as a teenager, bar mitzvahs and Jewish summer camp, and tell way more stories about doing drugs than my mother would like. I also talk about some of my adventures in Los Angeles, and surely say things about other famous people that will create a wildly awkward conversation for me at a party one day. I hope you enjoy the book should you buy it, and if you don't enjoy it, I'm sorry. If you ever see me on the street and explain the situation, I'll do my best to make it up to you.

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