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The Grateful Dead Reader (Readers on American Musicians)


Arranged in chronological order, these pieces add up to nothing less than a full-scale history of the greatest tour band in the history of rock. From Tom Wolfe's account of the Dead's first performance as the Grateful Dead (at an Acid Test in 1965), to Ralph Gleason's 1967 interview with the 24-year-old Jerry Garcia, to Mary Eisenhart's obituary of the beloved leader of the band, these selections include not only outstanding writing on the band itself, but also superb pieces on music and pop culture generally. Fans will be fascinated by the poetry, fiction, drawings, and rare and revealing photographs featured in the book, as well as the anthology's many interviews and profiles, interpretations of lyrics, and concert and record reviews. Still, The Grateful Dead was more than a band--it was a cultural phenomenon. For three decades it remained on one unending tour, followed everywhere by a small army of nomadic fans. This phenomenon is both analyzed and celebrated here, in such pieces as Ed McClanahan's groundbreaking article in Playboy in 1972, fan-magazine editor Blair Jackson's 1990 essay on the seriousness of the drug situation at Dead concerts, and Steve Silberman's insightful essays on the music and its fans.

Pulp Fiction (BFI Film Classics)

by Dana Polan

Dana Polan sets out to unlock the style and technique of 'Pulp Fiction'. He shows how broad Tarantino's points of reference are, and analyzes the narrative accomplishment and complexity. In addition, Polan argues that macho attitudes celebrated in film are much more complex than they seem.

An Accented Cinema: Exilic and Diasporic Filmmaking

by Hamid Naficy

In An Accented Cinema, Hamid Naficy offers an engaging overview of an important trend--the filmmaking of postcolonial, Third World, and other displaced individuals living in the West. How their personal experiences of exile or diaspora translate into cinema is a key focus of Naficy's work. Although the experience of expatriation varies greatly from one person to the next, the films themselves exhibit stylistic similarities, from their open- and closed-form aesthetics to their nostalgic and memory-driven multilingual narratives, and from their emphasis on political agency to their concern with identity and transgression of identity. The author explores such features while considering the specific histories of individuals and groups that engender divergent experiences, institutions, and modes of cultural production and consumption. Treating creativity as a social practice, he demonstrates that the films are in dialogue not only with the home and host societies but also with audiences, many of whom are also situated astride cultures and whose desires and fears the filmmakers wish to express. Comparing these films to Hollywood films, Naficy calls them "accented." Their accent results from the displacement of the filmmakers, their alternative production modes, and their style. Accented cinema is an emerging genre, one that requires new sets of viewing skills on the part of audiences. Its significance continues to grow in terms of output, stylistic variety, cultural diversity, and social impact. This book offers the first comprehensive and global coverage of this genre while presenting a framework in which to understand its intricacies.

Action TV: Tough-Guys, Smooth Operators and Foxy Chicks

by Anna Gough-Yates Bill Osgerby Anna Gough Yates

From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present.Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature.Chapters include:* Of leather suits and kinky boots: The Avengers, style and popular culture* 'Who loves ya, baby?': Kojak, action and the great society*'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider* Angels in chains? feminism, femininity and consumer culture in Charlie's Angels* 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies

Action TV: Tough-Guys, Smooth Operators and Foxy Chicks

by Bill Osgerby Anna Gough-Yates

From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present.Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature.Chapters include:* Of leather suits and kinky boots: The Avengers, style and popular culture* 'Who loves ya, baby?': Kojak, action and the great society*'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider* Angels in chains? feminism, femininity and consumer culture in Charlie's Angels* 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies

Alan Bennett: A Critical Introduction (Studies in Modern Drama)

by Joseph O'Mealy

Alan Bennett is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play, The Madness of King George. O'Mealy points out that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life, a'la sociologist Ervin Goffman.

Alan Bennett: A Critical Introduction (Studies in Modern Drama)

by Joseph O'Mealy

Alan Bennett is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play, The Madness of King George. O'Mealy points out that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life, a'la sociologist Ervin Goffman.

The Alexander Technique For Actors (Performance Books)

by Kelly McEvenue

This practical book with illustrations links Alexander technique to acting, dancing and singing by the trainer of performers on The Lion KingThe Alexander Technique is a method of physical relaxation that reduces tension and strain throughout the body. It promotes a beneficial use of movement that is stress-free by learning to free-up the body. It teaches an individual to use their body efficiently in order to avoid damage or loss of control. Kelly McEvenue has been teaching the Alexander Technique to performers for nearly twenty years and is a world expert on the system. In this book she draws on her considerable experience and sets up a series of set-by-step warm-ups and exercises that anybody can follow. The exercises are linked to accurate anatomical drawings, showing where stress is most pronounced in the body.The Foreword is by Patsy Rodenburg, Head of Voice for the Royal National Theatre and author of Methuen titles The Right to Speak and The Actor Speaks.

All of Me: My Extraordinary Life

by Barbara Windsor

This ebook edition contains the full text version as per the book. Doesn't include original photographic and illustrated material. Born in the East End of London just before the war, Barbara Windsor made her first stage appearance at the age of 13. From her early roles as the original Carry On dolly bird to her hit as Peggy Mitchell in the award-winning BBC drama EastEnders, her spectacular success in theatre, film and TV has made her a British icon - the Cockney kid with a dazzling smile and talent to match. Here, for the first time, she talks in depth about the people and events that have shaped her career: her lonely childhood, her doomed marriage to Ronnie Knight, her legendary affairs, how she has never let her fans down whatever her personal anguish. This is the heart-warming story of a courageous woman and consummate performer who has always made sure the show goes on.

Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation

by S. Napier

With the popularity of Pokemon still far from waning, Japanese animation, known as anime to its fans, has a firm hold on American pop culture. However, anime is much more than children's cartoons. It runs the gamut from historical epics to sci-fi sexual thrillers. Often dismissed as fanciful entertainment, anime is actually quite adept at portraying important social and cultural issues like alienation, gender inequality, and teenage angst. This book investigates the ways that anime presents these issues in an in-depth and sophisticated manner, uncovering the identity conflicts, fears over rapid technological advancement, and other key themes present in much of Japanese animation.

Art History as Cultural History: Warburg's Projects (Critical Voices in Art, Theory and Culture)

by Richard Woodfield

This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's Reflections on the History of Art (1987), Gombrich on Art and Psychology (1996), The Essential Gombrich (1996), and a volume on Riegl in the Critical Voices in Art, Theory and Culture series. He is also the General Editor of a new series of books for G+B Arts International, Aesthetics and the Arts. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.

Art History as Cultural History: Warburg's Projects (Critical Voices in Art, Theory and Culture)

by Richard Woodfield

This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's Reflections on the History of Art (1987), Gombrich on Art and Psychology (1996), The Essential Gombrich (1996), and a volume on Riegl in the Critical Voices in Art, Theory and Culture series. He is also the General Editor of a new series of books for G+B Arts International, Aesthetics and the Arts. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.

Audition Speeches for Women (Audition Speeches)

by Jean Marlow

This revised edition contains several new speeches, many of which are taken from plays written and produced during the last five years. There are speeches for a variety of accents and ages to suit all audition requirements. An introductory section contains invaluable comments from directors, casting directors, actors and teachers. Among those contributing are Sir Peter Hall, National Theatre Director and founder of the Royal Shakespeare Company; Robert Palmer, voice teacher at the Royal Academy of Dramatic Art; casting director Doreen Jones; Tim Reynolds, Principal of the Academy Drama School; stage and film dialect coach Penny Dyer; and Barry Grantham, director and exponent of Commedia dell'Arte.

Audition Speeches for Women

by Jean Marlow

Audition Speeches for Women is an invaluable resource for acting classes, competitions, auditions, and rehearsals, and an affordable and necessary tool for serious actors everywhere.

Audition Speeches for Women

by Jean Marlow

Audition Speeches for Women is an invaluable resource for acting classes, competitions, auditions, and rehearsals, and an affordable and necessary tool for serious actors everywhere.

Audrey Hepburn: Fair Lady of the Screen

by Ian Woodward

In this first major study of the captivating life of Audrey Hepburn, Ian Woodward uncovers the truly sensational story of one of Hollywood's most enduring legends. Ranked number 50 in Empire Magazine's 'Top 100 Movie Stars of All Time', her appeal as a screen icon is set to last for years to come.From her roles in such legendary films as Breakfast at Tiffany's and her Oscar-winning performance in Roman Holiday, to her lovers and the pain of losing a child, this revealing biography is essential reading for Hepburn and film fans alike.

Basic Betacam Camerawork (Media Manuals Ser.)

by Peter Ward

Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats: Betacam, Digital Beta, Betacam SX and DV & DVCAM. Step-by-step instructions are given covering everything from pre-recording checklists, to technical camera specifications, instruction on exposure and lighting, composition, editing and sound and techniques for different programme styles. Aimed at TV camera operators just starting out and film cameramen and women converting to video this book will also appeal to students on film and television production courses.Peter Ward is a freelance cameraman and trainer working with the International Television Training Consultancy and ex-Chairman of the Guild of Television Cameramen. He spent many years working on a variety of programmes at the BBC before becoming Head of Cameras at Television South West. Peter is author of the following books for Focal Press: Digital Video Camerawork, Picture Composition for Film and Video , Studio & Outside Broadcast Camerawork, TV Technical Operations and co-author of Multiskilling for TV Production.Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats.

Basic Betacam Camerawork

by Peter Ward

Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats: Betacam, Digital Beta, Betacam SX and DV & DVCAM. Step-by-step instructions are given covering everything from pre-recording checklists, to technical camera specifications, instruction on exposure and lighting, composition, editing and sound and techniques for different programme styles. Aimed at TV camera operators just starting out and film cameramen and women converting to video this book will also appeal to students on film and television production courses.Peter Ward is a freelance cameraman and trainer working with the International Television Training Consultancy and ex-Chairman of the Guild of Television Cameramen. He spent many years working on a variety of programmes at the BBC before becoming Head of Cameras at Television South West. Peter is author of the following books for Focal Press: Digital Video Camerawork, Picture Composition for Film and Video , Studio & Outside Broadcast Camerawork, TV Technical Operations and co-author of Multiskilling for TV Production.Basic Betacam Camerawork offers a complete introduction to both the analogue and digital beta camera formats.

Basics of the Video Production Diary (Basics Of Video Ser.)

by Des Lyver

Video production requires a high degree of organization to be a success. Good organization will require a proper diary to be kept of your production. It is the understanding of the paperwork and its organization that will make your production either a success or a failure.Explained in accessible terms and assuming little prior knowledge of the subject, this book will help you to: plan successful procedures for all stages of a video production; produce paperwork logically to get professional results; understand the basic principles of setting up and running your own business; avoid common (and costly) pitfalls. If you are a student who wishes to learn about all aspects of planning and documenting a video production, from conceptualization right through to final screening, this book is for you. It is particularly suitable for the City and Guilds Media Techniques Certificate: Television and Video Production Competences. This book complements the other three titles in the series, which allow you to understand the overall process of video production, and then look in more detail at sound and lighting.

Basics of the Video Production Diary

by Des Lyver

Video production requires a high degree of organization to be a success. Good organization will require a proper diary to be kept of your production. It is the understanding of the paperwork and its organization that will make your production either a success or a failure.Explained in accessible terms and assuming little prior knowledge of the subject, this book will help you to: plan successful procedures for all stages of a video production; produce paperwork logically to get professional results; understand the basic principles of setting up and running your own business; avoid common (and costly) pitfalls. If you are a student who wishes to learn about all aspects of planning and documenting a video production, from conceptualization right through to final screening, this book is for you. It is particularly suitable for the City and Guilds Media Techniques Certificate: Television and Video Production Competences. This book complements the other three titles in the series, which allow you to understand the overall process of video production, and then look in more detail at sound and lighting.

The Battleship Potemkin: The Film Companion (KINOfiles Film Companion)

by Richard Taylor

Thought by many to be the greatest film ever made, 'The Battleship Potemkin' directed by Sergei Eisenstein is a key film in the history of Russian and of world cinema. Based on a mutiny in Odessa during the 1905 Revolution, the film is noted as a pioneering milestone in the development of world cinema - especially Eisenstein's breathtaking editing. Richard Taylor is a major authority on Eisenstein and his lively companion to Potemkin will be widely welcomed.This _KINOfile_ investigates the production, context and critical reception of the film and the people who made it, and provides an analysis of the film itself and its place in Russian and world cinema.

Behind the Shades: The 20th Anniversary Edition

by Clinton Heylin

In virtually all areas of Dylan's life - his immigrant antecedents, his business dealings, his various addictions and his romantic attachments - Heylin is able to provide a fascinating picture of a man who changed the whole course of popular music in the sixties and, over thirty years later, won three Grammys. Heylin has given full weight to Dylan's own words and those of his closest associates, with over 250 people quoted in the book, helping to provide a portrait of a complex figure. Including 60,000 words of brand new material - dealing with Dylan's four twenty-first century albums; his archival audio-visual projects; his third film; his series of paintings and exhibitions; his autobiography, Chronicles; and his ongoing romantic liaisons and 'missing' marriages - this fully updated story of Dylan provides a monumental overview of the Man and his Music.

Bertrand Blier (French Film Directors Series)

by Sue Harris

The most complete study of Blier's work to date, Harris traces the director's career from the early 1960s until the present. Outlines the forms, themes and style which dominate in Blier's work, and challenges the many labels that have been used to describe both the corpus of films and the man himself. Provides an original and controversial discussion of Blier's alleged 'misogyny', and invites the reader to understand the scatological and corporeal aspects of Blier's filmmaking in terms of long-established traditions of popular dramatic culture. Brings to light the comic mechanisms underpinning Blier's films and identifies strategies which navigate through one of the most entertaining and disconcerting bodies of work of recent years. The first book on Blier published in English.

Billy Wilder: The iconic writer, producer and director (Pocket Essentials Ser.)

by Glenn Hopp

A bullet-riddled body floats in the pool of a faded screen star. A desperate wife and a crafty insurance man mix lust with murder. Two musicians flee Prohibition gangsters by joining an all-girl band. A likeable loser climbs the corporate ladder by pimping for his bosses. Only in the skewed world of Billy Wilder would such situations provide the context for classic cinema: Sunset Boulevard, Double Indemnity, Some Like It Hot, and The Apartment. Over a career longer than that of any other celebrated film-maker, Wilder has co written and directed an enduring body of work noted for its range, intelligence, wit, and bracing, if off-kilter, morality. A master of many genres, the six-time Oscar winner has given the world classic comedies (Ninotchka, The Seven Year Itch), romances (Sabrina, Love In The Afternoon), and dramas (The Lost Weekend, Stalag 17). Even movies once dismissed as failures (Ace In The Hole; Kiss Me, Stupid) now attract admiring fans. Examine the many sides of Billy Wilder: writer, producer, director, quipster, iconoclast, mensch. What's in this book? As well as an introductory essay, each of Wilder's Hollywood films is individually reviewed and analyzed. The reference section assesses books on Wilder. Don't end up with the fuzzy end of the lollipop or the squeezed-out tube of toothpaste! Discover a great filmmaker-or get to know him even better. 'Pocket Essentials embody the axiom that it's possible to distill all the vitals of a topic into a short, cheap volume. Hopp captures Wilder's fizzy cocktail of mittel-European sceptic and hard-boiled hustler' - Richard Armstrong - Audiencemag.com 'Glenn Hopp writes authoritatively and analytically... ' - Sunday Telegraph

The Bodies That Were Not Ours: And Other Writings

by Coco Fusco

Interdisciplinary artist and writer Coco Fusco is one of North America's leading interpreters of intercultural theory and practice. This volume gathers together her finest writings since 1995 and includes critical essays by Jean Fisher and Caroline Vercoe that interpret her work.Engaging and provocative, these essays, interviews, performance scripts and fotonovelas take readers on a tour of our current multicultural landscape. Fusco explores such issues as sex tourism in Cuba as a barometer of the island's entry into the global economy, Frantz Fanon's theorization of metropolitan blackness, and artistic and net activist responses to the effects of free trade on the Mexican populace. She interviews such postcolonial personnae as Isaac Julien, Hilton Als and Tracey Moffatt. Approaching the dynamics of cultural fusion from many angles, Fusco's satires, commentaries, and sociological inquiries collapse boundaries, and form a sustained meditation on how the forces of globalization impact upon the making of art.

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