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Draft of a Letter (Phoenix Poets)
by James LongenbachFrom Second Draft: What other people learn From birth, Betrayal, I learned late. My soul perched On an olive branch Combing itself, Waving its plumes. I said Being mortal, I aspire to Mortal things. I need you, Said my soul, If you’re telling the truth. Draft of a Letter is a book about belief—not belief in the unknowable but belief in what seems bewilderingly plain. Pondering the bodies we inhabit, the words we speak, these poems discover infinitude in the most familiar places. The revelation is disorienting and, as a result, these poems talk to themselves, revise themselves, fashioning a dialogue between self and soul that opens outward to include other voices, lovers, children, angels, and ghosts. For James Longenbach, great distance makes the messages we send sweeter. To be divided from ourselves is never to be alone. “If the kingdom is in the sky,” says the body to the soul, “Birds will get there before you.” “In time,” says the awakening soul, “I liked my second / Body better / Than the first.” To live, these poems insist, is to arise every day to the strange magnificence of the people and places we thought we knew best. Draft of a Letter is an unsettled and radiant paradiso, imagined in the death-shadowed, birth-haunted middle of a long life. Praise for Fleet River “A sensibility this cogent, this subtle and austere is rare; even rarer is its proof that poetry still flows through all things and transforms all things in the process.”—Carol Muske-Dukes, Los Angeles Times Book Review
Drafts 1–38, Toll: (pdf) (Wesleyan Poetry Series)
by Rachel Blau DuPlessisIn Drafts 1-38, Toll, Rachel Blau DuPlessis has built a work which mimics memory and its losses, and which plays with the textures of memory, including its unexpectedness, its flashes and disappearances. Her recurrent motifs and materials include home, homelessness and exile; death and the memory of the dead; political grief and passion; silence, speech, the sayable and the ineffable. Drafts 1-38, Toll functions as a long poem comprised of 38 pieces, or drafts. These poems are conceived as autonomous "canto-like" sections that work on two procedural principles. One is the random repetition of lines or phrases across poems, a self-questioning, processual, and reconceptualizing strategy that honors the term "drafts." A second procedural principle is "the fold." This is the reconsideration of a "donor draft" and the deployment of some aspect in the donor draft in a related draft. The periodicity of this reconsideration is the number 19; hence drafts 1-19 make up the original layer, while drafts 20-38 constitute the first fold on top of this material.
The Dragon and the Nibblesome Knight: Book and CD Pack
by Elli WoollardWhen a kind young boy helps a strange-looking bird, a beautiful friendship forms. But what these two friends don't realise is that one is a young knight . . . and the other a young dragon! What will they do when they discover they are enemies and destined to FIGHT? The Dragon and the Nibblesome Knight is a bold, funny and heartwarming story from a perfect picture book pairing; the uniquely talented Elli Woollard and award-winning Benji Davies.Fairy tale fun from the creators of The Giant of Jum.
The Drama Llama: A story about soothing anxiety
by Rachel MorrisroeOne day a WORRY comes to stay and simply will not go away!"Whenever he was worried or whenever there was drama,Alex Allen's brain produced . . .A living breathing Llama!"Alex Allen, like lots of children, sometimes worried about things - like dancing badly or getting an answer wrong in class. But unlike lots of children, every time he worries a real-life llama appears! And the more Alex worries, the bigger Llama grows... which starts getting him into all sorts of trouble!Will Alex ever learn how to control his worries and get rid of this pesky llama?This hilarious yet heartwarming rhyming tale from incredible new picture book talent Rachel Morrisroe and bestselling illustrator Ella Okstad offers practical advice about dealing with worry whilst taking you along on the wonderfully riotous adventures of Alex and his mischievous llama.
Dramatic Monologue (The New Critical Idiom)
by Glennis ByronThe dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume: * explores the origins of the monologue and presents a history of definitions of the term * considers the monologue as a form of social critique * explores issues at play in our understanding of the genre, such as subjectivity, gender and politics * traces the development of the genre through to the present day. Taking as example the increasingly politicized nature of contemporary poetry, the author clearly and succinctly presents an account of the monologue's growing popularity over the past twenty years.
Dramatic Monologue (The New Critical Idiom)
by Glennis ByronThe dramatic monologue is traditionally associated with Victorian poets such as Robert Browning and Alfred Tennyson, and is generally considered to have disappeared with the onset of modernism in the twentieth century. Glennis Byron unravels its history and argues that, contrary to belief, the monologue remains popular to this day. This far-reaching and neatly structured volume: * explores the origins of the monologue and presents a history of definitions of the term * considers the monologue as a form of social critique * explores issues at play in our understanding of the genre, such as subjectivity, gender and politics * traces the development of the genre through to the present day. Taking as example the increasingly politicized nature of contemporary poetry, the author clearly and succinctly presents an account of the monologue's growing popularity over the past twenty years.
Dramatic Romances
by Robert BrowningDramatic Romances and Lyrics is a collection of English poems by Robert Browning, first published in 1845 as the seventh volume in a series of self-published books entitled Bells and Pomegranates
Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
by David AustinWhat is the relationship between poetry and social change?*BR**BR*Standing at the forefront of political poetry since the 1970s, Linton Kwesi Johnson has been fighting neo-fascism, police violence and promoting socialism while putting pen to paper to refute W.H. Auden's claim that 'poetry makes nothing happen'. For Johnson, only the second living poet to have been published in the Penguin Modern Classics series, writing has always been 'a political act' and poetry 'a cultural weapon'.*BR**BR*In Dread Poetry and Freedom - the first book dedicated to the work of this 'political poet par excellence' - David Austin explores the themes of poetry, political consciousness and social transformation through the prism of Johnson's work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism and feminism, and in dialogue with Aime Cesaire and Frantz Fanon, C.L.R. James and Walter Rodney, and W.E.B. Du Bois and the poetry of d'bi young anitafrika, Johnson's work becomes a crucial point of reflection on the meaning of freedom in this masterful and rich study.*BR**BR*In the process, Austin demonstrates why art, and particularly poetry, is a vital part of our efforts to achieve genuine social change in times of dread.
Dread Poetry and Freedom: Linton Kwesi Johnson and the Unfinished Revolution
by David AustinWhat is the relationship between poetry and social change?*BR**BR*Standing at the forefront of political poetry since the 1970s, Linton Kwesi Johnson has been fighting neo-fascism, police violence and promoting socialism while putting pen to paper to refute W.H. Auden's claim that 'poetry makes nothing happen'. For Johnson, only the second living poet to have been published in the Penguin Modern Classics series, writing has always been 'a political act' and poetry 'a cultural weapon'.*BR**BR*In Dread Poetry and Freedom - the first book dedicated to the work of this 'political poet par excellence' - David Austin explores the themes of poetry, political consciousness and social transformation through the prism of Johnson's work. Drawing from the Bible, reggae and Rastafari, and surrealism, socialism and feminism, and in dialogue with Aime Cesaire and Frantz Fanon, C.L.R. James and Walter Rodney, and W.E.B. Du Bois and the poetry of d'bi young anitafrika, Johnson's work becomes a crucial point of reflection on the meaning of freedom in this masterful and rich study.*BR**BR*In the process, Austin demonstrates why art, and particularly poetry, is a vital part of our efforts to achieve genuine social change in times of dread.
Dream of Fair to Middling Women: A Novel (Arcade Classics Ser.)
by Samuel BeckettBeckett's first 'literary landmark' (St Petersburg Times) is a wonderfully savoury introduction to the Nobel Prize-winning author. Written in 1932, when the twenty-six-year-old Beckett was struggling to make ends meet, the novel offers a rare and revealing portrait of the artist as a young man. When submitted to several publishers, all of them found it too literary, too scandalous or too risky; it was only published posthumously in 1992. As the story begins, Belacqua - a young version of Molloy, whose love is divided between two women, Smeraldina-Rima and the little Alba - 'wrestles with his lusts and learning across vocabularies and continents, before a final "relapse into Dublin"' (New Yorker). Youthfully exuberant and Joycean in tone, Dream is a work of extraordinary virtuosity.
The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492
by Peter ColeHebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."
The Dream of the Poem: Hebrew Poetry from Muslim and Christian Spain, 950-1492
by Peter ColeHebrew culture experienced a renewal in medieval Spain that produced what is arguably the most powerful body of Jewish poetry written since the Bible. Fusing elements of East and West, Arabic and Hebrew, and the particular and the universal, this verse embodies an extraordinary sensuality and intense faith that transcend the limits of language, place, and time. Peter Cole's translations reveal this remarkable poetic world to English readers in all of its richness, humor, grace, gravity, and wisdom. The Dream of the Poem traces the arc of the entire period, presenting some four hundred poems by fifty-four poets, and including a panoramic historical introduction, short biographies of each poet, and extensive notes. (The original Hebrew texts are available on the Princeton University Press Web site.) By far the most potent and comprehensive gathering of medieval Hebrew poems ever assembled in English, Cole's anthology builds on what poet and translator Richard Howard has described as "the finest labor of poetic translation that I have seen in many years" and "an entire revelation: a body of lyric and didactic verse so intense, so intelligent, and so vivid that it appears to identify a whole dimension of historical consciousness previously unavailable to us." The Dream of the Poem is, Howard says, "a crowning achievement."
A Dream of White Horses: Recollections of a Life on the Rocks
by Edwin Drummond'The best climbing book I've ever read.' Lito Tejada Flores High Ed Drummond is one of the great characters of the British climbing scene. An inspired climber and writer, he made first ascents across the UK and wrote some of the most unusual articles in the mountaineering world. In doing so, he won two Keats prizes, a National Poetry prize and created some of the country's most prized routes. A climbing book like no other, A Dream of White Horses mixes climbing tales with an intense personal story. The first ascent of the Long Hope Route on St John's Head and a solo ascent of El Capitan's Nose sit alongside Drummond's eventful childhood and a string of failed relationships that took him to the edge of despair. Political and social concerns appear as Drummond scales Nelson's Column in Trafalgar Square in an anti-apartheid protest and the Statue of Liberty in support of civil-rights activists. Told through essays, poems and stories, it is at times exciting, frequently surreal and often deeply personal. First published in 1987, A Dream of White Horses received a mixed reception, reflecting the author's notoriety as a climber. Disregarded by the more conservative publishing and mountaineering establishments, it received rave reviews in the climbing press. Love it or hate it, the book is an undeniably fascinating read. 'The most challenging, disturbing and provocative piece of climbing literature I've ever read ... the consistent brilliance is astounding.' Stuart Pregnall, Climbing magazine
Dreaming Frankenstein: and Collected Poems 1967 - 1984
by Liz Lochhead'Human relationships, especially as seen from a woman's point of view, are central: attraction, pain, acceptance, loss, triumphs and deceptions, habits and surprises; always made immediate through a storyteller's concrete detail of place or voice or object or colour remembered or imagined' - Edwin Morgan 'Dreaming Frankenstein is a rare thing: a book of poems which sparkles' - The Scotsman '. . . one of the few poets writing today capable of encompassing the matter of contemporary life in terms that are both attractive and thought-provoking' - Books in Scotland Liz Lochhead has built an impressive reputation as poet, playwright and performer, attracting a large and admiring public. Dreaming Frankenstein and Collected Poems stands as a monument to her early work. Four collections - Memo for Spring (1972), Islands (1978) and Grimm Sisters (1981) and the title volume together provide a complete record of her poetry from 1967 to 1984. In Dreaming Frankenstein human relationships, especially as seen from a woman's point of view, are central. Attraction, pain, acceptance, loss, triumphs and deceptions are all made immediate through her imagery and acute powers of observation and through her flair as a storyteller.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
by Vincent Barletta Mark L. Bajus Cici MalikIn this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
by Vincent Barletta Mark L. Bajus Cici MalikIn this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
by Vincent Barletta, Mark L. Bajus, and Cici MalikIn this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
by Vincent Barletta, Mark L. Bajus, and Cici MalikIn this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
by Vincent Barletta, Mark L. Bajus, and Cici MalikIn this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700
In this anthology, Vincent Barletta, Mark L. Bajus, and Cici Malik treat the Iberian lyric in the late Middle Ages and early modernity as a deeply multilingual, transnational genre that needs to break away from the old essentialist ideas about language, geography, and identity in order to be understood properly. More and more, scholars and students are recognizing the limitations of single-language, nationalist, and period-bound canons and are looking for different ways to approach the study of literature. The Iberian Peninsula is an excellent site for this approach, where the history and politics of the region, along with its creative literature, need to be read and studied together with the way the works were composed by poets and eventually consumed by readers. With a generous selection of more than one hundred poems from thirty-three poets, Dreams of Waking is unique in its coverage of the three main languages—Catalan, Portuguese, and Spanish—and lyrical styles employed by peninsular poets. It contains new translations of canonical poems but also translations of many poems that have never before been edited or translated. Brief headnotes provide essential details of the poets’ lives, and a general introduction by the volume editors shows how the poems and languages fruitfully intersect. With helpful annotations to the poetry, as well as a selected bibliography containing the most important editions and translations from all three of the main Iberian languages, this volume will be an indispensable tool for both specialists and students in comparative literature.
The Drift
by Alan JenkinsALAN JENKINS - POERTY IS EXHILARATING. . . . . IT IS CHARGED WITH EROTIC ENERGY, RAGE, SORROW AND CONFUSION. - DAVID LEHMAN The poeoms in Alan Jenkin's magnificent new collection are closely linked, forming a movingly autobiographical book which deals with the disjunction between the aspirations of youth and the realities of middle-age. The narrator looks back on his twenties, full of the grand ambition to be the next Rimbaud, and wryly contrasts it with his current situation: friends dead, women lost, opportunities missed. Images of drifting, of the random patterns that fate imposes on existence, weave their way through poems full of sea-scapes and sailing boats. Ghosts loom through the mist; objects imbued with memory accumulate like driftwood. But although Alan Jenkins writes about a sense of loss and failure -his rich poetry formally dextrous and inventive, witty and subtle in its allusions - acts as a counterbalance, showing how the twisting of an emotion into shape can salvage feelings of pointlessness. Through his personal experience, he explores themes that will resonate with a broad audience: the difference between men and women.
Drift from Two Shores
by Bret HarteThe man on the beach.--Two saints of the foothills.--Jinny.--Roger Catron's friend.--Who was my quiet friend?--A ghost of the Sierras.--The hoodlum band (a condensed novel)--The man whose yoke was not easy.--My friend, the tramp.--The man from Solano.--The office seeker.--A sleeping-car experience.--Five o'clock in the morning.--With the entrées
Driftwood: Approaching Thoughts (Wordcatcher Modern Poetry)
by Ross LaneIn this, Ross Lane’s fifth collection of poetry, the poet explores the landscapes and impact of thoughts. He likens the behaviour of thoughts as “Driftwood,” objects that are truly free and moving, that never feel the impact of time, and come to us when both needed and unwanted. In this book Ross looks closely at the value of thoughts, the productive and destructive, the valued and the haunting, and releases their timbre through a moving, wide-ranging collection of lyric poetry that features works of place, family, love, memory and aspiration. The collection explores the raw nature of creativity, identity and relationships as the poet takes us away to the dreamscapes of ourselves and the malleable nature of our contemplation. In this new book, the poet continues to ask the hard questions of the self, and explores the answers with honest, emotional and thoughtful outcomes.
A Drink at the Mirage (PDF)
by Michael J. Rosen"Between the discovery that there is a design which only his poetry enables him to find as he confronts the world and the discovery that such a design is a snare, merely a means of keeping him from further discernment, Michael Rosen is wedged, is productively pinioned, [ should say, for it is just this pressure--of meaning discerned on one hand and of meaning distrusted on the other--which makes the tension of these poems, a new version of the old wars between mind and body, memory and hope, self and surround. How tender and inclusive are Rosen's preoccupations, and how disabused his conclusions! One reads these playful, stricken poems with wonder--how will such ventures conclude, or even persist? What will happen next? Here is a poet who persuades us, as the saying goes, to stay tuned."--Richard HowardOriginally published in 1985.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.