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John Dryden: Everyman's Poetry (Everyman's Poetry)
by John DrydenAn elegant and witty writer, poet laureate from 1668, Dryden was on of the major dramatists, critics and poets of his age.
Kleist-Jahrbuch 1998 (Kleist-Jahrbuch)
Das Kleist-Jahrbuch 1998 erscheint erstmals unter neuer Herausgeberschaft: Günter Blamberger zeichnet für den Abhandlungsteil, Sabine Doering und Klaus Müller-Salget sind für den Rezensionsteil verantwortlich. Im Zentrum jedes Jahrgangs stehen wie bisher die Abhandlungen. Für 1998 sind u.a. Beiträge vorgesehen von Andreas Kablitz (Kleists Robert Guiscard" im Spiegel frühneuzeitlicher Konzepte des Tragischen), Bernhard Dotzler ("Federkrieg". Kleist und die Autorschaft des Produzenten), Hansjörg Bay ("Als die Schwarzen die Weißen ermordeten". Nachbeben einer Erschütterung des europäischen Diskurses in Kleists "Die Verlobung in St. Domingo"), Michel Chaouli (Devouring Metaphor: Disgust and Taste in Kleists "Penthesilea"), Bernhard Greiner (Wende zur Kunst und Engführung ihres Versprechens: Kleists Schaffen im Horizont der Kantischen Philosophie, am Beispiel des "Robert Guiscard"), Wolfgang Riedel (Kleists "moralische Erzählungen" und die Anthropologie um 1800), Helmut J. Schneider (Zu Kleists Anekdoten und dem anekdotischen Prinzip seiner poetischen Welt) und Ulf Abraham (Kanondebatten am Beispiel Kleists). Seit Jahrgang 1990 beim Verlag J.B. Metzler. Die Bände erscheinen in jährlicher Folge. Sie können zur Fortsetzung bezogen werden.
A Little, Aloud, for Children
by Michael Morpurgo Angela MacmillanResearch shows that the seemingly simple act of being read to brings remarkable health and happiness benefits. It stimulates thought and memory, encourages the sharing of ideas and feelings, hopes and fears. It enriches our lives and minds. This unique book offers a selection of prose and poetry especially suitable for reading aloud to children. It includes extracts ranging from modern day favourites (David Almond, Frank Cottrell Boyce, Neil Gaiman) to old classics (Kipling, Dickens, E. Nesbit), and features a foreword from Michael Morpurgo. Each piece has been chosen by the Reader Organisation, whose team has unique experience in the effect and benefits of books that immediately capture children's interest and imagination.All royalties in full will go to The Reader Organisation, the leading UK charity for reading and health.
Love And Zen In The Outer Hebrides
by Kevin MacNeilThis collection marks the arrival of a major new talent in Scottish poetry. Kevin MacNeil's voice and vision, while rooted in the Hebridean islands, is open to a wide range of cultures, not only those of Scotland – from Gaeldom to urban Scotland – but to the wider European and American mind and, through his interest in Zen Buddhism, to Japanese and Chinese culture. With astonishing freshness and versatility, MacNeil's poetry creates powerful connections and new combinations -he has wit as well as feeling, a powerful sense of the past and the local while being resolutely turned towards the future and the cross-cultural.
The Love Poems Of Rumi
by Dr Deepak ChopraBorn Jalal ad-Din Mohammed Balkhi in Persia early in the thirteenth century, the poet known as Rumi expressed the deepest feelings of the heart through his poetry. This volume consists of new translations edited by Deepak Chopra to evoke the rich mood and music of Rumi's love poems. Exalted yearning, ravishing ecstasy, and consuming desire emerge from these poems as powerfully today as they did on their creation more than 700 years ago. 'These poems reflect the deepest longings of the human heart as it searches for the divine. They celebrate love. Each poetic whisper is urgent, expressing the desire that penetrates human relationships and inspires intimacy with the self, silently nurturing an affinity for the Beloved. Both Fereydoun Kia, the translator, and I hope that you will share the experience of ravishing ecstasy that the poems of Rumi evoked in us. In this volume we have sought to capture in English the dreams, wishes, hopes, desires, and feelings of a Persian poet who continues to amaze, bewilder, confound, and teach, one thousand years after he walked on this earth' - Deepak Chopra
Matthew Arnold: A Literary Life (Literary Lives)
by C. MachannMatthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies. Machann challenges the popular image of Arnold as an elitist intellectual and shows how his poetry and prose grew out of his personal life and his passionate engagement with the world, emphasizing the journal publications that drove his career as a literary, social and religious critic.
Matthew Arnold: Everyman's Poetry (Everyman's Poetry)
by Matthew ArnoldCritic, essayist, educator and poet, author of The Scholar Gypsy, Dover Beach, The Forsaken Merman and other popular poems.
Mean Time
by Carol Ann DuffyIn her prize-winning fourth collection, Mean Time, Poet Laureate Carol Ann Duffy dramatizes scenes from childhood, adolescence and adulthood, finding moments of grace or consolation in memory, love and language amid the complexities of life. These are powerful poems of loss, betrayal and desire.
Miles of Smiles: A Collection of Laugh-Out-Loud Poems (Giggle Poetry)
by Stephen CarpenterYou'll Find a Smile on Every Page of this Book! Thousands of elementary-school students helped Bruce Lansky, "The King of Giggle Poetry," pick the poems by Kenn Nesbitt, Joyce Armor, Joan Horton, Eric Ode, Dave Crawley, Ted Scheu, and other poets included in this book. If these poems don't put a smile on your face, Stephen Carpenter's hilarious illustrations surely will!
My Way: Speeches and Poems
by Charles Bernstein"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
My Way: Speeches and Poems
by Charles Bernstein"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
My Way: Speeches and Poems
by Charles Bernstein"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
Myriad-minded Shakespeare: Essays on the Tragedies, the Problem Plays and Shakespeare the Man
by E. HonigmannMyriad-minded Shakespeare introduces readers to the great variety of approaches to Shakespeare. The political and sexist implications of the plays, their sources, staging issues, textual disputes and the dramatist's character and biography are all analysed here, bringing out the interconnectedness of critical questions. Ernst Honigmann plunges straight into his subjects and shows that it is rarely safe to seek solutions that are narrowly exclusive. For the second edition a new preface places the essays in the context of recent critical debate and a new chapter on Shakespeare's will provides a fascinating insight into Shakespeare's independent spirit.
A New Introduction to Chaucer (Longman Medieval and Renaissance Library)
by D. S. BrewerThis new introduction to Chaucer has been radically rewritten since the previous edition which was published in 1984. The book is a controversial and modern restatement of some of the traditional views on Chaucer, and seeks to present a rounded introduction to his life, cultural setting and works. Professor Brewer takes into account recent literary criticism, both challenging new ideas and using them in his analysis of Chaucer's work. Above all, there is a strong emphasis on leading the reader to understand and enjoy the poetry and prose, and to try to understand Chaucer's values which are often seen to oppose modern principles. A New Introduction to Chaucer is the result of Derek Brewer's distinguished career spanning fifty years of research and study of Chaucer and contemporary scholarship and criticism. New interpretations of many of the poems are presented including a detailed account of the Book of the Duchess. Derek Brewer's fresh and narrative style of writing will appeal to all who are interested in Chaucer, from sixth-form and undergraduate students who are new to Chaucer's work through to more advanced students and lecturers.
A New Introduction to Chaucer (Longman Medieval and Renaissance Library)
by D. S. BrewerThis new introduction to Chaucer has been radically rewritten since the previous edition which was published in 1984. The book is a controversial and modern restatement of some of the traditional views on Chaucer, and seeks to present a rounded introduction to his life, cultural setting and works. Professor Brewer takes into account recent literary criticism, both challenging new ideas and using them in his analysis of Chaucer's work. Above all, there is a strong emphasis on leading the reader to understand and enjoy the poetry and prose, and to try to understand Chaucer's values which are often seen to oppose modern principles. A New Introduction to Chaucer is the result of Derek Brewer's distinguished career spanning fifty years of research and study of Chaucer and contemporary scholarship and criticism. New interpretations of many of the poems are presented including a detailed account of the Book of the Duchess. Derek Brewer's fresh and narrative style of writing will appeal to all who are interested in Chaucer, from sixth-form and undergraduate students who are new to Chaucer's work through to more advanced students and lecturers.
On Language (Coleridge's Writings)
by S. ColeridgeThis collation from S. T. Coleridge's contributions to the theory of language presents an imposing revision of the enlightenment approach to language. Selections from his verse, notebooks, journalism and ephemera are arranged under headings including the language of politics; language and culture; the language of poetry; theory of language; words and things; organ of language; and the language of religion. The editor's introduction situates Coleridge's thinking in its period, and with modern theory in mind.
Opened Ground: Poems, 1966-1996 (York Notes Ser.)
by Seamus HeaneyThis volume is a much-needed new selection of Seamus Heaney's work, taking account of recent volumes and of the author's work as a translator, and offering a more generous choice from previous volumes. Opened Ground: Poems 1966-1996 comes as close to being a 'Collected Poems' as its author cares to make it. It replaces his New Selected Poems 1966-1987, giving a fuller selection from each of the volumes represented there and adding large parts of those that have appeared since, together with examples of his work as a translator from the Greek, Latin, Italian and other languages. The book concludes with 'Crediting Poetry', the speech with which Seamus Heaney accepted the 1995 Nobel Prize in Literature, awarded to him, in the words of the Swedish Academy of Letters, for his 'works of lyrical beauty and ethical depth'.
The Other Country
by Carol Ann DuffyThe Other Country was Carol Ann Duffy’s third collection, and as with her later books, takes its readers on journeys that seem initially similar – but soon prove anything but. This book leads our imagination to places our minds could not have suspected were there, or would not have dared to go alone. Some of its voices are disarmingly direct, while others blur the lines between fantasy and reality, confession and self-delusion, forcing us to re-examine everything we thought we knew about some of our most basic human drives and emotions. Deeply intelligent, unflinchingly honest, with a deftness of touch and tone, and openness all the more moving for its lack of sentimentality, The Other Country is as remarkable a collection today as it was on its first publication.
Out of Battle: The Poetry of the Great War
by J. SilkinThe poetry of the Great War is among the most powerful ever written in the English language. Unique for its immediacy and searing honesty, it has made a fundamental contribution to our understanding of and response to war and the suffering it creates. Widely acclaimed as an indispensable guide to the Great War poets and their work, Out of Battle explores in depth the variety of responses from Rupert Brook, Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, Issac Rosenberg and Edward Thomas to the events they witnessed. Other poets discussed are Hardy, Kipling, Charles Sorely, Ivor Gurney, Herbert Read, Richard Aldington and David Jones. For the second edition of Out of Battle , a substantial new preface has been added together with an appendix on the unresolved problems concerning the Owen manuscripts. An updated bibliography provides useful guidance for further reading.
Ovid: Everyman's Poetry
by OvidRome's greatest poet, famous for his love elegies, and his narrative poem, "Metamorphoses".
Parodies of the Romantic Age Vol 5
by Graeme Stones John StrachanThis volume collects together a wealth of material ranging from verse parodies originally published in pamphlet form, to longer works such as P.G. Patmore's parodies of the works of Byron, Lamb and Hazlitt.
Parodies of the Romantic Age Vol 5
by Graeme Stones John StrachanThis volume collects together a wealth of material ranging from verse parodies originally published in pamphlet form, to longer works such as P.G. Patmore's parodies of the works of Byron, Lamb and Hazlitt.
The Penguin Book of Modern African Poetry
by Gerald Moore'Poetry, always foremost of the arts in traditional Africa, has continued to compete for primacy against the newer forms of prose fiction and theatre drama.' This wonderfully comprehensive anthology of African poetry has been expanded to include ninety-nine poets from twenty-seven countries, thirty-one of whom appear for the first time. Equally wide-ranging is the content of the poetry itself: war songs and political protests jostle with poems about human love, African nature and the surprises that life offers; all are represented in these rich and colourful pages.
The Penguin Book of Victorian Verse (Classic, 20th-century, Penguin Ser.)
by Daniel KarlinDaniel Karlin has selected poetry written and published during the reign of Queen Victoria, (1837-1901). Giving pride of place to Tennyson, Robert Browning, and Christina Rossetti, the volume offers generous selections from other major poets such asArnold, Emily Bronte, Hardy and Hopkins, and makes room for several poem-sequences in their entirety. It is wonderful, too, in its discovery and inclusion of eccentric, dissenting, un-Victorian voices, poets who squarely refuse to 'represent' their period. It also includes the work of Elizabeth Barrett Browning, George Meredith, James Thomson and Augusta Webster.
Poems and Prose (The\everyman Library)
by Gerard Hopkins W. GardnerCloser to Dylan Thomas than Matthew Arnold in his 'creative violence' and insistence on the sound of poetry, Gerard Manley Hopkins was no staid, conventional Victorian. On entering the Society of Jesus at the age of twenty-four, he burnt all his poetry and 'resolved to write no more, as not belonging to my profession, unless by the wishes of my superiors'. The poems, letters and journal entries selected for this edition were written in the following twenty years of his life, and published posthumously in 1918. His verse is wrought from the creative tensions and paradoxes of a poet-priest who wanted to evoke the spiritual essence of nature sensuously, and to communicate this revelation in natural language and speech-rhythms while using condensed, innovative diction and all the skills of poetic artifice.