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Worlds of Performance: The Senses in Performance (New edition)
by Andre Lepecki Sally BanesThis ground-breaking anthology is the first to be dedicated to assessing critically the role of the human sensorium in performance. Senses in Performance presents a multifaceted approach to the methodological, theoretical, practical and historical challenges facing the scholar and the artist. This volume examines the subtle actions of the human senses including taste, touch, smell and vision in all sorts of performances in Western and non-Western traditions, from ritual to theatre, from dance to interactive architecture, from performance art to historical opera. With eighteen original essays brought together by an international ensemble of leading scholars and artists including Richard Schechner and Philip Zarrilli. This covers a variety of disciplinary fields from critical studies to performance studies, from food studies to ethnography from drama to architecture. Written in an accessible way this volume will appeal to scholars and non-scholars interested in Performance/Theatre Studies and Cultural Studies.nbsp;
Worst Wedding Ever (Oberon Modern Plays)
by Chris ChibnallRachel and Scott are getting married. They are also buying a house together – never the easiest of things to do at the same time. When the house price goes up, their plans for the dream wedding have to be downsized to the local registry office. Rachel’s mother, however, has other ideas. What if the family could join forces and make it a wedding to be proud of? With a marquee in the back garden, a hand-me-down dress, the pub band and two fully functioning Portaloos, surely the day will pass without a hitch?
WORTH (Modern Plays)
by Joanne LauIt's not stealing if it's from a dead person.Hours before their mother's funeral, the Yeung siblings gather in the family home for the first time in years, only to discover their inheritance is missing. With seemingly £44 to her name and her house due to be repossessed, where has all the money gone? Tensions escalate as they race to find it, uncovering ugly truths and shocking family secrets along the way.Inspired by true events, Joanne Lau's WORTH takes a darkly comic look at family loss and sibling rivalry. Straddling two cultures, this biting comedy asks the question – where do you put your worth?This edition was published to coincide with the world premiere of the New Earth and Storyhouse co-production at London's Arcola Theatre, in April 2023.
WORTH (Modern Plays)
by Joanne LauIt's not stealing if it's from a dead person.Hours before their mother's funeral, the Yeung siblings gather in the family home for the first time in years, only to discover their inheritance is missing. With seemingly £44 to her name and her house due to be repossessed, where has all the money gone? Tensions escalate as they race to find it, uncovering ugly truths and shocking family secrets along the way.Inspired by true events, Joanne Lau's WORTH takes a darkly comic look at family loss and sibling rivalry. Straddling two cultures, this biting comedy asks the question – where do you put your worth?This edition was published to coincide with the world premiere of the New Earth and Storyhouse co-production at London's Arcola Theatre, in April 2023.
Would It Surprise You To Know…?
by Janet Gleeson Ronnie Archer-Morgan'A fascinating, rollercoaster read, very well told.' - Times'Ronnie has overcome a heart-breaking start in life to achieve great success and no one deserves it more. What a dude, what a life!' - Fiona BruceFor decades, Ronnie Archer-Morgan has brought to life the fascinating, often surprising backstories behind our most cherished heirlooms and household objects on the Antiques Roadshow. Now, he tells his own unlikely story. Born in the fifties to a Sierra Leonean mother battling mental health problems, Ronnie spent his childhood in and out of care. After difficult beginnings, marked by abuse, racism and brushes with both criminals and the police, he got into music, managing to get DJ gigs and, later, worked as a celebrity hairdresser for Vidal Sassoon and Smile in the height of seventies London. A flair for spotting antiques led him to start his own Knightsbridge gallery, ultimately becoming one of the most respected figures in the industry, culminating in a regular spot as an expert on the nation's Sunday favourite, Antiques Roadshow. Told with rich warmth, this is an extraordinary journey from deprivation and abuse to adventure and success against the odds - with stories of the incredible objects which shaped the way.'A surprising story, like many of the objects he appraises on the Antiques Roadshow' - Kate Adie, broadcaster and bestselling author
Woyzeck (Student Editions)
by Georg BüchnerWritten in 1836, Woyzeck is often considered to be the first truly modern play.The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author's death, in Munich 1913.This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Woyzeck (Student Editions)
by Georg BüchnerWritten in 1836, Woyzeck is often considered to be the first truly modern play.The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author's death, in Munich 1913.This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.
Woza Albert! (Student Editions)
by Percy Mtwa Mbongeni Ngema Barney Simon Temple HauptfleischWoza Albert! is one of the most popular and influential plays to have come out of the South African cultural struggle of the 1980s and a central work in the canon of South African theatre. Working with the idea of the Second Coming of Jesus Christ taking place in apartheid South Africa, the playwrights improvised a brilliant two-man show consisting of 26 vignettes, commenting on and satirising life under the apartheid regime. The play has become one of the most anthologized and produced South African plays both in South Africa, and internationally and is studied widely in schools as well as universities. This Student Edition contains a commentary and notes by Temple Hauptfleisch, Emeritus Professor at Stellenbosch University, South Africa. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A contextualised chronology of the play and the playwrights' lives and works· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials.
Woza Albert!: A Study Guide (Student Editions)
by Percy Mtwa Mbongeni Ngema Barney Simon Temple HauptfleischWoza Albert! is one of the most popular and influential plays to have come out of the South African cultural struggle of the 1980s and a central work in the canon of South African theatre. Working with the idea of the Second Coming of Jesus Christ taking place in apartheid South Africa, the playwrights improvised a brilliant two-man show consisting of 26 vignettes, commenting on and satirising life under the apartheid regime. The play has become one of the most anthologized and produced South African plays both in South Africa, and internationally and is studied widely in schools as well as universities. This Student Edition contains a commentary and notes by Temple Hauptfleisch, Emeritus Professor at Stellenbosch University, South Africa. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: · A contextualised chronology of the play and the playwrights' lives and works· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials.
Wreckage (Modern Plays)
by Tom RatcliffeI love you I love you I love you I love you I love you.Sam and his fiancé Noel have been together for years. They have a house, a cat and their whole lives ahead of them. But when a sudden and permanent distance crashes into their relationship, it falls upon Sam to discover where their story goes from here. Tom Ratcliffe's Wreckage is a touching story about continuing bonds and love that only evolves, and never dies. This edition was published to coincide with the run at Edinburgh Festival Fringe 2022 and subsequent UK tour.
Wreckage (Modern Plays)
by Tom RatcliffeI love you I love you I love you I love you I love you.Sam and his fiancé Noel have been together for years. They have a house, a cat and their whole lives ahead of them. But when a sudden and permanent distance crashes into their relationship, it falls upon Sam to discover where their story goes from here. Tom Ratcliffe's Wreckage is a touching story about continuing bonds and love that only evolves, and never dies. This edition was published to coincide with the run at Edinburgh Festival Fringe 2022 and subsequent UK tour.
Wrecking Ball (Oberon Modern Plays)
by Action HeroA male photographer is taking a photograph of a female celebrity. She wants to be reinvented. She wants to be For Real. Wrecking Ball is about consent, power, authorship and putting words in other people’s mouths. It’s about the seductive power of make-believe. That’s not a real pineapple she’s holding, that’s not his real cooler full of beers, those aren’t her real thighs, those aren’t his real feelings. But does the real really matter? In an age where the consumption of artifice is its own industry, we are being asked to dream, and we are being asked to buy the sunglasses the woman is wearing in the dream. The woman that looks like every woman in every picture you’ve ever seen: like the woman lying on the beach, like the woman swinging on the wrecking ball, like the woman painted on the side of a bomb. In this funny, surreal and unsettling new play for two performers and an audience, “maverick company” (The Guardian) Action Hero ask who’s really in control and how subtle abuses of power shape our relationships – with art, with language and with each other. Gemma Paintin and James Stenhouse live in Bristol, UK, and create performances together under the name Action Hero. For the past decade, they have worked almost exclusively with each other and have toured together to more than twenty countries across five continents to critical and popular acclaim.
Write A Play And Get It Performed: Teach Yourself (Teach Yourself)
by Lesley Bown Ann GawthorpeWrite a Play - and Get It Performed is designed for would-be writers of every level and for all types of motivation by two prize-winning professionals. Whether writing for the specific needs of an amateur drama group, community event, political campaign or simply for personal or professional development, this is a guide to the craft of playwriting. It offers guidance on the creative principles of scripts, characters, plot, structure and dialogue and explains the principles of staging and stage directions as well as gives tips on how to write for a variety of different situations, for every age and ability and according to specific genres - particularly those often preferred by amateur groups, such as pantomime and musical theatre.NOT GOT MUCH TIME?One, five and ten-minute introductions to key principles to get you started.AUTHOR INSIGHTSLots of instant help with common problems and quick tips for success, based on the author's many years of experience.TEST YOURSELFTests in the book and online to keep track of your progress.EXTEND YOUR KNOWLEDGEExtra online articles at www.teachyourself.com to give you a richer understanding of writing a play.FIVE THINGS TO REMEMBERQuick refreshers to help you remember the key facts.TRY THISInnovative exercises illustrate what you've learnt and how to use it.
Writer's Luck: A Memoir: 1976-1991
by David LodgeDavid Lodge’s frank and illuminating memoir about the years where he found great success as a novelist and critic.Luck plays an important part in the careers of writers. In this book David Lodge explores how his work was inspired and affected by unpredictable events in his life. In 1976 Lodge was pursuing a ‘twin-track career’ as novelist and academic. As a literary critic, he made serious contributions to the subject, before carnivalising it in his comic-satiric novel Small World. The balancing act between his two professions was increasingly difficult to maintain, and he became a full-time writer just before he published his bestselling novel Nice Work. Both books were shortlisted for the Booker Prize, in which he was later involved as Chairman of the judges.Readers of Lodge’s novels will be fascinated by the insights this book gives – not only into his professional career but also more personal experience. The main focus, however, is on writing as a vocation. Anyone who is interested in learning about the creative process, about the dual nature of the novel as both work of art and commodity, will find Writer’s Luck a candid and entertaining guide.
Writing Adaptations and Translations for the Stage: A Guide and Workbook for New and Experienced Writers
by Jacqueline Goldfinger Allison HorsleyWriting Adaptations and Translations for the Stage is a practical guide for writing adapted works for theatrical performance.Broadway translator and dramaturg Allison Horsley and award-winning playwright and educator Jacqueline Goldfinger take readers step-by-step through the brainstorming, writing, revision, and performance processes for translations and adaptations. The book includes lectures, case studies, writing exercises, and advice from top theater professionals on the process of creating, pitching, and producing adaptations and translations, covering a wide range of topics such as jukebox musicals, Shakespeare adaptations, plays from novels, theater for young adults, and theater in translation and using Indigenous language. Artists who share their wisdom in this book include: Des McAnuff (Tony Award), Emily Mann (Tony Award), Dominique Morisseau (Broadway Adaptor, Tony Award nominee, MacArthur Genius Fellow), Lisa Peterson (Obie Award, Lortel Award), Sarah Ruhl (Broadway Playwright, Tony Award nominee, Pulitzer Prize finalist, MacArthur Genius Fellow), and Tina Satter (Broadway Director, Obie Award, Guggenheim Fellowship). The book also features interviews with artists working both in the US and internationally, as well as guest columns from artists who work in less traditional adaptive forms including cabaret, burlesque, opera, community-engaged process, and commercial theater.Writing Adaptations and Translations for the Stage is an essential resource for students and instructors of Dramatic Writing, Playwriting, and Creative Writing courses and for aspiring playwrights.
Writing Adaptations and Translations for the Stage: A Guide and Workbook for New and Experienced Writers
by Jacqueline Goldfinger Allison HorsleyWriting Adaptations and Translations for the Stage is a practical guide for writing adapted works for theatrical performance.Broadway translator and dramaturg Allison Horsley and award-winning playwright and educator Jacqueline Goldfinger take readers step-by-step through the brainstorming, writing, revision, and performance processes for translations and adaptations. The book includes lectures, case studies, writing exercises, and advice from top theater professionals on the process of creating, pitching, and producing adaptations and translations, covering a wide range of topics such as jukebox musicals, Shakespeare adaptations, plays from novels, theater for young adults, and theater in translation and using Indigenous language. Artists who share their wisdom in this book include: Des McAnuff (Tony Award), Emily Mann (Tony Award), Dominique Morisseau (Broadway Adaptor, Tony Award nominee, MacArthur Genius Fellow), Lisa Peterson (Obie Award, Lortel Award), Sarah Ruhl (Broadway Playwright, Tony Award nominee, Pulitzer Prize finalist, MacArthur Genius Fellow), and Tina Satter (Broadway Director, Obie Award, Guggenheim Fellowship). The book also features interviews with artists working both in the US and internationally, as well as guest columns from artists who work in less traditional adaptive forms including cabaret, burlesque, opera, community-engaged process, and commercial theater.Writing Adaptations and Translations for the Stage is an essential resource for students and instructors of Dramatic Writing, Playwriting, and Creative Writing courses and for aspiring playwrights.
Writing The Broadway Musical
by Aaron FrankelBrimming with advice and techniques, this essential reference for book- and songwriters clearly explains the fundamentals of the three crafts of a musical-book, music, and lyrics. Using copious examples from classic shows, Frankel has created the quintessential musical writers' how-to. Among the topics:definitions of musical theater; differences between musical books and straight plays and between poetry and lyrics; what a score is and how it develops; how to write for the voice; and how to audition musicals for producers. With a new introduction and revised text, Frankel's work is ready to guide a new generation of aspiring writers.
Writing The Broadway Musical
by Aaron FrankelBrimming with advice and techniques, this essential reference for book- and songwriters clearly explains the fundamentals of the three crafts of a musical-book, music, and lyrics. Using copious examples from classic shows, Frankel has created the quintessential musical writers' how-to. Among the topics:definitions of musical theater; differences between musical books and straight plays and between poetry and lyrics; what a score is and how it develops; how to write for the voice; and how to audition musicals for producers. With a new introduction and revised text, Frankel's work is ready to guide a new generation of aspiring writers.
Writing Choreography: Textualities of and beyond Dance
by Leena Rouhiainen Kirsi Heimonen Rebecca Hilton Chrysa ParkinsonA new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.Through the contributions of 15 dance–artists, choreographers, dramaturges, writers, interdisciplinary artists and artist–researchers, the volume highlights diverse textual choreographic processes and outcomes arguing for their relevance to present-day practices of expanded choreography. The anthology introduces some Western trends related to utilizing writing, text and language in choreographic processes. In its focus on art-making processes, it likewise offers insight into how performance can be transcribed into writing, how practices of writing choreograph and how choreography can be a process of writing with. Readers, such as dancers, choreographers, students in higher education of these fields as well as researchers in choreography, gain understanding about different experimental forms of writing forwarded by diverse choreographers and how writing is the motional organisation of images, signs, words and texts. The volume presents a new strand in expanded choreography and acts as inspiration for its continued evolution that engenders new adaptations between language, writing and choreography.Ideal for students, scholars and researchers of choreography and dance studies.
Writing Choreography: Textualities of and beyond Dance
by Leena Rouhiainen Kirsi Heimonen Rebecca Hilton Chrysa ParkinsonA new contribution to studies in choreography, Writing Choreography: Textualities of and beyond Dance focuses upon language and writing-based approaches to choreographing from the perspectives of artists and researchers active in the Nordic and Oceanic contexts.Through the contributions of 15 dance–artists, choreographers, dramaturges, writers, interdisciplinary artists and artist–researchers, the volume highlights diverse textual choreographic processes and outcomes arguing for their relevance to present-day practices of expanded choreography. The anthology introduces some Western trends related to utilizing writing, text and language in choreographic processes. In its focus on art-making processes, it likewise offers insight into how performance can be transcribed into writing, how practices of writing choreograph and how choreography can be a process of writing with. Readers, such as dancers, choreographers, students in higher education of these fields as well as researchers in choreography, gain understanding about different experimental forms of writing forwarded by diverse choreographers and how writing is the motional organisation of images, signs, words and texts. The volume presents a new strand in expanded choreography and acts as inspiration for its continued evolution that engenders new adaptations between language, writing and choreography.Ideal for students, scholars and researchers of choreography and dance studies.
Writing Dancing Together
by V. Briginshaw Ramsay BurtWith a political agenda foregrounding collaborative practice to promote ethical relations, these individually and joint written essays and interviews discuss dances often with visual art, theatre, film and music, drawing on continental philosophy to explore notions of space, time, identity, sensation, memory and ethics.
Writing Dialogue for Scripts (Writing Handbooks)
by Rib DavisA good story can easily be ruined by bad dialogue. Now in its 4th edition, Rib Davis's bestselling Writing Dialogue for Scripts provides expert insight into how dialogue works, what to look out for in everyday speech and how to use dialogue effectively in scripts. Examining practical examples from film, TV, theatre and radio, this book will help aspiring and professional writers alike perfect their skills. The 4th edition of Writing Dialogue for Scripts includes: a look at recent films, such as American Hustle and Blue Jasmine; TV shows such as Mad Men and Peaky Blinders; and the award winning play, Ruined. Extended material on use of narration within scripts (for example in Peep Show) and dialogue in verbatim scripts (Alecky Blythe's London Road) also features.
Writing Dialogue for Scripts (Writing Handbooks)
by Rib DavisA good story can easily be ruined by bad dialogue. Now in its 4th edition, Rib Davis's bestselling Writing Dialogue for Scripts provides expert insight into how dialogue works, what to look out for in everyday speech and how to use dialogue effectively in scripts. Examining practical examples from film, TV, theatre and radio, this book will help aspiring and professional writers alike perfect their skills. The 4th edition of Writing Dialogue for Scripts includes: a look at recent films, such as American Hustle and Blue Jasmine; TV shows such as Mad Men and Peaky Blinders; and the award winning play, Ruined. Extended material on use of narration within scripts (for example in Peep Show) and dialogue in verbatim scripts (Alecky Blythe's London Road) also features.
Writing for Nothing: Fiction, Short Plays, Texts for Opera
by Martin CrimpMartin Crimp's Writing for Nothing collects texts written over the last thirty years. Included here are short plays, unmistakably the work of the internationally acclaimed author of Attempts on Her Life; texts for opera, beginning with the modern masterpiece Written on Skin, created with composer George Benjamin; and two stories that provide a new perspective on Crimp, revealing a writer capable of bringing all of his brilliance to prose. Unsettling, elegant and incisive, Writing for Nothing is a vibrant and varied anthology, celebrating a writer with a rare talent for illuminating the power structures behind our everyday world.
Writing for Stage and Screen: Creating a Perception Shift in the Audience (Introductions to Theatre)
by Sherry Kramer"This book does what no other playwriting book in my experience has done, it offers a new way of seeing and conceiving how theatre makes meaning and carries emotional impact in performance."Suzan Zeder, Professor Emerita and former Head Of Playwriting at University of Texas at Austin, USACombining a step-by-step analysis of the technique of writing for stage and screen with how the mystery, poetry, and emotional momentum is achieved for the audience, Sherry Kramer offers an empowering, original guide for emerging and established writers. In this structured look at the way audience members progress through a work in real time, Sherry Kramer uses plain-spoken vocabulary to help you discover how to make work that will mean more to your audiences. By using examples drawn from plays, film, and streaming series, ranging from A Streetcar Named Desire to Fleabag to Pirates of the Caribbean, this study makes its concepts accessible to a wide range of artists who work in timebound art. The book also features multiple exercises, developed with MFA writers in The Iowa Playwrights Workshop and The Michener Center for Writers, where Kramer taught for the past 25 years, which provide entrance points to help you consider and create your work.