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Wood Plays: 2 (Contemporary Dramatists)
by David WoodIf there is anyone who should be the children's playwright laureate it is David Wood' (Evening Standard)The Owl and the Pussycat Went to See - '... the funniest, prettiest and most melodious children's show I have ever seen' (Guardian); The BFG - 'Any child not delighted by the BFG must have a head filled with squashed flies, and deserves to be fed for a year on disgustatious snozzcumbers' (Guardian); The Plotters of Cabbage Patch Corner - 'A milestone in children's entertainment' (Theatre Review); Save the Human - 'A first-rate show, it's colourful, entertaining and thought-provoking' (Sunderland Echo)
Wood Plays: 2 (Contemporary Dramatists)
by David WoodIf there is anyone who should be the children's playwright laureate it is David Wood' (Evening Standard)The Owl and the Pussycat Went to See - '... the funniest, prettiest and most melodious children's show I have ever seen' (Guardian); The BFG - 'Any child not delighted by the BFG must have a head filled with squashed flies, and deserves to be fed for a year on disgustatious snozzcumbers' (Guardian); The Plotters of Cabbage Patch Corner - 'A milestone in children's entertainment' (Theatre Review); Save the Human - 'A first-rate show, it's colourful, entertaining and thought-provoking' (Sunderland Echo)
Wood Plays: The Gingerbread Man; The Seesaw Tree; The Ideal Gnome Expedition; Mother Goose's Golden Christmas (Contemporary Dramatists)
by David Wood"As playwright, composer and director, Mr Wood has given children a self respecting art form" (The Times)The Gingerbread Man - 'The perfect children's play, with lots of superbly silly jokes and foot-tapping songs ... a magnificent epic of comic disarray' (Time Out); The See-Saw Tree - 'We are made to feel at once that the theatre is something immediate and involving' (Times); The Ideal Gnome Expedition - 'David Wood has surely scored again ... yet another gently entertaining excursion into a fantasy world where eminently sensible values prevail' (Daily Telegraph); Mother Goose's Golden Christmas - 'I cannot recommend this pantomime highly enough ... an enchanting blend of mirth and music that captivates the hearts of mums, dads and kids' (Romford Observer)
The Woods
by Robert Alan EvansWhy you always got to dig things up?A cabin deep in the woods.A lost boy buried in the snow.A lone woman.And her wolf.You think you could keep him?You know where that ends up.Don't you.You no good with kids.The Woods by Robert Alan Evans premiered at Royal Court Theatre, London, in September 2018.
Woody Allen: A Casebook
by Kimball KingFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Woody Allen: A Casebook
by Kimball KingFirst Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
Words: Exploring Shakespeare's Language (Canto Classics Ser.)
by David CrystalWords, Words, Words is all about the wonder of words. Drawing on a lifetime's experience, David Crystal explores language in all its rich varieties through words: the very building blocks of our communication. Language has no life of its own: it only exists in the mouths and ears, hands, eyes and brains of its users. As we are guided expertly and passionately through the mysteries and delights of word origins, histories, spellings, regional and social variations, taboo words, jargon, and wordplay, the contribution we all play in shaping the linguistic world around us becomes evident. Words, Words, Words is a celebration of what we say and how we say it. It invites us to engage linguistically with who we are: to understand what words tell us about where we come from and what we do. And as they continually shape our lives, it suggests ways that we can look at words anew and get involved with collecting and coining words ourselves.
Words for the Theatre: Four Essays on the Dramatic Text (Focus on Dramaturgy)
by David ColeIn Words for the Theatre, playwright David Cole pursues a course of dramaturgical self-questioning on the part of a playwright, centred on the act of playwriting. The book’s four essays each offer a dramaturgical perspective on a different aspect of the playwright’s practice: How does the playwright juggle the transcriptive and prescriptive aspects of their activity? Does the ultimate performance of a playtext in fact represent something to which all writing aspires? Does the playwright’s process of withdrawing to create their text echo a similar process in the theatre more widely? Finally, how can the playwright counter theatre’s pervasive leaning towards the ‘mistake’ of realism? Suited to playwrights, teachers, and higher-level students, this volume of essays offers reflections on the questions that confront every playwright, from an author well-versed in supplying words for the theatre.
Words for the Theatre: Four Essays on the Dramatic Text (Focus on Dramaturgy)
by David ColeIn Words for the Theatre, playwright David Cole pursues a course of dramaturgical self-questioning on the part of a playwright, centred on the act of playwriting. The book’s four essays each offer a dramaturgical perspective on a different aspect of the playwright’s practice: How does the playwright juggle the transcriptive and prescriptive aspects of their activity? Does the ultimate performance of a playtext in fact represent something to which all writing aspires? Does the playwright’s process of withdrawing to create their text echo a similar process in the theatre more widely? Finally, how can the playwright counter theatre’s pervasive leaning towards the ‘mistake’ of realism? Suited to playwrights, teachers, and higher-level students, this volume of essays offers reflections on the questions that confront every playwright, from an author well-versed in supplying words for the theatre.
Words, Space, and the Audience: The Theatrical Tension between Empiricism and Rationalism
by M. BennettIn this unique study, Michael Y. Bennett re-reads four influential modern plays alongside their contemporary debates between rationalism and empiricism to show how these monumental achievements were thoroughly a product of their time, but also universal in their epistemological quest to understand the world through a rational and/or empirical model. Bennett contends that these plays directly engage in their contemporary epistemological debates rather than through the lens of a specific philosophy. Besides producing new, insightful readings of heavily-studied plays, the interdisciplinary (historical, philosophical, dramatic, theatrical, and literary) frame Bennett constructs allows him to investigate one of the most fundamental questions of the theatre - how does meaning get made? Bennett suggests that the key to unlocking theatrical meaning is exploring the tension between empirical and rational modes of understanding. The book concludes with an interview with performance artist Coco Fusco.
The Words Will Come: New Plays From The Rada Elders Company (Oberon Modern Playwrights)
by Nell Leyshon Christopher William Hill Deborah Bruce A. C. Smith Frances PoetBringing together five plays commissioned specially for the RADA Elders Company, this anthology provides a selection of dynamic and thought-provoking works for Elders companies anywhere. The RADA Elders Company began in 2013 in order to provide opportunities for older people to experience the academy’s training at its best. Each year, a playwright is invited to create a new piece for the company, encompassing a wide range of theatre disciplines and skills. FEATURINGBroken Pieces by A. C. SmithOur Father by Deborah BruceThe Word by Nell LeyshonDown the Hatch by Frances PoetOf Blood by Christopher William Hill
Wordsmith Year 5 Oranges In No Mans Land (PDF)
by Elizabeth LairdAyesha lives in a battle-scarred building with her granny. Outside, a war is ripping the city apart - but Ayesha doesn't even know why the two sides are fighting. Life gets even scarier when Granny's medicine runs out. So Ayesha takes matters into her own hands - and in her search for a doctor makes the forbidden journey across no man's land . . .
Wordsmith Year 6 Eye of the Wolf (PDF)
by Daniel PennacThe wolf has lost nearly everything on his journey to the zoo, including an eye and his beloved pack. The boy too has lost much and seen many terrible things. They stand eye to eye on either side of the wolf's enclosure and, slowly, each makes his own extraordinary story known to the other...
Wordsworth Classics: Macbeth (PDF)
by William Shakespeare Keith Carabine Cedric Watts Intro Notes ByEdited, introduced and annotated by Cedric Watts, Professor of English Literature, University of Sussex. Shakespeare's Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition. As he embarks on his murderous course to gain and retain the crown of Scotland, we see the appalling emotional and psychological effects on both Lady Macbeth and himself. The cruel ironies of their destiny are conveyed in poetry of unsurpassed power. In the theatre, this tragedy remains perennially engrossing.
work.txt (Modern Plays)
by Nathan EllisHate your job? Come work for us.This is a show about work.But the worker isn't here, so it's down to you.You'll clock in at the beginning.You'll get short breaks at regular intervals.You'll work in a team, and under your own initiative.You will be your own boss.You will be free.work.txt is a show performed entirely by the audience about the gig economy, financial instability and bullshit jobs.This edition was published to coincide with the run at the Soho Theatre in London in February 2022.
work.txt (Modern Plays)
by Nathan EllisHate your job? Come work for us.This is a show about work.But the worker isn't here, so it's down to you.You'll clock in at the beginning.You'll get short breaks at regular intervals.You'll work in a team, and under your own initiative.You will be your own boss.You will be free.work.txt is a show performed entirely by the audience about the gig economy, financial instability and bullshit jobs.This edition was published to coincide with the run at the Soho Theatre in London in February 2022.
Working Backstage: A Cultural History and Ethnography of Technical Theater Labor
by Christin EssinWorking Backstage illuminates the work of New York City’s theater technicians, shining a light on the essential contributions of unionized stagehands, carpenters, electricians, sound engineers, properties artisans, wardrobe crews, makeup artists, and child guardians. Too-often dismissed or misunderstood as mere functionaries, these technicians are deeply engaged in creative problem-solving and perform collaborative, intricate choreographed work that parallels the performances of actors, singers, and dancers onstage. Although their contributions have fueled the Broadway machine, their contributions have been left out of most theater histories. Theater historian Christin Essin offers clear and evocative descriptions of this invaluable labor, based on her archival research and interviews with more than 100 backstage technicians, members of the New York locals of the International Alliance of Theatrical Stage Employees. A former theater technician herself, Essin provides readers with an insider’s view of the Broadway stage, from the suspended lighting bridge of electricians operating followspots for A Chorus Line; the automation deck where carpenters move the massive scenic towers for Newsies; the makeup process in the dressing room for The Lion King; the offstage wings of Matilda the Musical, where guardians guide child actors to entrances and exits. Working Backstage makes an significant contribution to theater studies and also to labor studies, exploring the politics of the unions that serve backstage professionals, protecting their rights and insuring safe working conditions. Illuminating the history of this typically hidden workforce, the book provides uncommon insights into the business of Broadway and its backstage working relationships among cast and crew members.
A Working Costume Designer's Guide to Color
by Jeanette deJongA Working Costume Designer's Guide to Color provides readers with the skills and knowledge to create coherent color schemes for costumes. Drawing on decades of experience in the costume shop, the author guides readers through every step of the process, from finding inspiration for a color scheme and successfully working with the design team to understanding how lighting design can affect costume color choices. Filled with step-by-step illustrations of how to add colors to a set of renderings and color-block samples to illustrate color theory, terminology, and usage of colors, the book covers a wide range of topics, including: How to add colors to a set of renderings to clarify characters and character relationships. How color interacts with surface pattern and fabric textures. Color theory and terminology. How to combine colors to make a coherent color scheme using different methods, including using dominant, supporting, and accent colors. How to flatter actors while staying within an overall color scheme. Color meanings in different cultures and for different time periods. How to manage costume changes to preserve or extend a color scheme. A valuable resource for students of costume design courses and professional costume designers, A Working Costume Designer's Guide to Color provides readers with the tools to create harmonious color schemes that will enhance the look of a production as whole.
A Working Costume Designer's Guide to Color
by Jeanette deJongA Working Costume Designer's Guide to Color provides readers with the skills and knowledge to create coherent color schemes for costumes. Drawing on decades of experience in the costume shop, the author guides readers through every step of the process, from finding inspiration for a color scheme and successfully working with the design team to understanding how lighting design can affect costume color choices. Filled with step-by-step illustrations of how to add colors to a set of renderings and color-block samples to illustrate color theory, terminology, and usage of colors, the book covers a wide range of topics, including: How to add colors to a set of renderings to clarify characters and character relationships. How color interacts with surface pattern and fabric textures. Color theory and terminology. How to combine colors to make a coherent color scheme using different methods, including using dominant, supporting, and accent colors. How to flatter actors while staying within an overall color scheme. Color meanings in different cultures and for different time periods. How to manage costume changes to preserve or extend a color scheme. A valuable resource for students of costume design courses and professional costume designers, A Working Costume Designer's Guide to Color provides readers with the tools to create harmonious color schemes that will enhance the look of a production as whole.
A Working Costume Designer’s Guide to Fit
by Jeanette deJongA Working Costume Designer’s Guide to Fit explores the concept of fit in theatrical costumes – what it is, how to assess it, and how to achieve it. Being able to assess whether a costume fits or not is a learned skill, which takes practice as well as information about what the fit standards are for different types of garments. Filled with detailed step-by-step illustrations, this book provides all the knowledge readers will need in order to achieve the perfect fit for their costumes, including: How costumes can support actors onstage when they fit correctly. How to take measurements and how to assess them. How to conduct a fitting and what materials are needed. How to resolve a number of issues that may arise during a fitting. How to fit a mockup test garment in preparation for building a costume from scratch. How to adjust a garment or mockup to fit better. Chapters 8-14 also explore different categories of garments and discuss how to check them against the wearer’s measurements before trying them on, what the standards of fit are for each category, and how to fit an existing garment. This is an essential guide for students of Costume Design courses and professional costume designers of any experience level.
A Working Costume Designer’s Guide to Fit
by Jeanette deJongA Working Costume Designer’s Guide to Fit explores the concept of fit in theatrical costumes – what it is, how to assess it, and how to achieve it. Being able to assess whether a costume fits or not is a learned skill, which takes practice as well as information about what the fit standards are for different types of garments. Filled with detailed step-by-step illustrations, this book provides all the knowledge readers will need in order to achieve the perfect fit for their costumes, including: How costumes can support actors onstage when they fit correctly. How to take measurements and how to assess them. How to conduct a fitting and what materials are needed. How to resolve a number of issues that may arise during a fitting. How to fit a mockup test garment in preparation for building a costume from scratch. How to adjust a garment or mockup to fit better. Chapters 8-14 also explore different categories of garments and discuss how to check them against the wearer’s measurements before trying them on, what the standards of fit are for each category, and how to fit an existing garment. This is an essential guide for students of Costume Design courses and professional costume designers of any experience level.
Working for Mammon (Oberon Modern Playwrights)
by Roy SmilesWorking for Mammon is a comedy drama about the London Riots of 2012 when the city seemed to go mad for a week and every shop with training shoes got looted. It concerns a teacher defeated by life who shelters a sixteen-year-old girl on the run from the police and a drug dealer who finds in her joy for life a new meaning to go on.
Working in American Theatre: A brief history, career guide and resource book for over 1000 theatres (Backstage)
by Jim Volz"I cannot think of a better book for aspiring and working actors, craftspeople, artists, and managers" Kent Thompson, Artistic Director, Denver Center Theatre Company, Past President TCG Board of Directors "It's time for a new look at the complexity and richness of America's growing theatrical landscapre and Jim Volz is just the person to provide that overview" Lesley Schisgall Currier, Managing Director, Marin Shakespeare Company Working in American Theatre is a coast-to-coast overview of the opportunities awaiting theatre practitioners in every discipline. Featuring tips from America's top theatre professionals, this resource offers job-search and career-planning strategies, as well as detailed information on over 1,000 places to work in the American theatre, including regional companies, Broadway and commerical theatre, Shakespeare festivals, touring theatres, university/resident theatres, youth and children's theatres, and outdoor theatres. Offering an overview of the evolution of American theatre and behind-the-scenes stories of the regional movement, this single volume is an indispensable tool at every stage of your career.
Working in American Theatre: A brief history, career guide and resource book for over 1000 theatres (Backstage Ser.)
by Jim Volz"I cannot think of a better book for aspiring and working actors, craftspeople, artists, and managers" Kent Thompson, Artistic Director, Denver Center Theatre Company, Past President TCG Board of Directors "It's time for a new look at the complexity and richness of America's growing theatrical landscapre and Jim Volz is just the person to provide that overview" Lesley Schisgall Currier, Managing Director, Marin Shakespeare Company Working in American Theatre is a coast-to-coast overview of the opportunities awaiting theatre practitioners in every discipline. Featuring tips from America's top theatre professionals, this resource offers job-search and career-planning strategies, as well as detailed information on over 1,000 places to work in the American theatre, including regional companies, Broadway and commerical theatre, Shakespeare festivals, touring theatres, university/resident theatres, youth and children's theatres, and outdoor theatres. Offering an overview of the evolution of American theatre and behind-the-scenes stories of the regional movement, this single volume is an indispensable tool at every stage of your career.
Working Subjects in Early Modern English Drama
by Natasha KordaWorking Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.