Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture (Routledge Studies in Popular Music)
by William I. WolffThis interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11—that is, released during a period of continued global unrest, economic upheaval, and social change—under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen’s broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.
Bruce Springsteen and Popular Music: Rhetoric, Social Consciousness, and Contemporary Culture (Routledge Studies in Popular Music)
by William I. WolffThis interdisciplinary volume enters the scholarly conversation about Bruce Springsteen at the moment when he has reinforced his status of global superstar and achieved the status of social critic. Covering musical and cultural developments, chapters primarily consider work Springsteen has released since 9/11—that is, released during a period of continued global unrest, economic upheaval, and social change—under the headings Politics, Fear and Society; Gender and Sexual Identity; and Toward a Rhetoric of Springsteen. The collection engages Springsteen and popular music as his contemporary work is just beginning to be understood in terms of its impact on popular culture and music, applying new areas of inquiry to Springsteen and putting Springsteen fan writing within the same binding as academic writing to show how together they create a more nuanced understanding of an artist. Established and emerging Springsteen scholars approach work from disciplines including rhetoric and composition, historical musicology, labor studies, American history, literature, communications, sociology, theology, and government. Offering context, critique, and expansive understanding of Springsteen and his work, this book contributes to Springsteen scholarship and the study of popular music by showing Springsteen’s broadening academic appeal as well as his escalating legacy on new musicians, social consciousness, and contemporary culture.
Bruce Springsteen, Cultural Studies, and the Runaway American Dream (Ashgate Popular and Folk Music Series)
by Jerry ZoltenThere is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.
Bruce Springsteen, Cultural Studies, and the Runaway American Dream (Ashgate Popular and Folk Music Series)
by Jerry ZoltenThere is little question about the incredible power of Bruce Springsteen's work as a particularly transformative art, as a lyrical and musical fusion that never shies away from sifting through the rubble of human conflict. As Rolling Stone magazine's Parke Puterbaugh observes, Springsteen 'is a peerless songwriter and consummate artist whose every painstakingly crafted album serves as an impassioned and literate pulse taking of a generation's fortunes. He is the foremost live performer in the history of rock and roll, a self-described prisoner of the music he loves, for whom every show is played as if it might be his last.' In recent decades, Puterbaugh adds, 'Springsteen's music developed a conscience that didn't ignore the darkening of the runaway American Dream as the country greedily blundered its way through the 1980s' and into the sociocultural detritus of a new century paralysed by isolation and uncertainty. Bruce Springsteen, Cultural Studies, and the Runaway American Dream reflects the significant critical interest in understanding Springsteen's resounding impact upon the ways in which we think and feel about politics, religion, gender, and the pursuit of the American Dream. By assembling a host of essays that engage in interdisciplinary commentary regarding one of Western culture's most enduring artistic and socially radicalizing phenomena, this book offers a cohesive, intellectual, and often entertaining introduction to the many ways in which Springsteen continues to impact our lives by challenging our minds through his lyrics and music.
Bruce Springsteen - The Stories Behind the Songs: Bruce Springsteen by Brian Hiatt, Rolling Stone Journalist (Stories Behind The Songs Ser.)
by Brian HiattImportant insight into the work of a truly great songwriter.Updated to include the albums Western Stars and Letter To You and packed full of insightful stories from Springsteen's long career, Bruce Springsteen: The Stories Behind the Songs takes a detailed look at each and every one of his tracks, providing a unique look at this rock legend's method, as well as some of the many anecdotes and tales that are prolific in his long music history.The legend of Bruce Springsteen may well outlast rock 'n' roll itself. And for all the muscle and magic of his life-shaking concerts with the E Street Band, it comes down to the songs – music that helped define the best version of the United States for itself and the rest of the world; that bridged the gap between Bob Dylan and James Brown, between Phil Spector and Hank Williams; and that somehow managed to make New Jersey seem like a promised land. Deeply researched, laced with insight from decades of fandom and original reporting, this book is an exhaustive and unique look at the writing, recording and significance of Springsteen's singular catalog of songs – the first book to cover every officially released track, from hits to obscurities, from 1974's Greetings From Asbury Park, N.J. to 2014's High Hopes.
Bruce Springsteen's Born in the USA (33 1/3)
by Geoffrey HimesWhen Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, "one, two, one, two, three, four," followed by the droning synth chords of "Born in the U.S.A." Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line ("Born down in a dead man's town") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, "Nowhere to run. Nowhere to go." It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength-building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff-it was clear that the singer was ready to make a stand.
Bruckner-Handbuch
Neue Sicht auf Anton Bruckner. Zu Lebzeiten erst spät gewürdigt, zählt der Komponist heute zu den großen und einflussreichen Symphonikern des 19. Jahrhunderts. Die Meinungen über Bruckners Werke gingen von Anfang an auseinander. Die widersprüchlichen Standpunkte zu seiner Person und seinem Schaffen setzen sich bis heute fort. Das ausführliche Handbuch zu Leben, Werk und Rezeption erleichtert den Zugang zu dem kontrovers rezipierten Komponisten und vermittelt neue Perspektiven jenseits von Stereotypen.
Bruised, Never Broken
by Phil CoulterAs the composer of some of Ireland’s best-loved songs, not to mention a host of global hits, Phil Coulter has been a mainstay of Irish cultural life for decades. But this is a position that has been hard won, often in the face of extraordinary personal and political upheaval, most of which has, to date, been kept hidden from public view.Heartfelt and wry, meditative and entertaining, Bruised, Never Broken is the story of the author’s remarkable rise from modest beginnings on the streets of post-war Derry to the summit of the global charts, as a composer and confidante to a host of the era’s biggest stars, such as Van Morrison, Luke Kelly, Cliff Richard and Sandie Shaw.Poignantly, it is also a hymn to the place that made him, a city as complex and troubled throughout Ireland’s middle decades as any on Earth, yet a source of constant inspiration and consolation.
BTS: Icons of K-Pop
by Adrian BesleySeven men. Seven years. 31 million Twitter followers. 11 billion YouTube views. 13 billion Spotify streams. Sold out world tours. BTS are a global phenomenon – this is their story. This fully revised and updated edition of the bestselling biography covers their journey from debut to Map of the Soul: 7, and looks at how this group of guys from South Korea have taken over the world. RM, Jin, SUGA, j-hope, Jimin, V and Jungkook can sing, dance and rap, and write and produce their own music too. From humble beginnings at a small agency to topping charts all over the world, their story is truly incredible, and testament to the amazing talent and hard work of each of the members. Their dedicated fanbase, ARMY, have supported them through thick and thin, celebrating triumphs alongside their idols and pushing them to ever-greater heights. Extensively researched, and written in an upbeat and accessible style, this book interweaves the backstories of each of the members with the narrative of the band as a whole, their modest debut and their astonishing rise to fame in their home country and beyond. It also includes 16 pages of full colour photographs of the band performing, posing and having fun.
BTS: The Unauthorized Fan Guide
by Helen BrownBTS: Kings of K-Pop is the must-have commemorative celebration of BTS, the Korean boy band with a global army of fans.With their talent, dedication, clever choreography, and catchy blend of pop, hip-hop and R&B, this must-have fan book offers an extensive look at what makes the Bangtan Boys so memorable. Packed with fascinating facts and sensational secrets around how the band got together and their rise to fame, to their first number one and beyond, this book takes fans up close and personal with RM, J-Hope, Suga, Jimin, V, Jin and Jungkook. Filled with pages of brilliant photos and including an advanced quiz, this is the ultimate book for ARMYs as well as new K-Pop fans everywhere.
BTS: 100% Unofficial – Everything You Need to Know About the Kings of K-pop
by Malcolm MackenzieBTS are an international sensation in the world of K-pop! This boyband has sold out arenas, topped charts and gained an army of fans all over the world.
BTS - The Ultimate Fan Book: Experience the K-Pop Phenomenon! (The Ultimate Fan Book)
by Malcolm CroftExperience the K-Pop phenomenon of BTS in this best-selling Ultimate Fan Book! BTS are much more than just a group of seven talented individuals, they are a band acclaimed for their record-smashing, barrier-breaking, trend-setting dance-pop and hip-hop tunes and personal philosophies. Featuring brand new content and sensational new photos, BTS - The Ultimate Fan Book includes everything you need to know about Jin, Suga, J-Hope, RM, Jimin, V and Jungkook, as well as the BTS ARMY.A celebration of the K-Pop phenomenon, exploring in stunning technicolour detail the group's origins, members and super rise to success, this Ultimate Fan Book is beautifully accompanied by photographs showcasing the band's kaleidoscope of personalities and passions that have made them famous. BTS are more than just a boy band – they are a way of life.
Buddy: The definitive biography of Buddy Holly
by Philip NormanBuddy Holly is the best-known yet most elusive and enigmatic of all Rock 'n' Roll legends. Now Philip Norman, who has won international praise for his biographies of the Beatles, the Rolling Stones and Elton John, has written the definitive story of a short but extraordinary life. Buddy's records are played, and his memory is cherished, the world over. Yet the full story of his meteoric rise and tragic fall has never been told. Philip Norman uses his unique skills to give a revealing, sometimes shocking but always warmly affectionate portrait of America's mythical Rock 'n' Roll era and its brightest and most enduring star. 'Excellent ... [Norman's] cogency and thoroughness make this biography as welcome as the unstoppably fresh songs his idol left us' Sunday Times
Buddy Holly: Learning the Game
by Spencer LeighBuddy Holly died in 1959. He was just 22 years old.Don McLean called that fatal day ‘The Day the Music Died’. But Buddy’s music hasn’t died and he left behind a wonderful legacy. With his animated voice, trademark black glasses, Fender Stratocaster and inimitable songs, Buddy and his music live on and continue to influence subsequent generations of musicians. His solitary UK tour was crucial to the British beat explosion of the early 1960s, spawning the Beatles, the Hollies and the Rolling Stones. Without Buddy Holly, today’s popular music would, almost certainly, be radically different.Spencer Leigh discusses the importance of this legendary figure through his music, his life, his image and his legacy. There are fascinating interviews with those who knew him best – his young widow Maria Elena, his band members the Crickets, Des O’Connor who compered his 1958 tour as well as musicians, songwriters, friends, fans and many others who worked with Buddy.It is inevitable that we remember the giants: Elvis, the Beatles, Freddie Mercury, David Bowie, but Buddy Holly’s death enables us also to acknowledge the less well-known musicians who died with him, 17-year-old Ritchie Valens and the outlandish Big Bopper. What emerges from Spencer’s research is an insight into Buddy’s short, impulsive life as well as an account of his continuing legacy. Packed with facts, including US and UK discographies, this book provides an invaluable wealth of information.
Build: The Power of Hip Hop Diplomacy in a Divided World
by Mark KatzSince 2001, the U.S. Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building. A timely study of U.S. diplomacy, Build: The Power of Hip Hop Diplomacy in a Divided World reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma. Yet power is never single-edged, and the story of hip hop diplomacy is deeply fraught. Drawing from nearly 150 interviews with hip hop artists, diplomats, and others in more than 30 countries, Build explores the inescapable tensions and ambiguities in the relationship between art and the state, revealing the ethical complexities that lurk behind what might seem mere goodwill tours. Author Mark Katz makes the case that hip hop, at its best, can promote positive, productive international relations between people and nations. A U.S.-born art form that has become a voice of struggle and celebration worldwide, hip hop has the power to build global community when it is so desperately needed. Cover image: Sylvester Shonhiwa, aka Bboy Sly, Harare, Zimbabwe, February 2015. Photograph by Paul Rockower.
Build: The Power of Hip Hop Diplomacy in a Divided World
by Mark KatzSince 2001, the U.S. Department of State has been sending hip hop artists abroad to perform and teach as goodwill ambassadors. There are good reasons for this: hip hop is known and loved across the globe, acknowledged and appreciated as a product of American culture. Hip hop has from its beginning been a means of creating community through artistic collaboration, fostering what hip hop artists call building. A timely study of U.S. diplomacy, Build: The Power of Hip Hop Diplomacy in a Divided World reveals the power of art to bridge cultural divides, facilitate understanding, and express and heal trauma. Yet power is never single-edged, and the story of hip hop diplomacy is deeply fraught. Drawing from nearly 150 interviews with hip hop artists, diplomats, and others in more than 30 countries, Build explores the inescapable tensions and ambiguities in the relationship between art and the state, revealing the ethical complexities that lurk behind what might seem mere goodwill tours. Author Mark Katz makes the case that hip hop, at its best, can promote positive, productive international relations between people and nations. A U.S.-born art form that has become a voice of struggle and celebration worldwide, hip hop has the power to build global community when it is so desperately needed. Cover image: Sylvester Shonhiwa, aka Bboy Sly, Harare, Zimbabwe, February 2015. Photograph by Paul Rockower.
Building a Modern Japan: Science, Technology, and Medicine in the Meiji Era and Beyond
by M. LowIn the late Nineteenth-century, the Japanese embarked on a program of westernization in the hope of building a strong and modern nation. Science, technology and medicine played an important part, showing European nations that Japan was a world power worthy of respect. It has been acknowledged that state policy was important in the development of industries but how well-organized was the state and how close were government-business relations? The book seeks to answer these questions and others. The first part deals with the role of science and medicine in creating a healthy nation. The second part of the book is devoted to examining the role of technology, and business-state relations in building a modern nation.
Building an Award-Winning Guitar Program: A Guide for Music Educators
by Bill SwickBuilding an Award-Winning Guitar Program is a practical guide to assist secondary and post-secondary music educators with the tasks involved in establishing a successful music program. With the rising interest in guitar, Mariachi, rock band, handbells, bluegrass, music technology, and so on, more and more music educators are being asked to teach innovative music classes. Author Bill Swick has crafted this book to help these educators build such innovative music programs from the ground floor, based on his years of experience as a music educator specialized in guitar. The book will assist music educators with classroom management, scheduling, structure, organization, fund raising, festivals, travel, and other subjects related to teaching guitar in the classroom, but its principles are broadly relevant to any and all music educators hoping to create a unique program that stands out within their school district and state, attracting students, parents, educators and administrators alike.
Building an Award-Winning Guitar Program: A Guide for Music Educators
by Bill SwickBuilding an Award-Winning Guitar Program is a practical guide to assist secondary and post-secondary music educators with the tasks involved in establishing a successful music program. With the rising interest in guitar, Mariachi, rock band, handbells, bluegrass, music technology, and so on, more and more music educators are being asked to teach innovative music classes. Author Bill Swick has crafted this book to help these educators build such innovative music programs from the ground floor, based on his years of experience as a music educator specialized in guitar. The book will assist music educators with classroom management, scheduling, structure, organization, fund raising, festivals, travel, and other subjects related to teaching guitar in the classroom, but its principles are broadly relevant to any and all music educators hoping to create a unique program that stands out within their school district and state, attracting students, parents, educators and administrators alike.
Building Choral Excellence: Teaching Sight-Singing in the Choral Rehearsal
by Steven M. DemorestDesigned for both the practicing choral director and the choral methods student, this is a compact and comprehensive overview of the many teaching methods, strategies, materials, and assessments available for choral sight-singing instruction. Sight-singing is an important, if sometimes neglected, facet of choral music education that often inspires fear and uncertainty in student and teacher alike. Written in an accessible style, this book takes the mystery out of teaching music reading. Topics covered include the history of sight-singing pedagogy and research, prominent methods and materials, and practical strategies for teaching and assessment. This is the only book to provide such a wealth of information under one cover and will become an essential part of every choral conductor's library.
Building Choral Excellence: Teaching Sight-Singing in the Choral Rehearsal
by Steven M. DemorestDesigned for both the practicing choral director and the choral methods student, this is a compact and comprehensive overview of the many teaching methods, strategies, materials, and assessments available for choral sight-singing instruction. Sight-singing is an important, if sometimes neglected, facet of choral music education that often inspires fear and uncertainty in student and teacher alike. Written in an accessible style, this book takes the mystery out of teaching music reading. Topics covered include the history of sight-singing pedagogy and research, prominent methods and materials, and practical strategies for teaching and assessment. This is the only book to provide such a wealth of information under one cover and will become an essential part of every choral conductor's library.
Bulgarian Harmony: In Village, Wedding, and Choral Music of the Last Century (SOAS Studies in Music Series)
by Kalin S. KirilovAn in-depth study of the Bulgarian harmonic system is long overdue. More than two decades since the Le Mystère des Voix Bulgares choir was awarded a Grammy (1990), there is no scholarly study of the captivating sounds of Bulgarian vertical sonorities. Kalin Kirilov traces the gradual formation of a unique harmonic system that developed in three styles of Bulgarian music: village music from the 1930s to the 1990s, wedding music from the 1970s to 2000, and choral arrangements (obrabotki) - creations of the socialist period (1944-1989), popularized by Le Mystère des Voix Bulgares. Kirilov classifies the different approaches to harmony and situates them in their historical and cultural contexts, establishing new systems for analysis. In the process, he introduces a new system for the categorization of scales. Kirilov argues that the ready-made concepts that are frequently forced onto Bulgarian music - ‘westernization’, ‘socialist’ or ‘Middle Eastern influence’, are not only outdated but also too vague to be of use in understanding the sophisticated modal and harmonic systems found in Bulgarian music. As an insider who has performed, composed and arranged this music for 30 years, Kirilov is uniquely qualified to interpret it for an international audience.
Bulgarian Harmony: In Village, Wedding, and Choral Music of the Last Century (SOAS Studies in Music Series)
by Kalin S. KirilovAn in-depth study of the Bulgarian harmonic system is long overdue. More than two decades since the Le Mystère des Voix Bulgares choir was awarded a Grammy (1990), there is no scholarly study of the captivating sounds of Bulgarian vertical sonorities. Kalin Kirilov traces the gradual formation of a unique harmonic system that developed in three styles of Bulgarian music: village music from the 1930s to the 1990s, wedding music from the 1970s to 2000, and choral arrangements (obrabotki) - creations of the socialist period (1944-1989), popularized by Le Mystère des Voix Bulgares. Kirilov classifies the different approaches to harmony and situates them in their historical and cultural contexts, establishing new systems for analysis. In the process, he introduces a new system for the categorization of scales. Kirilov argues that the ready-made concepts that are frequently forced onto Bulgarian music - ‘westernization’, ‘socialist’ or ‘Middle Eastern influence’, are not only outdated but also too vague to be of use in understanding the sophisticated modal and harmonic systems found in Bulgarian music. As an insider who has performed, composed and arranged this music for 30 years, Kirilov is uniquely qualified to interpret it for an international audience.
A Bundle of Ballads
by Henry MorleyHenry Morley (15 September 1822 – 1894) was a writer on English literature and one of the earliest Professors of English Literature. The son of an apothecary, he was born in Hatton Garden, London, educated at a Moravian school in Germany, and at King's College London, and after practicing medicine and keeping schools at various places, went in 1850 to London, and adopted literature as his profession. This book is a collection of his ballads.
Bunnyman: A Memoir
by Will SergeantGrowing up in Liverpool in the 1960s and '70s, when skinheads, football violence and fear of just about everything was the natural order of things, a young Will Sergeant found the emerging punk scene provided a shimmer of hope amongst a crumbling city still reeling from the destruction of the Second World War. From school-day horrors and mud flinging fun to nights at Liverpool's punk club, Eric's, Sergeant was fuelled by and thrived on music. It was this devotion that led to the birth of the Bunnymen, to the days when he and Ian McCulloch would muck around with reel-to-reel recordings of song ideas in the back parlour of his parents' council estate house, and to finding a community - friends, enemies and many in between - with those who would become post-punk royalty from the likes of Dead or Alive, Frankie Goes to Hollywood and the Teardrop Explodes to name a few.It was an uphill struggle to carve their name in the history of Liverpool music, but Echo and the Bunnymen became iconic, with songs like 'Lips Like Sugar,' 'The Cutter' and 'The Killing Moon'. By turns wry, explicit and profound, Bunnyman reveals what it was really like to be part of one of the most important British bands of the 1980s.
The Burial Hour: Lincoln Rhyme Book 13 (Lincoln Rhyme Thrillers #1)
by Jeffery DeaverFrom the author of The Goodbye Man, discover Jeffery Deaver's chilling series that inspired the film starring Angelina Jolie and Denzel Washington, and is now a major NBC TV series Number one bestselling author and master of suspense Jeffery Deaver returns with the thirteenth Lincoln Rhyme thriller, which sees a crime go global . . .When a man is snatched from a New York street in broad daylight, the only clue is a miniature noose left on the pavement. By the time criminal forensic scientist Lincoln Rhyme is involved, a video of the missing man is already online, his dying breaths set to a grisly music by someone calling himself The Composer. Rhyme and fellow investigator Amelia Sachs must follow The Composer across the globe as he continues his horrifying creation, kidnapping further victims to add their last breaths to his piece. But with Rhyme and Sachs in a whole new world with its own rules, how can they possibly guess what danger they're in when the music finally stops?'If you want thrills, Deaver is your man' Guardian'One of the most consistent writers of clever, entertaining and often thought-provoking thrillers in the world' Simon Kernick'Deaver is a master of plot twists, and they are abundant in this story...essential for fans of the franchise' Daily Mail
Burma, Kipling and Western Music: The Riff from Mandalay (Routledge Research in Music)
by Andrew SelthFor decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.
Burma, Kipling and Western Music: The Riff from Mandalay (Routledge Research in Music)
by Andrew SelthFor decades, scholars have been trying to answer the question: how was colonial Burma perceived in and by the Western world, and how did people in countries like the United Kingdom and United States form their views? This book explores how Western perceptions of Burma were influenced by the popular music of the day. From the First Anglo-Burmese War of 1824-6 until Burma regained its independence in 1948, more than 180 musical works with Burma-related themes were written in English-speaking countries, in addition to the many hymns composed in and about Burma by Christian missionaries. Servicemen posted to Burma added to the lexicon with marches and ditties, and after 1913 most movies about Burma had their own distinctive scores. Taking Rudyard Kipling’s 1890 ballad ‘Mandalay’ as a critical turning point, this book surveys all these works with emphasis on popular songs and show tunes, also looking at classical works, ballet scores, hymns, soldiers’ songs, sea shanties, and film soundtracks. It examines how they influenced Western perceptions of Burma, and in turn reflected those views back to Western audiences. The book sheds new light not only on the West’s historical relationship with Burma, and the colonial music scene, but also Burma’s place in the development of popular music and the rise of the global music industry. In doing so, it makes an original contribution to the fields of musicology and Asian Studies.
Burning Down The Haus: Punk Rock, Revolution and the Fall of the Berlin Wall
by Tim MohrLONGLISTED FOR THE CARNEGIE MEDAL FOR EXCELLENCE'Mohr digs into the subject of East German punk like nobody before' Rolling Stone GermanyTim Mohr brings us the secret history of punks in East Germany. Burning Down the Haus is a reclamation and an exaltation of youth culture and idealism as not only an instigator for discourse, but as an actual catalyst for political upheaval and radical change.It began with a handful of East Berlin teens who heard the Sex Pistols on a British military radio broadcast to troops in West Berlin, and it ended with the collapse of the East German dictatorship. Punk rock was a life-changing discovery: in an authoritarian state where the future was preordained, punk, with its rejection of society and DIY approach to building a new one, planted the seeds for revolution.As these kids began to form bands, they also became more visible, and security forces - including the dreaded secret police, the Stasi - targeted them. They were spied on by friends and family; they were expelled from schools and fired from jobs; they were beaten by police and imprisoned. But instead of conforming, the punks fought back, playing an indispensable role in the underground movement that helped bring down the Berlin Wall.Rollicking, cinematic and thrillingly topical, this secret history brings to life the young men and women who successfully fought authoritarianism three chords at a time. Burning Down the Haus is a fiery testament to the irrepressible spirit of revolution.'Burning Down the Haus is not just an immersion into the punk rock scene of East Berlin, it's the story of the cultural and political battles that have shaped the world we live in today' DW Gibson, author of The Edge Becomes the Center: An Oral History of Gentrification in the Twenty-First Century
The Business of Music (Liverpool Music Symposium #2)
by Michael TalbotIs business, for music, a regrettable necessity or a spur to creativity? Are there limits to the influence that economic factors can or should exert on the musical imagination and its product? In the eleven essays contained in this book the authors wrestle with these questions from the perspective of their chosen area of research. The range is wide: from 1700 to the present day; from the opera house to the community centre; from composers, performers and pedagogues to managers, publishers and lawyers; from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when it harnesses business rather than denying it.
The Business of Opera (Ashgate Interdisciplinary Studies in Opera)
by Anastasia Belina-Johnson Derek B. ScottThe study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
The Business of Opera (Ashgate Interdisciplinary Studies in Opera)
by Anastasia Belina-Johnson Derek B. ScottThe study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
But Beautiful: A Book About Jazz
by Geoff DyerLester Young fading away in a hotel room; Charles Mingus storming down the streets of New York on a too-small bicycle; Thelonius Monk creating his own private language on the piano. . . In eight poetically charged vignettes, Geoff Dyer skilfully evokes the embattled lives of the players who shaped modern jazz. He draws on photos and anecdotes, but music is the driving force of But Beautiful and Dyer brings it to life in luminescent and wildly metaphoric prose that mirrors the quirks, eccentricity, and brilliance of each musician's style.
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus Moore'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian __________Kendrick Lamar is at the top of his game. He has been described as the poet Laurette of hip-hop, perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin. He is a visionary who will go down as history as one of the most important artists of all time. But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America. Written by veteran journalist and music critic Marcus J. Moore, this is the first biography of Kendrick Lamar. It's the definitive account of his coming-of-age as an artist, his resurrection of jazz, his profound impact on a racially fraught America, and his emergence as the bona fide King of Rap.The book traces not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. With exclusive interviews with his family, friends, and record producers, this book is the must-read for any fan.The Butterfly Effect is the extraordinary, triumphant story of a modern lyrical prophet and an American icon who has given hope to those buckling under the weight of systemic oppression, reminding everyone that through it all, "we gon' be alright".__________'By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture' Eminem 'I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today.' Lebron James'For a gentle dude, he throws a righteous punch; I wouldn't get in the way of it. No single artist will ever be the antidote to a generation's malaise, but just identifying some of the problems really helps' Bono'Kendrick Lamar is a master of storytelling' New Yorker
Buzz to Brilliance: A Beginning and Intermediate Guide to Trumpet Playing
by Adrian GriffinBuzz to Brilliance engages students personally, technically and musically as they begin their study on the trumpet. The book journeys with students from the moment they first open their trumpet case to years later as they prepare for college auditions. It abounds with technical information and practical tips including buying a new trumpet, mouthpiece selection, adjusting to braces, and marching band. Chapters on practice skills, sight-reading, and performing are a must-read for any musician, while special features give students a window into diverse worlds, from the workbench of a master repairman to the French horn studio of a master teacher. Drawings, diagrams and pictures invite students into each page, making even advanced technical concepts easy to understand. Following the written portion of the book, a comprehensive set of scales and technique-building exercises address topics including breathing, high range, pedal tones, lip slurs, accuracy, articulation, and pedal tones. With practice schedules, mouthpiece comparison chart, pitch tendencies and more, this book is a treasure for any trumpet player. Buzz to Brilliance is the perfect companion for any beginning method book, and the first text on the market that provides a comprehensive set of essential studies selected specifically for beginning and intermediate players.
Buzz to Brilliance: A Beginning and Intermediate Guide to Trumpet Playing
by Adrian GriffinBuzz to Brilliance engages students personally, technically and musically as they begin their study on the trumpet. The book journeys with students from the moment they first open their trumpet case to years later as they prepare for college auditions. It abounds with technical information and practical tips including buying a new trumpet, mouthpiece selection, adjusting to braces, and marching band. Chapters on practice skills, sight-reading, and performing are a must-read for any musician, while special features give students a window into diverse worlds, from the workbench of a master repairman to the French horn studio of a master teacher. Drawings, diagrams and pictures invite students into each page, making even advanced technical concepts easy to understand. Following the written portion of the book, a comprehensive set of scales and technique-building exercises address topics including breathing, high range, pedal tones, lip slurs, accuracy, articulation, and pedal tones. With practice schedules, mouthpiece comparison chart, pitch tendencies and more, this book is a treasure for any trumpet player. Buzz to Brilliance is the perfect companion for any beginning method book, and the first text on the market that provides a comprehensive set of essential studies selected specifically for beginning and intermediate players.
Buzzin': The Nine Lives of a Happy Monday
by BezAt the height of his initial, turn-of-the-1990's infamy as the maraca-wielding dancer with 'Madchester' giants Happy Mondays, the pop-eyed Mark Berry, forever known to the world as Bez, was visibly a danger to society. He became the so-called Chemical Generation's bug-eyed pied piper, every weekend leading millions out to oblivion and beyond, as they adopted his E-gobbling party lifestyle.Neither an accomplished musician nor even a very good dancer, Bez was a prime candidate for fleeting celebrity, soon to sink into 'Where Are They Now?' obscurity. That, however, never happened, nor does it show any sign of happening. Through Black Grape, the second band he co-fronted with the Mondays' Shaun Ryder, and his ever-presence in the mass media, Bez's popularity has grown exponentially, his star rocketing ever upwards.When he bowled into Celebrity Big Brother in 2005, he ended up winning the series, as viewers came to understand his fundamental decency and sunny outlook. His adult life has been extraordinary: unbelievable scrapes with mortality, periods of financial ruin, mindfuck moments like when David Bowie genuflected before him, and enough narcotic-strewn hi-jinx to fill several more volumes of memoir.This is the story of a bad lad who has turned his life good, tracing his passage from early-thirty-something casualty to middle-aged politician, eco-warrior and bee-aficionado.
Bye Bye Baby: My Tragic Love Affair With The Bay City Rollers
by Caroline SullivanOver four hot summers from 1975 to 1979, teenager Caroline Sullivan and her friends criss-crossed the USA in the Rollers' wake. They staked out airports and hotels, tricking airline clerks and wheedling information out of PR companies.
Byrd Studies in the Twenty-First Century (Clemson University Press: Studies in British Musical Cultures)
Byrd Studies in the Twenty-First Century demonstrates current approaches to Byrd studies in the twenty-first century and represents the sole major print effort to commemorate the 400th anniversary of the composer’s death in 2023. The volume's chapters, by both early-career and established scholars, cover topics that engage with Byrd’s milieu and music, incorporating themes such as reception history, exploration and exile, historiography, digital scholarship, literary criticism, and reconstruction. It also expands upon established areas of Byrd scholarship, including Byrd’s Catholicism, analysis, performance practice, and reformation politics, investigating how approaches to Byrd and his music have changed over since the last major anniversary in 1923. This timely volume not only marks the quatercentenary of a beloved English composer but works to situate scholarship on Byrd within the changing landscape of interdisciplinary music study. It includes contributions from scholars drawing widely from literary studies, visual culture, music theory, performance studies, and cultural history. Byrd's exceptional life at the heart of elite and courtly culture during tumultuous late-Elizabethan England is a unique window to late-sixteenth, early-seventeenth century England that will be of value to scholars and students from both within and without music studies. Byrd Studies in the Twenty-first Century provides new approaches and perspectives on Byrd's music, performance, and legacy.
The Byrds' The Notorious Byrd Brothers (33 1/3)
by Ric MenckBy the time Roger McGuinn, David Crosby, Chris Hillman, and Michael Clarke entered the studio to begin work on this album, they were basically falling apart at the seams. "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.
The Byrds' The Notorious Byrd Brothers (33 1/3)
by Ric MenckBy the time Roger McGuinn, David Crosby, Chris Hillman, and Michael Clarke entered the studio to begin work on this album, they were basically falling apart at the seams. "Ladyfriend", a song written by Crosby, had just failed miserably as a chart single despite the fact that he lobbied hard to get it released. This - coupled with the fact that he made what the rest of the band considered an embarrassing political speech onstage during their set at the Monterey Pop Festival, and then sat in with rivals the Buffalo Springfield the following day - pushed McGuinn and Hillman in particular to the limits of their patience. Then, for the Notorious sessions, Crosby presented a song called "Triad", written about a threesome, and although McGuinn and Hillman reluctantly agreed to record it, they later decided to place a less controversial Goffin & King pop number called "Goin' Back" on the album instead. Crosby declared the song banal and refused to sing on it. A few too many studio flare-ups later, McGuinn and Hillman finally screeched up into the Hollywood Hills in their Jaguars and fired Crosby on the spot. Also brooding during this period was drummer Michael Clarke, who had always borne the brunt of the other band members' rage while recording. He was by far the least accomplished member of the band musically, and when they suggested bringing in a studio drummer to embellish some tracks (Jim Gordon, later of Derek & the Dominos fame), he finally declared he'd had enough and moved to Hawaii to get away from the music scene altogether. So, McGuinn and Hillman were left to cobble together an album with the help of producer Gary Usher (known for his work with Brian Wilson, the Millenium, Sagittarius and many others). The fact that it turned out to be one of the defining albums of the 60s psychedelic pop experience was either a sheer stroke of luck, or a testament to McGuinn and Hillman's determination to prove that they didn't need Crosby's help to construct their masterpiece.
Byron and the Discourses of History (The Nineteenth Century Series)
by Carla PomarèIn her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, but also and primarily supplied him with epistemological models. From them, Byron drew such trademark textual practices as his massive use of notes and paratexts, which satisfied his ingrained need for ’authenticity’ - a sentiment expressed in his oft-quoted, ’I hate things all fiction’. As Pomarè argues, Byron’s meticulous tracing of the process that links events, documents and historical representations ultimately answers his desire to retrieve what might be lost during the transmission of historical knowledge. Thus does he betray his preoccupation with the ideological uses of history writing, projecting his own discourses of history into the present of their composition.
Byron and the Discourses of History (The Nineteenth Century Series)
by Carla PomarèIn her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, but also and primarily supplied him with epistemological models. From them, Byron drew such trademark textual practices as his massive use of notes and paratexts, which satisfied his ingrained need for ’authenticity’ - a sentiment expressed in his oft-quoted, ’I hate things all fiction’. As Pomarè argues, Byron’s meticulous tracing of the process that links events, documents and historical representations ultimately answers his desire to retrieve what might be lost during the transmission of historical knowledge. Thus does he betray his preoccupation with the ideological uses of history writing, projecting his own discourses of history into the present of their composition.
Bytes and Backbeats: Repurposing Music in the Digital Age (Tracking Pop)
by Steve SavageFrom Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community. At the core of the book are three original audio projects, drawing from rock & roll, jazz, and traditional African music, through which Savage is able to target areas of contemporary practice that are particularly significant in the cultural evolution of the musical experience. Each audio project includes a studio study providing context for the social and cultural analysis that follows. This work stems from Savage's experience as a professional recording engineer and record producer.
C.A.L.M.: Crimes Against Love Memories
by Jehnny Beth Johnny Hostile'Because a life lived in fear is equal to no life at all'This is the uncompromising vision of Jehnny Beth and Johnny Hostile. Fearless and highly erotic, these stories delight in ideas of sexual transgression and liberation, offering a window onto a world where anything is permitted, and everything is safe. As each of Jehnny Beth and Johnny Hostile's characters break from the bonds of acceptability and enter a darkness of desire, submission and sex, they discover their own humanity, a place where they can truly be free. A manifesto in the form of erotic photography, monologues and dialogues, Johnny Hostile's stimulating photography punctuates Jehnny Beth's seductive prose. Collapsing the barriers between sex an art while examining the universal values of human existence and consciousness through uninhibited desire, C.A.L.M. established Jehnny Beth and Johnny Hostile as two of the bravest and most provocative voices in fiction and erotic art today. The full collection of Johnny Hostile's photography is featured in a limited-edition hard cover art book of C.A.L.M.
C.P.E. Bach
by David SchulenbergThe second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
C.P.E. Bach (The\late Eighteenth-century Composers Ser.)
by David SchulenbergThe second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
Cabals and Satires: Mozart's Comic Operas in Vienna
by Dr. Ian WoodfieldWhen Joseph II placed his opera buffa troupe in competition with the re-formed Singspiel, he provoked an intense struggle between supporters of the rival national genres, who organized claques to cheer or hiss at performances, and encouraged press correspondents to write slanted notices. It was in this fraught atmosphere that Mozart collaborated with librettist Lorenzo da Ponte on his three mature Italian comedies--Figaro, Don Giovanni, and Così fan tutte. In Cabals and Satires: Mozart's Comic Operas in Vienna, Ian Woodfield brings the fascinating dynamics of this inter-troupe contest into focus. He reveals how Mozart, while not immune from the infighting, was able to weather satirical attacks, successfully negotiate the unpredictable twists and turns of theatre politics during the lean years of the Austro-Turkish War, and seal his reputation with a revival of Figaro in 1789 as a Habsburg festive work. Mozart's deft navigation of the turbulent political waters of this period left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the war years.