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Social Work with Disabled People (Practical Social Work Series)
by Michael OliverThis book has been substantially revised to take into account the legislative changes since 1983 and the theoretical developments in the field of disability. Whilst continuing to highlight the negative impact of welfare policy on the lives of disabled people, it develops arguments as to how social work can contribute to the removal of disabling barriers and looks at the implications that an anti - disablist practice would have for the education and training of social workers and the management of welfare agencies.
Social Works: Performing Art, Supporting Publics
by Shannon Jackson‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
Social Works: Performing Art, Supporting Publics
by Shannon Jackson‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
Sofia Coppola: The Politics of Visual Pleasure
by Anna Backman RogersA feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work… Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”—Bright Lights Film Journal All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy. From the Introduction: Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context…. This monograph is an extended study of Coppola’s outstanding ability to think through and in images.
Sofia Coppola: The Politics of Visual Pleasure
by Anna Backman RogersA feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work… Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”—Bright Lights Film Journal All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy. From the Introduction: Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context…. This monograph is an extended study of Coppola’s outstanding ability to think through and in images.
Soft Lad: Coming-of-age Stories
by Nick GrimshawComing-of-age stories from much loved radio royalty, DJ and TV personality Nick Grimshaw - now with a new chapter.'Hilarious and quintessentially Nick. Unapologetically himself always, and that's what I love the most' Dua Lipa'Very funny, very sweet and full of charm -- a bit like the man himself' Graham NortonFrom partying with pop stars and chatting breeze on the radio, to drinking too much, to not drinking at all, to growing up, coming out, general nonsense, the journey from self-loathing to self-care and making dreams come true. These are Grimmy's brilliant, nostalgic coming-of-age tales, covering life's pivotal moments, the loves, the losses, and the fun had with the family and friends that made him. Heart-breaking and heartening in equal measure, Nick will have you laughing out loud, feeling all the emotions and (potentially) having a good cry.'A snapshot of his formative moments that feel relatable, emotional and downright unfiltered . . . like a good long chat with a mate you have always adored' Glamour'One of those fearlessly honest books that manages to be moving and thought-provoking and funny at the same time. A bit like him really' Emily Dean, The Times'Personal and beautifully written . . . I can't recommend it enough' Tom Allen, Virgin Radio
Soft Power Made in China: The Dilemmas of Online and Offline Media and Transnational Audiences
by Claire Seungeun LeeThis book analyzes the ways in which China’s soft power growth faces dilemmas in East Asia through both online and offline platforms. One dilemma for China’s transnational soft power-field expansion lies in the intersection of its source and receiving countries. The author discusses how transnational audiences’ consumption and reception of Chinese television series are shaped by domestic factors, with interpretations of and desires for different forms of capital, further inhibiting the foreign export of these series. Another dilemma is the “outsourced soft power.” While Hong Kong and Taiwan play significant roles as outsourced soft power mediators, their under-established emerging digital media platforms have yet to meet the expectations of transnational audiences in a virtual transnational soft power field. Grounded in the author’s multi-site field research focused on television spheres, Soft Power Made in China argues that China’s soft power paradox in South Korea and Japan—two quasi-Sinophone countries—is not due to a lack of state-level strategy, but linked to soft power pathways that rely on production in one source country, and both distribution and reception in a receiving country.
Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan YoungDespite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan YoungDespite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Solaris (BFI Film Classics)
by Mark BouldDespite being one of Andrei Tarkovsky's most successful films, Solaris (1972) was the one he most disliked. This dismissal of his most generically marked film has often been accepted by those quick to embrace the image of Tarkovsky as a transcendent artist rising above the politics of the Soviet film industry and the trappings of genre to produce personal works of art.Going against such currents, Mark Bould instead treats Solaris as the product of a genre as well as the work of a skilled film-maker. He teases out Tarkovsky's fascination with Stanislaw Lem, on whose novel the film was based, and also considers Steven Soderbergh's 2002 adaptation. Lively and revealing, Bould's examination situates Solaris within the Russian and global cultures of the fantastic, to which Tarkovsky contributed three major science fiction films.This special edition features original cover artwork by Matthew Shlian.
The Soloist (Playaway Top Adult Picks A Ser.)
by Steve LopezWhen Steve Lopez sees Nathaniel Ayers playing his heart out on a two-string violin on Los Angeles's skid row, he finds it impossible to walk away. More than thirty years ago, Ayers was a promising student at Julliard - ambitious, charming and hugely talented - until he gradually lost his ability to function, overcome by schizophrenia. When Lopez finds him, Ayers is homeless and paranoid, but glimmers of his earlier brilliance are still there.Over time, the two men form a bond, and Lopez imagines that he might be able to change Ayer's life. For each triumph, there is a crashing disappointment, yet neither man gives up. Their friendship will changes both of their lives in ways that neither could predict. Poignant and ultimately hopeful, The Soloist is a beautifully told story of devotion in the face of seemingly unbeatable challenges, and the inspiring power of music.
Some Joe You Don't Know: An American Biographical Guide to 100 British Television Personalities (Non-ser.)
by Anthony SlideAmericans have been watching and enjoying British television programming since the mid-1950s, but the information on the personalities involved is difficult, if not impossible, to find in the United States. This guide provides biographical essays, complete with bibliographies, on 100 of the best known and loved actors and actresses from Richard Greene (Robin Hood) and William Russell (Sir Lancelot) in the 1950s through stars of Masterpiece Theatre, including Robin Ellis and Jean Marsh, to the new generation of British comedy performers such as Alexei Sayle and Jennifer Saunders. Not only are serious dramatic actors and actresses, such as Joan Hickson and Roy Marsden, to be found here, but also the great comedy stars, including Benny Hill and John Inman.Among the many shows discussed in the text are Absolutely Fabulous; You Being Served?; Dad's Army; Doctor Who; ; Fawlty Towers; The Good Life; The Jewel in the Crown; Poldark; Rumpole of the Bailey; Upstairs, Downstairs; and Yes, Minister. The guide offers not only factual information but also samplings of contemporary critical commentary and in-depth interviews with Terence Alexander, Richard Briers, Benny Hill, Wendy Richard, Prunella Scales, and Moray Watson. This is a reference source that also serves as fascinating entree into the wonderful world of British television, one that is as fun to browse as it is to use for factual documentation.
Some Kind of Hero: The Remarkable Story of the James Bond Films
by Matthew Field Ajay ChowdhuryUpdated to include the road to Bond 25 For over 50 years, Albert R. Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family-run business has been crowned with box office gold and recognised by motion picture academies around the world. However, it has not always been plain sailing. Changing financial regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise. And the rise of competing action heroes has constantly questioned Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Now, with Daniel Craig back for a fifth turn as Ian Fleming’s spy in October 2019, Bond’s reign shows no signs of diminishing. Some Kind of Hero recounts this remarkable story, from its origins in the early fifties right through to the present day, and draws on over a hundred unpublished interviews with the cast and crew of this iconic series.
Some Like It Hot: Me, Marilyn and the Movie
by Tony CurtisSome Like it Hot is one of the most famous films of all time and is also the most profitable comedy in the history of film, not to mention one of the most beloved. It was voted number one funniest movie ever by the American Film Institute and as well as starring Hollywood legend Tony Curtis, it brought together the comedy talents of Marilyn Monroe, Jack Lemmon and Billy Wilder. It has contributed numerous quotes, styles and stories to Hollywood film lore and has remained the film that Curtis is still most asked about by its legions of fans.For the first time, Curtis will share the untold story behind the making of this legendary film. Told in his frank and inimitable voice, the book will reveal much about his working relationship with Jack Lemmon and the director Billy Wilder. It will explain why the film was changed from colour production to black and white and tell the story of its initially lukewarm reception. The book will also reveal much about Marilyn Monroe, including Curtis' romance with her, her alleged abortion and her conflict with Wilder. Finally, it will describe the film's ongoing impact on Curtis' life and will feature many exclusive never-before-seen photographs from his own collection.
Some of These Days: Black Stars, Jazz Aesthetics, and Modernist Culture
by James DonaldWith peerless talent and unrivalled international presence, few stars shone brighter in the heady firmament of the Jazz Age than Josephine Baker and Paul Robeson. Electric, charismatic, and unforgettable, both ignited the modern imaginations of cosmopolitan centers across Europe. Unabashedly themselves, they inspired poets, architects, novelists, and filmmakers across London, Paris, Berlin, and Vienna with their indomitable artistic energy. But Some of These Days extends beyond pure dual biography to recreate the rich community of artists who interacted with-and were influenced by-Baker and Robeson. James Donald highlights how the sense of excitement and artistic renewal ushered in with the 'New Negro Movement' reverberated far beyond Harlem. Throughout this chronicle, Donald underscores the relationship of African American aesthetics to the modernist movement that flourished from the 1920s until the end of World War II. Vivid portraits of artists like T. S. Eliot, HD, Carl Van Vechten, Marlene Dietrich, Jean Gabin, and Adolf Loos, among others, animate the study. Traversing countries and artforms, Some of These Days illustrates the immense cross-cultural collaboration of film, song, dance, and literature that coalesced to create modernist culture-where the new rhythms of the machine age were gleefully embraced, allowing art to consider the new possibilities of cosmopolitanism in a modern world. Engagingly written and lavishly illustrated, Some of These Days recovers not just the romance, excitement, and uncertainty of Baker and Robeson's storied rise to stardom but also the political and cultural legacy of the movement that they embodied.
Some of These Days: Black Stars, Jazz Aesthetics, and Modernist Culture
by James DonaldWith peerless talent and unrivalled international presence, few stars shone brighter in the heady firmament of the Jazz Age than Josephine Baker and Paul Robeson. Electric, charismatic, and unforgettable, both ignited the modern imaginations of cosmopolitan centers across Europe. Unabashedly themselves, they inspired poets, architects, novelists, and filmmakers across London, Paris, Berlin, and Vienna with their indomitable artistic energy. But Some of These Days extends beyond pure dual biography to recreate the rich community of artists who interacted with-and were influenced by-Baker and Robeson. James Donald highlights how the sense of excitement and artistic renewal ushered in with the 'New Negro Movement' reverberated far beyond Harlem. Throughout this chronicle, Donald underscores the relationship of African American aesthetics to the modernist movement that flourished from the 1920s until the end of World War II. Vivid portraits of artists like T. S. Eliot, HD, Carl Van Vechten, Marlene Dietrich, Jean Gabin, and Adolf Loos, among others, animate the study. Traversing countries and artforms, Some of These Days illustrates the immense cross-cultural collaboration of film, song, dance, and literature that coalesced to create modernist culture-where the new rhythms of the machine age were gleefully embraced, allowing art to consider the new possibilities of cosmopolitanism in a modern world. Engagingly written and lavishly illustrated, Some of These Days recovers not just the romance, excitement, and uncertainty of Baker and Robeson's storied rise to stardom but also the political and cultural legacy of the movement that they embodied.
Some Sort of a Life
by Miriam Karlin Jan Sargent“I have never, ever wanted to write an autobiography. The number of times I have been approached and every time I said no, no, it’s a wank” Miriam Karlin is that rare creature: a pillar of the British acting establishment who is at the same time a thoroughgoing maverick. During sixty distinguished, workaholic years of acting, she has been a West End regular and RSC company actor, a pioneering performer on live television, half of a radio double-act with Peter Sellers, a stand-up comic, a scene-stealing character actor in such films as The Entertainer and A Clockwork Orange, and, of course, the truculent, whistle-blowing shop steward Paddy in the long-running TV sitcom The Rag Trade, with her catchphrase “Everybody Out!” Parallel to her career as an actor are her lifelong socialist beliefs, her unerring sense of justice and her political activism. Miriam’s life also has been a long battle against addiction; to alcohol, prescription drugs, gambling, cigarettes, and dieting (she recently revealed herself in the Observer as “the world’s oldest bulimic”) challenges she describes in Some Sort of a Life with great humour and irreverence. Dictated to Jan Sargent as Miriam was recovering from mouth cancer (an experience she describes in a chapter typically entitled ‘Sans teeth, sans f*ckin’ everything’) she is compellingly candid about the people in her life: her family (part of which perished in the holocaust), her friends and the eminent figures she has worked with, such as Laurence Olivier, Peter Sellars, Stanley Kubrick, Tony Hancock and Barry Humphries. Above all though, she is utterly honest about herself: her love affairs and abortions, her battles with eating disorders and illness, her gradual disillusionment with the Labour Party and the state of Israel, and her own compulsive nature, which accounts for many of the highs and lows of her fascinating life. Some Sort of a Life is an autobiography refreshingly free of self-justification and recrimination, and full of the passion and earthy humour of one of our finest character actors. This new eBook edition contains an epilogue featuring recollections of Miriam from those who knew her best.
Some Versions of Cary Grant
by James NaremoreCary Grant famously said, "Everyone wants to be Cary Grant--even I want to be Cary Grant." His development of that star image required serious work, but he also played a variety of characters requiring special performing talents. He was equally skilled in the screwball farce The Awful Truth, the dark thriller Notorious, the romantic melodrama An Affair to Remember, the domestic comedy Mr. Blandings Builds His Dream House, and the social drama None But the Lonely Heart. In a lively style accompanied by many illustrations, James Naremore analyzes these and other of Grant's best films, demonstrating that he had exceptional talent and greater range than usually recognized.
Some Versions of Cary Grant
by James NaremoreCary Grant famously said, "Everyone wants to be Cary Grant--even I want to be Cary Grant." His development of that star image required serious work, but he also played a variety of characters requiring special performing talents. He was equally skilled in the screwball farce The Awful Truth, the dark thriller Notorious, the romantic melodrama An Affair to Remember, the domestic comedy Mr. Blandings Builds His Dream House, and the social drama None But the Lonely Heart. In a lively style accompanied by many illustrations, James Naremore analyzes these and other of Grant's best films, demonstrating that he had exceptional talent and greater range than usually recognized.
Someday I'll Find Me
by Carla LaneCarla Lane's enchanting autobiography fizzes with the wry humour, sharp insights and fabulous characterization one would expect from the author of such award-winning TV dramas as the Liver Birds, Bread and Butterflies. Always a rebel, Carla's own life has not been without its personal dramas, and she writes about them all with disarming frankness and humour.Sent to a strict Catholic convent school in Liverpool, she was always near the bottom of the class, except in poetry for which she won the school prize when only seven, her poem appearing in the Post. Carla was married at seventeen and a mother of two by the time she was nineteen – ironing and hoovering by day, writing by night while the family slept.When, in 1970, her first scripts were accepted and the Liver Birds was born, her life was to change dramatically as she shot to fame, finding herself suddenly surrounded by by big stars and immersed in the power – play of the TV world. She writes engrossingly about those heady years, about the actors and directors she worked with, about the breakup of her marriage and the secret affair she has never before spoken about-but also, and with gusto, about her Liverpool childhood and colourful family which have remained her inspiration, from her Auntie Girtie who stole a gold chalice from the local church to her Uncle Tom who who spent all his leisure time writing to soap manufacturers!
Somersaults (Oberon Modern Plays)
by Iain Finlay MacleodJames is a successful entrepreneur living the metropolitan life with a beautiful wife and a swanky London flat. But when the creditors move in and his wife moves out, James suddenly finds he's left with nothing. Nothing but words. James father is dying his last connection to his childhood and the language of his birth, Scots Gaelic. With this link gone, James fears he will simply cease to exist. As the words start to slip away, he journeys home to confront his past and search for his true identity as he desperately struggles to remember the language of his birth and the word for somersault . A stunning new play exploring the role of language and how it defines who we are by the UK's leading Scots Gaelic playwright Iain Finlay Macleod. Somersaults was originally produced by the National Theatre of Scotland, premiering at the Traverse Theatre, Edinburgh in 2011, directed by National Theatre of Scotland Artistic Director Vicky Featherstone.
Son of a Silverback: Growing Up in the Shadow of an Alpha Male
by Russell KaneAS SEEN ON BBC ONE'S THE ONE SHOWThe Silverback is considered the undisputed king, a creature whose authority is never challenged and who does not yield to compromise. He walks proudly, feeds greedily, grafts tirelessly, mates voraciously, swears constantly and is threatened all too easily. The Silverback is known to nestle in the misty peaks of central Africa but can also be found in Barking, Essex. Meet Dave Kane, the disappointed, steroid-ingesting, metal-wielding, bouncer father of slight, effete Gamma Male, Russell Kane.From one of Britain’s most popular and prolific comedians comes a hilarious and deeply moving memoir of life lived under the rule of a Silverback dad. This is a story about fathers and sons, class and education and how one scrawny, sensitive, fake-tan-applying 'ponce' stepped out of his father's shadow and became a man - whatever that means.
Sondheim: His Life, His Shows, His Legacy
by Stephen M. SilvermanLively, sophisticated, and filled with first-person tributes and glorious images, Sondheim: His Life, His Shows, His Legacy lifts the curtain on a Broadway legend. "Aside from Sondheim's own exceptional books...this may be the best coffee-table volume devoted to his work."(Shelf Awareness) Brimming with insights from a veritable Who's Who of Broadway Babies and complemented by more than two hundred color and black-and-white images, Sondheim: His Life, His Shows, His Legacy offers a witty, multidimensional look at the musical genius behind Company, Follies, A Little Night Music, Into the Woods, Sunday in the Park with George, Sweeney Todd, and the landmark West Side Story and Gypsy. Exploring the unique bond between Sondheim and his audiences, author Stephen M. Silverman further examines the challenging Sondheim works that continue to develop devoted new followings: Anyone Can Whistle, Pacific Overtures, Merrily We Roll Along, Assassins, and Passion. The result is a lavish, highly engrossing documentation of the dynamic force who reshaped twentieth-century American musical history.