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Thomas Mann and Shakespeare: Something Rich and Strange (New Directions in German Studies)
by Ewan Fernie Tobias DöringBringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies.
Thomas Mann and Shakespeare: Something Rich and Strange (New Directions in German Studies)
by Ewan Fernie Tobias DöringBringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies.
Thomas Middleton: Women Beware Women, The Changeling, The Roaring Girl and A Chaste Maid in Cheapside (New Mermaids)
by Thomas MiddletonThis New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
Thomas Middleton: Women Beware Women, The Changeling, The Roaring Girl and A Chaste Maid in Cheapside (New Mermaids)
by Thomas MiddletonThis New Mermaids anthology brings together the four most popular and widely studied of Thomas Middleton's plays - Women Beware Women; The Changeling; The Roaring Girl and A Chaste Maid in Cheapside - with a new introduction by William Carroll, examining the plays in the context of early modern theatre, culture and politics, as well as their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
Thomas Sheridan of Smock-Alley
by Esther K. SheldonThis account of Thomas Sheridan's career as theater manager has been based on biographies written by his contemporaries, on 18th-century newspapers and pamphlets, and on letters written to and by Sheridan. The author also gives us much new information about Sheridan’s relations with David Garrick. In an appendix, the author has included a Smock-Alley Calendar, giving a daily record of performances and casts. Most of the material in the Calendar has not been collected before and should be invaluable to theater historians.Originally published in 1967.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Thornton Wilder's The Skin of our Teeth (The Fourth Wall)
by Kyle Gillette"Ladies and gentlemen, I’m not going to play this particular scene tonight." - Sabina Thornton Wilder’s The Skin of Our Teeth (1942) telescopes an audacious stretch of western history and mythology into a family drama, showing how the course of human events operates like theatre itself: constantly mutable, vanishing and beginning again. Kyle Gillette explores Wilder’s extraordinary play in three parts. Part I unpacks the play’s singular yet deeply interconnected place in theatre history, comparing its metatheatrics to those of Stein, Pirandello and Brecht, and finding its anticipation of American fantasias in the works of Vogel and Kushner. Part II turns to the play’s many historic and mythic sources, and examines its concentration of western progress and power into the model of a white, American upper-middle-class nuclear family. Part III takes a longer view, tangling with the play’s philosophical stakes. Gillette magnifies the play’s ideas and connections, teasing out historical, theoretical and philosophical questions on behalf of readers, scholars and audience members alike.
Thornton Wilder's The Skin of our Teeth (The Fourth Wall)
by Kyle Gillette"Ladies and gentlemen, I’m not going to play this particular scene tonight." - Sabina Thornton Wilder’s The Skin of Our Teeth (1942) telescopes an audacious stretch of western history and mythology into a family drama, showing how the course of human events operates like theatre itself: constantly mutable, vanishing and beginning again. Kyle Gillette explores Wilder’s extraordinary play in three parts. Part I unpacks the play’s singular yet deeply interconnected place in theatre history, comparing its metatheatrics to those of Stein, Pirandello and Brecht, and finding its anticipation of American fantasias in the works of Vogel and Kushner. Part II turns to the play’s many historic and mythic sources, and examines its concentration of western progress and power into the model of a white, American upper-middle-class nuclear family. Part III takes a longer view, tangling with the play’s philosophical stakes. Gillette magnifies the play’s ideas and connections, teasing out historical, theoretical and philosophical questions on behalf of readers, scholars and audience members alike.
Those Who Trespass (Oberon Modern Plays)
by Matthew Dunster'I mean....it – is – the – future. It’s safe. That’s it for me. Security. That’s it.’ 'Yer think yer safe – yer think people like me don’t exist – or yer wanna pretend I don’t – well I’m in your flat, mate!’ The developers have had their way – an old way of living has been cleared for Water City, a futuristic, secure, development, where you can live and work and shop. Even the affordable housing is reassuringly expensive. But in the shadow of the glass and steel, some people feel like everything is being taken away. Those Who Trespass explores the differences between two groups of people; the mistrust, the fear and the tragic collision when these two groups come together.
A Thousand Stars Explode in the Sky (Modern Plays)
by David Eldridge Robert Holman Simon StephensOn a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time.A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches. The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.
A Thousand Stars Explode in the Sky (Modern Plays)
by David Eldridge Robert Holman Simon StephensOn a farm in the North East of England a family gathers. Five brothers and four generations feature in an epic play about hope, love, fear and the very end of time.A Thousand Stars Explode in the Sky is a refreshingly subtle and compassionate vision of the world on the edge of apocalypse. Within a cosmological context, the focus is on a single family, their relations with each other and their unreconciled regrets, soon to become permanent. With an ensemble of strong, engaging characters, there are knotty, realistic family dynamics and a palimpsest of recent family history. The characters and dialogue are naturalistic but the serious themes are elucidated and alleviated with humour and quirky, surreal touches. The play represents a unique collboration between three of the UK's pre-eminent stage writers. The ambition of the partnership is matched by the ambition of the play's sweeping scope. Whilst the three voices collide, they also ring out individually without sacrificing the piece's coherent wholeness, and the play represents a rare, fascinating study in stage collaboration.
Three Acts of Love: The Start of Space; fangirl, or the justification of limerence; with the love of neither god nor state (Modern Plays)
by Laura Lindow Naomi Obeng Vici Wreford-SinnottPassion. Obsession. Acceptance. Betrayal. Three ground-breaking female playwrights have cooked up a feast, with a trio of short plays with music that explore love in all its glorious, sticky complexity. From the boozy warmth of the social club to the endless labyrinth of the internet, this is a show about the communities we form, the care that we show each other and the love that we hope never tears us apart.The Start of Space by Laura Lindow: A visiting expert lecturing on the secrets of the heart has a dark and unexpected truth of their own.fangirl, or the justification of limerence by Naomi Obeng: An obsessive fan poses as her musical idol online and becomes lost in a maze of love and revenge.with the love of neither god nor state by Vici Wreford-Sinnott: A young woman runs away from a world that doesn't understand her and finds shelter in a local social club. But will they have the heart to truly let her in?This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in November 2023.
Three Acts of Love: The Start of Space; fangirl, or the justification of limerence; with the love of neither god nor state (Modern Plays)
by Laura Lindow Naomi Obeng Vici Wreford-SinnottPassion. Obsession. Acceptance. Betrayal. Three ground-breaking female playwrights have cooked up a feast, with a trio of short plays with music that explore love in all its glorious, sticky complexity. From the boozy warmth of the social club to the endless labyrinth of the internet, this is a show about the communities we form, the care that we show each other and the love that we hope never tears us apart.The Start of Space by Laura Lindow: A visiting expert lecturing on the secrets of the heart has a dark and unexpected truth of their own.fangirl, or the justification of limerence by Naomi Obeng: An obsessive fan poses as her musical idol online and becomes lost in a maze of love and revenge.with the love of neither god nor state by Vici Wreford-Sinnott: A young woman runs away from a world that doesn't understand her and finds shelter in a local social club. But will they have the heart to truly let her in?This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in November 2023.
Three Comedies: Behind The Scenes In Eden, Rigamaroles, And The Other William
by G RaczThree Comedies represents the first English-language collection of plays by Jaime Salom, one of Spain's most important contemporary dramatists. His forty-plus works encompass an impressive array of sub-genres, including domestic dramas, mysteries,
Three Days in May
by Ben BrownBen Brown's political thriller takes us behind the doors of Number Ten in May 1940 during three pivotal days in British History when, extraordinarily, giving in to Hitler was seriously considered.Having urgently assembled the British war cabinet, the new Prime Minister is confronted with an intense game of political chess as he tries to persuade peace treaty supporters, including Neville Chamberlain, that Britain must not concede. Divided on whether to negotiate terms through Mussolini or escalate the battle against fascism alone, one man has to make a monumental decision, which will shape the future of the free world.Three Days in May was presented by Bill Kenwright and first performed at Theatre Royal, Windsor, in August 2011.
Three Days in the Country: An Unfaithful Version
by Ivan TurgenevA handsome new tutor brings reckless, romantic desire to an eccentric household. Over three days one summer the young and the old will learn lessons in love: first love and forbidden love, maternal love and platonic love, ridiculous love and last love. The love left unsaid and the love which must out.Ivan Turgenev's passionate, moving comedy, A Month in the Country, has been a source of inspiration for films, a ballet and the plays of Chekhov. Patrick Marber's Three Days in the Country premiered at the National Theatre, London, in June 2015 in association with Sonia Friedman Productions.
Three Elizabethan Domestic Tragedies: Arden of Faversham; a Yorkshire Tragedy; a Woman Killed with Kindness
by Keith Sturgess Thomas HeywoodElizabethan domestic tragedies depicted the workings of Fortune in the lives of ordinary people, telling stories of sin, discovery, punishment and divine mercy, with their settings and characterization often enhanced by a highly entertaining blend of realism and sensationalism. Only some half-dozen survive to offset the dramas of kings and nobles in the tragedies of Shakespeare and his peers. They combined journalism and entertainment with a didactic concern, and their plots were often derived from contemporary events. Arden of Faversham (1592) and A Yorkshire Tragedy (1608) are both based on chronicles or pamphlets describing authentic murders, while A Woman Killed with Kindness (1603) by Thomas Heywood is a fictional creation, considered his masterpiece.
Three Farces and a Comedy (Oberon Modern Playwrights)
by Ben TraversContains the plays Rookery Nook, Thark, Plunder and The Bed Before Yesterday. ‘Travers should be regarded as an important figure post-Pinero and pre-Orton, and certainly one of the most skilled of British farceurs’ Oxford Dictionary of National Biography ‘The single-track dirty mind, the double entendre, the treble think, the quadruple bluff: funny names, funny local yokels, domineering women, pretty girls and the ever-swinging bedroom door… Explosively funny’ Richard Usborne, The Times Literary Supplement
Three Kingdoms (Modern Plays)
by Simon StephensThree Kingdoms is a blackly entertaining and unsettling detective story cum parable about the devil in us all, international human trafficking and the changing state of Europe.As the severed human head of an Estonian woman is found in a river in Hammersmith, two British detectives set off in search of her origins in Europe and how she came to be found dead. Accompanied by a mephistophelian German detective acting as their guide, they gradually sink deeper and deeper into the world of prostitution and international human trafficking. Fighting to cross international borders and language barriers, they enter a nightmarish world that will change one of them forever. Three Kingdoms tells the stories of trafficked women, the gangs and the police forces across Europe that attempt to control them.This dark new thriller by Simon Stephens, set across three countries, explores an international business where the goods are not products, but people. Questioning and undermining not just tenets about the nature of Europe with its old and new borders, Three Kingdoms also explodes moral certainties. With good and evil presented not as polarised forces but as disturbingly shifting, overlapping and contradictory, the play provocatively unbalances convictions of truth, ethical codes, violence and justice. This edition also includes a preface with contributions from playwright Simon Stephens, German director Sebastian Nuebling and Estonian dramaturg Eero Epner, discussing this uniquely collaborative and tri-lingual project.
Three Kingdoms: Three Kingdoms; The Trial Of Ubu; Morning; Carmen Disruption (Modern Plays)
by Simon StephensThree Kingdoms is a blackly entertaining and unsettling detective story cum parable about the devil in us all, international human trafficking and the changing state of Europe.As the severed human head of an Estonian woman is found in a river in Hammersmith, two British detectives set off in search of her origins in Europe and how she came to be found dead. Accompanied by a mephistophelian German detective acting as their guide, they gradually sink deeper and deeper into the world of prostitution and international human trafficking. Fighting to cross international borders and language barriers, they enter a nightmarish world that will change one of them forever. Three Kingdoms tells the stories of trafficked women, the gangs and the police forces across Europe that attempt to control them.This dark new thriller by Simon Stephens, set across three countries, explores an international business where the goods are not products, but people. Questioning and undermining not just tenets about the nature of Europe with its old and new borders, Three Kingdoms also explodes moral certainties. With good and evil presented not as polarised forces but as disturbingly shifting, overlapping and contradictory, the play provocatively unbalances convictions of truth, ethical codes, violence and justice. This edition also includes a preface with contributions from playwright Simon Stephens, German director Sebastian Nuebling and Estonian dramaturg Eero Epner, discussing this uniquely collaborative and tri-lingual project.
Three Late Medieval Morality Plays: A New Mermaids Anthology (New Mermaids)
by G. A. Lester"Take example, all ye that this do hear or see..." The Morality Play was popular in England between 1400 and 1600. It offers moral instruction and spiritual teaching with personal abstractions representing good and evil. Surviving plays from that period number about sixty and the three in this edition were among the first ten. Mankind is a plain, honest farming man who struggles against worldly and spiritual temptation. The bawdy humour and violent action in the play serve to make the moral point and instruct by example. Everyman portrays a man's struggles in the face of death to raise himself to a state of grace so that he may experience everlasting life. It is exceptional among the Moralities for this narrow focus on the last phase of life, and conveys its message with awe-inspiring seriousness. Mundus et Infans is more typical of the Morality genre. It shows an arrogant, bullying protagonist led astray by a single evildoer into a life of debauchery, before the inevitable conversion to virtue. In showing the whole of man's life it is the antithesis of Everyman, the action of which seems to take place in a single day.
Three Late Medieval Morality Plays: A New Mermaids Anthology (New Mermaids)
by G. A. Lester"Take example, all ye that this do hear or see..." The Morality Play was popular in England between 1400 and 1600. It offers moral instruction and spiritual teaching with personal abstractions representing good and evil. Surviving plays from that period number about sixty and the three in this edition were among the first ten. Mankind is a plain, honest farming man who struggles against worldly and spiritual temptation. The bawdy humour and violent action in the play serve to make the moral point and instruct by example. Everyman portrays a man's struggles in the face of death to raise himself to a state of grace so that he may experience everlasting life. It is exceptional among the Moralities for this narrow focus on the last phase of life, and conveys its message with awe-inspiring seriousness. Mundus et Infans is more typical of the Morality genre. It shows an arrogant, bullying protagonist led astray by a single evildoer into a life of debauchery, before the inevitable conversion to virtue. In showing the whole of man's life it is the antithesis of Everyman, the action of which seems to take place in a single day.
Three Lives Of Lucie Cabrol (Modern Plays)
by Complicite John BergerWiner of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
Three Lives Of Lucie Cabrol (Modern Plays)
by Complicite John BergerWiner of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring ProductionLucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
Three Major Plays: Three Major Plays (Oberon Modern Playwrights)
by Henrik Ibsen David RudkinThe three plays in this volume are representative of Ibsen's extraordinary achievement as a playwright. The first is perhaps his best known work, the great dramatic poem Peer Gynt, presented here in the acclaimed translation used by the Royal Shakespeare Company for its 1982 production. With this are Romersholm, in which Ibsen unmasks the moral evasions which prevent us from being truly free, and When We Dead Waken, in which a figure from the past rises to haunt an ageing artist. These distinctive translations are accompanied by an introductory foreword and are followed by notes on pronunciations and other details and aspects of Ibsen's original texts
Three Men in a Boat (Oberon Modern Plays)
by Jerome K. Jerome Clive FrancisIn an attempt to escape the stresses of city life three friends, J, Harris and George, plus their faithful canine companion Montmorency, decide to take a boating jaunt between Kingston and Oxford. However a trip intended to relax and rejuvenate quickly becomes a journey of unquenchable comedy, with deathdefying battles with swans, culinary disasters and contrary tea kettles just a few of the challenges facing the trio along the way.