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Dance, Place, and Poetics: Site-specific Performance as a Portal to Knowing (Palgrave Studies in Movement across Education, the Arts and the Social Sciences)

by Celeste Nazeli Snowber

This book explores the relationship between the body, ecology, place, and site-specific performance. The book is situated within arts-based research, particularly within embodied inquiry and poetic inquiry. It explores a theoretical foundation for integration of these areas, primarily to share the lived experiences, poetry and dance which have come out of decades of sharing site-specific performances.

Dancing By The Light of The Moon: Over 250 poems to read, relish and recite

by Gyles Brandreth

An official partner of National Poetry Day. A collection of over 250 of our nations best-loved poems to read, relish and recite, handpicked by Gyles Brandreth . . . 'Gyles has discovered the secret of finding happiness through learning poetry by heart. It's wonderful and so much fun.' Dame Judi Dench __________A little poetry really can save your life . . .Poetry is officially good for you. Not only does it enhance literacy in the young, but learning poetry by heart is the one truly pleasurable thing you can do to improve memory, boost brain power, extend your vocabulary and beat cognitive decline as time goes by. In Dancing by the Light of the Moon, Gyles Brandreth shares over 250 poems to read, relish and recite, as well as his advice on how to learn poetry by heart, and the benefits of doing so. Whether you are nine, nineteen or ninety, the poems and advice in this book provide the most enjoyable, moving and inspiring way to ensure a lifetime of dancing by the light of the moon - one joyous poem at a time . . .Poets include: A. A. MilneBenjamin Zephaniah Carol Ann DuffyCelia JohnsonD. H. LawrenceE. E. CummingsEdgar Allen PoeEmily DickinsonGeorge the PoetHollie McNish John Cooper ClarkeJohn KeatsJohn MiltonKate TempestLeonard Cohen Lewis CarrollMaya AngelouMonty PythonOscar WildeRoald Dahl Robert BrowningRobert BurnsRobert Louis StevensonSimon ArmitageSpike MilliganSylvia PlathT. S. EliotWalt Whitman Wendy Cope William ShakespeareWilliam WordsworthAnd many more . . .

Dancing in Odessa

by Ilya Kaminsky

Described as 'a rich, reverberative dance with memories of a haunted city' (LA Times), the poems of the prize-winning debut Dancing in Odessa by Ilya Kaminsky, author of Deaf Republic, draw on archetype, myth and Russian literary figures. Tightly realised domestic settings are invigorated with a contemporary relevance, humour and torment, and a distinctive, transcendent music. 'With his magical style in English, Kaminsky's poems in Dancing in Odessa seem like a literary counterpart to Chagall in which laws of gravity have been suspended and colors reassigned, but only to make everyday reality that much more indelible. His imagination is so transformative that we respond with equal measures of grief and exhilaration.' The American Academy of Arts and Letters'Dancing in Odessa by Ilya Kaminsky tops the list because he is one of those rarest of finds in this or any century, a writer who establishes what poetry can be.' The New York Times

Daniil Kharms and the Poetics of the Absurd: Essays and Materials (Studies in Russia and East Europe)

by Neil Cornwell

This volume of essays and other materials offers an assessment of the short prose, verse and drama of Daniil Kharms, Leningrad absurdist of the 1920s and 1930s, who was one of the last representatives of the Russian literary avante-garde.

Danny Mcgee Drinks The Sea (PDF)

by Andy Stanton Neal Layton

A hilariously anarchic tale from the inimitable Andy Stanton, author of Mr Gum, and much loved illustrator Neal Layton. Can a boy drink the sea? Surely it's impossible! But Danny McGee does just that - and now he has his sights on other things. Soon he's swallowing trees, flies, fleas, peas, mountains ... where will it end?! Andy Stanton has won a string of awards for his Mr Gum books, including the Red House Children's Book Award, the Roald Dahl Funny Prize, and the Blue Peter Book Award for Best Book With Pictures. Neal Layton is the multi-award-winning illustrator of the Emily Brown books.

Dante (Sammlung Metzler)

by Ulrich Prill

Ulrich Prills Einführung erschließt Dantes sprach- und staatstheoretische Schriften, sie präsentiert seine Lyrik und sein Hauptwerk "Die Göttliche Komödie". Der Band richtet sich an Studierende aller Philologien und an Leser, die einen Zugang zu Dante suchen.

Dante: States Of Affect (Longman Critical Readers #18)

by Jeremy Tambling

Dante's work has fascinated readers for seven hundred years and has provided key reference points for writing as diverse as that of Chaucer, the Renaissance poets, the English Romantics, Tennyson and the Pre-Raphaelites, American writers from Melville through to Eliot and Pound, Anglo-Irish Modernists from Joyce to Beckett, and contemporary poets such as Heaney and Walcott.In this volume, Jeremy Tambling has selected ten recent essays from the mass of Dante studies, and put the Divine Comedy - Dante's record of a journey to Hell, Purgatory and Paradise - into context for the modern reader. Topics such as Dante's allegory, his relationship to classical and modern poetry, his treatment of love and of sexuality, his attitudes to Florence and to his contemporary Italy, are explored and clarified through a selection of work by some of the best scholars in the field. An introduction and notes help the reader to situate the criticism, and to relate it to contemporary literary theory. In this anthology, Dante's relevance to both English and Italian literature is highlighted, and the significance of Dante for poetry in English is illuminated for the modern reader.This book provides students of English literature and Italian literature with the most comprehensive collection of important critical studies of Dante to date.

Dante (Longman Critical Readers)

by Jeremy Tambling

Dante's work has fascinated readers for seven hundred years and has provided key reference points for writing as diverse as that of Chaucer, the Renaissance poets, the English Romantics, Tennyson and the Pre-Raphaelites, American writers from Melville through to Eliot and Pound, Anglo-Irish Modernists from Joyce to Beckett, and contemporary poets such as Heaney and Walcott.In this volume, Jeremy Tambling has selected ten recent essays from the mass of Dante studies, and put the Divine Comedy - Dante's record of a journey to Hell, Purgatory and Paradise - into context for the modern reader. Topics such as Dante's allegory, his relationship to classical and modern poetry, his treatment of love and of sexuality, his attitudes to Florence and to his contemporary Italy, are explored and clarified through a selection of work by some of the best scholars in the field. An introduction and notes help the reader to situate the criticism, and to relate it to contemporary literary theory. In this anthology, Dante's relevance to both English and Italian literature is highlighted, and the significance of Dante for poetry in English is illuminated for the modern reader.This book provides students of English literature and Italian literature with the most comprehensive collection of important critical studies of Dante to date.

Dante and the Romantics

by A. Braida

The British Romantic poets were among the first to realise the centrality of the Divine Comedy for the evolution of the European epic. This study explores the significance of Dante for Percy Bysshe Shelley, John Keats and William Blake. What was their idea of Dante? Why did they feel the need to approach his Christian epic on the afterlife? This study aims to answer these questions by focusing on the three poets' preoccupation with form and language.

Dante beyond influence: Rethinking reception in Victorian literary culture (Interventions: Rethinking the Nineteenth Century)

by Federica Coluzzi

Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.

Dante beyond influence: Rethinking reception in Victorian literary culture (Interventions: Rethinking the Nineteenth Century)

by Federica Coluzzi

Dante beyond influence is the first study to conceptualise and historicise the hermeneutic turn in Dante reception history and Victorian cultural history, charting its development across intellectual realms, agents and forms of readerly and writerly engagement. Unearthing previously unseen manuscript and print evidence, the book conducts a material and book-historical inquiry into the formation and popularisation of the critical and scholarly discourse on Dante through Victorian periodicals, mass-publishing, traditional and Extramural higher education. The book demonstrates that the transformation of Dante from object of amateur interest (dantophilia) to subject of systematic interpretive endeavours (dantismo) reflected paradigmatic changes in Victorian intellectual and socio-cultural history.

Dante in Love: A Biography

by A. N. Wilson

With a biographer's eye for detail and a novelist's comprehension of the creative process, A. N. Wilson paints a masterful portrait of Dante Alighieri and unlocks one of the seminal works of literature for a new generation of readers.In Dante in Love, A. N. Wilson presents a glittering study of an artist and his world, arguing that without an understanding of medieval Florence, it is impossible to comprehend the meaning of Dante's great poem. He explains how the Italian States were at that time locked into violent feuds, mirrored in the ferocious competition between the Holy Roman Empire and the papacy. He explores Dante's preoccupations with classical mythology, numerology and the great Christian philosophers which inform every line of the Comedy. Dante in Love also lays bare the enigma of the man who never wrote about the mother of his children, yet immortalized the mysterious Beatrice, whom he barely knew.

Dante's British Public: Readers and Texts, from the Fourteenth Century to the Present

by Nick Havely

This is the first account of Dante's reception in English to address full chronological span of that process. Individual authors and periods have been studied before, but Dante's British Public takes a wider and longer view, using a selection of vivid and detailed case studies to record and place in context some of the wider conversations about and appropriations of Dante that developed in Britain across more than six centuries, as access to his work extended and diversified. Much of the evidence is based on previously unpublished material in (for example) letters, journals, annotations and inventories and is drawn from archives in the UK and across the world, from Milan to Mumbai and from Berlin to Cape Town. Throughout, the role of Anglo-Italian cultural contacts and intermediaries in shaping the public understanding of Dante in Britain is given prominence - from clerics and merchants around Chaucer's time, through itinerant scholars, collectors and tourists in the early modern period, to the exiles and expatriates of the nineteenth and twentieth centuries. The final chapter brings the story up to the present, showing how the poet's work has been seen (from the fourteenth century onwards) as accessible to 'the many', and demonstrating some of the means by which Dante has reached a yet wider British public over the past century, particularly through translation, illustration, and various forms of performance.

Dante's Divine Comedy: Inferno

by Dante Alighieri

The Inferno is by far the most popular and well-known of the books in the Divine Comedy trilogy because of its depiction and understanding of the moral and spiritual pitfalls which still plague us today. This edition is illustrated with astonishing artworks, from Hieronymus Bosch's depictions of a surreal, hellish landscapes and other Renaissance visions of the Last Judgement, to Gustave Doré's intricate engravings of the pilgrim's spiritual travails.

Dante's Divine Trilogy: Dante's Divine Trilogy Part Three. Englished In Prosaic Verse By Alasdair Gray (Canons)

by Dante Alighieri Alasdair Gray

In this masterful retelling of one of the greatest works of world literature, Alasdair Gray - in his last work - offers an original translation in prosaic English rhyme. Lyrical and modern, this complete edition brings all three parts of Dante's epic journey through Hell and Purgatory and on to Paradise together in a single volume for the first time.

Dante's Modern Afterlife: Reception and Response from Blake to Heaney

by Nick Havely

Dante's persistent and pervasive presence has been a remarkable feature of modern writing since the late eighteenth century. This collection of essays by an international group of scholars emphasizes that presence in the work of major British and Irish writers (such as Blake, Shelley, Joyce and Heaney). It also focuses on responses in America, the Caribbean and Italy and deals with appropriations of Dante's work by poets (from Gray to Walcott) and novelists (such as Mary Shelley and Giorgio Bassani, and Gloria Naylor).

Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection (Routledge Interdisciplinary Perspectives on Literature)

by William Franke

Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante’s lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can lead also to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante’s thought and work indicate an alternative modernity along the path not taken. This other way shows up in Nicholas of Cusa’s conjectural science and in Giambattista Vico’s new science of imagination as alternatives to the exclusive reign of positive empirical science. In continuity with Dante’s vision, they contribute to a reappropriation of self-reflection for the humanities.

Dante’s Paradiso and the Theological Origins of Modern Thought: Toward a Speculative Philosophy of Self-Reflection (Routledge Interdisciplinary Perspectives on Literature)

by William Franke

Self-reflection, as the hallmark of the modern age, originates more profoundly with Dante than with Descartes. This book rewrites modern intellectual history, taking Dante’s lyrical language in Paradiso as enacting a Trinitarian self-reflexivity that gives a theological spin to the birth of the modern subject already with the Troubadours. The ever more intense self-reflexivity that has led to our contemporary secular world and its technological apocalypse can lead also to the poetic vision of other worlds such as those experienced by Dante. Facing the same nominalist crisis as Duns Scotus, his exact contemporary and the precursor of scientific method, Dante’s thought and work indicate an alternative modernity along the path not taken. This other way shows up in Nicholas of Cusa’s conjectural science and in Giambattista Vico’s new science of imagination as alternatives to the exclusive reign of positive empirical science. In continuity with Dante’s vision, they contribute to a reappropriation of self-reflection for the humanities.

Dante's Poets: Textuality and Truth in the COMEDY (Princeton Legacy Library)

by Teodolinda Barolini

By systematically analyzing Dante's attitudes toward the poets who appear throughout his texts, Teodolinda Barolini examines his beliefs about the limits and purposes of textuality and, most crucially, the relationship of textuality to truth.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Dante's Rime (PDF)

by Dante Patrick S. Diehl

Spanning the years from the early 1280s until about 1308, this collection of poems contains Dante's juvenilia as well as his more mature work prior to the Divine Comedy. Patrick Diehl's translation offers in a single volume the bulk of Dante's shorter poetry. The collection, omitting only those poems Dante incorporated into the Vila nuova, contains several masterpieces of medieval poetry and gives us a fascinating look at the poet's development.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The daring muse of the early Stuart funeral elegy

by James Doelman

The early Stuart funeral elegy was a copious and digressive genre, and exceptional deaths pressed elegists to stretch beyond the usual rhetoric of grief and commemoration. This book engages in a broad reading of the period’s rich trove of funeral elegies, in both manuscript and print, and by poets ranging from the canonical to the anonymous. The book stands apart from earlier studies by its greater focus upon the subjects of funeral elegies (rather than the poets), and how the particular circumstances of death and the immediate contexts affected the poetic response. Individual deaths are understood in relation to each other and other prominent events of the time. While the book covers the period 1603 to 1640, the 1620s stand out as a tumultuous decade in which the genre most fully engaged in matters of political controversy and satire.

The daring muse of the early Stuart funeral elegy

by James Doelman

The early Stuart funeral elegy was a copious and digressive genre, and exceptional deaths pressed elegists to stretch beyond the usual rhetoric of grief and commemoration. This book engages in a broad reading of the period’s rich trove of funeral elegies, in both manuscript and print, and by poets ranging from the canonical to the anonymous. The book stands apart from earlier studies by its greater focus upon the subjects of funeral elegies (rather than the poets), and how the particular circumstances of death and the immediate contexts affected the poetic response. Individual deaths are understood in relation to each other and other prominent events of the time. While the book covers the period 1603 to 1640, the 1620s stand out as a tumultuous decade in which the genre most fully engaged in matters of political controversy and satire.

The Dark Between Stars: Poems

by Atticus Poetry

Now a New York Times bestsellerFrom the internationally bestselling author of LOVE HER WILD comes THE DARK BETWEEN STARS, a new illustrated collection of heartfelt, whimsical, and romantic poems from Instagram poetry sensation, Atticus.Atticus has captured the hearts and minds of nearly 700k followers (including stars like Karlie Kloss, Emma Roberts, and Alicia Keys). In his second collection of poetry, The Dark Between Stars, he turns his attention to the dualities of our lived experiences = the inescapable connections between our highest highs and lowest lows. He captures the infectious energy of starting a relationship, the tumultuous realities of commitment, and the agonizing nostalgia of being alone again. While grappling with the question of how to live with purpose and find meaning in the journey, these poems offer both honest explorations of loneliness and our search for connection, as well as light-hearted, humorous observations. As Atticus writes poignantly about dancing, Paris, jazz clubs, sunsets, sharing a bottle of wine on the river, rainy days, creating, and destroying, he illustrates that we need moments of both beauty and pain = the darkness and the stars = to fully appreciate all that life and love have to offer.

The Dark Film

by Paul Farley

The Dark Film, Paul Farley’s first collection since the highly acclaimed Tramp in Flames, expands the poet’s research into ‘the art of seeing’, and all that humans project of themselves into the world. Farley’s great poetic gift is his ability to switch between the local and the universal, the present and the historical past, with the most apparently effortless of gear changes; he brings to our immediate attention things previously hidden – whether out of sight, in the periphery of our vision, or right under our noses. The Dark Film is a profound meditation on time, on the untold stories of our history, and on the act of human beholding – as well as Farley’s most richly entertaining and rewarding collection to date.

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