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George Seferis: Collected Poems
by George Seferis Edmund Keeley Philip SherrardIn this new edition of George Seferis's poems, the acclaimed translations by Edmund Keeley and Philip Sherrard are revised and presented in a compact, English-only volume. The revision covers all the poems published in Princeton's earlier bilingual edition, George Seferis: Collected Poems (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised." Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.
Heines Dichterbilder: Stationen seines ästhetischen Selbstverständnisses. Heine-Studien (Heine Studien)
by Sabine Bierwirth
The Hungry Ear: Poems of Food and Drink
by Kevin YoungFood and poetry: in so many ways, a natural pairing, from prayers over bread to street vendor songs. Poetry is said to feed the soul, each poem a delicious morsel. When read aloud, the best poems provide a particular joy for the mouth. Poems about food make these satisfactions explicit and complete.Of course, pages can and have been filled about food's elemental pleasures. And we all know food is more than food: it's identity and culture. Our days are marked by meals; our seasons are marked by celebrations. We plant in spring; harvest in fall. We labor over hot stoves; we treat ourselves to special meals out. Food is nurture; it's comfort; it's reward. While some of the poems here are explicitly about the food itself: the blackberries, the butter, the barbecue--all are evocative of the experience of eating. Many of the poems are also about the everything else that accompanies food: the memories, the company, even the politics. Kevin Young, distinguished poet, editor of this year's Best American Poetry, uses the lens of food - and his impeccable taste - to bring us some of the best poems, classic and current, period. Poets include: Elizabeth Alexander, Elizabeth Bishop, Billy Collins, Mark Doty, Robert Frost, Allen Ginsberg, Louise Gluck, Seamus Heaney, Tony Hoagland, Langston Hughes, Galway Kinnell, Frank O'Hara, Sharon Olds, Mary Oliver, Adrienne Rich, Theodore Roethke, Matthew Rohrer, Charles Simic, Tracy K. Smith, Gertrude Stein, Wallace Stevens, Mark Strand, Kevin Young
The Iron Wolf: Collected Animal Poems Vol 1
by Ted HughesThe Iron Wolf, the Iron WolfStands on the world with jagged fur.The rusty Moon rolls through the sky.The iron river cannot stir.The iron wind leaks out a cryAnimals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.
John Milton: A Literary Life (Literary Lives)
by Cedric C. BrownFor the first time in an approachable, affordable volume this study treats the whole literary career of England's most distinguished protestant-republican poet and writer, considering the miscellaneous output in the light of contexts and political functions. It highlights self-presentational and persuasive characteristics, pays attention to the sense of vocation and also describes Milton's distinctive achievement in social genres. Milton's competitive humanist training is seen to accomodate uneasily to the specific demands of some public works. The book features unfamiliar texts, whilst canonical texts are set in the story of his long endeavours during a turbulent period in English history.
A March Calf: Collected Animal Poems Vol 3
by Ted HughesFrom the trembling new-born calf in Season Songs to the gently sleeping one recorded in Moortown Diary, animal life as observed in the pages of Flowers and Insects, Elmet, River, Lupercal and Hawk in the Rain is seen afresh through the diversity and imaginative energy of this collected volume.
Martial: The Epigrams (Ancients in Action)
by Peter HowellMartial (Marcus Valerius Martialis) was a Spanish writer who lived in Rome in the second half of the first century AD. He wrote only in the genre of epigram, invented by the Greeks, which he chose because of his dislike of all that was pretentious and escapist in contemporary literature, where stale mythological topics were regarded as both 'elevated' and, in times of political danger, safe. His own boundless interest in the life he saw around him in Rome, and his sense of humour, led him to prefer to express himself in short and highly polished poems. He brought the genre to such a pitch of perfection that his work has defined it for subsequent authors. Although only a limited number of his own epigrams conform to the dictionary definition as 'a short poem ending in a witty turn of thought', their effectiveness has shaped this definition. This book tells what we know about the man's commonsense attitude to life, and his hatred of hypocrisy and malice. It assesses his debt to literary tradition and the astonishing influence he had on later writers. This book is part of the Ancient in Action series which features short incisive books introducing major figures of the ancient world to the modern general reader, including the essentials of each subject's life, works, and significance for later western civilisation.
The Merchant of Venice: Choice, Hazard and Consequence
by Joan Ozark HolmerThe Merchant of Venice, Shakespeare's most frequently performed and currently most controversial comedy, continues to confront in its stage and critical history the ongoing debate over its artistic unity. Six chapters explore the degree of dramatic integrity Shakespeare achieves by unifying the play's many hard choices through a tightly-knit interplay of contrarieties and correspondences in structure, language, characters and ideas. Engaging the play's extensive body of criticism, this book contextualizes the most provocative questions raised by the play and provides considerable new evidence about Shakespeare's possible sources and his innovative use of them, especially usury and merchantry, Jew and Christian, biblical and classical allusion, stage law and verbal-visual symbols.
Metre, Rhythm And Verse Form (The New Critical Idiom)
by Philip HobsbaumPoetry criticism is a subject central to the study of literature. However, it is laden with technical terms that, to the beginning student, can be both intimidating and confusing. Philip Hobsbaum provides a welcome remedy, illuminating terms ranging from the iambus to the bob-wheel stanza, and forms from the Spenserian sonnet to modern 'rap', with clarity and comprehensiveness. It is an essential guide through the terminology which will be invaluable reading for undergraduates new to the subject.
Metre, Rhythm And Verse Form (The New Critical Idiom)
by Philip HobsbaumPoetry criticism is a subject central to the study of literature. However, it is laden with technical terms that, to the beginning student, can be both intimidating and confusing. Philip Hobsbaum provides a welcome remedy, illuminating terms ranging from the iambus to the bob-wheel stanza, and forms from the Spenserian sonnet to modern 'rap', with clarity and comprehensiveness. It is an essential guide through the terminology which will be invaluable reading for undergraduates new to the subject.
Minnesang (Sammlung Metzler)
by Günther SchweikleMinnesang in neuer Sicht - Günther Schweikle stellt den mittelhochdeutschen Minnesang bis 1300 in der thematischen und formalen Breite und Fülle vor, wie er in den Handschriften erscheint.
New and Selected Poems: New Selected Poems, 1957-1994
by Ted HughesThis volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.
On the Laws of the Poetic Art (The A. W. Mellon Lectures in the Fine Arts #41)
by Anthony HechtA magisterial exploration of poetry’s place in the fine arts by one of the twentieth century's leading poetsIn this book, eminent poet Anthony Hecht explores the art of poetry and its relationship to the other fine arts. While the problems he treats entail both philosophic and theoretical discussion, he never allows abstract speculation to overshadow his delight in the written texts that he introduces, or in the specific examples of painting and music to which he refers. After discussing literature’s links with painting and music, Hecht investigates the theme of paradise and wilderness, especially in Shakespeare’s The Tempest. He then turns to the question of public and private art, exploring the ways in which all the arts participate in balances between private and public modes of discourse, and between an exclusive or elitist role and the openly political. Beginning with a discussion of architecture as an illustration of a more general theme of discord and balance, the penultimate lecture probes the inner contradictions of works of art and our reactions to them, while the final piece concerns art and morality.
Out of Reach: The Poetry of Philip Larkin
by Andrew SwarbrickThis detailed study of Larkin's poetry, the first to take account of recent biographical and archival material, offers new insights into Larkin's development as a poet and a fresh assessment of his achievement. Focusing on Larkin's separately published volumes within the framework of the Collected Poems, this analysis of Larkin's practice and controversial status presents a poet more fundamentally challenging than often supposed. This book will appeal to the specialist, student and general reader alike.
Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry (Michigan Monographs In Chinese Studies #67)
by Cecile C. SunThe interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry, and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.
Poetic Rhythm: An Introduction (PDF)
by Derek AttridgeThis is the first introduction to rhythm and meter that begins where students are: as speakers of English familiar with the rhythms of ordinary spoken language, and of popular verse such as nursery rhymes, song and rap. Poetic Rhythm builds on this knowledge and experience, taking the reader from the most basic questions about the rhythms of spoken English to the elaborate achievements of past and present poets. Terminology is straightforward, the simple system of scansion that is introduced is suitable for both handwriting and computer use, and there are frequent practical exercises. Chapters deal with the elements of verse, English speech rhythms, the major types of metrical poetry, free verse, and the role of sense and syntax. Poetic Rhythm will help readers of poetry experience and enjoy its rhythms in all their power, subtlety and diversity, and will serve as an invaluable tool for those who wish to write or discuss poetry in English at a basic as well as a more advanced level.
The Poetics of the Antarctic: A Study in Nineteenth-Century American Cultural Perceptions
by William E. LenzThe thesis of this book is that the 19th-century interest in the Antarctic functions for modern scholars as an important index to American self-discovery and self-definition from the 1830s onward. According to the author, American hopes for confirming identity came to be focused on an unlikely goal, the discovery of the illusive Antarctic continent. By examining in detail one literary product of the U.S. Exploring Expedition (1838-1842) to Antarctica, James Croxall Palmer's epic poem Thulia: A Tale of the Antarctic (1843), and its revision, The Antarctic Mariner's Song (1868), and by locating these works within their cultural context, Lenz reveals the significance and changing meaning of exploration to emerging American concepts of nationhood. The volume also considers the tradition of American sea fiction in the works of such writers as James Fenimore Cooper, Edgar Allan Poe, and Herman Melville, arguing that for these writers the Antarctic was a locus of symbolic meaning while for Palmer it was a process of individual and collective perception. The 1868 version of the Palmer poem is attached here as an appendix. A useful bibliography follows that appendix.
The Poetics of the Antarctic: A Study in Nineteenth-Century American Cultural Perceptions (Studies In Nineteenth-century American Literature #Vol. 5)
by William E. LenzThe thesis of this book is that the 19th-century interest in the Antarctic functions for modern scholars as an important index to American self-discovery and self-definition from the 1830s onward. According to the author, American hopes for confirming identity came to be focused on an unlikely goal, the discovery of the illusive Antarctic continent. By examining in detail one literary product of the U.S. Exploring Expedition (1838-1842) to Antarctica, James Croxall Palmer's epic poem Thulia: A Tale of the Antarctic (1843), and its revision, The Antarctic Mariner's Song (1868), and by locating these works within their cultural context, Lenz reveals the significance and changing meaning of exploration to emerging American concepts of nationhood. The volume also considers the tradition of American sea fiction in the works of such writers as James Fenimore Cooper, Edgar Allan Poe, and Herman Melville, arguing that for these writers the Antarctic was a locus of symbolic meaning while for Palmer it was a process of individual and collective perception. The 1868 version of the Palmer poem is attached here as an appendix. A useful bibliography follows that appendix.
Poets, Patrons, and Printers: Crisis of Authority in Late Medieval France
by Cynthia J. BrownCynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship.Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
Regaining Paradise Lost
by Thomas N. CornsParadise Lost is not merely the masterpiece of John Milton (1608-74) but a turning point in style and form, which had a profound influence on the poetry of the following century. Divided into two parts, this major survey begins by discussing the revolutionary characteristics of Paradise Lost in the context of contemporary literary norms and examines the theological, psychological, stylistic and narrative innovation in the poem. It then provides a fuller account of the complex, and now obscure political, and theological issues and other issues that Milton's poem addresses and sought to resolve. It concludes by examining the themes discussed in the light of the influence of the poem on the tradition of English literature.
Regaining Paradise Lost
by Thomas N. CornsParadise Lost is not merely the masterpiece of John Milton (1608-74) but a turning point in style and form, which had a profound influence on the poetry of the following century. Divided into two parts, this major survey begins by discussing the revolutionary characteristics of Paradise Lost in the context of contemporary literary norms and examines the theological, psychological, stylistic and narrative innovation in the poem. It then provides a fuller account of the complex, and now obscure political, and theological issues and other issues that Milton's poem addresses and sought to resolve. It concludes by examining the themes discussed in the light of the influence of the poem on the tradition of English literature.
Sangspruchdichtung: Sammlung Metzler, 293 (Sammlung Metzler)
by Helmut tervoorenFester Bestandteil der Lehrpläne an Gymnasien und Hochschulen ist nach wie vor die Lyrik des Mittelalters. Zu ihr zählt, neben dem Minnesang, die Sangspruchdichtung, die sich politischen und theologischen Inhalten zuwandte. Helmut Tervooren gibt einen Überblick über Themen und Darbietungsformen und behandelt die einzelnen Autoren und Sänger als Repräsentanten der gattungsgeschichtlichen Entwicklung.
Schiller als Historiker
Der Band evaluiert erstmals Friedrich Schillers Leistungen als Historiker im Kontext der Zeit zwischen Aufklärung und Historismus. Er betrachtet dafür das gesamte Werk Schillers.