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Neue Deutsche Welle (Genre: A 33 1/3 Series)
by Claudia LonkinNeue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballoons" and Trio's "Da Da Da"-and then left as quickly as it came. Conventional wisdom among artists dictates that it's better to burn out than fade away, but this doesn't tell the full story of NDW-the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end. The genre has international influences but still demonstrates a uniquely German desire to build a new, sanitized identity in the aftermath of World War II. Originally quite subversive and underground, NDW became exponentially more mainstream until it could no longer sustain itself creatively. And rather than disappearing, it helped give rise to the post-Cold War rave craze and is still an important touchstone in music history.
Vaughan Williams in Context (Composers in Context)
by Julian Onderdonk Ceri OwenChallenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Williams as aesthetically and politically progressive, the book furthers a revisionist perspective by broadening understandings of the nature of his responses to the twentieth century. This portrait of a modern composer emerges not merely by focusing on under-represented interests and pursuits, but also by contextualizing those activities that have been misrepresented as conservative or backward-looking.
Schumann (The\early Romantic Composers Ser.)
by Roe-Min KokThis collection is a compilation of many of the paths taken by scholars in their pursuit of knowledge about Schumann over the last half-century. Selected for their topical breadth and quality, the writings showcase different points of departure as well as their authors’ allegiance to diverse methods of investigation.
Das auditive Netz: Künstlerische Forschung im medialen Dazwischen (Musik und Klangkultur #69)
by Hans-Ulrich WernerWas macht künstlerisches Forschen im Bereich Sound und Musik aus? Im Ausklang einer langen und produktiven technisch-künstlerischen sowie wissenschaftlichen Laufbahn stellt Hans-Ulrich Werner seine Ergebnisse zum Thema vor. Dazu orientiert er sich vor allem an den Ideen und Erkenntnissen der Menschen, denen er bei seinem Schaffen begegnete und die er als Akteure eines internationalen Netzes beschreibt. Somit ergibt sich nicht nur ein Einblick in die Protagonisten der vielfältigen Klanglandschaften dieser Welt, sondern auch die Etablierung des künstlerischen Forschens als eigenständige Disziplin jenseits von klassischer Wissenschaft.
Digital Transformation in The Recording Industry: Evolution of Power: From The Turntable To Blockchain (Routledge Research in the Creative and Cultural Industries)
by Anna Anetta JanowskaThe recording industry has famously been transformed by technology throughout its entire history.The book presents an analysis of these changes using Porter's five forces model. The author highlights the evolution of buyers' and suppliers' power, the emergence of new competitors, product innovation and rivalry between companies in the industry driven by economic, political, social and legal factors.As an early mover in the social diffusion of copyright-sensitive content, the recording industry reflected in this book serves as an important reference for the analysis of other cultural and creative sectors.
Ladybird Class Let's Play Music: Read It Yourself - Level 1 Early Reader (Read It Yourself)
by LadybirdJoin Ladybird Class on another imaginative learning adventure! The class are learning all about musical instruments, and soon find themselves watching an amazing orchestra. But when disaster happens, can Ali Lion step in and save the day?Let's Play Music is from Early Reader Level 1 and is perfect for children aged from 4+ who are taking their first steps beyond phonics.Each book has been carefully checked by educational and subject consultants and includes comprehension puzzles, book band information, and tips for helping children with their reading.With five levels to take children from first phonics to fluent reading and a wide range of different stories and topics for every interest, Read It Yourself helps children build their confidence and begin reading for pleasure.
Sound Tracks: Uncovering Our Musical Past
by Graeme LawsonA transporting voyage of archaeological discovery: Sound Tracks unearths instruments from around the world and across time, releasing the past's musical secrets for the first time. ‘A thrilling journey into the sonic richness of human experience’ PHILIP BALL, author of The Music Instinct‘A magical book’ FRANCIS PRYOR, author of Britain BCFrom the present day back to the dawn of time, from dark caves and murky swamps to open deserts and ocean depths, here is the history of humankind's relationship with music in fifty detective stories.We see a child’s delight in Peru in AD 700, playing with a water-filled pot that chirps like a bird; we shiver with a lonely soldier sending trumpet signals to the next watchtower on Hadrian's Wall; we sway to the stately rhythms of the 64 bells buried in a tomb in China in the 5th century BC. And on this grand tour, we learn that music is part of what makes us human – a way of commemorating our pasts, communicating with others and shaping our lives.Brimming with astonishing insights, Sound Tracks provides an enthralling alternative history of humanity in which the silences of the past are filled with a glorious treasure hoard of vanished sounds and voices.‘Piles revelation upon revelation to shed a completely new perspective on the tools we use for making music’ NORMAN LEBRECHT, author of Why Beethoven‘Lawson has brilliantly conjured up the sounds of 30,000 years of human history’ DAVID ABULAFIA, Professor Emeritus of Mediterranean History
Clean Living Under Difficult Circumstances: A Life In Mod – From the Revival to Acid Jazz
by Eddie Piller***'Eddie was there very early doors. His story is of the many.' Paul Weller'A total riot! Takes me right back to the 70s. A Superb book' Mani, The Stone Roses'What a wonderful book. Mod isn't about what decade you lived in, it's about your attitude, and this book has tons of it' Kenney Jones, The Small Faces'A charismatic storyteller, witty and unpretentious, he is at once an engaging protagonist and an indisputable authority, giving a live-wire, visceral perspective on mod life in that short flash of time. He manages to create a welcoming space in this rather exclusive world while never losing his formidable edge as a narrator' - The Big Issue'Buy it on sight. You won't be disappointed' - Louder Than War'Eddie's book is really good!' - Robert Elms'Akin to being in the company of someone with plenty of entertaining tales to tell.... the comradery and spirit of like-minded souls is inspiring.' - Paul Ritchie, Shindig! MagazineWITH A FOREWORD BY PAUL WELLERThis is the memoir of a teenage mod from the East End of London.A journey of discovery for a schoolboy dabbling with punk, funk, record shops, discos and clothes, and then... WHAAAM! An unstoppable wave of like-minded kids fall headlong in love with 60s mod culture, revived and reformatted for the 70s and 80s generation.Eddie Piller was one such kid. His life was changed forever. Written with humour, passion and attention to detail, CLEAN LIVING UNDER DIFFICULT CIRCUMSTANCES is perhaps the ultimate mod memoir, taking us from meeting the Small Faces as a toddler, to the 1979 Mod revival, through the more purist 1980s mod scene and eventually to Acid Jazz.A born storyteller, Eddie takes us evocatively into a world of scooters, clothes, and music. We run with the crowd to decaying seaside towns, East End backstreet boozers and sweaty teenage gigs, all fizzing with an uncontainable excitement and often exploding into violence.Once mod touched your soul it changed the way you looked at life, unexpectedly broadening your horizons. In Eddie it awakens a can-do attitude that sees him setting up a fanzine, putting on club nights, hustling jobs in the music industry, and eventually setting up a record label. It even takes him to Ireland at the height of the troubles and to Australia where the local mods take him on a military exercise...Visceral and always entertaining, CLEAN LIVING UNDER DIFFICULT CIRCUMSTANCES is a stand-out memoir that relives the thrill of the 70s and 80s, and the movement that helped make mod the most enduring and successful British youth culture of all time.
Innovation in Music: Technology and Creativity (ISSN)
by Jan-Olof Gullö Russ Hepworth-Sawyer Justin Paterson Rob Toulson Mark MarringtonInnovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices.Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.
The Road Crew: Live Music and Touring
by Gabrielle KielichThe Road Crew: Live Music and Touring is an in-depth study of the road crew – the group of workers who handle the logistical and technical requirements of popular music concert tours – that provides an extensive look at the activities and personnel involved in the daily operation of these events.Using interviews with road crew members, participant observation at concert venues and archival research, this book covers a range of topics, including how they learn their roles and maintain work through networks and informal practices, the experience of being on tour and the workplace culture of road crews, the daily tasks and necessary documents that contribute to the realisation of concert events, and the integral role that tour managers play in the working lives of musicians. The book also provides important insights into the experience of women working in a male-dominated field, the ways in which hierarchy shapes the working lives of “support” workers and the effects of touring on road crew members.The Road Crew will be of interest to scholars and students of popular music, live music and the creative industries, as well as music fans, journalists, and professionals and practitioners in the music industries.
Return to Riemann: Tonal Function and Chromatic Music (ISSN)
by J. P. Harper-Scott Oliver ChandlerThis book is a music-theoretical and critical-theoretical study of late tonal music, and, in particular, of the music of Wagner’s Götterdämmerung.First, in terms of music theory, it proposes a new theory of tonal function that returns to the theories of Hugo Riemann to rediscover a development of his thought that has been covered over by the recent project of neo-Riemannian theory. Second, in terms of its philosophical approach, it reawakens the critical-theoretical examination of the relation between music and the late capitalist society that is sedimented in the musical materials themselves, and which the music, in turn, subjects to aesthetically embodied critique. The music, the theory, and the listeners and critics who respond to them are all radically reimagined.This book will be of interest to professional music theorists, undergraduates, and technically inclined musicians and listeners, that is, anyone who is fascinated by the chromatic magic of late-nineteenth-century music.
Living Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital (Music / Culture)
by Michael E. VealLiving Space: John Coltrane, Miles Davis, and Free Jazz, from Analog to Digital fuses biography and style history in order to illuminate the music of two jazz icons, while drawing on the discourses of photography and digital architecture to fashion musical insights that may not be available through the traditional language of jazz analysis. The book follows the controversial trajectories of two jazz legends, emerging from the 1959 album Kind of Blue. Coltrane's odyssey through what became known as "free jazz" brought stylistic (r)evolution and chaos in equal measure. Davis's spearheading of "jazz-rock fusion" opened a door through which jazz's ongoing dialogue with the popular tradition could be regenerated, engaging both high and low ideas of creativity, community, and commerce. Includes 42 illustrations.
A Really Strange and Wonderful Time: The Chapel Hill Music Scene: 1989-1999
by Tom MaxwellTHE FIRST BIOGRAPHY OF THE THRIVING AND INFLUENTIAL ROCK SCENE IN CHAPEL HILL, WHICH GAVE THE WORLD ARTISTS LIKE BEN FOLDS FIVE, SUPERCHUNK, AND SQUIRREL NUT ZIPPERS North Carolina has always produced extraordinary music of every description. But the indie rock boom of the late 1980s and early &’90s brought the state most fully into the public consciousness, while the subsequent post-grunge free-for-all bestowed its greatest commercial successes. In addition to the creation of legacy label Merge Records and a slate of excellent indie bands like Superchunk, Archers of Loaf, and Polvo, this was the decade when other North Carolina artists broke Billboard &’s Top 200 and sold millions of records—several million of which were issued by another indie label based in Carrboro, Chapel Hill&’s smaller next-door neighbor. It&’s time to take a closer look at exactly what happened.A Really Strange and Wonderful Time features a representative cross section of what was being created in and around Chapel Hill between 1989 and 1999. In addition to the aforementioned indie bands, it documents—through firsthand accounts—other local notables like Ben Folds Five, Dillon Fence, Flat Duo Jets, Small, Southern Culture on the Skids, The Veldt, and Whiskeytown. At the same time, it describes the nurturing infrastructure which engendered and encouraged this marvelous diversity. In essence, A Really Strange and Wonderful Time is proof of the genius of community.
Sip Me, Baby, One More Time: Cocktails Inspired by Pop Music's Iconic Women
by Ashley GibsonMy thirstiness is killing me . . . As gorgeous as your favorite album art and as irresistible as a catchy hook, a collection of stunning (and stunningly easy) cocktail recipes based on pop songs by iconic women. With a great drink in your hand and the perfect song playing, you can transform any place into your own personal party. Pop music is unmatched when it comes to capturing a feeling, and this book is inspired by the great songs and women who define this genre, as well as some lesser-known artists whose music is as exciting as stumbling upon a new favorite liqueur that adds just the flavor you&’ve been missing.Sip Me, Baby, One More Time combines the art of cocktail making with the power of these artists to create an experience curated by emotion. Each chapter of this book is a journey through a playlist dedicated to a specific feeling—from coping with soul-crushing heartbreak to feeling like you want to hop on a table and dance it out—and is filled with easy to make, beautiful cocktails dedicated to tracks from top female artists.Featuring drinks inspired by songs from Britney Spears, Beyoncé, Taylor Swift, Rihanna, Ariana Grande, Lana Del Rey, BLACKPINK, The Spice Girls, Doja Cat, and many more.
The Music Management Bible: The Definitive Guide To Understanding Music Management (pdf)
by Nicola RichesCompletely revised and updated, this new edition of the standard music industry textbook includes everything that you need to know as a music manager in the today s fast changing musical environment. With a special focus on the implications of the digital age for the music professional, this is the essential handbook for anyone involved in the music business! Compiled and Edited by Nicola Riches.
Composing for Silent Film
by Jack Curtis DubowskyComposing for Silent Film offers insight, information, and techniques for contemporary composition, arrangement, and live score performance for period silent film. A specialized music composition guide, this book complements existing film scoring and contemporary music composition texts. This book helps today’s composers better understand and correctly interpret period silent film, and to create and perform live scores that align with films’ original intentions, so that audiences notice and grasp fine points of the original film. Composing for Silent Film analyzes period silent film and its conventions – from Delsarte acting gestures to period fascinations and subtexts. As a practical composition text, it weighs varying approaches, including improvisation, through-scoring, "mickey-mousing," handling dialogue, and dividing roles amongst players. It steers composers towards informed understanding of silent film, and encourages them to deploy contemporary styles and techniques in exciting ways.For clarity and concision, examples are limited to nine canonical silents: Metropolis, Dr. Jekyll and Mr. Hyde, The Mark of Zorro, Sunrise: A Song of Two Humans, The Black Pirate, Nosferatu, The Phantom Carriage, Daisy Doodad’s Dial, and The Golem.
Composing for Silent Film
by Jack Curtis DubowskyComposing for Silent Film offers insight, information, and techniques for contemporary composition, arrangement, and live score performance for period silent film. A specialized music composition guide, this book complements existing film scoring and contemporary music composition texts. This book helps today’s composers better understand and correctly interpret period silent film, and to create and perform live scores that align with films’ original intentions, so that audiences notice and grasp fine points of the original film. Composing for Silent Film analyzes period silent film and its conventions – from Delsarte acting gestures to period fascinations and subtexts. As a practical composition text, it weighs varying approaches, including improvisation, through-scoring, "mickey-mousing," handling dialogue, and dividing roles amongst players. It steers composers towards informed understanding of silent film, and encourages them to deploy contemporary styles and techniques in exciting ways.For clarity and concision, examples are limited to nine canonical silents: Metropolis, Dr. Jekyll and Mr. Hyde, The Mark of Zorro, Sunrise: A Song of Two Humans, The Black Pirate, Nosferatu, The Phantom Carriage, Daisy Doodad’s Dial, and The Golem.
Music, Emotion and Identity In Ulster Marching Bands (PDF): Flutes, Drums And Loyal Sons
by Gordon RamseyUlster's marching bands form perhaps the most vibrant participatory folk music tradition in contemporary Europe, and are one of the most significant and visible elements of working-class loyalist culture in the divided society of Northern Ireland. Their significance springs largely from the central place they have assumed in the lives of their members. This book presents an ethnography of three County Antrim flute bands from the very different genres of 'part-music', 'melody' and 'blood and thunder'. The author explores the emotional rewards of communal music-making and the way that identities are formed through the acquisition of tastes, competences and skills within specific communal contexts, paying particular attention to the impact of class position. These issues are examined in the context of the competitions, concerts and street parades that are central to the social lives of thousands of band members and supporters in Northern Ireland.
Music, Emotion And Identity In Ulster Marching Bands: Flutes, Drums And Loyal Sons (pdf)
by Gordon RamseyUlster's marching bands form perhaps the most vibrant participatory folk music tradition in contemporary Europe, and are one of the most significant and visible elements of working-class loyalist culture in the divided society of Northern Ireland. Their significance springs largely from the central place they have assumed in the lives of their members. This book presents an ethnography of three County Antrim flute bands from the very different genres of 'part-music', 'melody' and 'blood and thunder'. The author explores the emotional rewards of communal music-making and the way that identities are formed through the acquisition of tastes, competences and skills within specific communal contexts, paying particular attention to the impact of class position. These issues are examined in the context of the competitions, concerts and street parades that are central to the social lives of thousands of band members and supporters in Northern Ireland.
Making Master Guitars
by Roy CourtnallMaking Master Guitars is a craftsman's handbook about the exciting and challenging pursuit of making classical guitars, a craft that the author reveals to be surprisingly accessible by following his instructions. The book is unique in that it includes nine separate detailed plans of instruments constructed by internationally famous guitar-makers. The author has had the rare opportunity of examining these instruments in detail, and has made many replicas of each one. Superbly illustrated by Adrian Lucas. Part one: The Master Makers and their Guitars is devoted to separate chapters on each famous maker, including Antonio de Torres, Hermann Hauser, Santos Hernandez y Aguado, Ignacio Fleta, Robert Bouchet, Daniel Friederich and Jose Romanillos. The reader will find historical information about the life of and influences on each makers, as well as detailed sets of working drawings for their guitars. Also included are rare photographs of the guitars. Part two: Workshop, Tools and Materials provides essential information about the tools, working environment and material needed by the guitar-maker. Part three: Guitar Construction - The Spanish Method comprises a step-by-step method of guitar construction, illustrated by numerous photographs and drawings. The method of making a guitar is presented with great clarity. So that even the newcomer to this fascinating craft will be able to produce a superb instrument. This book will be essential for the guitar-maker and the historian, providing as it does a unique record of the different methods of guitar design and strutting systems that have evolved since Antonio de Torres first defined the essential characteristics of the modern classical guitar in the 1850s.
Death and (Re) Birth of J.S. Bach: Reconsidering Musical Authorship and the Work-Concept
by Roberto Alonso TrilloWhile the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the …Bach… project, a collection of new music based on Johann Sebastian Bach’s Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.
Futuromania: Electronic Dreams, Desiring Machines and Tomorrow’s Music Today
by Simon ReynoldsSimon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other. Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software. A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound. There is a lifetime of electronic listening here.
All You Need Is Love: The End of the Beatles - An Oral History by Those Who Were There
by Steven Gaines Peter Brown'I can think of no one better placed to tell the story behind The Beatles than Peter Brown.' -Pattie Boyd Harrison'A revealing oral history of the forces that spurred the band's breakup... drawing from a trove of never before published conversations. Beatles fans will be impatient to get their hands on this.' -Publishers Weekly'**** A gossipy, insider oral history' -MOJO magazineAll You Need is Love is a ground-breaking oral history of the Beatles and how it all came to an end. Based on never-before-published or heard interviews with Paul McCartney, Yoko Ono, George Harrison, Ringo Starr, and their families, friends, and business associates, this is a landmark book, containing stunning new revelations, about the biggest band the world has ever seen.In 1980-1981 former COO of Apple Corp, Peter Brown and author Steven Gaines interviewed everyone in the Beatles' inner circle and included a small portion of the transcripts in their international bestselling book The Love You Make, which spent four months on the New York Times bestseller list. But left in their archives was a treasure trove of unique and candid interviews that they chose not to publish, until now. A powerful work assembled through honest, intimate, sometimes contradictory and always fascinating testimony, All You Need is Love is a one-of-a-kind insight into the final days, weeks, months and years of the Beatles phenomenon.
History as Fantasy in Music, Sound, Image, and Media (Music and Visual Culture)
by James Cook Alexander Kolassa Alexander Robinson Adam WhittakerExploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on the stage and screen; theorise the future of musical histories in immersive and virtual media; and explore sound’s role in more fantastical appropriations of history in television and videogames. Together, they poseprovocative questions regarding our perceptions of ‘early’ music and the sensory experience of distant history. Offering new ways to understand the past at the crossroads of musical and visual culture, this collection is relevant to researchers across music, media, and historical and cultural studies.
History as Fantasy in Music, Sound, Image, and Media (Music and Visual Culture)
by James Cook, Alexander Kolassa, Alexander Robinson, and Adam WhittakerExploring how music is used to portray the past in a variety of media, this book probes the relationship between history and fantasy in the imagination of the musical past. The volume brings together essays from multidisciplinary perspectives, addressing the use of music to convey a sense of the past in a wide range of multimedia contexts, including television, documentaries, opera, musical theatre, contemporary and historical film, videogames, and virtual reality. With a focus on early music and medievalism, the contributors theorise the role of music and sound in constructing ideas of the past. In three interrelated sections, the chapters problematise notions of historical authenticity on the stage and screen; theorise the future of musical histories in immersive and virtual media; and explore sound’s role in more fantastical appropriations of history in television and videogames. Together, they poseprovocative questions regarding our perceptions of ‘early’ music and the sensory experience of distant history. Offering new ways to understand the past at the crossroads of musical and visual culture, this collection is relevant to researchers across music, media, and historical and cultural studies.