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The Blackwell Companion to Social Work, eTextbook
by Martin DaviesA comprehensive introduction to the field, with contributions from leading experts that illuminate the focus and purpose of social work. New edition of THE leading social work textbook for undergraduates Provides comprehensive coverage of all subject areas relevant to a career in social work Covers the reasons for social work, the application of knowledge to practice, the practice context, and its psychosocial framework Gives detailed coverage of the perspectives of service users, carers and the Disabled People’s Movement The book brings together material on children and families side-by-side with detailed accounts of work with adult service users Each chapter lists five key points, three questions for discussion, and three recommendations for further reading
The Blackwell Cultural Economy Reader
by Ash Amin Nigel ThriftThis Reader brings together the exciting and innovative work that has appeared in the last 10 years in the growing field of cultural economy. Brings together exciting and innovative work from the last ten years in the emerging field of cultural economy. Contains a substantial introduction by the editors on the main strands and history of the cultural economy approach. Shows how the pursuit of prosperity always involves multiple and hybrid orderings that cannot be reduced to either the terms culture or economy. Shows that thinking about cultural economy is both a substantive task and a valuable contribution to knowledge. Material is organised around different links in the value chain.
Blake 2.0: William Blake in Twentieth-Century Art, Music and Culture
by Steve Clark, Tristanne Connolly and Jason WhittakerBlake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
Blake and Homosexuality
by C. HobsonAgainst the backdrop of Britain's underground 18th and early-19th century homosexual culture, mob persecutions, and executions of homosexuals, Hobson shows how Blake's hatred of sexual and religious hypocrisy and state repression, and his revolutionary social vision, led him gradually to accept homosexuality as an integral part of human sexuality. In the process, Blake rejected the antihomosexual bias of British radical tradition, revised his idealization of aggressive male heterosexuality and his male-centered view of gender, and refined his conception of the cooperative commonwealth.
Blake and the Assimilation of Chaos
by Christine GallantIn all of his works Blake struggled with the question of how chaos can be assimilated into imaginative order. Blake's own answer changed in the course of his poetic career. Christine Gallant contends that during the ten year period of composition of Blake's first comprehensive epic, The Four Zoas, Blake's myth expanded from a closed, static system to an open, dynamic process. She further argues that it is only through attention to the changing pattern of Jungian archetypes in the poem that one can discern this profound change. Using the depth psychology of Jung, Professor Gallant presents a comprehensive interpretation of Blake's poetry from his early "Lambeth" prophecies to his mature works, The Four Zoas, Milton, and Jerusalem. She offers a Jungian critical approach that respects the work's autonomy, but still suggests how literature is an ongoing imaginative experience in which archetypal symbols affect their literary contexts. What interests the author is the function that the very process of mythmaking had for Blake. Professor Gallant finds that the metaphysical opposition between God and Satan in Blake's earlier work gradually evolves into an interplay of these powers in the later works. The quality of Chaos changes for Blake from something unknown and feared, contrary to Order, to something intimately known and embraced.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Blake, Modernity and Popular Culture
by S. Clark J. WhittakerThis book explores the ways in which Blake reacted to the subcultures of his day, as well as how he has inspired popular, modernist and postmodernist figures until the present day. Blake's influence on later generations of writers and artists is more important than ever, extending into film, psychology, children's literature and graphic novels.
Blame, Culture and Child Protection
by Jadwiga LeighIn recent years child protection issues have dominated media and public discourse in the UK. This book offers a unique perspective by giving voice to those social workers working within a profession which has become increasingly embedded in a culture of blame. Exploring how statutory child protection agencies function, Leigh also reveals how ‘organisational culture’ can significantly affect the way in which social work is practised. Providing a comparative analysis between the UK and Belgium, Leigh uses ethnography to illuminate the differences between the settings by examining how interactions and affected atmospheres impact on their identities. This book reveals how practitioners perceive themselves differently in such environments and explores the impact this has on their identity as well as the work they carry out with children and families. Leigh’s enquiry and compelling critique into social work, identity and organisations calls for mutual understanding and respect,rather than a culture of blame.
Blamestorming, blamemongers and scapegoats: Allocating blame in the criminal justice process
by Gavin Dingwall Tim HillierWe live in a society that is increasingly preoccupied with allocating blame: when something goes wrong someone must be to blame. Bringing together philosophical, psychological, and sociological accounts of blame, this is the first detailed criminological account of the role of blame in which the authors present a novel study of the legal process of blame attribution, set in the context of criminalisation as a social and political process. This timely and topical book will be essential reading for anyone working or researching in the criminal justice field. It will also be of wider interest to anyone wishing to discover the role of blame in modern society.
Blamestorming, blamemongers and scapegoats: Allocating blame in the criminal justice process
by Gavin Dingwall Tim HillierWe live in a society that is increasingly preoccupied with allocating blame: when something goes wrong someone must be to blame. Bringing together philosophical, psychological, and sociological accounts of blame, this is the first detailed criminological account of the role of blame in which the authors present a novel study of the legal process of blame attribution, set in the context of criminalisation as a social and political process. This timely and topical book will be essential reading for anyone working or researching in the criminal justice field. It will also be of wider interest to anyone wishing to discover the role of blame in modern society.
Blaming the Victim: How Global Journalism Fails Those in Poverty
by Jairo Lugo-OcandoPoverty, it seems, is a constant in today's news, usually the result of famine, exclusion or conflict. In Blaming the Victim, Jairo Lugo-Ocando sets out to deconstruct and reconsider the variety of ways in which the global news media misrepresent and decontextualise the causes and consequences of poverty worldwide. The result is that the fundamental determinant of poverty - inequality - is removed from their accounts. *BR**BR*The books asks many biting questions. When - and how - does poverty become newsworthy? How does ideology come into play when determining the ways in which 'poverty' is constructed in newsrooms - and how do the resulting narratives frame the issue? And why do so many journalists and news editors tend to obscure the structural causes of poverty?*BR**BR*In analysing the processes of news production and presentation around the world, Lugo-Ocando reveals that the news-makers' agendas are often as problematic as the geopolitics they seek to represent. This groundbreaking study reframes the ways in which we can think and write about the enduring global injustice of poverty.
Blaming the Victim: How Global Journalism Fails Those in Poverty
by Jairo Lugo-OcandoPoverty, it seems, is a constant in today's news, usually the result of famine, exclusion or conflict. In Blaming the Victim, Jairo Lugo-Ocando sets out to deconstruct and reconsider the variety of ways in which the global news media misrepresent and decontextualise the causes and consequences of poverty worldwide. The result is that the fundamental determinant of poverty - inequality - is removed from their accounts. *BR**BR*The books asks many biting questions. When - and how - does poverty become newsworthy? How does ideology come into play when determining the ways in which 'poverty' is constructed in newsrooms - and how do the resulting narratives frame the issue? And why do so many journalists and news editors tend to obscure the structural causes of poverty?*BR**BR*In analysing the processes of news production and presentation around the world, Lugo-Ocando reveals that the news-makers' agendas are often as problematic as the geopolitics they seek to represent. This groundbreaking study reframes the ways in which we can think and write about the enduring global injustice of poverty.
Blanchot's Communism: Art, Philosophy and the Political
by L. IyerIyer argues for the transformative potential for philosophy and political practice of the thought of Maurice Blanchot. The book traces Blanchot's complex negotiations of the thought of Hegel, Heidegger, Bataille and Levinas, which allowed him to develop his distinctive account of the work of art and his account of the opening to the Other. Iyer also examines the significance of Blanchot's interventions in French political life, in particular, his participation in the events of May 1968.
[ BLANK ]: (National Theatre Connections Edition) (Oberon Modern Plays)
by Alice Birch[ BLANK ] is one of ten new plays commissioned for National Theatre Connections in 2018. This play is a cocommission by Clean Break Theatre Company and National Theatre Connections. As part of her research process, Alice Birch undertook a week’s residency at the former Holloway Women’s Prison. From spending time with the women there, Alice was struck by the impact the criminal justice system had on families and how, often, children are the silent victims of crime. [ BLANK ] isn’t simply a playtext, but a theatrical provocation; a blueprint from which theatre-makers can shape their own narratives and build their own productions. Indeed, no two versions of [ BLANK ] are ever likely to be the same, yet every single production will have an indelible bond with the next. This text contains the script for [ BLANK ] along with imaginative production notes and exercises and a short introduction to the writing process by Alice Birch. Connections is supported by The Mohn Westlake Foundation, The Buffini Chao Foundation, Andrew Lloyd Webber Foundation, Delta Air Lines, Jacqueline and Richard Worswick, Peter Cundill Foundation, Mactaggart Third Fund, The EBM Charitable Trust, Samantha and Richard Campbell-Breeden, The Garvey Family Trust, Susan Miller and Byron Grote, Anthony P. Skyrme, The Derrill Allatt Foundation, Hays Travel Foundation, Faithorn Farrell Timms and supporters of the Connections Appeal. The National Theatre’s Partner for Learning is Bank of America Merrill Lynch. Includes forewords by Bryony Kimmings (Performance Artist) and Joanne Majauskis (Safer Places).
Blanket (Object Lessons)
by Kara ThompsonObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, Blanket interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. Object Lessons is published in partnership with an essay series in the The Atlantic.
Blanket (Object Lessons)
by Kara ThompsonObject Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. We are born into blankets. They keep us alive and they cover us in death. We pull and tug on blankets to see us through the night or an illness. They shield us in mourning and witness our most intimate pleasures. Curious, fearless, vulnerable, and critical, Blanket interweaves cultural critique with memoir to cast new light on a ubiquitous object. Kara Thompson reveals blankets everywhere--film, art, geology, disasters, battlefields, resistance, home--and transforms an ordinary thing into a vibrant and vital carrier of stories and secrets, an object of inheritance and belonging, a companion to uncover. Object Lessons is published in partnership with an essay series in the The Atlantic.
Blast: Vorticism, 1914-1918 (Routledge Revivals)
by Paul EdwardsThis title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound, the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Inspired by the example of F.T.Marinetti and the Futurists, the Vorticists were nevertheless harshly critical of the Futurists' naive enthusiasm for modernity. They created their own style of geometric abstraction to celebrate the new consciousness of humanity in a mechanized urban environment. But their splintered and discordant style also measured the cost of the psychic disruption that modernity caused. This illustrated guide to the movement covers topics including sculpture, painting, literary Vorticism, women in Vorticism and Vorticist aesthetics.
Blast: Vorticism, 1914-1918 (Routledge Revivals)
by Paul Edwards Jane Beckett Deborah Cherry Richard Cork Karin Orchard Andrew WilsonThis title was first published in 2000. Founded in 1914 by Wyndham Lewis and christened by Ezra Pound, the Vorticism movement was a sustained act of aggression against the moribund Victorianism seen as stifling to artistic energies. Inspired by the example of F.T.Marinetti and the Futurists, the Vorticists were nevertheless harshly critical of the Futurists' naive enthusiasm for modernity. They created their own style of geometric abstraction to celebrate the new consciousness of humanity in a mechanized urban environment. But their splintered and discordant style also measured the cost of the psychic disruption that modernity caused. This illustrated guide to the movement covers topics including sculpture, painting, literary Vorticism, women in Vorticism and Vorticist aesthetics.
Blaue Hemden — Rote Fahnen: Die Geschichte der Freien Deutschen Jugend
by Ulrich Mählert Gerd-Rüdiger StephanZu DDR-Zeiten war die Freie Deutsche Jugend ein Zweimillionenverband. Die meisten DDR-Bürger wurden als Heranwachsende Mitglieder, viele auch Funktionäre; die FDJ war ein Teil ihrer Jugend, mit dem Erinnerungen an viele Gemeinschaftserlebnisse verbunden sind. Schon ein Jahr nach der Wende blieb von der FDJ nur noch eine linke Splittergruppe übrig. Die Feier des fünfzigjährigen Jubiläums am 6. März 1996 in der Kongreßhalie Berlin Alexanderplatz geriet zum VeteranentreJfen. Die einst so stolze »Kaderschmiede«, die Partei, Staat und Armee mit Führungsnachwuchs versorgt hatte, schrumpfte in kurzer Zeit zur Bedeutungslosigkeit. Als Gegenstand der historischen Analyse bietet die FDJ ein wesentlich anderes Bild als in der Memoirenliteratur und in der Erinnerung von Zeitgenossen. 1nsbesondere über die FDJ der Gründerzeit sind zwei Lesarten in Umlauf, die schwer miteinander in Einklang zu bringen sind, und doch ist keine falsch: einerseits selbstbestimmte, pluralistische Gemeinschaft junger Menschen, die einen demokratischen Ausweg aus den vom Hitlerreich hinterlassenen Trümmern auf den Straßen und in den Köpfen suchten; andererseits ferngesteuertes 1nstrument kommunistischer Machtpolitik. Wer wie ich mit vierzehn, fünfzehn Jahren das Kriegsende und die Anfänge gesellschaftlicher Neuorganisation mitgemacht hat, wird seine eigenen Erfahrungen eher in der ersten Version wiedererkennen. ich erinnere mich gut an die schockartigen Erlebnisse, die damals das Leben völlig veränderten und mich, obwohl ich im Westteil Berlins lebte, in die Reihen der FDJ führten.
Blaustrumpf - Modestudentin - Anarchistin?: Deutsche und russische Medizinstudentinnen in Berlin 1896-1918. Ergebnisse der Frauenforschung, Band 44
by Anja Burchhardt
The Bleeding Tree: A Pathway Through Grief Guided by Forests, Folk Tales and the Ritual Year
by Hollie StarlingIt was the last of the ebbing days, the brink of the new season. It was the murky hours, the clove between sunset and sunrise. It was a tall tree with deep roots and it had been bleeding for a long while.As summer falls into autumn, Hollie Starling is hit by the heart-stopping news that her father has died by suicide. Thrust into a state of 'grief on hard mode', Hollie feels underserved by current attitudes toward grief and so seeks another way through the dark.Following her first year without her father, Hollie embraces her lifelong interest in folklore and turns to the healing power of nature, the changing seasons and the rituals of ancient communities. The Bleeding Tree is an unflinching year-zero guidebook to grief that shows us that by looking back to past traditions of bereavement we can all find our own way forward.
Blessed Anastacia: Women, Race and Popular Christianity in Brazil
by John BurdickThe weakness of Brazil's black consciousness movement is commonly attributed to the fragility of Afro-Brazilian ethnic identity. In a major account, John Burdick challenges this view by revealing the many-layered reality of popular black consciousness and identity in an arena that is usually overlooked: that of popular Christianity.Blessed Anastacia describes how popular Christianity confronts everyday racism and contributes to the formation of racial identity. The author concludes that if organizers of the black consciousness movement were to recognize the profound racial meaning inherent in this area of popular religiosity, they might be more successful in bridging the gap with its poor and working-class constituency.
Blessed Anastacia: Women, Race and Popular Christianity in Brazil
by John BurdickThe weakness of Brazil's black consciousness movement is commonly attributed to the fragility of Afro-Brazilian ethnic identity. In a major account, John Burdick challenges this view by revealing the many-layered reality of popular black consciousness and identity in an arena that is usually overlooked: that of popular Christianity.Blessed Anastacia describes how popular Christianity confronts everyday racism and contributes to the formation of racial identity. The author concludes that if organizers of the black consciousness movement were to recognize the profound racial meaning inherent in this area of popular religiosity, they might be more successful in bridging the gap with its poor and working-class constituency.
Blessed Events: Religion and Home Birth in America (PDF)
by Pamela E. KlassenBlessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act.Most American women who have a choice give birth in a hospital and request pain medication. Yet enough women choose and advocate unmedicated home birth--and do so for carefully articulated reasons, social resistance among them--to constitute a movement. Klassen investigates why women whose religious affiliations range from Old Order Amish to Reform Judaism to goddess-centered spirituality defy majority opinion, the medical establishment, and sometimes the law to have their babies at home. In considering their interpretations--including their critiques of the dominant medical model of childbirth and their views on labor pain--she examines the kinds of agency afforded to or denied women as they derive religious meanings from childbirth. Throughout, she identifies tensions and affinities between feminist and traditionalist appraisals of the symbolic meaning of birth and the power of women.What does home birth--a woman-centered movement working to return birth to women's control--mean in practice for women's gender and religious identities? Is this supreme valuing of procreation and motherhood constraining, or does it open up new realms of cultural and social power for women? By asking these questions while remaining cognizant of religion's significance, Blessed Events challenges both feminist and traditionalist accounts of childbearing while broadening our understanding of how religion is ''lived'' in contemporary America.
Blessed Events: Religion and Home Birth in America (Princeton Studies in Cultural Sociology)
by Pamela E. KlassenBlessed Events explores how women who give birth at home use religion to make sense of their births and in turn draw on their birthing experiences to bring meaning to their lives and families. Pamela Klassen introduces a surprisingly diverse group of women, in their own words, while also setting their birth stories within wider social, political, and economic contexts. In doing so, she emerges with a study that disrupts conventional views of both childbirth and religion by blurring assumed divisions between conservative and feminist women and by taking childbirth seriously as a religious act.Most American women who have a choice give birth in a hospital and request pain medication. Yet enough women choose and advocate unmedicated home birth--and do so for carefully articulated reasons, social resistance among them--to constitute a movement. Klassen investigates why women whose religious affiliations range from Old Order Amish to Reform Judaism to goddess-centered spirituality defy majority opinion, the medical establishment, and sometimes the law to have their babies at home. In considering their interpretations--including their critiques of the dominant medical model of childbirth and their views on labor pain--she examines the kinds of agency afforded to or denied women as they derive religious meanings from childbirth. Throughout, she identifies tensions and affinities between feminist and traditionalist appraisals of the symbolic meaning of birth and the power of women.What does home birth--a woman-centered movement working to return birth to women's control--mean in practice for women's gender and religious identities? Is this supreme valuing of procreation and motherhood constraining, or does it open up new realms of cultural and social power for women? By asking these questions while remaining cognizant of religion's significance, Blessed Events challenges both feminist and traditionalist accounts of childbearing while broadening our understanding of how religion is ''lived'' in contemporary America.
Blessed Motherhood, Bitter Fruit: Nelly Roussel and the Politics of Female Pain in Third Republic France
by Elinor AccampoNelly Roussel (1878–1922)—the first feminist spokeswoman for birth control in Europe—challenged both the men of early twentieth-century France, who sought to preserve the status quo, and the women who aimed to change it. She delivered her messages through public lectures, journalism, and theater, dazzling audiences with her beauty, intelligence, and disarming wit. She did so within the context of a national depopulation crisis caused by the confluence of low birth rates, the rise of international tensions, and the tragedy of the First World War. While her support spread across social classes, strong political resistance to her message revealed deeply conservative precepts about gender which were grounded in French identity itself. In this thoughtful and provocative study, Elinor Accampo follows Roussel's life from her youth, marriage, speaking career, motherhood, and political activism to her decline and death from tuberculosis in the years following World War I. She tells the story of a woman whose life and work spanned a historical moment when womanhood was being redefined by the acceptance of a woman's sexuality as distinct from her biological, reproductive role—a development that is still causing controversy today.