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The Saints (Oberon Modern Plays)
by Luke Barnes‘I’m looking at you– you’re about to find God in here, on the pitch, in the stands, on the grass, this is a holy day for you. For all of us. This is how we touch Heaven. By being here. Being God for The Saints. We make this holy.’ Kenny Glynn is the world’s biggest Saints fan and for twenty-five years he has been locked in a game of football against the world. On his 29th birthday the world steps up its game and Kenny Glynn faces the match of his life as he takes on women, money and status with the help of his mates, his family and the guiding spirit of Matt Le Tissier. Can they conquer all the things the world is throwing at them? Will Southampton ever win the FA cup again? And what can we learn from the icons we hold so dearly at the club?
Salem (Oxford Playscripts) (PDF)
by David CalcuttAn engaging classroom playscript. In 1692, 19 people were executed for witchcraft and the whole village was engulfed in fear. But what actually happened in Salem? This play re-tells the Witch Trials by combining historical evidence with a healthy dose of imagination, and exploring the build-up of hysteria in the village. It covers important issues of prejudice and peer pressure, gang mentality, suspicion and fear.
Salomé
by Oscar WildeAs a reward for dancing the dance of the seven veils, Salomé asks her stepfather, Herod, for the head of John the Baptist on a silver platter. Because of its depiction of Biblical scenes on stage, Oscar Wilde's one-act play was highly controversial when it was first performed in 1896. It is now considered to be one of the artist's greatest works, and continues to be performed in modern times.
Salomé (Dover Thrift Editions)
by Oscar WildeOutraged by the sexual perversity of this one-act tragedy, Great Britain's Lord Chamberlain banned Salomé from the national stage. Symbolist poets and writers — Stéphane Mallarmé and Maurice Maeterlinck among them — defended the play's literary brilliance. Beyond its notoriety, the drama's haunting poetic imagery, biblical cadences, and febrile atmosphere have earned it a reputation as a masterpiece of the Aesthetic movement of fin de siècle England.Written originally in French in 1892, this sinister tale of a woman scorned and her vengeance was translated into English by Lord Alfred Douglas. The play inspired some of Aubrey Beardsley's finest illustrations, and an abridged version served as the text for Strauss' renowned opera of the same name. This volume reprints the complete text of the first English edition, published in 1894, and also includes "A Note on Salomé" by Robert Ross, Wilde's lifelong friend and literary executor. Students, lovers of literature and drama, and admirers of Oscar Wilde and his remarkable literary gifts will rejoice in this inexpensive edition.
Salome: A Tragedy In One Act (Dover Fine Art, History Of Art Series)
by Oscar Wilde Aubrey BeardsleyFew works in English literature have so peculiar a history as Oscar Wilde's play Salome. Written originally in French in 1892 and ridiculed on its publication, translated into English by Lord Alfred Douglas ("Bosie" himself) and again heaped with scorn, it has survived for 75 years, served as the text (in abridged form) for Richard Strauss' world-famous opera, and emerged as an acknowledged masterwork of the Aesthetic movement of fin de siècle England.The illustrations that Aubrey Beardsley prepared for the first English edition have no less strange a story. Beardsley liked neither the play nor its author. Yet, it inspired some of his finest work. It is an open question as to how suited the drawings actually are to the text that Wilde wrote. Yet, the two, the play and the Beardsley illustrations, have nevertheless become so identified with each other as to be inseparable.This edition reprints the first edition (1894) text, with "A Note on 'Salome'" by Robert Ross. The Beardsley drawings it superbly reproduces (mostly from a rare early portfolio) include not only the 10 full-page illustrations, the front and back cover designs, the title and List of Illustrations page decorations, and the cul de lampe from the original edition, but also three drawings that were not used, an alternate cover sketch, and the drawing entitled "J'ai baisé ta bouche, Iokanaan," which Beardsley did earlier for The Studio. Furthermore, all of the illustrations are reproduced in their original state, not as expurgated in the first and most subsequent editions.
Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression
by Petra Dierkes-ThrunOscar Wilde's 1891 symbolist tragedy Salomé has had a rich afterlife in literature, opera, dance, film, and popular culture. Salome's Modernity: Oscar Wilde and the Aesthetics of Transgression is the first comprehensive scholarly exploration of that extraordinary resonance that persists to the present. Petra Dierkes-Thrun positions Wilde as a founding figure of modernism and Salomé as a key text in modern culture's preoccupation with erotic and aesthetic transgression, arguing that Wilde's Salomé marks a major turning point from a dominant traditional cultural, moral, and religious outlook to a utopian aesthetic of erotic and artistic transgression. Wilde and Salomé are seen to represent a bridge linking the philosophical and artistic projects of writers such as Mallarmé, Pater, and Nietzsche to modernist and postmodernist literature and philosophy and our contemporary culture. Dierkes-Thrun addresses subsequent representations of Salome in a wide range of artistic productions of both high and popular culture through the works of Richard Strauss, Maud Allan, Alla Nazimova, Ken Russell, Suri Krishnamma, Robert Altman, Tom Robbins, and Nick Cave, among others.
Salt
by Selina ThompsonWhere our real home might be is tricky to say. In a way that is the point. Some people say that it is the body, but I think the body is more of a channel that leads us home. Ultimate reality is our home. It is here and now.In 2016, two artists embarked a cargo ship and retraced a route of the Transatlantic Slave Triangle - Europe, Africa, the Caribbean - all the while contemplating the notion of home. Both real and imagined, it was a journey to the bottom of the Atlantic Ocean, propelled by questions and grief; a journey backwards in order to go forwards, a diaspora. This show is what they brought back. Selina Thompson's Salt premiered at Southbank Centre in July 2017, and went on to tour in the UK, Australia, Canada and Brazil.Winner of The Stage Edinburgh Award, The Total Theatre Award for Experimentation, Innovation and Playing with Form, and The Filipa Bragança Award. Shortlisted for the Amnesty International Freedom of Expression Award.
Salt Meets Wound (Oberon Modern Plays)
by Tom Morton-SmithDylan Singer needs to leave London. With his alcoholic ex-fiancée he heads to Central Asia, to research the book he's always dreamt of writing. But it's 2002, the height of the War on Terror, and Uzbekistan isn't the belly-dancing opium den they have been led to believe.From 11th Century Samarkand, through the Great Fire of London, to a disused weapons facility in the remotest place on earth, Salt Meets Wound is an epic odyssey spanning a thousand years.Tom Morton-Smith's debut is a magnificent delve into the jigsaw pieces of modern events and history. It opened at the Theatre503 in May 2007.
Salt, Root and Roe (Modern Plays)
by Tim PriceTim Price's Salt, Root and Roe is a heartbreaking, humorous tale of love and family set against a mythical backdrop.Set on the Pembrokeshire coast in West Wales, identical twins Iola and Anest remain devoted to each other. Ageing fast, and with the time they have together more fragile by the day, they arrive at a desperate decision. Word of this reaches Anest's daughter Menna, who rushes to her long abandoned childhood home where her own ideas of love and compromise are tested to the limit.In spite of the sombre themes of death and bereavement, the writing is light, textured and at times very funny: picking out moments of joy and sadness with seemingly effortless grace.Touching relationships and believable characterisation provide a poignant backdrop to Salt, Root and Roe, where pragmatism, exhausted lives and childrens' fairytales collide in this exploration of grief, loss and acceptance.
Salt, Root and Roe: For Once; Salt, Root And Roe; The Radicalisation Of Bradley Manning; I'm With The Band; Protest Song; Under The Sofa (Modern Plays)
by Tim PriceTim Price's Salt, Root and Roe is a heartbreaking, humorous tale of love and family set against a mythical backdrop.Set on the Pembrokeshire coast in West Wales, identical twins Iola and Anest remain devoted to each other. Ageing fast, and with the time they have together more fragile by the day, they arrive at a desperate decision. Word of this reaches Anest's daughter Menna, who rushes to her long abandoned childhood home where her own ideas of love and compromise are tested to the limit.In spite of the sombre themes of death and bereavement, the writing is light, textured and at times very funny: picking out moments of joy and sadness with seemingly effortless grace.Touching relationships and believable characterisation provide a poignant backdrop to Salt, Root and Roe, where pragmatism, exhausted lives and childrens' fairytales collide in this exploration of grief, loss and acceptance.
Salty Irina (Modern Plays)
by Eve LeighI've got the world at the tip of my fingers, I've got the world at the tip of my tongue, I've got the world in my mouth.After a series of racist murders in their European town, Anna and Eireni decide to infiltrate a far-right festival to identify the culprits. But when the nature of their relationship is uncovered, their safety is threatened. Salty Irina is a coming-of-age story set against the rise of the far-right, about two girls falling in love and fighting Nazis. Shortlisted for the Bruntwood Prize in 2019, Eve Leigh's play is an urgent, poetic, kick-ass thriller for queer women.This edition was published to coincide with the world premiere of the Broccoli Arts production in association with Thistle and Rose Arts, at the Edinburgh Fringe Festival in August 2023.
Salty Irina (Modern Plays)
by Eve LeighI've got the world at the tip of my fingers, I've got the world at the tip of my tongue, I've got the world in my mouth.After a series of racist murders in their European town, Anna and Eireni decide to infiltrate a far-right festival to identify the culprits. But when the nature of their relationship is uncovered, their safety is threatened. Salty Irina is a coming-of-age story set against the rise of the far-right, about two girls falling in love and fighting Nazis. Shortlisted for the Bruntwood Prize in 2019, Eve Leigh's play is an urgent, poetic, kick-ass thriller for queer women.This edition was published to coincide with the world premiere of the Broccoli Arts production in association with Thistle and Rose Arts, at the Edinburgh Fringe Festival in August 2023.
Salvage: The Coast of Utopia Play 3 (The\coast Of Utopia Trilogy #Pt. 3)
by Tom StoppardSalvage is the final part of Tom Stoppard's trilogy The Coast of Utopia. It is 1852. Alexander Herzen, who left Russia five years earlier, has arrived in London in retreat from a series of public and private calamities. Revolution in Europe has hit the rocks. 'I have lost every illusion dear to me,' he says. 'I'm forty. The world will hear no more of me.' But émigré circles in London (including Karl Marx) are buzzing with plots and intrigues, and Herzen's money, as well as his sardonic wit, soon have an outlet among them. With the accession of Alexander II, 'the Reforming Tsar', Herzen's revived spirits are boosted by the arrival of his childhood friend Nicholas Ogarev with his wife Natalie. Their journal 'The Bell', smuggled into Russia, enters its heyday in the struggle for the emancipation of the serfs. Will it be reform from above or revolution from below? At home the 'new men' who once looked on Herzen as their inspiration are in a hurry, and in London he is once more at odds with Michael Bakunin, who has escaped from exile in Siberia. Meanwhile Natalie Ogarev finds in him her romantic ideal, and Herzen's public and private travails are far from over.
Sam. The Good Person (Oberon Modern Plays)
by Declan PerringSam is a good person. But what makes someone a good person? How far would you go to convince others you are? When your mind can’t differentiate between the truth and a lie, facts become irrelevant and the only thing that matters is the story you are telling. Whatever the cost. Sam. The Good Person is a startling black comedy that examines just how easy it is for a lie to spiral out of control and change your life forever.
Sam Shepard and the Aesthetics of Performance (What is Theatre?)
by E. CreedonBy concentrating on Sam Shepard's visual aesthetics, Emma Creedon argues that a consideration of Shepard's plays in the context of visual and theoretical Surrealism illuminates our understanding of his experimental approach to drama.
Sam Shepard V8 Pt 3
by Johan CallensThese issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.
Sam Shepard V8 Pt 3
by Johan CallensThese issues consist of the edited Proceedings of the Shepard conference, organized by the Belgian-Luxembourg American Studies Association and the Free University of Brussels (VUB), which took place in Brussels, 28-30 May 1993. It will be of interest to undergraduates and postgraduates, professors, critics, theater practitioners, writers and those with a keen interest in the fields of literature, theater studies and cultural studies.
Sam Shepard V8 Pt 4
by CallensFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Sam Shepard V8 Pt 4 (Routledge Siena Studies In Political Economy Ser.)
by CallensFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Sambadrama: The Arena of Brazilian Psychodrama (PDF)
by Zoltán FiguschThere are more active practitioners and teachers of psychodrama in Brazil than anywhere else in the world, with their own strong sense of community, history and tradition. In selecting and translating their 'best work' (Adam Blatner), Zoltán Figusch offers international readers an extensive overview of the work being done using this psychotherapeutic method, which enables participants to examine relationships, emotions, fears and conflicts through spontaneous role-play and improvisations with other 'actors' and with the practitioner. Divided into the three parts, the book sets the context for Brazilian psychodrama, explores the creative and innovative work that is being done, and presents observations and examples of the full range of psychodramatic techniques and practical applications. It covers the range of exciting and pioneering work being carried out in Brazil, and will serve as a building block for the exchange and communication of psychodramatic ideas and techniques cross-culturally. The first comprehensive volume of its kind on this subject, Sambadrama will be an invaluable resource and of immense interest for psychodrama practitioners around the world, as well as anyone with an interest in psychotherapy, psychology and sociology.
The Same Deep Water As Me
by Nick PayneHad an accident at work? Tripped on a paving slab? Cut yourself shaving? You could be entitled to compensation. Andrew and Barry at Scorpion Claims, Luton's finest personal injury lawyers, are the men for you. When Kevin, Andrew's high school nemesis, appears in his office the opportunity for a quick win arises. But just how fast does a lie have to spin before it gets out of control?Nick Payne's The Same Deep Water As Me premiered at the Donmar Warehouse, London, in August 2013.
Same Team — A Street Soccer Story (Modern Plays)
by Robbie Gordon Jack NurseNo.1 – Players always come firstNo.2 – We look to the futureNo.3 – We never leave anyone behindNo.4 – We place others before ourselvesNo.5 – We keep our promisesFive women have come together with one goal, one dream. Coming from very different backgrounds in life they have to work together as a team if they want to do what no one from Scotland has ever done before. To win the Homeless World Cup, and bring the trophy home.A joyful story of community and teamwork, building connections between each other and homelessness. Written with the Dundee Women's Street Soccer Team, Robbie Gordon and Jack Nurse's Same Team - A Street Soccer Story is an uplifting whirlwind through the highs and lows of homeless football.This edition was published to coincide with the world premiere at the Traverse Theatre in Edinburgh, in December 2023.
Same Team — A Street Soccer Story (Modern Plays)
by Robbie Gordon Jack NurseNo.1 – Players always come firstNo.2 – We look to the futureNo.3 – We never leave anyone behindNo.4 – We place others before ourselvesNo.5 – We keep our promisesFive women have come together with one goal, one dream. Coming from very different backgrounds in life they have to work together as a team if they want to do what no one from Scotland has ever done before. To win the Homeless World Cup, and bring the trophy home.A joyful story of community and teamwork, building connections between each other and homelessness. Written with the Dundee Women's Street Soccer Team, Robbie Gordon and Jack Nurse's Same Team - A Street Soccer Story is an uplifting whirlwind through the highs and lows of homeless football.This edition was published to coincide with the world premiere at the Traverse Theatre in Edinburgh, in December 2023.
Sampling and Remixing Blackness in Hip-hop Theater and Performance
by Nicole Hodges PersleySampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.