- Table View
- List View
Protest (Plays for Young People)
by Hannah LaveryHope is a superpower.Running is Alice's happy place – you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Protest Song (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protest Song: For Once; Salt, Root And Roe; The Radicalisation Of Bradley Manning; I'm With The Band; Protest Song; Under The Sofa (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protestchöre: Zu einer neuen Ästhetik des Widerstands. Stuttgart 21, Arabischer Frühling und Occupy in theaterwissenschaftlicher Perspektive (Theater #112)
by Stefan DonathProtestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben. Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.
Proust's In Search of Lost Time: Philosophical Perspectives (OXFORD STUDIES IN PHIL AND LIT SERIES)
by Katherine ElkinsWith the story of a madeleine dipped in tea, Marcel Proust makes famous moments that transport one to an earlier time thought lost forever. His In Search of Lost Time announces a quest narrative with lost time as its goal. We follow the journey of a young man as he strives to become the writer he longs to be, and his journey entails discovering a sense of self in which past and present intertwine. The narrator is delayed in his goal by various digressions, including journeys into the worlds of the salons and of art. For this reason, the novel offers far more avenues for philosophical reflection than simply a meditation on time and identity. In Search of Lost Time includes reflections on love and jealousy, joy and suffering, the enchantments of art and the disillusionments of friendship. This volume brings together prominent philosophers and critics to illuminate these many themes. Eight essays treat a wide range of topics including fiction, biography, temporality, music, love, jealousy, weather, and consciousness. One of the longest and most complex novels ever written, In Search of Lost Time has fascinated philosophers for decades. The contributors in this volume build upon earlier approaches to offer new avenues and directions for philosophical thought.
The Providence of Neighboring Bodies (Oberon Modern Plays)
by Jean Ann DouglassAn absurdist dark comedy on friendship and isolation from up-and-coming American playwright Jean Ann Douglass.It’s an exciting day for Dora here in North Providence, Rhode Island. Today is the day Dora is going to make coffee, go outside, and make friends with Ronnie. Ronnie lives in the apartment next door, her balcony just adjacent to Dora’s, both overlooking the parking lot and the weird hill across the street.Ronnie isn’t sure how she wound up living in North Providence for all these years, but here they both are, where nothing exciting has really happened since the great beaver purge of the mid-20th century. That is, until Jane shows up at Ronnie’s door.A dark comedy about beavers, beer, and balconies.
A Provincial Life
by Peter GillBorn into a bourgeois family, Misail determines to find a way to lead an honest life free from privilege. To his father's disapproval and bewilderment, he renounces his heritage and becomes a workman before moving to the country to manage the estate of the girl that he marries. Over the course of a long summer, his burning sense of injustice and deep integrity exact a devastating forfeit. Peter Gill's A Provincial Life, based on a novella by Anton Chekhov, opened at the Sherman Cymru, Cardiff, in March 2012 in a production by National Theatre Wales.
Provocation in Popular Culture
by Bim MasonWhat role can provocation play in the process of renewal, both of individuals and of societies? Provocation in Popular Culture is an investigation into the practice of specific provocateurs and the wider nature of cultural provocation, examining, among others: Banksy Sacha Baron Cohen Leo Bassi Pussy Riot Philippe Petit Archaos. Drawing on Bim Mason’s own twenty-five year career as performer, teacher and creative director, this book explores the power negotiations involved in the relationship between provocateur and provoked, and the implications of maintaining a position on the ‘edge’. Using neuroscience as a bridge, it proposes a similarity between complexity theory and cultural theories of play and risk. Three inter-related analogies for the ‘edge’ on which these performers operate – the fulcrum, the blade and the border – reveal the shifts between structure and fluidity, and the ways in which these can combine in a single moment.
Provocation in Popular Culture
by Bim MasonWhat role can provocation play in the process of renewal, both of individuals and of societies? Provocation in Popular Culture is an investigation into the practice of specific provocateurs and the wider nature of cultural provocation, examining, among others: Banksy Sacha Baron Cohen Leo Bassi Pussy Riot Philippe Petit Archaos. Drawing on Bim Mason’s own twenty-five year career as performer, teacher and creative director, this book explores the power negotiations involved in the relationship between provocateur and provoked, and the implications of maintaining a position on the ‘edge’. Using neuroscience as a bridge, it proposes a similarity between complexity theory and cultural theories of play and risk. Three inter-related analogies for the ‘edge’ on which these performers operate – the fulcrum, the blade and the border – reveal the shifts between structure and fluidity, and the ways in which these can combine in a single moment.
Provocative Eloquence: Theater, Violence, and Antislavery Speech in the Antebellum United States
by Laura L MielkeIn the mid-19th century, rhetoric surrounding slavery was permeated by violence. Slavery’s defenders often used brute force to suppress opponents, and even those abolitionists dedicated to pacifism drew upon visions of widespread destruction. Provocative Eloquence recounts how the theater, long an arena for heightened eloquence and physical contest, proved terribly relevant in the lead up to the Civil War. As antislavery speech and open conflict intertwined, the nation became a stage. The book brings together notions of intertextuality and interperformativity to understand how the confluence of oratorical and theatrical practices in the antebellum period reflected the conflict over slavery and deeply influenced the language that barely contained that conflict. The book draws on a wide range of work in performance studies, theater history, black performance theory, oratorical studies, and literature and law to provide a new narrative of the interaction of oratorical, theatrical, and literary histories of the nineteenth-century U.S.
Psychoanalysis and Performance
by Patrick Campbell Adrian KearThe field of literary studies has long recognised the centrality of psychoanalysis as a method for looking at texts in a new way. But rarely has the relationship between psychoanalysis and performance been mapped out, either in terms of analysing the nature of performance itself, or in terms of making sense of specific performance-related activities. In this volume some of the most distinguished thinkers in the field make this exciting new connection and offer original perspectives on a wide variety of topics, including: · hypnotism and hysteria · ventriloquism and the body · dance and sublimation · the unconscious and the rehearsal process · melancholia and the uncanny · cloning and theatrical mimesis · censorship and activist performance · theatre and social memory. The arguments advanced here are based on the dual principle that psychoanalysis can provide a productive framework for understanding the work of performance, and that performance itself can help to investigate the problematic of identity.
Psychoanalysis and Performance
by Patrick Campbell Adrian KearThe field of literary studies has long recognised the centrality of psychoanalysis as a method for looking at texts in a new way. But rarely has the relationship between psychoanalysis and performance been mapped out, either in terms of analysing the nature of performance itself, or in terms of making sense of specific performance-related activities. In this volume some of the most distinguished thinkers in the field make this exciting new connection and offer original perspectives on a wide variety of topics, including: · hypnotism and hysteria · ventriloquism and the body · dance and sublimation · the unconscious and the rehearsal process · melancholia and the uncanny · cloning and theatrical mimesis · censorship and activist performance · theatre and social memory. The arguments advanced here are based on the dual principle that psychoanalysis can provide a productive framework for understanding the work of performance, and that performance itself can help to investigate the problematic of identity.
Psychodrama: A Beginner's Guide (PDF)
by Jasna Veljkovic Miomir Tomic Zoran DjuricPsychodrama is a unique and entertaining beginner's guide to this active form of group psychotherapy, in which individual life situations, fears, inhibitions and emotions are explored on stage in a safe, non-judgemental and stimulating environment. The authors, professional psychodramatists Zoran Djuric and Jasna Veljkovic, explain in user-friendly terms the basics of the technique and present a step-by-step guide to running a psychodrama session. Fully illustrated with colour cartoons offering examples of real psychodrama sessions, Psychodrama explores both the theory and practice in an accessible way. Also included are explanations of key terms, such as "auxiliary ego", "echo" and "sociogram", along with comprehensive descriptions of techniques and the significant stages in a psychodrama session. As the first fully illustrated psychodrama book, this book will be welcomed by both students and professionals - whether wanting an accessible introduction, or to brush up on their knowledge. Readers will include psychologists, psychiatrists, therapists, students, trainers, counsellors and other mental health professionals, as well as anyone interested in participating in or running a psychodrama group.
Psychodrama (Modern Plays)
by Matt WilkinsonDress by Ganni.Bra by Coco de Mer.Knife by Stanley.A gripping revenge tale about an actress in her 40s under investigation for the murder of an auteur theatre director whilst rehearsing a stage production of Hitchcock's Psycho.A whip-smart take on what it means to be middle-aged and female in an industry captivated by stardust and beauty.This edition was published to coincide with the run at The Traverse, Edinburgh, 2022.
Psychodrama (Modern Plays)
by Matt WilkinsonDress by Ganni.Bra by Coco de Mer.Knife by Stanley.A gripping revenge tale about an actress in her 40s under investigation for the murder of an auteur theatre director whilst rehearsing a stage production of Hitchcock's Psycho.A whip-smart take on what it means to be middle-aged and female in an industry captivated by stardust and beauty.This edition was published to coincide with the run at The Traverse, Edinburgh, 2022.
Psychological socialism: The Labour Party and qualities of mind and character, 1931 to the present (Critical Labour Movement Studies)
by Jeremy NuttallTo Labour’s first Prime Minister, Ramsay MacDonald, socialism meant not only ‘satisfactory figures of death rates and …improved houses’ but also the ‘mental cleanliness, the moral robustness of our people.’ This book explores the neglected theme of individual character and ‘mental qualities’ in British social democratic thought and Labour Party history. How important was it for the centre-left that citizens be ‘good people’? What was the relationship between socialism and psychology in the 1930s? Did Labour’s technocratic, statist socialism of the 1950s and 1960s downgrade moral and mental progress? Why was the party often more concerned to produce a ‘rationally planned’ economy that rational, independent-minded citizens? Does New Labour represent a sidelining of ethical socialism or a re-birth of the pre-war left’s belief in improvement through education and self-control.
Psychology for Actors: Theories and Practices for the Acting Process
by Kevin PagePsychology for Actors is a study of modern psychology, specifically designed for the working actor and actor-in-training, that covers discrete areas of psychological theory that actors can apply to their creative process to form and connect with characters. The book investigates many post-Stanislavsky ideas about human psychology from some of the twentieth century’s most brilliant minds – from Sigmund Freud and Carl Jung to Abraham Maslow and Ken Wilber – and offers step-by-step exercises to help actors understand their characters and effectively bring them to life on stage or in front of the camera. Psychology for Actors also offers advice on how to cope with the stresses and strains of a highly competitive field, and provides tools for deeper self-awareness and character exploration.
Psychology for Actors: Theories and Practices for the Acting Process
by Kevin PagePsychology for Actors is a study of modern psychology, specifically designed for the working actor and actor-in-training, that covers discrete areas of psychological theory that actors can apply to their creative process to form and connect with characters. The book investigates many post-Stanislavsky ideas about human psychology from some of the twentieth century’s most brilliant minds – from Sigmund Freud and Carl Jung to Abraham Maslow and Ken Wilber – and offers step-by-step exercises to help actors understand their characters and effectively bring them to life on stage or in front of the camera. Psychology for Actors also offers advice on how to cope with the stresses and strains of a highly competitive field, and provides tools for deeper self-awareness and character exploration.
Psychophysical Acting: An Intercultural Approach after Stanislavski
by Phillip B. ZarrilliPsychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include: an historical overview of a psychophysical approach to acting from Stanislavski to the present acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one practical application of training principles to improvisation exercises. Psychophysical Acting is accompanied by Peter Hulton’s interactive DVD-ROM featuring exercises, production documentation, interviews, and reflection.
Psychophysical Acting: An Intercultural Approach after Stanislavski
by Phillip B. ZarrilliPsychophysical Acting is a direct and vital address to the demands of contemporary theatre on today’s actor. Drawing on over thirty years of intercultural experience, Phillip Zarrilli aims to equip actors with practical and conceptual tools with which to approach their work. Areas of focus include: an historical overview of a psychophysical approach to acting from Stanislavski to the present acting as an ‘energetics’ of performance, applied to a wide range of playwrights: Samuel Beckett, Martin Crimp, Sarah Kane, Kaite O’Reilly and Ota Shogo a system of training though yoga and Asian martial arts that heightens sensory awareness, dynamic energy, and in which body and mind become one practical application of training principles to improvisation exercises. Psychophysical Acting is accompanied by Peter Hulton’s interactive DVD-ROM featuring exercises, production documentation, interviews, and reflection.
Pub Quiz is Life (Oberon Modern Plays)
by Richard BeanLee, a soldier returning to Hull from two tours of Afghanistan, joins a losing pub quiz team. The team is: Lee, specialist subject - 'how to kill a man with your bare hands'; Woody, specialist subject - 'hallucinogenic drugs'; and Bunny, specialist subject - 'the containerisation of Hull docks'! What they need is a bit of class, a bit of history of art, a bit of literature, a bit of posh totty. Melissa has come to Hull to regenerate the city. Maybe she can be a shot of viagra for a particular East Hull pub quiz team.A murderous black comedy, set in Hull's black economy, with too many questions and all the wrong answers.
Public and Performance in the Greek Theatre
by Peter D. ArnottProfessor Arnott discusses the practical staging of Greek plays, and relates theatre practice to literary structure by demonstrating, for example, how the buildings themselves imposed particular constraints on actors and writers alike.
Public and Performance in the Greek Theatre (PDF)
by Peter D. ArnottProfessor Arnott discusses the practical staging of Greek plays, and relates theatre practice to literary structure by demonstrating, for example, how the buildings themselves imposed particular constraints on actors and writers alike.
Public and Private Man in Shakespeare (Routledge Library Editions: Study of Shakespeare)
by J. M. GregsonThe potential duality of human character and its capacity for dissembling was a source of fascination to the Elizabethan dramatists. Where many of them used the Machiavellian picture to draw one fair-faced scheming villain after another, Shakespeare absorbed more deeply the problem of the tensions between the public and private face of man. Originally published in 1983, this book examines the ways in which this psychological insight is developed and modified as a source of dramatic power throughout Shakespeare’s career. In the great sequence of history plays he examines the conflicting tensions of kingship and humanity, and the destructive potential of this dilemma is exploited to the full in the ‘problem plays’. In the last plays power and virtue seem altogether divorced: Prospero can retire to an old age at peace only at the abdication of all his power. This theme is central to the art of many dramatists, but in the context of Renaissance political philosophy it takes on an added resonance for Shakespeare.
Public and Private Man in Shakespeare (Routledge Library Editions: Study of Shakespeare)
by J. M. GregsonThe potential duality of human character and its capacity for dissembling was a source of fascination to the Elizabethan dramatists. Where many of them used the Machiavellian picture to draw one fair-faced scheming villain after another, Shakespeare absorbed more deeply the problem of the tensions between the public and private face of man. Originally published in 1983, this book examines the ways in which this psychological insight is developed and modified as a source of dramatic power throughout Shakespeare’s career. In the great sequence of history plays he examines the conflicting tensions of kingship and humanity, and the destructive potential of this dilemma is exploited to the full in the ‘problem plays’. In the last plays power and virtue seem altogether divorced: Prospero can retire to an old age at peace only at the abdication of all his power. This theme is central to the art of many dramatists, but in the context of Renaissance political philosophy it takes on an added resonance for Shakespeare.