- Table View
- List View
Prometheus Bound (Oberon Modern Plays)
by James KerrHigh in the Caucasus at the ends of the earth, Prometheus is chained to a rock with a bolt through his chest. He talks of a secret that should not be told for fear of its power being lost. This secret is so important that its secrecy could be our salvation. Prometheus Bound is a play veiled in myth, but as unearthly as the play seems it presents the human condition in a more uncomfortably naked state than any other play. Linguistically and thematically it is the most sophisticated and brutal of all the tragedies. On the page it invites deep analysis but on its feet it becomes the very thing that theatre should be: a journey to the heart.
Prometheus Bound and Other Plays: Persians, Seven Against Thebes, Fragments, Prometheus Bound
by AeschylusAeschylus (525–456 BC) brought a new grandeur and epic sweep to the drama of classical Athens, raising it to the status of high art. In Prometheus Bound the defiant Titan Prometheus is brutally punished by Zeus for daring to improve the state of wretchedness and servitude in which mankind is kept. The Suppliants tells the story of the fifty daughters of Danaus who must flee to escape enforced marriages, while Seven Against Thebes shows the inexorable downfall of the last members of the cursed family of Oedipus. And The Persians, the only Greek tragedy to deal with events from recent Athenian history, depicts the aftermath of the defeat of Persia in the battle of Salamis, with a sympathetic portrayal of its disgraced King Xerxes.Philip Vellacott’s evocative translation is accompanied by an introduction, with individual discussions of the plays, and their sources in history and mythology.
Prometheus Bound (PDF)
by Aeschylus Mark GriffithThe myth of fire stolen from the gods appears in many pre-industrial societies. In Greek culture Prometheus the fire-stealer figures prominently in the poems of Hesiod, but in Prometheus Bound Hesiod's morality tale has been transformed into a drama of tragic tone and proportions. In the introduction, Mark Griffith examines how the dramatist has achieved this transformation, looking at the play from all angles - plot and characters, dramatic technique, style and metre. He includes a short section on the production of the play and on the questions of authenticity and date. The commentary guides the reader through problems of language, metre and content. An important feature of this volume is the appendix, which gathers together the existing fragments of the other two plays in the supposed Prometheus trilogy, quoting them in full in the original language and in translation, with short accompanying commentary. This is suitable for undergraduates and students in the upper forms of schools. It also deserves the serious attention of scholars. The introduction requires no knowledge of Greek and will interest students of drama and literature in other cultures too.
The Promise
by Ben BrownIt's the beginning of World War I and Herbert Samuel - the first practicing Jew ever to sit in a British Cabinet - dreams of using British power to back a return of the Jews to Palestine after 1800 years. However, his cousin, Edwin Montagu - also in the Cabinet - is implacably opposed to the idea, a conflict complicated by Montagu's passion for the beautiful aristocrat, Venetia Stanley, a confidante of the Prime Minister, Herbert Asquith.Politics, religion and love collide with world-changing effect in this new play of political and sexual intrigue, and the origins of Israel.The Promise premiered at the Orange Tree Theatre in February 2010.
The Promise
by Nick DearIn the savage 1942 winter siege of Leningrad, as the Russians fight off the Nazi invaders, three teenagers - Lika, Marat and Leondik - are thrown together. Losing everything from their past, they forge a new love that binds them and a new hope which keeps them alive: the promise of a better future.Arbuzov's classic of the 1960s is revived here in Nick Dear's stunning adaptation for the Tricycle Theatre, London in 2002.
Promises Promises (Oberon Modern Plays Ser.)
by Douglas MaxwellGiven her disreputable past, retired teacher Maggie Brodie knows she was a last minute choice for supply cover. Being patronised by the idiotic young headmaster is an indignity she can just about endure. But her frustrations increase when a silent Somalian child in her class, whom Maggie is inexplicably drawn to, is believed by her family and community to be possessed. Maggie seems to be the only one who is outraged and protective of the girl. And if they don’t listen to her, she will be forced to take action. Drastic action.
Pronouncing Shakespeare's Words
by Dale CoyeFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Pronouncing Shakespeare's Words: A Guide From A To Zounds
by Dale CoyeFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
The Proof Stage: How Theater Reveals the Human Truth of Mathematics
by Stephen AbbottHow playwrights from Alfred Jarry and Samuel Beckett to Tom Stoppard and Simon McBurney brought the power of abstract mathematics to the human stageThe discovery of alternate geometries, paradoxes of the infinite, incompleteness, and chaos theory revealed that, despite its reputation for certainty, mathematical truth is not immutable, perfect, or even perfectible. Beginning in the last century, a handful of adventurous playwrights took inspiration from the fractures of modern mathematics to expand their own artistic boundaries. Originating in the early avant-garde, mathematics-infused theater reached a popular apex in Tom Stoppard’s 1993 play Arcadia. In The Proof Stage, mathematician Stephen Abbott explores this unlikely collaboration of theater and mathematics. He probes the impact of mathematics on such influential writers as Alfred Jarry, Samuel Beckett, Bertolt Brecht, and Stoppard, and delves into the life and mathematics of Alan Turing as they are rendered onstage. The result is an unexpected story about the mutually illuminating relationship between proofs and plays—from Euclid and Euripides to Gödel and Godot.Theater is uniquely poised to discover the soulful, human truths embedded in the austere theorems of mathematics, but this is a difficult feat. It took Stoppard twenty-five years of experimenting with the creative possibilities of mathematics before he succeeded in making fractal geometry and chaos theory integral to Arcadia’s emotional arc. In addition to charting Stoppard’s journey, Abbott examines the post-Arcadia wave of ambitious works by Michael Frayn, David Auburn, Simon McBurney, Snoo Wilson, John Mighton, and others. Collectively, these gifted playwrights transform the great philosophical upheavals of mathematics into profound and sometimes poignant revelations about the human journey.
Prop Building for Beginners: Twenty Props for Stage and Screen
by Eric HartProp Building for Beginners outlines the basic concepts of prop building by featuring step-by-step instructions to create twenty of the most commonly featured items in theatrical and filmed productions. This book uses a combination of projects to expose readers to a wide range of materials and tools that they might find in a basic scenery or costume shop, serving both as a guide to building simple props and as a crash course in the variety of items a props person may have to build. The projects require a variety of tools, techniques, and materials so that a practitioner who completes all of them will have received a complete introduction to the basics of prop building. Assuming no previous knowledge of prop building, this is the perfect primer for students, hobbyists, or community theater enthusiasts looking to enter the prop shop. Prop Building for Beginners includes access to full-scale printable versions of the patterns featured in the book.
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartExperienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartExperienced prop maker Eric Hart walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Hundreds of full-color photographs illustrate the tools and techniques used by professional prop makers throughout the entertainment industry. New features to the second edition include: Updated information on the latest tools and materials used in prop making Both metric and standard measuring units Step-by-step photos on common techniques such as upholstery, mold making, and faux finishing Expanded coverage of thermoplastics, foam, and water-based coatings
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartNow in its third edition, The Prop Building Guidebook: For Theatre, Film, and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout, including: Over a hundred new images and diagrams Updated terminology, products, and brands used internationally Expanded sections on 3D printing, vacuum forming, foam patterning, and more A new chapter on prop design New information on international safety standards, cleaning, and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs, this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre, film, and tv. For additional how-to videos, instructional documents, and supplemental information, visit www.propbuildingguidebook.com.
The Prop Building Guidebook: For Theatre, Film, and TV
by Eric HartNow in its third edition, The Prop Building Guidebook: For Theatre, Film, and TV walks readers through techniques used in historical and contemporary prop making and demonstrates how to apply them to a variety of materials. Experienced prop maker Eric Hart covers the tools and techniques used by professional prop makers throughout the entertainment industry. He outlines a construction process that gives readers the foundational knowledge to choose the best materials and methods for each prop and the background information to know the advantages of these choices. This new edition includes updated information and techniques throughout, including: Over a hundred new images and diagrams Updated terminology, products, and brands used internationally Expanded sections on 3D printing, vacuum forming, foam patterning, and more A new chapter on prop design New information on international safety standards, cleaning, and sanitation More recipes and step-by-step instruction for various finishes Illustrated by hundreds of full-color photographs, this is the most comprehensive guide to prop construction available for professional and student prop makers in theatre, film, and tv. For additional how-to videos, instructional documents, and supplemental information, visit www.propbuildingguidebook.com.
The Prop Effects Guidebook: Lights, Motion, Sound, and Magic
by Eric HartIn The Prop Building Guidebook, author Eric Hart demonstrated how to cut, glue, sculpt, and bend raw materials to build props. Now in The Prop Effects Guidebook, he shows us how to connect and assemble components and parts to make those props light up, explode, make noise, and bleed. It delves into the world of electricity, pneumatics, liquids, and mechanical effects to teach you how to make your props perform magic in front of a live audience. The book is complemented by a companion website featuring videos of how to create individual prop special effects: www.propeffectsguidebook.com.
The Prop Effects Guidebook: Lights, Motion, Sound, and Magic
by Eric HartIn The Prop Building Guidebook, author Eric Hart demonstrated how to cut, glue, sculpt, and bend raw materials to build props. Now in The Prop Effects Guidebook, he shows us how to connect and assemble components and parts to make those props light up, explode, make noise, and bleed. It delves into the world of electricity, pneumatics, liquids, and mechanical effects to teach you how to make your props perform magic in front of a live audience. The book is complemented by a companion website featuring videos of how to create individual prop special effects: www.propeffectsguidebook.com.
The Properties Director's Toolkit: Managing a Prop Shop for Theatre (The Focal Press Toolkit Series)
by Sandra Strawn Lisa SchlenkerThe Properties Director’s Toolkit is a concise guide to managing a prop shop and show build. Sandra Strawn and Lisa Schlenker skilfully explain and provide templates for organizing and managing a prop shop, from pre-production organization to production processes, budgeting and collaborations with other production areas. The Toolkit also explores how to plan, organize and maintain a prop shop for safe and efficient production work. This thoroughly revised second edition includes two additional chapters on the role of the Props Director and co-productions, along with expanding information in each chapter, including artisan responsibilities, union information, digital collaboration, prop shop organization and construction, and projections.
The Properties Director's Toolkit: Managing a Prop Shop for Theatre (The Focal Press Toolkit Series)
by Sandra Strawn Lisa SchlenkerThe Properties Director’s Toolkit is a concise guide to managing a prop shop and show build. Sandra Strawn and Lisa Schlenker skilfully explain and provide templates for organizing and managing a prop shop, from pre-production organization to production processes, budgeting and collaborations with other production areas. The Toolkit also explores how to plan, organize and maintain a prop shop for safe and efficient production work. This thoroughly revised second edition includes two additional chapters on the role of the Props Director and co-productions, along with expanding information in each chapter, including artisan responsibilities, union information, digital collaboration, prop shop organization and construction, and projections.
The Prophet (Oberon Modern Plays)
by Hassan AbdulrazzakIt’s January 28th 2011 and Egypt stands on the brink. For Layla and Hisham, a young couple living in downtown Cairo, a dictatorial and corrupt government is only one of their problems. As the world shifts, cataclysmically, around them, some long-hidden secrets threaten to emerge and tear them apart. Based on extensive interviews in Cairo with revolutionaries and soldiers, journalists and cab drivers, this new drama depicts both a revolution in progress and the society from which it sprang.
Props (Readings in Theatre Practice)
by Eleanor MargoliesProps are moving objects of attention: they can be part of theatre scenery, equal partners in performance, or autonomous things. This wide-ranging book brings together theoretical and practical viewpoints on objects in performance, covering actor training, scenography, materials, construction techniques and object theatre. Eleanor Margolies also explores the viewpoints of actors, directors, designers, prop makers and spectators to demonstrate the varied experiences practitioners have of using props.
Protest (Plays for Young People)
by Hannah LaveryHope is a superpower.Running is Alice's happy place – you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Protest (Plays for Young People)
by Hannah LaveryHope is a superpower.Running is Alice's happy place – you might even say it's in her DNA. She's the best runner at her school but is struggling to prove her worth. Jade is slowly coming to realise that prejudices can be found everywhere, even in the most surprising places. Realising that her education is ill-equipped to encompass her own history and heritage, and taunted by bullies at school, she knows it's time to tell her own story. Meanwhile, litter is piling up in the local forest, and all over the world an environmental crisis is looming. Chloe is determined to make a change, starting with the town.Three girls prepare to stand up for what they believe in despite the injustices stacked against them in this new play exploring what it takes to make a difference, the power of friendship, and the importance of believing in your own voice.Co-commissioned by Fuel, Imaginate and Northern Stage. Developed and supported by the Scottish Government's Festivals Expo Fund and Imaginate's Accelerator programme. Protest is published in Methuen Drama's Plays for Young People series which offers suitable plays for young performers and audiences at schools, youth groups, and youth theatres.
Protest Song (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protest Song: For Once; Salt, Root And Roe; The Radicalisation Of Bradley Manning; I'm With The Band; Protest Song; Under The Sofa (Modern Plays)
by Tim PriceDanny sleeps rough on the steps of St Paul's Cathedral. Has done for years. Then one morning he wakes to see a canvas city being erected in front of him. And Danny finds himself swept up in the last occupation of London. Protest Song is a fictional play inspired by real events. Tim Price's funny and savage monologue explores the reality of the Occupy movement.Protest Song received its world premiere in the National Theatre's Shed Theatre on 16 December 2013.This edition features an introduction by the playwright, Tim Price.
Protestchöre: Zu einer neuen Ästhetik des Widerstands. Stuttgart 21, Arabischer Frühling und Occupy in theaterwissenschaftlicher Perspektive (Theater #112)
by Stefan DonathProtestformen haben sich im globalen Maßstab und über kulturelle wie politische Grenzen hinweg verändert. Die sozial- und politikwissenschaftliche Protestforschung verfolgt dies aufmerksam, wobei die ästhetischen Dimensionen oft unterbelichtet bleiben. Stefan Donath beschreibt am Beispiel einer der ältesten Ausdrucksformen des europäischen Theaters - dem Chor - den Wandel in den Darstellungsformen von Protest. Er zeigt: Im Rahmen von Stuttgart 21, des Arabischen Frühlings und der Occupy-Bewegung verweisen Protestchöre auf eine neue Ästhetik des Widerstands.