- Table View
- List View
Architecture and the Public World: Kenneth Frampton (Radical Thinkers in Design)
by Kenneth FramptonArchitecture and the Public World brings together key writings by Kenneth Frampton, the eminent architectural historian and critic, from the 1980s to the present. Articles are grouped into thematic sections representing abiding concerns of Frampton's criticism: history and critical theory; modes of criticism; the vicissitudes of urban form, and tactility, tectonics, and resistance. The volume also includes a new interview with Frampton and an essay by Clive Dilnot exploring the relevance of Frampton's thought for design history and criticism.The anthology represents Frampton's abiding concern for labor and the political dimensions of architecture, including his development of the concept of 'critical regionalism', but, in featuring writings from across the range and breadth of Frampton's career, enables a broader understanding of his work, demonstrating the potential for architectural interpretation and analysis to function as a mode of cultural criticism.
Architecture in the Indian Subcontinent: From the Mauryas to the Mughals
by Christopher TadgellDedicated to the tracing of continuity across sectarian divides, Christopher Tadgell’s History of Architecture in India (1989) was the first modern monograph to draw together in one volume all the strands of India’s pre-colonial architectural history – from the Vedic and Native traditions of early India, through Hindu, Buddhist, Islamic and secular architecture. This comprehensive revision, Architecture in the Indian Subcontinent: From the Mauryas to the Mughals, expands the structure to acknowledge the great advance in scholarship across this extremely complex subject over the last three decades. An understanding of Indian history and religion is the basis for understanding the complex pattern of relationships in the evolution of architecture in the subcontinent. Therefore, background material covers major invasions, migrations, dynastic conflicts and cultural and commercial connections, the main religious developments and their significance and repercussions, and external architectural precedents. While avoiding the usual division of the subject into ‘Buddhist and Hindu’ and ‘Islamic’ parts in order to trace continuity, the importance of religion, symbolism and myth to the development of characteristic Indian architectural forms in all their richness and complexity is fully explained in this fully illustrated account of the subcontinent’s architecture.
Architecture in the Indian Subcontinent: From the Mauryas to the Mughals
by Christopher TadgellDedicated to the tracing of continuity across sectarian divides, Christopher Tadgell’s History of Architecture in India (1989) was the first modern monograph to draw together in one volume all the strands of India’s pre-colonial architectural history – from the Vedic and Native traditions of early India, through Hindu, Buddhist, Islamic and secular architecture. This comprehensive revision, Architecture in the Indian Subcontinent: From the Mauryas to the Mughals, expands the structure to acknowledge the great advance in scholarship across this extremely complex subject over the last three decades. An understanding of Indian history and religion is the basis for understanding the complex pattern of relationships in the evolution of architecture in the subcontinent. Therefore, background material covers major invasions, migrations, dynastic conflicts and cultural and commercial connections, the main religious developments and their significance and repercussions, and external architectural precedents. While avoiding the usual division of the subject into ‘Buddhist and Hindu’ and ‘Islamic’ parts in order to trace continuity, the importance of religion, symbolism and myth to the development of characteristic Indian architectural forms in all their richness and complexity is fully explained in this fully illustrated account of the subcontinent’s architecture.
The Architecture of the Bight of Biafra: Spatial Entanglements (Routledge Research in Architectural History)
by Joseph GodlewskiThe Architecture of the Bight of Biafra challenges linear assumptions about agency, progress, and domination in colonial and postcolonial cities, adding an important sub‑Saharan case study to existing scholarship on globalization and modernity.Intersected by small creeks, rivulets, and dotted with mangrove swamps, the Bight of Biafra has a long history of decentralized political arrangements and intricate trading networks predating the emergence of the Atlantic world. While indigenous merchants in the region were active participants in the transatlantic slave trading system, they creatively resisted European settlement and maintained indigenous sovereignty until the middle of the nineteenth century. Since few built artifacts still exist, this study draws from a close reading of written sources—travelers’ accounts, slave traders’ diaries, missionary memoirs, colonial records, and oral histories—as well as contemporary fieldwork to trace transformations in the region’s built environment from the sixteenth century to today. With each chapter focusing on a particular spatial paradigm in this dynamic process, this book uncovers the manifold and inventive ways in which actors strategically adapted the built environment to adjust to changing cultural and economic circumstances. In parallel, it highlights the ways that these spaces were rhetorically constructed and exploited by foreign observers and local agents. Enmeshed in the history of slavery, colonialism, and the modern construction of race, the spatial dynamics of the Biafran region have not been geographically delimited. The central thesis of this volume is that these spaces of entanglement have been productive sites of Black identity formation involving competing and overlapping interests, occupying multiple positions and temporalities, and ensnaring real, imagined, and sometimes contradictory aims.This book will be of interest to researchers and students of architecture, architectural history, urban geography, African studies, and Atlantic studies.
The Architecture of the Bight of Biafra: Spatial Entanglements (Routledge Research in Architectural History)
by Joseph GodlewskiThe Architecture of the Bight of Biafra challenges linear assumptions about agency, progress, and domination in colonial and postcolonial cities, adding an important sub‑Saharan case study to existing scholarship on globalization and modernity.Intersected by small creeks, rivulets, and dotted with mangrove swamps, the Bight of Biafra has a long history of decentralized political arrangements and intricate trading networks predating the emergence of the Atlantic world. While indigenous merchants in the region were active participants in the transatlantic slave trading system, they creatively resisted European settlement and maintained indigenous sovereignty until the middle of the nineteenth century. Since few built artifacts still exist, this study draws from a close reading of written sources—travelers’ accounts, slave traders’ diaries, missionary memoirs, colonial records, and oral histories—as well as contemporary fieldwork to trace transformations in the region’s built environment from the sixteenth century to today. With each chapter focusing on a particular spatial paradigm in this dynamic process, this book uncovers the manifold and inventive ways in which actors strategically adapted the built environment to adjust to changing cultural and economic circumstances. In parallel, it highlights the ways that these spaces were rhetorically constructed and exploited by foreign observers and local agents. Enmeshed in the history of slavery, colonialism, and the modern construction of race, the spatial dynamics of the Biafran region have not been geographically delimited. The central thesis of this volume is that these spaces of entanglement have been productive sites of Black identity formation involving competing and overlapping interests, occupying multiple positions and temporalities, and ensnaring real, imagined, and sometimes contradictory aims.This book will be of interest to researchers and students of architecture, architectural history, urban geography, African studies, and Atlantic studies.
Architecture's Afterlife: The Multisector Impact of an Architecture Degree
by Michela Barosio Dag Boutsen Andrea Čeko Haydée De Loof Johan De Walsche Santiago Gomes Harriet Harriss Roberta Marcaccio Mia Roth-Čerina Carla Sentieri Neal Sashore Federica Vannucchi Hanne Van ReuselAlmost 40% of architecture graduates choose not to practise as architects. Instead, by ‘leaving’ their chosen profession, this surprisingly large but vastly overlooked cohort are making significant contributions to a wide range of other sectors, from politics to videogame design, demonstrating that architectural training can be a pathway to roles, and even leadership opportunities, across a variety of other professions.Architecture’s Afterlife is the first book to examine the sectors into which these graduates migrate, and to identify the transferable skills that are learned, but not always taught, in their degree programmes, and that prove most useful in their new careers.The book – a result of a three-year pan-European study funded by Erasmus+ – provides a roadmap for increasing graduate employment, addressing skills shortages across all sectors and adapting curricula to changing professional landscapes. It is therefore essential reading for all those responsible for curriculum design and delivery in architecture and other disciplines, including deans, professors, postgraduate researchers and policy makers, as well as students and professionals seeking to expand their career prospects.
Architecture's Afterlife: The Multisector Impact of an Architecture Degree
by Michela Barosio Dag Boutsen Andrea Čeko Haydée De Loof Johan De Walsche Santiago Gomes Harriet Harriss Roberta Marcaccio Mia Roth-Čerina Carla Sentieri Neal Sashore Federica Vannucchi Hanne Van ReuselAlmost 40% of architecture graduates choose not to practise as architects. Instead, by ‘leaving’ their chosen profession, this surprisingly large but vastly overlooked cohort are making significant contributions to a wide range of other sectors, from politics to videogame design, demonstrating that architectural training can be a pathway to roles, and even leadership opportunities, across a variety of other professions.Architecture’s Afterlife is the first book to examine the sectors into which these graduates migrate, and to identify the transferable skills that are learned, but not always taught, in their degree programmes, and that prove most useful in their new careers.The book – a result of a three-year pan-European study funded by Erasmus+ – provides a roadmap for increasing graduate employment, addressing skills shortages across all sectors and adapting curricula to changing professional landscapes. It is therefore essential reading for all those responsible for curriculum design and delivery in architecture and other disciplines, including deans, professors, postgraduate researchers and policy makers, as well as students and professionals seeking to expand their career prospects.
Architectures of Care: From the Intimate to the Common
Drawing from a diverse range of interdisciplinary voices, this book explores how spaces of care shape our affective, material, and social forms, from the most intimate scale of the body to our planetary commons.Typical definitions of care center around the maintenance of a livable life, encompassing everything from shelter and welfare to health and safety. Architecture plays a fundamental role in these definitions, inscribed in institutional archetypes such as the home, the hospital, the school, and the nursery. However, these spaces often structure modes of care that prescribe gender roles, bodily norms, and labor practices. How can architecture instead engage with an expanded definition of care that questions such roles and norms, producing more hybrid entanglements between our bodies, our collective lives, and our environments? Chapters in this book explore issues ranging from disabled domesticities and nursing, unbuilding whiteness in the built environment, practices and pedagogies of environmental care, and the solidarity networks within ‘The Cloud’. Case studies include Floating University Berlin, commoning initiatives by the Black Panther party, and hospitals for the United Mine Workers of America, among many other sites and scales of care.Exploring architecture through the lenses of gender studies, labor theory, environmental justice, and the medical humanities, this book will engage students and academics from a wide range of disciplines.
Architectures of Care: From the Intimate to the Common
by Brittany UttingDrawing from a diverse range of interdisciplinary voices, this book explores how spaces of care shape our affective, material, and social forms, from the most intimate scale of the body to our planetary commons.Typical definitions of care center around the maintenance of a livable life, encompassing everything from shelter and welfare to health and safety. Architecture plays a fundamental role in these definitions, inscribed in institutional archetypes such as the home, the hospital, the school, and the nursery. However, these spaces often structure modes of care that prescribe gender roles, bodily norms, and labor practices. How can architecture instead engage with an expanded definition of care that questions such roles and norms, producing more hybrid entanglements between our bodies, our collective lives, and our environments? Chapters in this book explore issues ranging from disabled domesticities and nursing, unbuilding whiteness in the built environment, practices and pedagogies of environmental care, and the solidarity networks within ‘The Cloud’. Case studies include Floating University Berlin, commoning initiatives by the Black Panther party, and hospitals for the United Mine Workers of America, among many other sites and scales of care.Exploring architecture through the lenses of gender studies, labor theory, environmental justice, and the medical humanities, this book will engage students and academics from a wide range of disciplines.
Architectures of Existence: Ethics, Aesthetics, Politics
by Chris YounèsArchitectures of Existence proposes that philosophical thinking (ecosophical thinking) can inform the way we engage with our world and its inhabitants, as architects, designers and planners, but also as individuals, as people, and as a society. In Art et existence, Maldiney states: "For us, to inhabit is to exist". This book aims to unfold, extend, articulate and thicken this postulate by interweaving architecture, city, landscape, literature and philosophy. It takes up the synergistic lines of long-term research carried out from an ecosophical perspective. Such an attitude explores an art of existing in multiplicity, singularity and openness, manifesting the critical dimension through a reinterpretation of the knotting of the trajectories of time, humanity and its becoming. Insisting on what is between things and beings as well as on what is happening, regenerating, recycling, reviving, saving, diversifying, sparing, recreating, meditating: and so caring. These are all eco-rhythms of a different type between human and non-human, to consider ourselves in the world. In an era of uncertainty and climate threats, this book develops the margins of possibility offered by the subject of architecture. This book will be of interest to researchers and students of architecture, urban planning and philosophy.
Architectures of Existence: Ethics, Aesthetics, Politics
by Chris YounèsArchitectures of Existence proposes that philosophical thinking (ecosophical thinking) can inform the way we engage with our world and its inhabitants, as architects, designers and planners, but also as individuals, as people, and as a society. In Art et existence, Maldiney states: "For us, to inhabit is to exist". This book aims to unfold, extend, articulate and thicken this postulate by interweaving architecture, city, landscape, literature and philosophy. It takes up the synergistic lines of long-term research carried out from an ecosophical perspective. Such an attitude explores an art of existing in multiplicity, singularity and openness, manifesting the critical dimension through a reinterpretation of the knotting of the trajectories of time, humanity and its becoming. Insisting on what is between things and beings as well as on what is happening, regenerating, recycling, reviving, saving, diversifying, sparing, recreating, meditating: and so caring. These are all eco-rhythms of a different type between human and non-human, to consider ourselves in the world. In an era of uncertainty and climate threats, this book develops the margins of possibility offered by the subject of architecture. This book will be of interest to researchers and students of architecture, urban planning and philosophy.
Architectures of Hiding: Crafting Concealment | Omission | Deception | Erasure | Silence
Architecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the architectures of hiding. Looking at and beyond the intentions and agency that architects possess, architectural spaces lend themselves as apparatuses for various forms of hiding and un(hiding). The examples explored in this book and the creative works presented in the interviews enclosed in the interludes of this publication cover a broad range of geographic and cultural contexts, discursively disclosing hidden aspects of architectural meaning. The book investigates the imaginative intrigue of concealing and revealing in design processes, along with moral responsibilities and ethical dilemmas inherent in crafting concealment through the making and reception of architecture.
Architectures of Hiding: Crafting Concealment | Omission | Deception | Erasure | Silence
by Rana Abughannam Émélie Desrochers-Turgeon Pallavi Swaranjali Federica GoffiArchitecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the architectures of hiding. Looking at and beyond the intentions and agency that architects possess, architectural spaces lend themselves as apparatuses for various forms of hiding and un(hiding). The examples explored in this book and the creative works presented in the interviews enclosed in the interludes of this publication cover a broad range of geographic and cultural contexts, discursively disclosing hidden aspects of architectural meaning. The book investigates the imaginative intrigue of concealing and revealing in design processes, along with moral responsibilities and ethical dilemmas inherent in crafting concealment through the making and reception of architecture.
Architektur als Medium des Zukünftigen: Hörspiel, Film und Zeitschrift 1945–1955 (Media. Literaturwissenschaftliche Forschungen)
by Tanja RommelfangerDas Buch beschäftigt sich mit der Architektur der unmittelbaren Nachkriegszeit als Gegenstand medialer Repräsentation. Dabei bewegt es sich im Spannungsfeld von Germanistik, Architekturgeschichte und Medienwissenschaft. Anhand von Radiohörspielen, Architekturzeitschriften und Filmen geht es der Frage nach, wie Architektur in Szene gesetzt wird. Dabei bezieht die Analyse mit ein, wie diese im Hinblick auf die Konstruktion und den Aufbau einer neuen Zukunft mit bestehenden Diskursen der Moderne in Verbindung gebracht wird und problematische Bezüge zur nationalsozialistischen Vergangenheit aufweist. In Werken von Günter Eich (Träume, 1951), Otto Renner (BAU. Zeitschrift für wohnen, arbeiten, sich erholen, 1947) und mit einem anonymen Städtefilm (Stein auf Stein. Ein Land baut auf, 1949) werden wenig bekannte Kurzformen aufgegriffen, um deren Verknüpfung mit neuen Medienverbunden und soziopolitischen Diskursen zu erforschen. Die detaillierten Analysen - von Eichs „Fünftem Traum“ als Mediengeflecht von Text, Musik und Geräusch, der heute wenig bekannten, aber zu ihrer Zeit renommierten Architekturzeitschrift BAU als Medienverbund aus zirkulierenden und wiederaufbereiteten Fotografien, Zeichnungen, Texten und Typografie und dem Kurzfilm Stein auf Stein mit seinen intermedialen Bezügen u.a. zur Fotografie - stellen Querverbindungen zu vielen Figuren und Werken dieser Zeit her, in der die Architektur eine Neubewertung als vermittelnde Instanz zwischen Individuum und Gesellschaft erfährt.Davon ausgehend schließt die Autorin auf größere Problematiken, die die Öffentlichkeit in den frühen Nachkriegsjahren beschäftigten. Dabei weist sie Momente des Exzesses und der Überschreitung in den Werken auf, die in einer Zeit der Ressourcenknappheit, Medienregulierung und konfliktreicher Lizensierungspolitik entstanden sind. Auch der Umbruch im Mediengefüge durch die Einführung von Fernsehen und die moralisch aufgeladene Debatte über eine entnazifizierte Öffentlichkeit werden reflektiert. Das Buch geht auch ausführlich auf die Besatzungspolitik im teilautonomen Saarland ein und führt die französische Kolonialpolitik in Algerien indirekt über die Rezeption Le Corbusiers in den deutschen Diskurs ein.Das Buch richtet sich an Studierende und Forschende der Fachgebiete Literatur-, Medien- und Kulturwissenschaft, Kunstgeschichte und Architektur.
Architekturleistungen des Späthistorismus: Nachblüte der Stilbaukunst um 1900 (Architekturen #77)
by Christian RablKaum ein Architekturphänomen ist dermaßen mit Diskredit behaftet wie der Späthistorismus, dessen künstlerische Gelingensbedingungen durch den Kulturumbruch des Fin de Siècle delegitimiert scheinen. Auch wenn die Stilbaukunst um und nach 1900 das bürgerlich-kapitalistische Zeitalter repräsentierte, so lassen sich darunter innovative Ansätze und eklektizistische Weiterschöpfungen ausmachen. Christian Rabl systematisiert diese stilarchitektonischen Fortschritte in ihren Einzelphänomenen - unter anderem an den späthistoristischen Stadtästhetiken von Madrid, Bukarest, Riga, Barcelona und Karlsbad.
Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism (Routledge Research in Architectural History)
by Eran NeumanArieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus, Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There, he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948, Arieh Sharon became the director and chief architect of the National Planning Department, where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan, it was instrumental in shaping the development of the new nation. During the 1950s and 1960s, Sharon designed many of Israel’s institutions, including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture, when he partnered with Benjamin Idelson in the 1950s and when his son, Eldar Sharon, joined the office in 1964. Thus, the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture, modern architecture, Israel studies, Middle Eastern studies and migration of knowledge.
Arieh Sharon and Modern Architecture in Israel: Building Social Pragmatism (Routledge Research in Architectural History)
by Eran NeumanArieh Sharon and Modern Architecture in Israel: Building Social Pragmatism offers the first comprehensive survey of the work of Arieh Sharon and analyzes and discusses his designs and plans in relation to the emergence of the State of Israel. A graduate of the Bauhaus, Sharon worked for a few years at the office of Hannes Mayer before returning to Mandatory Palestine. There, he established his office which was occupied in its first years in planning kibbutzim and residential buildings in Tel Aviv. After the establishment of the State of Israel in 1948, Arieh Sharon became the director and chief architect of the National Planning Department, where he was asked to devise the young country’s first national masterplan. Known as the Sharon Plan, it was instrumental in shaping the development of the new nation. During the 1950s and 1960s, Sharon designed many of Israel’s institutions, including hospitals and buildings on university campuses. This book presents Sharon’s exceptionally wide range of work and examines his perception of architecture in both socialist and pragmatist terms. It also explores Sharon’s modernist approach to architecture and his subsequent shift to Brutalist architecture, when he partnered with Benjamin Idelson in the 1950s and when his son, Eldar Sharon, joined the office in 1964. Thus, the book contributes a missing chapter in the historiography of Israeli architecture in particular and of modern architecture overall. This book will be of interest to researchers in architecture, modern architecture, Israel studies, Middle Eastern studies and migration of knowledge.
Art and Architecture: A Sublime Synthesis (Architectural Design)
The link between architecture and art and the sublimity it can create has a history that stretches back millennia. From cave paintings to the stained glass and saintly icons in churches and cathedrals, to the geometric and calligraphic treatments of mosques and contemporary artists channelling architecture and vice versa, and so much else. This AD is about the contemporary interactions between living artists and architects, and the artistic practices, such as poetry and abstractions, that architects adopt to develop ideas for their projects. The issue features artists, architects, curators, musicians, poets and designer craftspeople, illustrating the current rich mix of architectonic constructions, interventions and set pieces that range from musical performance to exhibition designs, glass works and digital 3D scanning. It lays out the wide spectrum and beauty of these sublime correspondences, with contributions from architects about their own artistic practices, and creative works viewed through the eyes of architectural commentators. An explosion of colour, form and creative tactics for making multifaceted work that above all is architectural, it offers a cornucopia of possibilities. Contributors: Peter Baldwin, Kathy Battista, Nic Clear, Mathew Emmett, Paul Finch, Paul Greenhalgh, Hamed Khosravi, Eva Menuhin, Felix Robbins, and Simon Withers. Featured architects and artists: a-project, Captivate, Brian Clarke, Andy Goldsworthy, Barbara Hepworth, Danny Lane, Ben Johnson, Brendan Neiland, Ian Ritchie, and Zoe Zenghelis.
The Art and Art Therapy of Papermaking: Material, Methods, and Applications
by Drew Luan Matott Gretchen M. MillerThe Art and Art Therapy of Papermaking: Material, Methods, and Applications provides a comprehensive collection about the contemporary practices, media, and value of hand papermaking as social engagement, art therapy, and personal voice. Divided into three parts that highlight each of these areas, contributors explore topics such as advocacy, work with survivors, community outreach, medical challenges, and how papermaking can empower creative expression, stories of change, recovery, and reclamation to address trauma, grief and loss, social action, and life experiences. Previous books have covered hand papermaking or art therapy media as stand-alone subjects; this text is the first of its kind that unites and describes the convergence of papermaking in all these forms. Art therapists, art educators, and artists will find this book essential to their education about how papermaking can be a powerful process to make meaning for the self, groups, and community.
The Art and Art Therapy of Papermaking: Material, Methods, and Applications
The Art and Art Therapy of Papermaking: Material, Methods, and Applications provides a comprehensive collection about the contemporary practices, media, and value of hand papermaking as social engagement, art therapy, and personal voice. Divided into three parts that highlight each of these areas, contributors explore topics such as advocacy, work with survivors, community outreach, medical challenges, and how papermaking can empower creative expression, stories of change, recovery, and reclamation to address trauma, grief and loss, social action, and life experiences. Previous books have covered hand papermaking or art therapy media as stand-alone subjects; this text is the first of its kind that unites and describes the convergence of papermaking in all these forms. Art therapists, art educators, and artists will find this book essential to their education about how papermaking can be a powerful process to make meaning for the self, groups, and community.
Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny (Routledge Research in Art History)
by Nina Athanassoglou-KallmyerThis is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.
Art and Monist Philosophy in Nineteenth Century France From Auteuil to Giverny (Routledge Research in Art History)
by Nina Athanassoglou-KallmyerThis is a study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called “Monism” emerged and became increasingly popular among intellectuals, artists and scientists. Nina Athanassoglou-Kallmyer traces the evolution and impact of this monist thought and its various permutations as a transformative force on certain aspects of French art and culture – from Romanticism to Impressionism – and as a theoretical backdrop that paved the way to as yet unexplored aspects of a modernist aesthetic. Chapters concentrate on three major artists, Théodore Géricault (1791–1824), Eugène Delacroix (1798–1863) and Claude Monet (1840–1926), and their particular approach to and interpretation of this unitarian concept. The book will be of interest to scholars working in art history, philosophy and cultural history.
Art and Politics: Government and the Arts in Australia: A Historical and Critical Analysis
by Josephine CaustAustralian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective. Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts by governments are also considered, as well as attempts to develop a national cultural policy. The impact of the recent pandemic is addressed and various research reports about the arts sector and its relationship with government are also noted. There is then a final discussion about some issues that governments could address in the future, that might ensure a more sustainable Australian arts sector. This book will be of particular interest to scholars of contemporary arts, arts management, cultural history, public policy and cultural policy. It may also interest bureaucrats and politicians.
Art and Politics: Government and the Arts in Australia: A Historical and Critical Analysis
by Josephine CaustAustralian governments at all levels have been engaged with arts and culture in many different forms since the beginning of European settlement. The way this has occurred is documented and analysed here, both from an historical and critical perspective. Changing understandings of culture and the significance of Indigenous Culture to Australia receive special attention. While the focus is primarily directed to Federal Government engagement, there is also consideration paid to both state and local government involvement. There is attention paid to the censorship of arts practice by governments as well as the direct interventions by politicians in arts practice. Different approaches to the arts by governments are also considered, as well as attempts to develop a national cultural policy. The impact of the recent pandemic is addressed and various research reports about the arts sector and its relationship with government are also noted. There is then a final discussion about some issues that governments could address in the future, that might ensure a more sustainable Australian arts sector. This book will be of particular interest to scholars of contemporary arts, arts management, cultural history, public policy and cultural policy. It may also interest bureaucrats and politicians.
Art and Politics During the Cold War: Poland and the Netherlands (Routledge Research in Art and Politics)
by Michał WenderskiDrawing on thousands of historical documents from Polish and Dutch archives, this book explores Cold War cultural exchange between so-called ‘smaller powers’ of this global conflict, which thus far has been predominately explored from the perspective of the two superpowers or more pivotal countries. By looking at how cultural, artistic and scholarly relations were developed between Poland and the Netherlands, Michał Wenderski sheds new light on the history of the Cultural Cold War that was not always orchestrated solely by its main players. Less pivotal states – for example, Poland and the Netherlands – likewise intentionally created their international cultural policies and shaped their cultural exchange with countries from the other side of the Iron Curtain. This study reconstructs these policies and identifies the varying factors that influenced them – both official and less formal. The book will be of interest to scholars working in art history, history of the Cold War, post-war European history, international cultural relations, Dutch studies and Polish studies.