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Double Vision: Moral Philosophy and Shakespearean Drama (PDF)
by Tzachi ZamirHamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways.
Shakespeare's Hamlet: Philosophical Perspectives (Oxford Studies in Philosophy and Lit)
by Tzachi ZamirDoes philosophy gain or lose when it is embedded within literature or embodied by drama? Does literary criticism gain or lose when it turns to literary works as occasions for abstract reflection? Leading literary scholars and philosophers interrogate philosophical dimensions of Shakespeare's Hamlet with these urgent questions in view. Scholars probe Hamlet's own insights, assess the significance of philosophy's literary-dramatic framing by this play, and trace the philosophically-relevant underpinnings revealed by historical transformations in Hamlet's reception. They focus on the play's thematizations of subjectivity, knowledge, sex, grief, self-theatricalization. Examining Shakespeare's play from a philosophical standpoint sharpens the questions the play itself so famously poses: What counts as a proper response to injustice upon realizing that whatever one does, there can be no undoing of the initial wrong? What do our commitments to the dead amount to? How to persist in infusing significance into action while grasping the degradation of death and our own replaceability? Scholars at the forefront of their fields tackle these and other questions from a wide range of viewpoints, illuminating the central concerns of one of Shakespeare's masterpieces.
Theatre and Festivals (Theatre And)
by Keren ZaiontzThis succinct and engaging text rethinks the common wisdom that festivals, sites of collective celebration and play, provide a temporary reprieve from the grind of everyday, 'real' life. Keren Zaiontz explores the ways in which cultural performances of resistance that have their basis in festivals can migrate to other contexts, making festivals as much the domain of free markets and state power as that of vanguard artists and progressive social movements. Accessible and affordable, this is an ideal resource for theatre students and lovers everywhere.
Theatre and Festivals (Theatre And)
by Keren ZaiontzThis succinct and engaging text rethinks the common wisdom that festivals, sites of collective celebration and play, provide a temporary reprieve from the grind of everyday, 'real' life. Keren Zaiontz explores the ways in which cultural performances of resistance that have their basis in festivals can migrate to other contexts, making festivals as much the domain of free markets and state power as that of vanguard artists and progressive social movements. Accessible and affordable, this is an ideal resource for theatre students and lovers everywhere.
Karen Zacarías: Native Gardens; The Book Club Play; Destiny of Desire (Oberon Modern Playwrights)
by Karen ZacaríasKaren Zacarías was recently hailed by American Theater Magazine as one of the ten most produced playwrights in the US. Collected here for the first time are three of Zacarías’ award-winning plays – Native Gardens, The Book Club Play, and Destiny of Desire – three works that explore American and Latino life today with Zacarías’ trademark humour, heart, and narrative wit. Zacarías’ further works include The Copper Children, Legacy of Light, Mariela in the Desert, The Sins of Sor Juana, and adaptations of Just Like Us, Into the Beautiful North, and How the Garcia Girls Lost Their Accent. She is also the author of ten renowned TYA musicals (including Ella Enchanted), and a core founder of the Latinx Theatre Commons and founder of the award-winning Young Playwrights’ Theater. She is an inaugural 2019 Sine Fellow for Policy Innovation at American University, and just received the 2019 Lee Reynolds Award for her work in theatre and social change. Voted a Washingtonian of the Year 2018, Karen lives in Washington, D.C. with her husband and three children. The Book Club Play “Book Club is like Lord of the Flies with Wine and Dip” A hit comedy about books and the people who love them. When the members of a devoted book club become the subjects of a documentary filmmaker and accept a provocative new member, their long-standing group dynamics take a hilarious turn. Sprinkled with wit, joy and novels galore. “A delightful, fresh comedy.” Talkin’ Broadway Destiny of Desire “An unapologetic and subversive Telenovela for the Stage” On a stormy night in Bellarica, Mexico, two baby girls are born — one into a life of privilege and one into a life of poverty. When the newborns are swapped by a former beauty queen with an insatiable lust for power the stage is set for two outrageous misfortunes to grow into one remarkable destiny. “A writer of comedic skill” (Variety), Karen Zacarías infuses the Mexican telenovela genre with music, high drama and burning passion to make for a fast-paced modern comedy. “Terrifically entertaining theatrical roller-coaster “Destiny of Desire…is a zany, funny delight” – LA Times – Charles McNulty Native Gardens A hilarious hot-button comedy. You can’t choose your neighbors. In this brilliant new comedy, cultures and gardens clash, turning well-intentioned neighbors into feuding enemies. Pablo, a rising attorney, and doctoral candidate Tania, his very pregnant wife, have just purchased a home next to Frank and Virginia, a well-established D.C. couple with a prize-worthy English garden. But an impending barbeque for Pablo’s colleagues and a delicate disagreement over a long-standing fence line soon spirals into an all-out border dispute, exposing both couples’ notions of race, taste, class and privilege. “Native Gardens is a true breath of comic fresh air. It’s a biting, perceptive, and ultimately hopeful sendup to our fraught relationships with those around us – even right next door. Beyond snappy one-liners and garden hose fights, the play challenges audiences to look beyond petty differences and rediscover our shared decency.” – DC Theatre Scene
Appropriations of Irish Drama in Modern Korean Nationalist Theatre (Routledge Advances in Theatre & Performance Studies)
by Hunam YunThis book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.
Appropriations of Irish Drama in Modern Korean Nationalist Theatre (Routledge Advances in Theatre & Performance Studies)
by Hunam YunThis book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.
Silent Cry (Oberon Modern Plays Ser.)
by Madani YounisHow many policemen does it take to cause the death of 1,000 people in custody? Apparently none. Justice is blind, but how deaf is it? Silent Cry, by Madani Younis, unashamedly tackles the issues that face a family that verge on imploding, and tells the story of a mother's journey that begins as her son's life ends. A death in police custody leads to an ordinary family looking for justice from a system that has no answers. The story is based on true documented evidence and interviews. Each performance is followed by an after show discussion with the writer/director and cast. This is a bold piece with innovative use of music and movement, creating spectacularly gripping theatre. Silent Cry was produced by The Asian Theatre School and Red Ladder Theatre.
Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation (Global Shakespeare Inverted)
by Sandra YoungContemporary adaptations of Shakespeare's plays have brought into sharp focus the legacies of slavery, racism and colonial dispossession that still haunt the global South. Looking sideways across the Atlantic and Indian Oceans to nontraditional centres of Shakespeare practice, Shakespeare in the Global South explores the solidarities generated by contemporary adaptations and their stories of displacement and survival. The book takes its lead from innovative theatre practice in Mauritius, North India, Brazil, post-apartheid South Africa and the diasporic urban spaces of the global North, to assess the lessons for cultural theory emerging from the new works. Using the 'global South' as a critical frame, Sandra Young reflects on the vocabulary scholars have found productive in grappling with the impact of the new iterations of Shakespeare's work, through terms such as 'creolization', 'indigenization', 'localization', 'Africanization' and 'diaspora'. Shakespeare's presence in the global South invites us to go beyond familiar orthodoxies and to recognize the surprising affinities felt across oceans of difference in time and space that allow Shakespeare's inventiveness to be a part of the enchanting subversions at play in contemporary theatre's global currents.
Shakespeare in the Global South: Stories of Oceans Crossed in Contemporary Adaptation (Global Shakespeare Inverted)
by Sandra YoungContemporary adaptations of Shakespeare's plays have brought into sharp focus the legacies of slavery, racism and colonial dispossession that still haunt the global South. Looking sideways across the Atlantic and Indian Oceans to nontraditional centres of Shakespeare practice, Shakespeare in the Global South explores the solidarities generated by contemporary adaptations and their stories of displacement and survival. The book takes its lead from innovative theatre practice in Mauritius, North India, Brazil, post-apartheid South Africa and the diasporic urban spaces of the global North, to assess the lessons for cultural theory emerging from the new works. Using the 'global South' as a critical frame, Sandra Young reflects on the vocabulary scholars have found productive in grappling with the impact of the new iterations of Shakespeare's work, through terms such as 'creolization', 'indigenization', 'localization', 'Africanization' and 'diaspora'. Shakespeare's presence in the global South invites us to go beyond familiar orthodoxies and to recognize the surprising affinities felt across oceans of difference in time and space that allow Shakespeare's inventiveness to be a part of the enchanting subversions at play in contemporary theatre's global currents.
Tomorrow at Noon (Oberon Modern Plays)
by Morna Young Emma Harding Jenny Ayres‘She’s been coming here every Sunday for the past fifty years and he still hasn’t turned up.’ Morna Young’s Smite is inspired by Coward’s The Astonished Heart. It is a story of buried answers, blind hearts, and life after loss. Emma Harding’s The Thing Itself reacts to Coward’s Shadow Play. When the sun fails to come up one morning, Vic and Simone must face the dark. But what emerges from the shadows? Truth or illusion? Jenny Ayres’ Glimpse is inspired by Coward’s Still Life. It is the story of a woman whose history holds too much for her to leave behind. In a world that never stops, are we brave enough to wait? What might we glimpse if we miss the train?
Lost At Sea (Oberon Modern Plays)
by Morna YoungA storm is brewing in a small fishing village. A young woman returns home, searching for answers about her father’s death. But as she begins to weave together the strands of her past, a mysterious force unravels family secrets. Lost at Sea journeys through a labyrinth of myth and memory in an epic tale spanning forty years of the fishing industry. Featuring the voices of fishermen and their families in their own words - with music, songs and Scots language – it is the lyrical and powerfully evocative story of a North-East fishing family. Inspired by the loss of playwright Morna Young’s fisherman father, Lost at Sea is a personal tribute to the fishing communities of Scotland.
Foreign Goods: A Selection of Writing by British East Asian Artists (Oberon Modern Playwrights)
by Jingan YoungA collection of full plays, short plays and monologues from British East Asian writers, including Jingan Young, Kathryn Golding, Amber Hsu, Cathy Lam, Lucy Chau Lai-Tuen, Tan Suet Lee, Julie Cheung Inhin & Stephen Hoo.Contains a foreword written by David Henry Hwang and Jingan Young.Includes the plays: I'm Just Here to Buy Soy Sauce, Suzy Wong: Fitting in and F**king Up, The Confession, Under the Blood Red Moon, No More Lotus Flower, The Swing, The Stone (or No One Disaster is Total) and Jamaica Boy.
Bright Phoenix (Modern Plays)
by Jeff YoungI am flying. I swoop over the rooftops of Liverpool, over the waterfront and out to sea, following a trawler as it drags its nets through the wild sea. I am a sixteen-year-old bird boy, addicted to seagull blood, flying through sea-storms, up to the moon . . .On the run from tragedy, Lucas escaped Liverpool - then a city cast aside, a city crumbling.Now he's back, the old gang don't rush to welcome him home and ghosts haunt the ruins of their childhood playgrounds. The city chases renaissance: could his love affair with childhood sweetheart Lizzie blossom again too?Bright Phoenix is a wild, dream-like play about the carnival of the city at night; about a gang of rebel kids who still don't quite fit in as grown-ups; and about their love for a dying cinema and their mad plan to bring it back to life like a phoenix. Featuring live music, Jeff Young's epic and poetic play reveals the magic of forgotten places and dreaming beneath the stars.The play received its world premiere at the Liverpool Everyman on 3 October 2014.
Bright Phoenix (Modern Plays)
by Jeff YoungI am flying. I swoop over the rooftops of Liverpool, over the waterfront and out to sea, following a trawler as it drags its nets through the wild sea. I am a sixteen-year-old bird boy, addicted to seagull blood, flying through sea-storms, up to the moon . . .On the run from tragedy, Lucas escaped Liverpool - then a city cast aside, a city crumbling.Now he's back, the old gang don't rush to welcome him home and ghosts haunt the ruins of their childhood playgrounds. The city chases renaissance: could his love affair with childhood sweetheart Lizzie blossom again too?Bright Phoenix is a wild, dream-like play about the carnival of the city at night; about a gang of rebel kids who still don't quite fit in as grown-ups; and about their love for a dying cinema and their mad plan to bring it back to life like a phoenix. Featuring live music, Jeff Young's epic and poetic play reveals the magic of forgotten places and dreaming beneath the stars.The play received its world premiere at the Liverpool Everyman on 3 October 2014.
Embodying Black Experience: Stillness, Critical Memory, and the Black Body (Theater: Theory/Text/Performance)
by Harvey Young"Young's linkage between critical race theory, historical inquiry, and performance studies is a necessary intersection. Innovative, creative, and provocative." ---Davarian Baldwin, Paul E. Raether Distinguished Professor of American Studies, Trinity College In 1901, George Ward, a lynching victim, was attacked, murdered, and dismembered by a mob of white men, women, and children. As his lifeless body burned in a fire, enterprising white youth cut off his toes and, later, his fingers and sold them as souvenirs. In Embodying Black Experience, Harvey Young masterfully blends biography, archival history, performance theory, and phenomenology to relay the experiences of black men and women who, like Ward, were profoundly affected by the spectacular intrusion of racial violence within their lives. Looking back over the past two hundred years---from the exhibition of boxer Tom Molineaux and Saartjie Baartman (the "Hottentot Venus") in 1810 to twenty-first century experiences of racial profiling and incarceration---Young chronicles a set of black experiences, or what he calls, "phenomenal blackness," that developed not only from the experience of abuse but also from a variety of performances of resistance that were devised to respond to the highly predictable and anticipated arrival of racial violence within a person's lifetime. Embodying Black Experience pinpoints selected artistic and athletic performances---photography, boxing, theater/performance art, and museum display---as portals through which to gain access to the lived experiences of a variety of individuals. The photographs of Joseph Zealy, Richard Roberts, and Walker Evans; the boxing performances of Jack Johnson, Joe Louis, and Muhammad Ali; the plays of Suzan-Lori Parks, Robbie McCauley, and Dael Orlandersmith; and the tragic performances of Bootjack McDaniels and James Cameron offer insight into the lives of black folk across two centuries and the ways that black artists, performers, and athletes challenged the racist (and racializing) assumptions of the societies in which they lived. Blending humanistic and social science perspectives, Embodying Black Experience explains the ways in which societal ideas of "the black body," an imagined myth of blackness, get projected across the bodies of actual black folk and, in turn, render them targets of abuse. However, the emphasis on the performances of select artists and athletes also spotlights moments of resistance and, indeed, strength within these most harrowing settings. Harvey Young is Associate Professor of Theatre, Performance Studies, and Radio/Television/Film at Northwestern University. A volume in the series Theater: Theory/Text/Performance
Theater and Human Flourishing (The Humanities and Human Flourishing)
by Harvey YoungThe Humanities and Human Flourishing series publishes edited volumes that explore the role of human flourishing in the central disciplines of the humanities, and whether and how the humanities can increase human happiness. This volume presents essays on the significance of theater to wellbeing and human flourishing. Combining scholarship in psychology and positive psychology with new perspectives in theater and performance studies, the volume features eleven prominent theater and performance studies scholars who offer original, previously unpublished examinations of the social benefits of theater and performance. This volume explores the questions: Why is theater considered a "social good"? And what makes theater a valuable contribution to happiness and wellbeing? Contributors point to theater as a rich source of community and examine the unique value of live, theatrical performance as a medium through which trauma as well as socio-political differences can be expressed. The personal, societal, and artistic benefits of theater are examined through chapters on actors' suffering and acting training, community theater, theater and trauma, breaking social barriers through theater, etiquette in the theater, and the theatrical community as a refuge for minoritized groups. Like other titles in this series, Theater and Human Flourishing uses an interdisciplinary and collaborative approach, which here breaches the divide between science-focused fields that study human flourishing and the artistry of theatrical performance.
Theatre After Empire
by Harvey YoungEmphasizing the resilience of theatre arts in the midst of significant political change, Theatre After Empire spotlights the emergence of new performance styles in the wake of collapsed political systems.Centering on theatrical works from the late nineteenth century to the present, twelve original essays written by prominent theatre scholars showcase the development of new work after social revolutions, independence campaigns, the overthrow of monarchies, and world wars. Global in scope, this book features performances occurring across Africa, the Americas, Asia, Europe, and the Middle East. The essays attend to a range of live events—theatre, dance, and performance art—that stage subaltern experiences and reveal societies in the midst of cultural, political, and geographic transition.This collection is an engaging resource for students and scholars of theatre and performance; world history; and those interested in postcolonialism, multiculturalism, and transnationalism.The Introduction ("Framing Latine Theatre and Performance") of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
Theatre and Race (Theatre And)
by Harvey YoungThe theatre has always been a place where conceptions of race and racism have been staged, shared and perpetuated. Harvey Young introduces key ideas about race, before tracing its relationship with theatre and performance - from Ancient Athens to the present day.
Theatre and Race (Theatre And)
by Harvey YoungThe theatre has always been a place where conceptions of race and racism have been staged, shared and perpetuated. Harvey Young introduces key ideas about race, before tracing its relationship with theatre and performance - from Ancient Athens to the present day.
The Cold Buffet (Modern Plays)
by Elijah YoungWe're family. We don't have to like each other.Things are never easy for Ellis when the family gets together. A dad who doesn't get him, a cousin who can do no wrong, a (not-so-passive) aggressive grandma, his dad's latest intolerable girlfriend and a grandpa in an urn are just some of the things Ellis has to contend with. When it begins to become tradition at these occasions for true feelings to be unearthed, is it finally time for Ellis to cut ties?Set in the back room of a social club, away from the main action, the play journeys us through a wake, a wedding and a christening, and lifts the lid on the tensions behind every family ritual. Many things change over the years but something that will always remain is the same cold buffet. Elijah Young's epic comedy The Cold Buffet follows the McCarthy family over five years of life, death and love. It's a delicious North East family saga laced with dry humour and a good dose of interpersonal tension.This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in October 2023.
The Cold Buffet (Modern Plays)
by Elijah YoungWe're family. We don't have to like each other.Things are never easy for Ellis when the family gets together. A dad who doesn't get him, a cousin who can do no wrong, a (not-so-passive) aggressive grandma, his dad's latest intolerable girlfriend and a grandpa in an urn are just some of the things Ellis has to contend with. When it begins to become tradition at these occasions for true feelings to be unearthed, is it finally time for Ellis to cut ties?Set in the back room of a social club, away from the main action, the play journeys us through a wake, a wedding and a christening, and lifts the lid on the tensions behind every family ritual. Many things change over the years but something that will always remain is the same cold buffet. Elijah Young's epic comedy The Cold Buffet follows the McCarthy family over five years of life, death and love. It's a delicious North East family saga laced with dry humour and a good dose of interpersonal tension.This edition was published to coincide with the world premiere at Newcastle's Live Theatre, in October 2023.
How to Direct a Musical
by David YoungHow to Direct a Musical is a lively and practical guide to the seemingly overwhelming task of directing a musical. David Young brings to this handbook his extensive experience as a director of over 100 productions and more than 250 workshops in the US, China, Senegal and Brazil. Young takes a pragmatic, do-it-yourself approach, guiding the reader from planning to casting, rehearsal to opening night. Topics covered include script analysis, collaboration with designers, musical directors, choreographers and crew, eliminating lengthy pauses between scenes, dress rehearsals and curtain calls.
How to Direct a Musical
by David YoungHow to Direct a Musical is a lively and practical guide to the seemingly overwhelming task of directing a musical. David Young brings to this handbook his extensive experience as a director of over 100 productions and more than 250 workshops in the US, China, Senegal and Brazil. Young takes a pragmatic, do-it-yourself approach, guiding the reader from planning to casting, rehearsal to opening night. Topics covered include script analysis, collaboration with designers, musical directors, choreographers and crew, eliminating lengthy pauses between scenes, dress rehearsals and curtain calls.
Family Life in the Age of Shakespeare (The Age of Shakespeare)
by Bruce W. YoungFrom the star-crossed romance of Romeo and Juliet to Othello's misguided murder of Desdemona to the betrayal of King Lear by his daughters, family life is central to Shakespeare's dramas. This book helps students learn about family life in Shakespeare's England and in his plays. The book begins with an overview of the roots of Renaissance family life in the classical era and Middle Ages. This is followed by an extended consideration of family life in Elizabethan England. The book then explores how Shakespeare treats family life in his plays. Later chapters then examine how productions of his plays have treated scenes related to family life, and how scholars and critics have responded to family life in his works. The volume closes with a bibliography of print and electronic resources.The volume begins with a look at the classical and medieval background of family life in the Early Modern era. This is followed by a sustained discussion of family life in Shakespeare's world. The book then examines issues related to family life across a broad range of Shakespeare's works. Later chapters then examine how productions of the plays have treated scenes concerning family life, and how scholars and critics have commented on family life in Shakespeare's writings. The volume closes with a bibliography of print and electronic resources for student research. Students of literature will value this book for its illumination of critical scenes in Shakespeare's works, while students in social studies and history courses will appreciate its use of Shakespeare to explore daily life in the Elizabethan age.