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Zombies in Western Culture: A Twenty-first Century Crisis
by John Vervaeke Christopher Mastropietro Filip MiscevicWhy has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Zombies in Western Culture: A Twenty-First Century Crisis
by John Vervaeke Filip Miscevic Christopher MastropietroWhy has the zombie become such a pervasive figure in twenty-first-century popular culture? John Vervaeke, Christopher Mastropietro and Filip Miscevic seek to answer this question by arguing that particular aspects of the zombie, common to a variety of media forms, reflect a crisis in modern Western culture. The authors examine the essential features of the zombie, including mindlessness, ugliness and homelessness, and argue that these reflect the outlook of the contemporary West and its attendant zeitgeists of anxiety, alienation, disconnection and disenfranchisement. They trace the relationship between zombies and the theme of secular apocalypse, demonstrating that the zombie draws its power from being a perversion of the Christian mythos of death and resurrection. Symbolic of a lost Christian worldview, the zombie represents a world that can no longer explain itself, nor provide us with instructions for how to live within it. The concept of 'domicide' or the destruction of home is developed to describe the modern crisis of meaning that the zombie both represents and reflects. This is illustrated using case studies including the relocation of the Anishinaabe of the Grassy Narrows First Nation, and the upheaval of population displacement in the Hellenistic period. Finally, the authors invoke and reformulate symbols of the four horseman of the apocalypse as rhetorical analogues to frame those aspects of contemporary collapse that elucidate the horror of the zombie. Zombies in Western Culture: A Twenty-First Century Crisis is required reading for anyone interested in the phenomenon of zombies in contemporary culture. It will also be of interest to an interdisciplinary audience including students and scholars of culture studies, semiotics, philosophy, religious studies, eschatology, anthropology, Jungian studies, and sociology.
Zombies From History: A Hunter's Guide
by Geoff HolderFULL DETAILS of where to find – and how to kill – all of Britain’s most historic zombies FACT FILES on the undead in history, including ROMAN REVENANTS, people who were BURIED ALIVE and some RESURRECTED ROYAL CORPSES! HIGH-PROFILE TARGETS including JANE AUSTEN, HENRY VIII, RICHARD III and WILLIAM SHAKESPEARE Are you worried about the zombie apocalypse? Kept awake imagining you’ll only manage to take out a few before that chap at No. 9 gets you? Well, fret no more! Clasp a copy of this book and get a better class of horrible death from one of Britain’s best-loved historical legends. With full zombie-hunting details – including the locations of tombs, any wounds and weaknesses and a carefully calculated difficulty rating – no apocalyptic history lover should leave home without it!
The Zombie Renaissance in Popular Culture
by Paul Manning Laura Hubner Marcus LeaningThis collection addresses the significant cultural phenomenon of the 'zombie renaissance' – the growing importance of zombie texts and zombie cultural practices in popular culture. The chapters examine zombie culture across a range of media and practices including films games, music, social media, literature and fandom.
Zombie History: Lies About Our Past that Refuse to Die
by Peter Charles HofferFake history is not a harmless mistake of fact or interpretation. It is a mistake that conceals prejudice; a mistake that discriminates against certain kinds of people; a mistake held despite a preponderance of evidence; a mistake that harms us. Fake history is like the Zombies we see in mass media, for the fake fact, like the fictional Zombie, lives by turning real events and people into monstrous perversions of fact and interpretation. Its pervasiveness reveals that prejudice remains its chief appeal to those who believe it. Its effect is insidious, because we cannot or will not destroy those mischievous lies. Zombie history is almost impossible to kill. Some Zombie history was and is political, a genre of what Hannah Arendt called “organizational lying” about the past. Its makers designed the Zombie to create a basis in the false past for particular discriminatory policies. Other history Zombies are cultural. They encapsulate and empower prejudice and stereotyping. Still other popular history Zombies do not look disfigured, but like Zombies walk among us without our realizing how devastating their impact can be. Zombie History argues that, whatever their purpose, whatever the venue in which they appear, history Zombies undermine the very foundations of disinterested study of the past.
Zombie Economics: How Dead Ideas Still Walk among Us
by John QuigginIn the graveyard of economic ideology, dead ideas still stalk the land. The recent financial crisis laid bare many of the assumptions behind market liberalism--the theory that market-based solutions are always best, regardless of the problem. For decades, their advocates dominated mainstream economics, and their influence created a system where an unthinking faith in markets led many to view speculative investments as fundamentally safe. The crisis seemed to have killed off these ideas, but they still live on in the minds of many--members of the public, commentators, politicians, economists, and even those charged with cleaning up the mess. In Zombie Economics, John Quiggin explains how these dead ideas still walk among us--and why we must find a way to kill them once and for all if we are to avoid an even bigger financial crisis in the future. Zombie Economics takes the reader through the origins, consequences, and implosion of a system of ideas whose time has come and gone. These beliefs--that deregulation had conquered the financial cycle, that markets were always the best judge of value, that policies designed to benefit the rich made everyone better off--brought us to the brink of disaster once before, and their persistent hold on many threatens to do so again. Because these ideas will never die unless there is an alternative, Zombie Economics also looks ahead at what could replace market liberalism, arguing that a simple return to traditional Keynesian economics and the politics of the welfare state will not be enough--either to kill dead ideas, or prevent future crises. In a new chapter, Quiggin brings the book up to date with a discussion of the re-emergence of pre-Keynesian ideas about austerity and balanced budgets as a response to recession.
Zombie Economics: How Dead Ideas Still Walk among Us
by John QuigginIn the graveyard of economic ideology, dead ideas still stalk the land. The recent financial crisis laid bare many of the assumptions behind market liberalism--the theory that market-based solutions are always best, regardless of the problem. For decades, their advocates dominated mainstream economics, and their influence created a system where an unthinking faith in markets led many to view speculative investments as fundamentally safe. The crisis seemed to have killed off these ideas, but they still live on in the minds of many--members of the public, commentators, politicians, economists, and even those charged with cleaning up the mess. In Zombie Economics, John Quiggin explains how these dead ideas still walk among us--and why we must find a way to kill them once and for all if we are to avoid an even bigger financial crisis in the future. Zombie Economics takes the reader through the origins, consequences, and implosion of a system of ideas whose time has come and gone. These beliefs--that deregulation had conquered the financial cycle, that markets were always the best judge of value, that policies designed to benefit the rich made everyone better off--brought us to the brink of disaster once before, and their persistent hold on many threatens to do so again. Because these ideas will never die unless there is an alternative, Zombie Economics also looks ahead at what could replace market liberalism, arguing that a simple return to traditional Keynesian economics and the politics of the welfare state will not be enough--either to kill dead ideas, or prevent future crises. In a new chapter, Quiggin brings the book up to date with a discussion of the re-emergence of pre-Keynesian ideas about austerity and balanced budgets as a response to recession.
The Zollverein (Routledge Revivals)
by William Otto HendersonPublished in 1959: This book is the only detailed study of the origin of the German customs union and its history up to the establishment of the united Reich in 1871. It is based on the author's researches in the Public Record Office and in the archives as Berlin and Vienna and takes full account of the numerous monographs by German Scholars on various aspects of Zollverein history.
The Zollverein: The Zollverein (Routledge Revivals)
by William Otto HendersonPublished in 1959: This book is the only detailed study of the origin of the German customs union and its history up to the establishment of the united Reich in 1871. It is based on the author's researches in the Public Record Office and in the archives as Berlin and Vienna and takes full account of the numerous monographs by German Scholars on various aspects of Zollverein history.
Zoli: A Novel (Thorndike Reviewers' Choice Ser.)
by Colum McCannThe life of Zoli Novotna begins on the leafy backroads of Slovakia, when she and her grandfather come upon a quiet lake where their family has been drowned by Fascist guards. Zoli and her grandfather flee to join up with another clan of travelling harpists. So begins an epic tale of song, intimacy and betrayal. Based loosely on the true story of the Gypsy poet Papusza, and set against the backdrop of the Second World War, Zoli is a love story, a tale of loss, and a parable of modern-day Europe.
Zola (Routledge Library Editions: The Nineteenth-Century Novel)
by Phillip WalkerIn the novels of Emile Zola, the pain and horror of working class life was pushed into the drawing rooms of polite society. Zola set out to shock and to question the assumptions of fiction and of comfortable, settled lives. The impact of his writing was far wider than France, and his attacks on the pillars of society gave him an international reputation. First published in 1985, this biography of Zola does much more than simply describe Zola as a writer, and his literary impact. It brings together the many strands of Zola’s life and creates an impression of a remarkable, if often exasperating individualist. This book will be of interest to those studying the works of Emile Zola and more broadly nineteenth-century and French literature.
Zola (Routledge Library Editions: The Nineteenth-Century Novel)
by Phillip WalkerIn the novels of Emile Zola, the pain and horror of working class life was pushed into the drawing rooms of polite society. Zola set out to shock and to question the assumptions of fiction and of comfortable, settled lives. The impact of his writing was far wider than France, and his attacks on the pillars of society gave him an international reputation. First published in 1985, this biography of Zola does much more than simply describe Zola as a writer, and his literary impact. It brings together the many strands of Zola’s life and creates an impression of a remarkable, if often exasperating individualist. This book will be of interest to those studying the works of Emile Zola and more broadly nineteenth-century and French literature.
The Zohar: Reception and Impact (The Littman Library of Jewish Civilization)
by Boaz HussNational Jewish Book Awards Finalist for the Nahum N. Sarna Memorial Award for Scholarship, 2016.From its first appearance, the Zohar has been one of the most sacred, authoritative, and influential books in Jewish culture. Many scholarly works have been dedicated to its mystical content, its literary style, and the question of its authorship. This book focuses on different issues: it examines the various ways in which the Zohar has been received by its readers and the impact it has had on Jewish culture, including the fluctuations in its status and value and the various cultural practices linked to these changes. This dynamic and multi-layered history throws important new light on many aspects of Jewish cultural history over the last seven centuries. Boaz Huss has broken new ground with this study, which examines of the reception and canonization of the Zohar as well as its criticism and rejection from its inception to the present day. His underlying assumption is that the different values attributed to the Zohar are not inherent qualities of the zoharic texts, but rather represent the way it has been perceived by its readers in different cultural contexts. He therefore considers not only the attribution of different qualities to the Zohar through time but also the people who were engaged in attributing such qualities and the social and cultural functions associated with their creation, re-creation, and rejection. For each historical period from the beginning of Zohar scholarship to the present, Huss considers the social conditions that stimulated the veneration of the Zohar as well as the factors that contributed to its rejection, alongside the cultural functions and consequences of each approach. Because the multiple modes of the reception of the Zohar have had a decisive influence on the history of Jewish culture, this highly innovative and wide-ranging approach to Zohar scholarship will have important repercussions for many areas of Jewish studies.
The Zohar in Moslem and Christian Spain (Routledge Library Editions: Muslim Spain)
by Ariel Bension‘The Zohar’ was compiled and composed in Spain in the thirteenth century, and exerted a powerful influence on Jewish life in medieval ghettoes. In this book, first published in 1932, Dr Bension was the first scholar to deal with the influence on Jewish mysticism of certain characteristics which underlie so much of the literature produced in Spain both by Christians and Muslims.
The Zohar in Moslem and Christian Spain (Routledge Library Editions: Muslim Spain)
by Ariel Bension‘The Zohar’ was compiled and composed in Spain in the thirteenth century, and exerted a powerful influence on Jewish life in medieval ghettoes. In this book, first published in 1932, Dr Bension was the first scholar to deal with the influence on Jewish mysticism of certain characteristics which underlie so much of the literature produced in Spain both by Christians and Muslims.
The Zodiac of Paris: How an Improbable Controversy over an Ancient Egyptian Artifact Provoked a Modern Debate between Religion and Science
by Jed Z. Buchwald Diane Greco JosefowiczThe clash of faith and science in Napoleonic FranceThe Dendera zodiac—an ancient bas-relief temple ceiling adorned with mysterious symbols of the stars and planets—was first discovered by the French during Napoleon's campaign in Egypt, and quickly provoked a controversy between scientists and theologians. Brought to Paris in 1821 and ultimately installed in the Louvre, where it can still be seen today, the zodiac appeared to depict the nighttime sky from a time predating the Biblical creation, and therefore cast doubt on religious truth. The Zodiac of Paris tells the story of this incredible archeological find and its unlikely role in the fierce disputes over science and faith in Napoleonic and Restoration France.The book unfolds against the turbulence of the French Revolution, Napoleon's breathtaking rise and fall, and the restoration of the Bourbons to the throne. Drawing on newspapers, journals, diaries, pamphlets, and other documentary evidence, Jed Buchwald and Diane Greco Josefowicz show how scientists and intellectuals seized upon the zodiac to discredit Christianity, and how this drew furious responses from conservatives and sparked debates about the merits of scientific calculation as a source of knowledge about the past. The ideological battles would rage until the thoroughly antireligious Jean-François Champollion unlocked the secrets of Egyptian hieroglyphs—and of the zodiac itself. Champollion would prove the religious reactionaries right, but for all the wrong reasons.The Zodiac of Paris brings Napoleonic and Restoration France vividly to life, revealing the lengths to which scientists, intellectuals, theologians, and conservatives went to use the ancient past for modern purposes.
Zlata's Diary
by Zlata FilipovicZlata Filipovic was given a diary shortly before her tenth birthday and began to write in it regularly. She was an ordinary, if unusuallyintelligent and articulate little girl, and her preoccupations include whether or not to join the Madonna fan club, her piano lessons, her friends andher new skis. But the distant murmur of war draws closer to her Sarajevo home. Her father starts to wear military uniform and herfriends begin to leave the city. One day, school is closed and the next day bombardments begin. The pathos and power of Zlata's diary comes from watching the destruction of a childhood. Her circle of friends isincreasingly replaced by international journalists who come to hear of this little girl's courage and resilience. But the reality is that, as they flyoff with the latest story of Zlata, she remains behind, writing her deepest feelings to 'Mimmy', her diary, and her last remaining friend.
Zizek's Politics
by Jodi DeanA critical introduction to the political thought of one of the most important, original and enigmatic philosophers writing today. Zizek's Politics provides an original interpretation and defence of the Slovenian philosopher's radical critique of liberalism, democracy, and global capital.
Zizek's Politics
by Jodi DeanA critical introduction to the political thought of one of the most important, original and enigmatic philosophers writing today. Zizek's Politics provides an original interpretation and defence of the Slovenian philosopher's radical critique of liberalism, democracy, and global capital.
Zizek Now: Current Perspectives in Zizek Studies (Theory Now)
by Jamil Khader Molly Anne RothenbergArguably the most prolific and most widely read philosopher of our time, Slavoj Zizek has made indelible interventions into many disciplines of the so-called human sciences that have transformed the terms of discussion in these fields. Although his work has been the subject of many volumes of searching criticism and commentary, there is no assessment to date of the value of his work for the development of these disciplines. Zizek Now brings together distinguished critics to explore the utility and far-ranging implications of Zizek's thought and provide an evaluation of the difference his work makes or promises to make in their chosen fields. As such, the volume offers chapters on quantum physics and Zizek's transcendentalist materialist theory of the subject, Hegel's absolute, materialist Christianity, postcolonial violence, eco-politics, ceremonial acts, and the postcolonial revolutionary subject. Contributors to the volume include Adrian Johnston, Ian Parker, Todd McGowan, Bruno Bosteels, Erik Vogt, Verena Conley, Joshua Ramey, Jamil Khader, and Zizek himself.
Zizek Now: Current Perspectives in Zizek Studies (Theory Now)
by Jamil Khader Molly Anne RothenbergArguably the most prolific and most widely read philosopher of our time, Slavoj Zizek has made indelible interventions into many disciplines of the so-called human sciences that have transformed the terms of discussion in these fields. Although his work has been the subject of many volumes of searching criticism and commentary, there is no assessment to date of the value of his work for the development of these disciplines. Zizek Now brings together distinguished critics to explore the utility and far-ranging implications of Zizek's thought and provide an evaluation of the difference his work makes or promises to make in their chosen fields. As such, the volume offers chapters on quantum physics and Zizek's transcendentalist materialist theory of the subject, Hegel's absolute, materialist Christianity, postcolonial violence, eco-politics, ceremonial acts, and the postcolonial revolutionary subject. Contributors to the volume include Adrian Johnston, Ian Parker, Todd McGowan, Bruno Bosteels, Erik Vogt, Verena Conley, Joshua Ramey, Jamil Khader, and Zizek himself.
Zizek and Media Studies: A Reader
by Matthew Flisfeder Louis-Paul WillisFilm, media, and cultural theorists have long appealed to Lacanian theory in order to discern processes of subjectivization, representation, and ideological interpellation. Here, the contributors take up a Zizekian approach to studies of cinema and media, raising questions about power, ideology, sexual difference, and enjoyment.
Zizek: A Guide for the Perplexed (Guides for the Perplexed)
by Sean SheehanOne of the most widely-read thinkers writing today, Slavoj Žižek's work can be both thrilling and perplexing in equal measure. Žižek: A Guide for the Perplexed is the most up-to-date guide available for readers struggling to master the ideas of this hugely influential thinker. Unpacking the philosophical references that fill Žižek's writings, the book explores his influences, including Lacan, Kant, Hegel and Marx. From there, a chapter on 'Reading Žižek' guides the reader through the ways that he applies these core theoretical concepts in key texts like Tarrying With the Negative, The Ticklish Subject and The Parrallax View and in his books about popular culture like Looking Awry and Enjoy Your Symptom! Major secondary writings and films featuring Žižek are also covered.
Zizek: A Guide for the Perplexed (Guides for the Perplexed)
by Sean SheehanOne of the most widely-read thinkers writing today, Slavoj Žižek's work can be both thrilling and perplexing in equal measure. Žižek: A Guide for the Perplexed is the most up-to-date guide available for readers struggling to master the ideas of this hugely influential thinker. Unpacking the philosophical references that fill Žižek's writings, the book explores his influences, including Lacan, Kant, Hegel and Marx. From there, a chapter on 'Reading Žižek' guides the reader through the ways that he applies these core theoretical concepts in key texts like Tarrying With the Negative, The Ticklish Subject and The Parrallax View and in his books about popular culture like Looking Awry and Enjoy Your Symptom! Major secondary writings and films featuring Žižek are also covered.