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The Mermaid's Sister: Book 2 (A Magical Venice story #2)
by Holly WebbAn enchanting tale of magic, mermaids and adventure for readers aged 9 and up - from bestselling author, Holly Webb. Venice is faced with terrible danger . . . Can the friendship between a young girl and a mermaid save the city?Lady Mia doesn't want to believe in magic, even though her cousin, the princess, is the most magical ruler Venice has ever known. But when Mia meets a mermaid called Ara, it is impossible for her to deny her destiny any longer. The two friends must work together to save their home - but will their combined magic be enough to defeat the Talish invaders? The Magical Venice books are all share the same beautiful setting, but can be read as standalone stories. The series includes: The Water Horse, The Mermaid's Sister, The Maskmasker's Daughter, and The Girl of Glass. Discover more by Holly Webb with her Rose and Lily series - also filled with magical adventures.
The Merman's Children
by Poul AndersonIn the waning years of the Middle Ages, before Christendom had completely scoured the world of magic, both Faery and Man lived on Europe's shores. This is the story of those last days: of the halfling children of the Liri king, who were of both realms but chose the one we call the other; of how they schemed and fought for survival, hounded from the Baltic to the ice caves of Greenland to the Mediterranean coast; of how they loved and how they died. It is the epic master piece, the adventure at once erotic, violent and magnificently sad, that Poul Anderson has always wanted to write.
Merrick: The Vampire Chronicles 7 (The Vampire Chronicles #Bk. 7)
by Anne RiceWhen last the vampire Lestat was seen, he was rising from the dead in present-day New Orleans to walk again among Anne Rice's unforgettable undead. Now Lestat lives again, but in a twilight world of music and memory. His charismatic friend Louis de Pointe du Lac is tortured by the memory of the child vampire, Claudia, whom he loved and lost. He calls on Merrick, young and gorgeous mixed-race by-blow of the rich New Orleans Mayfair clan. To save Louis' sanity, Merrick must use her black witchcraft to call up the ghost of Claudia - however dangerous this may be. There are other Mayfair spirits who will not lie still, and her search takes her close to the edge, through blood and terror, ritual and violence. Sweeping from New Orleans to the Brazilian jungle and the island of Haiti, this is vampire literature at its most tantalising, sexy and irresistible.
Merry Christmas Ms Minerva
by Edmund CooperThis powerful and horrific novel is set in England in the early part of the 21st century. It tells of the tragic and terrifying events that occur on one day - Christmas Eve - in the life of Maggie Minerva, the attractive widow of a Trade Union boss. These events have startling repercussions not only for the people involved but also for the social structure of Britain.
The Merry Spinster: Tales of everyday horror
by Daniel Mallory Ortberg'Dark and dreadful and persistently clever. Ortberg bloodily turns familiar tales inside out.' Rainbow Rowell'A collection of stories delectable, formidable, and nimble. As a fantasist and short story writer, Ortberg is without peer.' Kelly Link'Ortberg has a voracious appetite for poison apples, and a genius for finding the places in fairyland where all the bodies are buried. The Merry Spinster will ruin your most-loved fables, in the best possible way.' Charlie Jane Anders'Ortberg has the sloe gin wit of Dorothy Parker and the soul of a Classics nerd. It's like both of them sat next to each other in The Merry Spinster and gossiped away. The result is an absolute delight.' John Scalzi'Ortberg has created a Frankenstein's monster of familiar narratives . . . [that swings] between Terry Pratchett's satirical jocularity and Angela Carter's sinister, shrewd storytelling, and the result is gorgeous, unsettling, splenic, cruel, and wickedly smart. I've never read anything quite like them, and I bet, Dear Reader, that you haven't either.' Carmen Maria MachadoA collection of darkly mischievous stories based on classic fairy tales. Sinister and inviting, familiar and alien all at the same time, The Merry Spinster updates traditional children's stories and fairy tales with elements of psychological horror, emotional clarity, and a keen sense of feminist mischief.Unfalteringly faithful to its beloved source material, The Merry Spinster also illuminates the unsuspected, and frequently alarming, emotional complexities at play in the stories we tell ourselves and each other as we tuck ourselves in for the night.Bed time will never be the same.
Message from the Eocene
by Margaret St ClairHis name was Tharg, but he was not of any life form we know today. He lived so long ago that the planet Earth had not yet shaped itself. Lava seas roiled and churned, volcanoes spouted and grew, and heavy clouds hung in the hydrogen atmosphere, leaving the planet's surface dark and dangerous.On that world Tharg met his death, or something very much like it. He became a disembodied, totally nonphysical intelligence, cut off from all contact with the life he had known. He 'slept' for hundreds of millions of years, unconnected with the world, unthinking, hardly existing.But then he began to awake - for there was new life on Earth, creatures called 'human', and Tharg, knowing an ancient promise from the stars, had to tell them of it. But . . . how?
The Messenger
by Mark Charan NewtonEnjoy reading The Messenger, a standalone Lucan Drakenfeld 9,000 word short story that will appeal to fans of C J Sansom.As an Officer of the Sun Chamber, Lucan Drakenfeld must uphold the two-hundred-year-old laws of the Vispasian Royal Union, whatever the cost. While stationed in the ancient city of Venyn, a metropolis notorious for its lawless nature, Drakenfeld receives a series of mysterious letters, written in blood, that warn of an imminent assassination attempt on the life of the city's young Prince Bassim. Supported by his fiery colleague Leana, Drakenfeld's investigation leads him down the city's corridors of power. But nothing is as it seems. Who is behind the conspiracy that threatens the young prince, and will the duo be able to unearth the perpetrator before the prince's time is up?Delve even deeper into Mark Charan Newton's fantasy ancient world with Drakenfeld and Retribution.
Messenger (The Giver Quartet #3)
by Lois LowryThe fascinating third companion novel to THE GIVER which inspired the dystopian genre and is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Messenger’s Legacy: The Painted Man, The Desert Spear, The Daylight War Plus The Great Bazaar And Brayan's Gold And Messenger's Legacy
by Peter V. BrettA thrilling novella set in the world of The Demon Cycle from bestselling fantasy author Peter V. Brett.
The Messiah of Stockholm
by Cynthia OzickFrom the winner of the National Book Critics Circle Award, who's been shortlisted for the Pulitzer Prize, the Man Booker International Prize and the Orange Prize for Fiction comes the brilliant novel The Messiah of Stockholm.Lars Andeming, perhaps overly intellectual and certainly eccentric, is the Monday book reviewer for a Stockholm daily. He is also the self-proclaimed son of Bruno Schulz, a Polish writer who was executed by the Nazis before his last novel, The Messiah, could be published. When a manuscript of The Messiah mysteriously appears in Stockholm, in the possession of Schulz's 'daughter', Lars's circumscribed world of paper, apartment, and favorite bookstore turns upside down, catapulting him into a whirlwind of dream, magic, and illusion.A Brilliant novel... The Messiah of Stockholm is a worthy companion to Philip Roth's superb Prague Orgy... A complex and fascinating meditation on the nature of writing and the responsibilities of those who choose to create - or judge - tales. - Harold Bloom, New York Times
Meta Television: A History of US Popular Television's Self-Awareness (Routledge Advances in Popular Culture Studies)
by Erin GianniniThe idea of metatextuality is frequently framed as a recent television development and often paired with the idea that it represents genre exhaustion. US television, however, with its early “live” performances and set-bound sitcoms, always suggested an element of self-awareness that easily shaded into metatextuality even in its earliest days. Meta Television thus traces the general history of US television’s metatextuality throughout television’s history, arguing that TV’s self-awareness is nothing new—and certainly not evidence of a period of aesthetic exhaustion—but instead is woven into both its past and present practice, elucidated through case studies featuring series from the 1970s to the present day—many of which have not been critically analyzed before—and the various ways they deploy metatext to both construct and deconstruct their narratives. Further, Meta Television asserts that this re- and de-construction of narrative and production isn’t just a reward to the savvy and/or knowledgeable viewer (or consumer), but seeks to make broader points about the media we consume—and how we consume it.This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears (horror and sci-fi/fantasy) and its movement into drama and sitcom, represents the next turn in television’s inherent self-awareness. It traces this element throughout television’s history, growing from the more modest reflexivity of programs’ awareness of themselves, as created objects in a particular medium, to the more significant breaking of the fictive illusion and therefore the perceived distance between the audience and the series. Erin Giannini shows how the increased currency of metatextual television in the contemporary era can be tied to a viewership well-versed in its stories and production as well as able and willing to “talk back” via social media. If television reflects culture to a certain extent, this increased reflexivity mirrors that “responsive” audience as a consequence of the lack of distance that metafiction embraces.As Robert Stam traced the use—and implications—of reflexivity in film and literature, this book does the same for television, further problematizing John Ellis’s glance theory in terms of both production and spectatorship.
Meta Television: A History of US Popular Television's Self-Awareness (Routledge Advances in Popular Culture Studies)
by Erin GianniniThe idea of metatextuality is frequently framed as a recent television development and often paired with the idea that it represents genre exhaustion. US television, however, with its early “live” performances and set-bound sitcoms, always suggested an element of self-awareness that easily shaded into metatextuality even in its earliest days. Meta Television thus traces the general history of US television’s metatextuality throughout television’s history, arguing that TV’s self-awareness is nothing new—and certainly not evidence of a period of aesthetic exhaustion—but instead is woven into both its past and present practice, elucidated through case studies featuring series from the 1970s to the present day—many of which have not been critically analyzed before—and the various ways they deploy metatext to both construct and deconstruct their narratives. Further, Meta Television asserts that this re- and de-construction of narrative and production isn’t just a reward to the savvy and/or knowledgeable viewer (or consumer), but seeks to make broader points about the media we consume—and how we consume it.This book explores the ways in which the current metatextual turn, in both the usual genres in which it appears (horror and sci-fi/fantasy) and its movement into drama and sitcom, represents the next turn in television’s inherent self-awareness. It traces this element throughout television’s history, growing from the more modest reflexivity of programs’ awareness of themselves, as created objects in a particular medium, to the more significant breaking of the fictive illusion and therefore the perceived distance between the audience and the series. Erin Giannini shows how the increased currency of metatextual television in the contemporary era can be tied to a viewership well-versed in its stories and production as well as able and willing to “talk back” via social media. If television reflects culture to a certain extent, this increased reflexivity mirrors that “responsive” audience as a consequence of the lack of distance that metafiction embraces.As Robert Stam traced the use—and implications—of reflexivity in film and literature, this book does the same for television, further problematizing John Ellis’s glance theory in terms of both production and spectatorship.
The Metal Eater
by E.C. TubbIt was the last planet left for men to conquer - a planet rich in priceless urillium ore, yet no man laid a finger on this wealth that was for the taking.For the planet Vendor could not be conquered. Space-men tried time and time again, but always the Voices drove them mad and destroyed them. Some intangible power kept men away from that taunting prize - until a scientist on Deneb IV perfected a blanketing device to protect his shop through the barrier. It took him twenty years to do it and every penny he possessed, but at last his voyage to Vendor began.It was the voyage of a gambler who knew that only two alternatives faced him...illimitable wealth and glory, or failure and death.But the journey to Vendor brought hazards that neither he nor his crew had foreseen, and before its conclusion a force was unwittingly released that could have swept life from the Universe - the indestructible and horrifying force of THE METAL EATER.
The Metal Monster: Large Print
by Abraham MerrittIn the wilds of the Trans-Himalayan region, a quartet of adventurers led by Dr. Walter T. Goodwin stumbles upon a tribe of human primitives forgotten since the age of Alexander the Great, and an awesome being of living metal commanded by the exiled Norhala. As Norhala's guests, Goodwin and his team witness the mind-boggling marvels that are the Metal Monster's way of life, and the unspeakable horrors it commits when Norhala takes it to war against her persecutors.
Metallic Love (Silver Metal Lover Ser. #2)
by Tanith LeeAs an orphan growing up in the slums, Loren read her clandestine copy of Jane's Story over and over, relishing every word. But Loren is no Jane. Savvy and street-smart, Loren could never be stirred by a man of metal, her passion never ignited by an almost-human - even one designed for pleasure. Still, when the META corporation does the unthinkable and brings back updated versions of robots past-Loren knows she must see Silver. And just like Jane, it is love at first sight. But Silver is now Verlis. If he was perfection before, he is now like a god. Yet he is more human than his creators think - or fear. While Loren doesn't quite trust him, she will follow her twice-born lover into a battle to control his own destiny - one that will reveal to her the most astonishing illusion of all.
Metamorphosis
by Franz KafkaThe Metamorphosis is a novella written by Franz Kafka which was first published in 1915. Gregor Samsa awakes one morning to find himself transformed into a gigantic insect. The story follows Gregor's attempts to adjust to his new reality while maintaining relationships with his family.
The Metamorphosis: Change really BUGGED him! (Pulp! The Classics Ser.)
by Franz KafkaChange really BUGGED him! Poor old Gregor. One day he's depressed about his dreary travelling salesman gig, the next, he's roaching around the apartment and disgusting his family. All that's left is creeping the walls and eating garbage. How's his sis ever going to find a sugar daddy with her grotty bro in tow?
Meteor Madness: Book 12 (Frankie's Magic Football)
by Frank LampardFrankie and his team love playing football. There's always time for a game - especially in space!When Frankie and his friends climb into a broken Galaxy Quest ride, the shuttle sends them flying beyond the stars! Can Frankie and his team win a game against aliens, and save their new friends from a meteor? Frankie needs to win like never before!
The Method
by Juli Zeh Sally-Ann SpencerMia Holl lives in a state governed by The Method, where good health is the highest duty of the citizen. Everyone must submit medical data and sleep records to the authorities on a monthly basis, and regular exercise is mandatory.Mia is young and beautiful, a successful scientist who is outwardly obedient but with an intellect that marks her as subversive. Convinced that her brother has been wrongfully convicted of a terrible crime, Mia comes up against the full force of a regime determined to control every aspect of its citizens' lives.
Method Man
by Method ManIn this mind-bending graphic novel, an ancient evil of unfathomable power plots the unspeakable: the destruction of the mortal realm and beyond.In an unthinkable new reality, man's only hope lies in Peerless Poe, a hard-luck private eye with a taste for booze and a magnetic attraction to danger. A former member of the clandestine Order of the Sacred Method, Poe must forge an uneasy alliance with those who one exploited him against an enemy bent on global annihilation. This unholy threat wears a woman's face and wields dark energies capable of destroying normal men.But Poe hasn't been normal in years. The Order saw to that.Poe is scarred. Poe is transformed. Poe is . . . Method Man.
Methuselah's Children (Gateway Essentials #481)
by Robert A. HeinleinAfter the fall of the American Ayatollahs as foretold in Stranger in a Strange Land and chronicled in Revolt in 2100, the United States of America at last fulfills the promise inherent in its first Revolution: for the first time in human history there is a nation with Liberty and Justice for All.No one may seize or harm the person or property of another, or invade his privacy, or force him to do his bidding. Americans are fiercely proud of their re-won liberties and the blood it cost them: nothing could make them forswear those truths they hold self-evident. Nothing except the promise of immortality...
Metro 2033: The novels that inspired the bestselling games
by Dmitry GlukhovskyThe basis of three bestselling computer games Metro 2033 and Metro Last Light, and Metro: Exodus. The year is 2033. The world has been reduced to rubble. Humanity is nearly extinct. The half-destroyed cities have become uninhabitable through radiation. Beyond their boundaries, they say, lie endless burned-out deserts and the remains of splintered forests. Survivors still remember the past greatness of humankind. But the last remains of civilisation have already become a distant memory, the stuff of myth and legend.More than 20 years have passed since the last plane took off from the earth. Rusted railways lead into emptiness. The ether is void and the airwaves echo to a soulless howling where previously the frequencies were full of news from Tokyo, New York, Buenos Aires. Man has handed over stewardship of the earth to new life-forms. Mutated by radiation, they are better adapted to the new world. Man's time is over.A few score thousand survivors live on, not knowing whether they are the only ones left on earth. They live in the Moscow Metro - the biggest air-raid shelter ever built. It is humanity's last refuge. Stations have become mini-statelets, their people uniting around ideas, religions, water-filters - or the simple need to repulse an enemy incursion. It is a world without a tomorrow, with no room for dreams, plans, hopes. Feelings have given way to instinct - the most important of which is survival. Survival at any price.VDNKh is the northernmost inhabited station on its line. It was one of the Metro's best stations and still remains secure. But now a new and terrible threat has appeared. Artyom, a young man living in VDNKh, is given the task of penetrating to the heart of the Metro, to the legendary Polis, to alert everyone to the awful danger and to get help. He holds the future of his native station in his hands, the whole Metro - and maybe the whole of humanity.
Metro 2034: The novels that inspired the bestselling games
by Dmitry GlukhovskyThe basis of three bestselling computer games Metro 2033 and Metro Last Light, and Metro: Exodus. The Metro books have put Dmitry Glukhovsky in the vanguard of Russian speculative fiction alongside the creator of Night Watch, Sergei Lukyanenko. A year after the events of METRO 2033 the last few survivors of the apocalypse, surrounded by mutants and monsters, face a terrifying new danger as they hang on for survival in the tunnels of the Moscow Metro.Featuring blistering action, vivid and tough characters, claustrophobic tension and dark satire the Metro books have become bestsellers across Europe.
Mexican Gothic: a mesmerising historical Gothic fantasy set in 1950s Mexico
by Silvia Moreno-GarciaThe acclaimed author of Gods of Jade and Shadow returns with a mesmerising feminist re-imagining of Gothic fantasy, in which a young socialite discovers the haunting secrets of a beautiful old mansion in 1950s Mexico. He is trying to poison me. You must come for me, Noemí. You have to save me.When glamorous socialite Noemí Taboada receives a frantic letter from her newlywed cousin begging to be rescued from a mysterious doom, it's clear something is desperately amiss. Catalina has always had a flair for the dramatic, but her claims that her husband is poisoning her and her visions of restless ghosts seem remarkable, even for her.Noemí's chic gowns and perfect lipstick are more suited to cocktail parties than amateur sleuthing, but she immediately heads to High Place, a remote mansion in the Mexican countryside, determined to discover what is so affecting her cousin.Tough and smart, she possesses an indomitable will, and she is not afraid: not of her cousin's new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not of the house itself, which begins to invade Noemi's dreams with visions of blood and doom.Her only ally in this inhospitable abode is the family's youngest son. Shy and gentle, he seems to want to help, but might also be hiding dark knowledge of his family's past. For there are many secrets behind the walls of High Place. The family's once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerised by the terrifying yet seductive world of High Place, may soon find it impossible to leave this enigmatic house behind . . .