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Proceed to Check Out (Phoenix Poets)
by Alan ShapiroAward-winning poet Alan Shapiro offers a new collection of poems reflecting on mortality and finitude. Alan Shapiro’s fourteenth collection of poetry, Proceed to Check Out, is a kind of summing up, or stock-taking, by an aging poet, of his precarious place in a world dominated by the ever-accelerating pace of technological innovation, political disruption, personal loss, and racial strife. These poems take on fundamental subjects—like the nature of time and consciousness and how or why we become who we are—but Shapiro presses them into becoming urgent and timely. Employing idiomatic range and formal variety, Shapiro’s poems move through recurring dreams, the coercions of childhood, and the mysterious connections of mind and matter, pleasure and memory. They meet an abiding need to find empathy and understanding in even the most challenging places—amid disaffection, public discord, and estrangement. His grasp of contemporary life—in all its insidious violence and beauty—is distinct, comprehensive, and profound.
Proceed to Check Out (Phoenix Poets)
by Alan ShapiroAward-winning poet Alan Shapiro offers a new collection of poems reflecting on mortality and finitude. Alan Shapiro’s fourteenth collection of poetry, Proceed to Check Out, is a kind of summing up, or stock-taking, by an aging poet, of his precarious place in a world dominated by the ever-accelerating pace of technological innovation, political disruption, personal loss, and racial strife. These poems take on fundamental subjects—like the nature of time and consciousness and how or why we become who we are—but Shapiro presses them into becoming urgent and timely. Employing idiomatic range and formal variety, Shapiro’s poems move through recurring dreams, the coercions of childhood, and the mysterious connections of mind and matter, pleasure and memory. They meet an abiding need to find empathy and understanding in even the most challenging places—amid disaffection, public discord, and estrangement. His grasp of contemporary life—in all its insidious violence and beauty—is distinct, comprehensive, and profound.
Profit and Loss (Cape Poetry Ser.)
by Leontia FlynnCelebrated as an unusually original poet - nervy, refreshing, deceptively simple - Leontia Flynn has quickly developed into a writer of assured technical complexity and a startling acuity of perception. In her third collection, Flynn examines and dismantles a fugitive life. The first sequence moves through a series of rooms, reflecting on aspects of the author's personal and family history. Using the idea of the haunted house or the house with a sealed-off room, and Gothic tropes of madness, doubles, revenants and religious brooding, the poems consider ideas of inheritance and legacy. The second section comprises a magnificent long poem written in the months leading up to the banking crisis and presidential election of October 2008. Taking as its occasion a flat-clearing, it assumes a more public voice (inspired partly by Auden's 'Letter to Lord Byron'), and reflects on aspects of the rapid social and technological change of the last decade. An extraordinarily moving reflection on mutability and mortality prompted by the spring-cleaning of a life's detritus, 'Letter to Friends' evolves from a private reliquary to a public obsequy. Its collapse back into private griefs, including the poet's father's decline into Alzheimer's disease, is pursued in the third section of the book. Here the theme of a tallying of private and public balance sheets, of different kinds of profit and loss, widens to include poems of motherhood and marriage, the possibilities of hope and repair.
The Promised Land: Poems from Itinerant Life
by André Naffis-SahelyWhile half the world swept west,we trickled eastward, one by one,single-file, like fugitives. Next stop:Abu Dhabi, where my father had a job,and money, for the first time in years . . .__________________________________________________Flitting from the mud-soaked floors of Venice to the glittering, towering constructions of the Abu Dhabi of his childhood and early adulthood, from present-day London to North America, André Naffis-Sahely's bracingly plain-spoken first collection gathers portraits of promised lands and those who go in search of them: labourers, travellers, dreamers; the hopeful and the dispossessed. 'Naffis-Sahely's poems usher the reader in to a world of reversals and risk . . . His narratives hold memory to account'DAVID HARSENT
Promises of Gold
by José OlivarezLove is at the heart of everything we do, and yet it is often mishandled, misrepresented, or narrowly defined. In the words of José Olivarez: 'How many bad lovers have gotten poems? How many crushes? No disrespect to romantic love -- but what about our friends? Those homies who show up when the romance ends to help you heal your heart. Those homies who are there all along -- cheering for us and reminding us that love is abundant.'Written in English and combined with a Spanish translation by poet David Ruano, Promises of Gold explores many forms of love and how 'a promise made isn't always a promise kept,' as Olivarez lays bare the ways in which 'love is complicated by forces larger than our hearts.' It is an attempt to reckon with colonial legacy and the reality of what those promises and dreams have borne out for Mexican descendants. 'I wrote this book to imagine and document an ongoing practice of healing,' writes Olivarez, 'healing that requires me to show up for myself, my community, my friends, my family, and my loves every day.'Whether readers enter this collection in English or Spanish, these extraordinary poems, written with empathy and humour, are sure to be cherished for their illuminations of all the rhythms of life -- and love.
Propertius: Poet of Love and Leisure (Classical Literature and Society)
by A. M. KeithIn Propertius: Poet of Love and Leisure, Alison Keith explores Propertius' elegiac poetry in the context of early imperial Roman society. Examining a variety of themes associated with both Propertian poetics (such genre theory, poetic models, the girlfriend, the rival) and the poet's social context within the early Augustan principate (such as Roman imperialism, the elite male cursus honorum, Augustus' building projects) she offers a synthetic overview of Propertius' achievement in his four books of elegies. She considers the neglected relationship of rhetoric to Propertian elegiac poetics, as well as Propertius' debt to the classical literary tradition, and she explores themes in the corpus that reflect the Augustan imperial context in which Propertius lived and wrote. Arguing for neither a pro- nor an anti-Augustanism on display in Propertian elegy, Keith brings to light the multiple ways in which Roman imperial rule, the new pax Augusta, and new forms of elite Roman political competition intersect in and inform Propertius' poetry. The volume aims to contribute to our understanding of both Latin literature and Augustan culture its sustained exploration of refractions of the Roman 'imperialist enterprise' in Propertius' elegiac poetry.
The Prophet (Macmillan Collector's Library #9)
by Kahlil GibranUtterly unique and beloved around the world, The Prophet is a collection of twenty-six poetic essays by the Lebanese artist, philosopher and writer Khalil Gibran. Telling the story of the prophet Al-Mustafa and his conversations with various acquaintances as he returns home after a long absence, the book touches on subjects of universal concern, including love, friendship, passion, pain, religion and freedom.Thought-provoking, comforting and wise, the simple truths of The Prophet remain compelling and rewarding to this day.Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautiful gift editions of much loved classic titles. Macmillan Collector's Library are books to love and treasure.
The Prophet: With Original 1923 Illustrations By The Author
by Kahlil GibranThe Prophet is known and loved by readers all over the world. It is a wise and warm testimony to life, whose wisdom speaks to us all. This beautiful edition of Kahlil Gibran's timeless classic is illustrated with the author's own mystical drawings.
The Prophet
by Kahlil GibranOne of the most beloved classics of our time, Kahlil Gibran's The Prophet has been translated into many languages and sold millions of copies since its original publication in 1923. Its 28 chapters consist of poetic reflections on the human condition, presented as discussions between the prophet, Almustafa, and the people of the city of Orphalese. Gibran was a Lebanese poet, philosopher and artist, and his fame and influence have spread far beyond the land of his birth. In America, where he lived for the last twenty years of his life, he began to write in English, and his books of poetry, illustrated with mystical drawings that have been compared to those of William Blake, are now known all over the world. The Prophet is timeless in its insight into the human condition, and in its calm philosophy and spontaneous joy can be found the expression of the deepest impulses of the human heart and mind.
The Prophet: With Original 1923 Illustrations By The Author
by Kahlil GibranA 20th century classic, The Prophet is thought-provoking, comforting and wise, and its simple truths remain compelling and rewarding to this day.Utterly unique and beloved around the world, The Prophet is a collection of twenty-six poetic essays by the Lebanese artist, philosopher and writer Kahlil Gibran. Telling the story of the prophet Al-Mustafa and his conversations with various acquaintances as he returns home after a long absence, the book touches on subjects of universal concern, including love, friendship, passion, pain, religion and freedom.
The Prophet
by Kahlil GibranThe Prophet is a book of 26 prose poetry fables written in English by the Lebanese-American artist, philosopher and writer Kahlil Gibran. Originally published in 1923, it is Gibran's best known work and has been translated into over 40 different languages. The prophet, Almustafa, has lived in the foreign city of Orphalese for 12 years and is about to board a ship which will carry him home. He is stopped by a group of people, with whom he discusses topics such as life and the human condition. The book is divided into chapters dealing with work, love, marriage, eating and drinking, joy and sorrow, self-knowledge, teaching, friendship, pleasure, beauty, religion, crime and punishment, reason and passion, and death.
Prose: The Centenary Edition
by Elizabeth BishopAlthough Elizabeth Bishop is perhaps better known as a masterful poet, she was a dazzling and compelling prose writer too, as this centenary edition of her prose demonstrates. From her witty, unforgettable portraits of Marianne Moore and the Sitwells to her engaging childhood recollections of Canada and Massachusetts, her writing reflects a lifelong fascination with memory and travel, and her unique eye and ear for people and places.This new volume - edited by the Pulitzer Prize-winning critic Lloyd Schwartz - includes virtually all her published shorter prose pieces and a number of prose works not published until after her death. Included here are her stories, crucial memoirs, literary and travel essays, book reviews, and - for the first time - the original draft of Brazil, the Life World Library volume she repudiated in its published version, as well as extensive selections from the correspondence between Bishop and the poet Anne Stevenson. Here is a rich and revealing selection, and the indispensible companion to the poems.
Prose Poetry: An Introduction
by Paul Hetherington Cassandra AthertonAn engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Prose Poetry: An Introduction
by Paul Hetherington Cassandra AthertonAn engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
A Prosody of Free Verse: Explorations in Rhythm (Routledge Studies in Rhetoric and Stylistics)
by Richard AndrewsThere is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.
A Prosody of Free Verse: Explorations in Rhythm (Routledge Studies in Rhetoric and Stylistics)
by Richard AndrewsThere is to date no comprehensive account of the rhythms of free verse. The main purpose of A Prosody of Free Verse: explorations in rhythm is to fill that gap and begin to provide a systematic approach to describing and analyzing free verse rhythms. Most studies have declared the attempt to write such a prosody as impossible: they prefer to see free verse as an aberrant version of regular metrical verse. They also believe that behind free verse is the ‘ghost of metre’. Running against that current, A Prosody of Free Verse bases its new system on additive rhythms that do not fit conventional time signatures. Inspiration is taken from jazz, contemporary music and dance, not only in their systems of notation but in performance. The book argues that twentieth and twenty-first century rhythms in poetry as based on the line rather than the metrical foot as the unit of rhythm , and that larger rhythmic structures fall into verse paragraphs rather than stanzas.
Protestant Poetics and the Seventeenth-Century Religious Lyric
by Barbara Kiefer LewalskiBarbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Prufrock and Other Observations
by T. S. EliotIncluded in Prufrock and Other Observations are the following poems: The Love Song of J. Alfred Prufrock Portrait of a Lady Preludes Rhapsody on a Windy Night Morning at the Window The Boston Evening Transcript Aunt Helen Cousin Nancy Mr. Apollinax Hysteria Conversation Galante La Figlia Che Piange
Prufrock and Other Observations (Faber Poetry Ser.)
by T. S. EliotIncluded in Prufrock and Other Observations are the following poems:The Love Song of J. Alfred PrufrockPortrait of a LadyPreludesRhapsody on a Windy NightMorning at the WindowThe Boston Evening TranscriptAunt HelenCousin NancyMr. ApollinaxHysteriaConversation GalanteLa Figlia Che Piange
Psychoanalysis and Aesthetics (Collected Works of Charles Baudouin)
by Charles BaudouinOriginally published in 1924, this title is substantially a continuation of Baudouin’s earlier work Studies in Psychoanalysis, being an application of psychoanalysis to the theory of aesthetics, as illustrated by a detailed study of the works of the Belgian poet Emile Verhaeren. The ‘interpretation’ Freud has supplied for dreams Baudouin attempts – and archives – for the imagery of the artistic creator. The work is in part based upon private documents supplied to the author by Madame Verhaeren, an autograph letter, and a previously unpublished poem.
Psychoanalysis and Aesthetics (Collected Works of Charles Baudouin)
by Charles BaudouinOriginally published in 1924, this title is substantially a continuation of Baudouin’s earlier work Studies in Psychoanalysis, being an application of psychoanalysis to the theory of aesthetics, as illustrated by a detailed study of the works of the Belgian poet Emile Verhaeren. The ‘interpretation’ Freud has supplied for dreams Baudouin attempts – and archives – for the imagery of the artistic creator. The work is in part based upon private documents supplied to the author by Madame Verhaeren, an autograph letter, and a previously unpublished poem.
‘Public’ and ‘Private’ Playhouses in Renaissance England: The Politics Of Publication (Early Modern Literature in History)
by Eoin PriceAt the start of the seventeenth century a distinction emerged between 'public', outdoor, amphitheatre playhouses and 'private', indoor, hall venues. This book is the first sustained attempt to ask: why? Theatre historians have long acknowledged these terms, but have failed to attest to their variety and complexity. Assessing a range of evidence, from the start of the Elizabethan period to the beginning of the Restoration, the book overturns received scholarly wisdom to reach new insights into the politics of theatre culture and playbook publication. Standard accounts of the 'public' and 'private' theatres have either ignored the terms, or offered insubstantial explanations for their use. This book opens up the rich range of meanings made available by these vitally important terms and offers a fresh perspective on the way dramatists, theatre owners, booksellers, and legislators, conceived the playhouses of Renaissance London.
Public Dream
by Frances LevistonPublic Dream, Frances Leviston’s first collection of poetry, is one of the most eagerly-awaited debuts in years. Although still in her early twenties, Leviston has already received considerable acclaim for her superbly-crafted and pitch-perfect verse. However, in the apparently effortless balancing of its lyric and metaphysical concerns, in the penetration, range and originality of its thought, Public Dream shows her to possess the maturity to match that skill. This book does more than merely display promise: it announces the arrival of a singular and essential new voice.
Public Property
by Sir Andrew MotionIn his first collection since being appointed Poet Laureate, Andrew Motion negotiates the very space of poetry, moving between private and public realms, pondering each from the other's borders. In the opening series of idylls he conjures the expeditionary narratives of a rural childhood, in scenes as precisely remembered as they are irretrievable. Elsewhere he reconsiders moments from the Victorian past from reticent and surprising angles, and elsewhere again he tackles distinctly contemporary themes and situations. The final section of the book contains a number of elegies and love poems, written in a variety of lyric forms, which provoke concerns that are among the most critical in poetry: What is public art? To whom do our most private sentiments belong?
Puerilities: Erotic Epigrams of "The Greek Anthology"
by Daryl HineElegiac lyrics celebrating the love of boys, which the translator terms Puerilities, comprise most of the twelfth book of The Greek Anthology. That book, the so-called Musa Puerilis, is brilliantly translated in this, the first complete verse version in English. It is a delightful eroticopia of short poems by great and lesser-known Greek poets, spanning hundreds of years, from ancient times to the late Christian era. The epigrams--wry, wistful, lighthearted, libidinous, and sometimes bawdy--revel in the beauty and fickle affection of boys and young men and in the fleeting joys of older men in loving them. Some, doubtless bandied about in the lax and refined setting of banquets, are translated as limericks. Also included are a few fine and often funny poems about girls and women. Fashion changes in morality as well as in poetry. The sort of attachment that inspired these verses was considered perfectly normal and respectable for over a thousand years. Some of the very best Greek poets--including Strato of Sardis, Theocritus, and Meleager of Gadara--are to be found in these pages. The more than two hundred fifty poems range from the lovely to the playful to the ribald, but all are, as an epigram should be, polished and elegant. The Greek originals face the translations, enhancing the volume's charm. A friend of Youth, I have no youth in mind, For each has beauties, of a different kind. --Strat? I've had enough to drink; my heart and soul As well as tongue are losing self-control. The lamp flame bifurcates; I multiply The dinner guests by two each time I try. Not only shaken up by the wine-waiter, I ogle too the boy who pours the water. --Strat? Venus, denying Cupid is her son, Finds in Antiochus a better one. This is the boy to be enamored of, Boys, a new love superior to Love. --Meleager