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Paul Muldoon in America: Transatlantic Formations
by Alex AlonsoPaul Muldoon was looking west long before he left Ireland for the United States in 1987, and his Transatlantic departure would prove to be a turning point in his life and work. In America, Muldoon's creative repertoire has extended into song writing, libretti, and literary criticism, while his poetry collections have extended to outlandish proportions, typified in recent years by a level of formal intensity that is unique in modern poetry. To leave Northern Ireland, though, is not necessarily to leave it behind. Muldoon has spoken of his 'sense of belonging to several places at once,' and in the United States he has found another creative gear, new modes of performance facilitated by his Irish émigré status. Focusing on the protean work of his American period, this book explores Muldoon's expansive structural imagination, his investment in Eros and errors, the nimbleness of his allusive practice as both a reader and writer, and the mobility of his Transatlantic position. It raises questions about the Irish poet as a westward voyager, about Irish-American cultural exchange, and how departures for Muldoon seem to be a precondition for return, indeed returns of many different kinds. It also draws on archival research to produce provocative new readings of Muldoon's later works. Exploring the poetic and literary-critical 'long forms' that are now his hallmark, this volume places the most significant works of Muldoon's American period under the microscope, and opens up the intricate formal schemes of a poet Mick Imlah credits as having 'reinvented the possibilities of rhyme for our time.'
Paul Muldoon in America: Transatlantic Formations
by Alex AlonsoPaul Muldoon was looking west long before he left Ireland for the United States in 1987, and his Transatlantic departure would prove to be a turning point in his life and work. In America, Muldoon's creative repertoire has extended into song writing, libretti, and literary criticism, while his poetry collections have extended to outlandish proportions, typified in recent years by a level of formal intensity that is unique in modern poetry. To leave Northern Ireland, though, is not necessarily to leave it behind. Muldoon has spoken of his 'sense of belonging to several places at once,' and in the United States he has found another creative gear, new modes of performance facilitated by his Irish émigré status. Focusing on the protean work of his American period, this book explores Muldoon's expansive structural imagination, his investment in Eros and errors, the nimbleness of his allusive practice as both a reader and writer, and the mobility of his Transatlantic position. It raises questions about the Irish poet as a westward voyager, about Irish-American cultural exchange, and how departures for Muldoon seem to be a precondition for return, indeed returns of many different kinds. It also draws on archival research to produce provocative new readings of Muldoon's later works. Exploring the poetic and literary-critical 'long forms' that are now his hallmark, this volume places the most significant works of Muldoon's American period under the microscope, and opens up the intricate formal schemes of a poet Mick Imlah credits as having 'reinvented the possibilities of rhyme for our time.'
Paul Valery's "Album des Vers Anciens": A Past Transfigured
by Suzanne NashQuestioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Peace of Wild Things: And Other Poems
by Wendell BerryIf you stop and look around you, you'll start to see. Tall marigolds darkening. A spring wind blowing. The woods awake with sound. On the wooden porch, your love smiling. Dew-wet red berries in a cup. On the hills, the beginnings of green, clover and grass to be pasture. The fowls singing and then settling for the night. Bright, silent, thousands of stars. You come into the peace of simple things. From the author of the 'compelling' and 'luminous' essays of The World-Ending Fire comes a slim volume of poems. Tender and intimate, these are consoling songs of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging. They celebrate and elevate what is sensuous about life, and invite us to pause and appreciate what is good in life, to stop and savour our fleeting moments of earthly enjoyment. And, when fear for the future keeps us awake at night, to come into the peace of wild things.
Peace Talks
by Sir Andrew MotionThe second half of Andrew Motion's new collection returns to the sequence begun in Laurels and Donkeys, completing a body of work recognised by the Wilfred Owen Poetry Award in 2014. These meditations on combat and the people caught up in it look back to conflicts of the past: to the 'war to end all wars'; to Rupert Brooke on his final journey; to Wilfred Owen at Craiglockhart War Hospital; to Archduke Franz Ferdinand on the day of his fatal shooting. But Motion also depicts the ravages of modern warfare through reported speech, redacted documents, and vivid evocations of place, his plain understatement bringing the magnitude of war home to our own shores. These poems are moving and measured, delicate and clear-eyed, and bear witness to the futility of war and the suffering of those left behind. Elsewhere we find biographies in miniature, dreams and visions, family histories, which in their range of forms and voices consider questions of identity, and character. These are poems of remembrance in which Motion's war poems, all in their own way elegies, find a natural partner. Peace Talks is a wise and compassionate work.
Peach Pig: The debut collection from the Young People’s Laureate for London, Forward Prize-shortlisted author
by Cecilia Knapp'Cecilia Knapp is a great writer. I love her' KAE TEMPESTIn her devastatingly powerful debut collection, Cecilia Knapp examines the experience of motherlessness and its lasting impact, as well as the lessons passed between generations of women.These poems explore women's complicated relationship with their bodies, with sex, and with shame as she traverses the violence of romantic love, but also employs humour and mischief, a wry reclaiming of power.We hear stories of a challenging childhood in a seaside town, a girl growing up, getting out and reckoning with the guilt of being 'one of these people now.'The collection also offers a look at Knapp's close relationship with her older brother, his struggles with addiction and, eventually, his death. With tenderness, she remembers him and unpacks the unique grief that comes after a suicide.Peach Pig is a candid and unflinching look at loss, an attempt to find a language for it. It grapples with feelings of anxiety, insecurity and displaced anger; but it is also a collection full of dreams, hope and vibrant persistence, a willingness to question and to carry on.
Peaches Goes It Alone: Poems
by Frederick SeidelThis is the End of Days.This is what we've been waiting for always.I walked over to the Hudson River, heading for Mars.Each poem of mine is a suicide belt.I say that to my girlfriend Life.Peaches Goes It Alone, Frederick Seidel's newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel-and thrilled and offended his readers. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel's masterful body of work.
The Peacock and the Buffalo: The Poetry of Nietzsche
by Friedrich Nietzsche James LuchteThe Peacock and the Buffalo presents the first complete English translation of the poetry of the celebrated and hugely influential German thinker, Friedrich Nietzsche (1844-1900). From his first poems, written at the age of fourteen, to his last extant writings, this definitive bi-lingual edition includes all his 275 poems and aphorisms. Nietzsche's interest in poetry is no secret, as evidenced in his literary and philosophical masterpiece, Thus Spoke Zarathustra, not to mention the poetry included in his published philosophical works. This important collection shows that Nietzsche's commitment to poetry was in fact longstanding and integral to his articulation of the truth and lies of human existence. The Peacock and the Buffalo is a must-read for anyone with an interest in German literature or European philosophy.
Peacock Pie: A Book of Rhymes
by Walter de la MareThe perfect gift for children aged 8+, this stunning classic collection of poetry will delight a new generation of readers of the Faber Children's Classics list.Peacock Pie contains the finest of Walter de la Mare's poems for children, accompanied by exquisite original illustrations from Edward Ardizzone. This beautiful new edition of a classic anthology is an essential part of any child's bookshelf.
Pearl: A New Verse Translation
by Simon ArmitageSimon Armitage's acclaimed version of Sir Gawain and the Green Knight garnered front-page reviews across two continents and confirmed his reputation as a leading translator. This new work is an entrancing allegorical tale of grief and lost love, as the narrator is led on a Dantean journey through sorrow to redemption by his vanished beloved, Pearl. Retaining all the alliterative music of the original, a Medieval English poem thought to be by the same anonymous author responsible for Gawain, Pearl is here brought to vivid and intricate life in care of one of the finest poets writing today.
Pearl: A Transcreation of the Fourteenth-Century Middle English Poem
by J. WinterPearl occupies a special place in the English canon. Together with Gawain and the Green Knight and two minor poems, the late fourteenth-century manuscript came to light after nearly 500 years of being tucked away in one private library or another. While Gawain (which may or may not be by the same hand) received early acclaim as a marvellously-written tale of magic and derring-do, Pearl has yet fully to gain the popularity it richly deserves. In terms of psychological discovery, theological debate, and an unmatched technical brilliance in the joint deployment of alliteration and rhyme, it is a thing of wonder. A dream-vision for almost its entire length, Pearl has a direct relation to the narrators real world. Whether or not the situation it depicts is a fictional one, the poem stands as a commemoration of the deepest personal experience. While the descriptive passages of a heaven-made world are remarkable, the exchange between a grieving man and the pearl he has lost and found pitched almost in terms of a quickfire argument is irresistible. A young female character, taking her time, demolishes a learned male opponent. Yet love speaks throughout, in a Christian presentation of the struggle to relinquish self-will, so that by the deftest of literary strokes the reader finally is one with the dreamer as he comes to terms with the beauty of what must be. This translation meticulously preserves a highly-demanding formal structure and lexical meaning while operating with a freedom which ideally, in this kind of poetry, is that of a conversational song. Dream-poems were not uncommon in the fourteenth century; and Pearl not only is a perfect example of the genre, but offers a poetic experience to reach beyond genre and time.
Pearl from the Dragon’s Mouth: Evocation of Scene and Feeling in Chinese Poetry (Michigan Monographs In Chinese Studies #67)
by Cecile C. SunThe interplay between the external world (ching) and the poet’s inner world (ch’ing) lies at the heart of Chinese poetry, and understanding the interaction of the two is crucial to understanding this work from within its own tradition. Closely coordinating her discussions of poetry and criticism so that practice and theory become mutually enriching and illuminating, Sun offers sensitive and original readings of poems and a wealth of insights into Chinese poetics.
Pebble & I
by John FullerFrom the posing of the very first question in the opening poem, 'Fragment of a Victorian Dialogue', John Fuller's enquiring and elegiac new collection arrives with a sharp sense of mortality, marked by the passing of time. Pebble & I responds to its own philosophical enquiries by looking to a world of vivid colour and substance. From the sun-baked pebbles and plastic ice-cream spines that bedeck the 'The Jetsam Garden', to the swallows that nest under the eaves of a farmhouse in the Cilento Hills in 'Stop', the poems take us from inky, restless seascapes to the warmth of the Mediterranean as they examine the connections between man and 'our material cousins' in nature.Seductive, yet sometimes playfully absurd, Fuller plumbs the depths with his trademark light touch and deft technical skill. The natural and social worlds can be as cruel as they are thrilling but ultimately the voices in this collection are here to celebrate 'elements of the eternal / In the ceremony of life.'
Peer Gynt and Ghosts: Text and Performance (Text and Performance)
by Asbjorn AarsethA study of two of Henrik Ibsen's most impressive and frequently- performed dramatic texts, the dramatic poem Peer Gynt and the concentrated prose play Ghosts, whose appearance caused an uproar when first performed. In the first half of the book, the author pays particular attention to the imagery patterns of Ibsen's language; Peer Gynt is considered in its cultural context, and Ghosts with reference to Ibsen's concept of drama. Recent productions of both plays are considered in detail, including the Young Vic production of Ghosts in 1986.
Pegasus and Other Poems
by C. Day LewisA collection of poetry from Cecil Day Lewis, Poet Laureate from 1968 until his death in 1972.Originally published in 1957, this collection shows how much his style had changed after having distanced himself from Auden. In 1951, he became only the second living writer (after TS Eliot) to be featured in the popular series of 'Penguin Poets' paperbacks. In his introduction, he wrote: 'Looking back over my verse of the last 20 years, I was struck by its lack of development - in the sense of one poetic phase emerging recognizably from the previous one and leading inevitably to the next: it would all be much tidier and more in accordance with critical specifications, were this not so. But my verse seems to me a series of fresh beginnings rather than a continuous line.'
The Penguin Book of American Verse
by Geoffrey MooreA classic anthology of American poetry, from the colonial beginnings in the seventeenth century right through to the twentieth century. From Anne Bradstreet to Ralph Waldo Emerson, from William Carlos Williams to Walt Whitman, from Emily Dickenson to Ai, this collection ranges widely across the American poetic spectrum.
The Penguin Book of Caribbean Verse in English (Penguin Poets Ser.)
by Paula BurnettOver the last few decades Caribbean writers - performance poets, newspaper poets, singer-songwriters - have created a genuinely popular art form, a poetry heard by audiences all over the world. At the same time, even at its most literary, Caribbean poetry shares the vigour of the oral tradition. Writers like Nobel Prize winner Derek Walcott, and many other exciting new voices, are exploring ways of capturing the vitality of the spoken word on the page. Both of these traditions are represented in this lively anthology, which traces Caribbean verse from its roots to the present.
The Penguin Book of Elegy: Poems of Memory, Mourning and Consolation
by Prof Stephen Regan Andrew Motion'A tremendous sentimental education of a book ... a literary adventure ... chosen with a scholarly discernment mixed with a wild-card flair ... fascinating and unignorable' Kate Kellaway, Observer (Poetry Book of the Month)'If you have any weakness at all for poetry, this book will draw you in, then devastate you' Susie Goldsbrough. The TimesElegy is among the world's oldest forms of literature. Born in Ancient Greece, practised by the Romans, revitalized by the poets of the Renaissance and continuing down to the present day, it speaks eloquently and affectingly of the experience of loss and the yearning for consolation. It gives shape and meaning to memories too painful to contemplate, and answers our desire to fix in words what would otherwise slip our grasp.In The Penguin Book of Elegy, Andrew Motion and Stephen Regan trace the history of this tradition, from its Classical roots in the work of Theocritus, Virgil and Ovid down to modern compositions exploring personal tragedy and collective grief by such celebrated voices of the twentieth and twenty-first centuries as Dylan Thomas, Elizabeth Bishop, Linton Kwesi Johnson and Denise Riley.The only comprehensive anthology of its kind in the English language, The Penguin Book of Elegy is a profound and moving compendium of the fundamentally human urges to remember and honour the dead, and to give comfort to those who survive them.
The Penguin Book of English Song: Seven Centuries of Poetry from Chaucer to Auden
by Richard StokesThe Penguin Book of English Song anthologizes the work of 100 English poets who have inspired a host of different composers (some English, some not) to write vocal music. Each of the chapters, arranged chronologically from Chaucer to Auden, opens with a precis of the poet's life, work and, often, approach to music. Richard Stokes's notes and commentaries constantly illuminate the language and themes of the poems and their settings in unexpected ways. An awareness of how Ben Jonson based his famous poem 'Drinke to me, onely, with thine eyes' on a Greek original, for example, increases our enjoyment of both the poem and the traditional song; knowledge of Thomas Hardy's relationships with women deepens our appreciation of songs by Ireland, Finzi, Britten and others; Charles Dibdin's 'Tom Bowling', played each year at the Last Night of the Proms, takes on a deeper resonance when we know that it was written after the death of his brother Tom, a sea captain struck by lightning in the Indian Ocean.Many composers of different nationalities appear, but the book remains quintessentially British, and includes pieces that have an established place in our national consciousness: 'Rule, Britannia' (James Thomson), 'Abide with me' (Henry Francis Lyte), 'Auld lang syne' (Robert Burns), 'Jerusalem' (William Blake), 'Once in royal David's city' (Mrs C. F. Alexander), and even 'Twinkle, twinkle, little star' (Jane Taylor). The poems are printed in their original versification and spelling, enabling us to trace the development of the English language as the book progresses.The volume presents a huge amount of information about English Song that will enlighten all those who delight in the fusion of words and music. The presence of minor as well as major poets and the unique principle of selection make The Penguin Book of English Song a highly original anthology of English verse.
The Penguin Book of English Verse
by P J KeeganThis ambitious and revelatory collection turns the traditional chronology of anthologies on its head, listing poems according to their first individual appearance in the language rather than by poet.
The Penguin Book of First World War Poetry (Penguin Classics)
by Matthew George WalterThis anthology reflects the diversity of voices it contains: the poems are arranged thematically and the themes reflect the different experiences of war not just for the soldiers but for those left behind. This is what makes this volume more accessible and satisfying than others. In addition to the established canon there are poems rarely anthologised and a selection of soldiers' songs to reflect the voices of the soldiers themselves.
The Penguin Book of French Poetry: 1820-1950 (Penguin Classics)
by William ReesThis collection illuminates the uniquely fascinating era between 1820 and 1950 in French poetry - a time in which diverse aesthetic ideas conflicted and converged as poetic forms evolved at an astonishing pace. It includes generous selections from all the established giants - among them Baudelaire, Verlaine, Rimbaud and Breton - as well as works from a wide variety of less well-known poets such as Claudel and Cendrars, whose innovations proved vital to the progress of poetry in France. The significant literary schools of the time are also represented in sections focusing on such movements as Romanticism, Symbolism, Cubism and Surrealism. Eloquent and inspirational, this rich and exhilarating anthology reveals an era of exceptional vitality.
The Penguin Book of Greek and Latin Lyric Verse
by No author'Inspired and enlightening ... here is a work of staggering ambition, exceptional accomplishment, and surprisingly pleasant reading ... an excellent gift for anyone interested in classical literature' A. E. Stallings, Telegraph'An extraordinary feat ... Over and over, I was impressed both by Childers's technical abilities and his vivid way of evoking the multiple voices in this rich tradition' Emily Wilson, translator of the Odyssey and the Iliad'Where does the lyric begin? One answer – a capacious and generous one – is given by Christopher Childers's anthology, in which translations of both Greek and Latin lyric poetry are offered in large servings, with extensive and ambitious commentary ... bold and worthwhile ... readable and learned' Peter McDonald, TLS'An extraordinary achievement, in scope, scale and skill' Richard Jenkyns, author of Classical LiteratureThe poems in this lively, wide-ranging and richly enjoyable anthology are the work of priestesses and warriors; of philosophers and statesmen; of teenage girls, concerned for their birthday celebrations; of drunkards and brawlers; of grumpy old men, and chic young things. Their authors write – or sing – about hopes, fears, loves, losses, triumphs and humiliations. Every one of them lived and died between 1,900 and 2,800 years ago.The Penguin Book of Greek and Latin Lyric Verse is a volume without precedent. It brings together the best of two traditions normally treated in isolation, and in doing so tells a captivating story about how literature and book-culture emerged from an oral society in which memory and learning were transmitted through song. The classical vision of lyric poetry as understood by the greatest ancient poets – Sappho and Horace, Bacchylides and Catullus – mingles and interacts with our expansive modern vision of the lyric as the brief, personal, emotional poetry of a human soul laid bare.Anyone looking for a picture of what ancient poets were up to when they were simply singing to the gods, or to their friends, or otherwise opening little verbal windows into their life and times can find it here. It is a volume full of fire and life: an undertaking of astonishing reach, and an accomplishment magisterial in its scope.
The Penguin Book of Haiku
by Adam L. KernThe first Penguin anthology of Japanese haiku, in vivid new translations by Adam L. Kern. Now a global poetry, the haiku was originally a Japanese verse form that flourished from the sixteenth to nineteenth centuries. Although renowned for its brevity, usually running three lines long in seventeen syllables, and by its use of natural imagery to make Zen-like observations about reality, in fact the haiku is much more: it can be erotic, funny, crude and mischievous. Presenting over a thousand exemplars in vivid and engaging translations, this anthology offers an illuminating introduction to this widely celebrated, if misunderstood, art form. Adam L. Kern's new translations are accompanied here by the original Japanese and short commentaries on the poems, as well as an introduction and illustrations from the period.