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Material Properties
by Jacob PolleyMaterial Properties asks what it might mean to interpret and translate wildness into human language and human understanding. The book is a multi-faceted and vital exploration of the non-human, the elemental and the borders between existences. Through poems of parenthood at a time of environmental emergency, and poetic versions of Old English riddles in which animals, objects and natural phenomena speak, the book poses essential questions about our relationship with the living world and with each other.Praise for previous work, Jackself, from T.S. Eliot Prize judges: ‘a firework of a book, inventive, exciting and outstanding in its imaginative range and depth of feeling’.
Materializing Englishness in Early Medieval Texts (Oxford Textual Perspectives)
by Jacqueline FayThe aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.
Materializing Englishness in Early Medieval Texts (Oxford Textual Perspectives)
by Jacqueline FayThe aim of this book is to restore to the story of Englishness the lively material interactions between words, bodies, plants, stones, metals, and soil, among other things, that would have characterized it for the early medieval English themselves. In particular, each chapter demonstrates how a productive collapse, or fusion, between place and history happens not only in the intellectual realm, in ideas, but is also a material concern, becoming enfleshed in encounters between early medieval bodies and a host of material entities. Through readings of texts in a wide variety of genres including hagiography, heroic poetry, and medical and historical works, the book argues that Englishness during this period is an embodied identity emergent at the frontier of material and textual interactions that serve productively to occlude history, religion, and geography. The early medieval English body thus results from the rich encounter between the lived environment—climate, soil, landscape features, plants—and the textual-discursive realm that both determines what that environment means and is also itself determined by the material constraints of everyday life.
The Matrix of Lyric Transformation: Poetic Modes and Self-Presentation in Early Chinese Pentasyllabic Poetry (Michigan Monographs In Chinese Studies #75)
by Zong-qi Cai Zong-qu CaiPentasyllabic poetry has been a focus of critical study since the appearance of the earliest works of Chinese literary criticism in the Six Dynasties period. Throughout the subsequent dynasties, traditional Chinese critics continued to examine pentasyllabic poetry as a leading poetic type and to compile various comprehensive anthologies of it. The Matrix of Lyric Transformation enriches this tradition, using modern analytical methods to explore issues of self-expression and to trace the early formal, thematic, and generic developments of this poetic form. Beginning with a discussion of the Yüeh-fu and ku-shih genres of the Han period, Cai Zong-qi introdues the analytical framework of modes from Western literary criticism to show how the pentasyllabic poetry changed over time. He argues that changing practices of poetic composition effected a shift from a dramatic mode typical of folk compositions to a narrative mode and finally to lyric and symbolic modes developed in literati circles.
Matsuo Bash?’s Poetic Spaces: Exploring Haikai Intersections
by E. KerkhamHaikai is an art that parodies and often subverts its linguistic, generic, and personal predecessors, and its intersections include imaginative links to the rest of Japanese literature and culture. This collection of essays explores certain neglected aspects of this haikaimaster's literary and philosophical contributions.
The Matter of Rhyme: Verse-Music and the Ring of Ideas (Critical Voices)
by Christopher NorrisThe poetry of ideas, a long neglected genre, has now found a vigorous and resourceful champion in Christopher Norris. Hitherto best known as philosopher and literary theorist, he has treated that genre to a full-scale modern revival of singular scope and ambition. His poems combine intellectual agility with a verse-music both keen-eared and frequently haunting. This latest collection sees Norris at the top of his bent as lyric poet, poet-philosopher, verse-essayist, political satirist, social commentator, and skilful re-worker of traditional verse-forms to suit contemporary contexts and concerns. It exhibits all the wit and erudition that readers will have come to expect, along with a marked broadening of purview and heightened stylistic virtuosity. These poems engage with topics ranging from the personal (though never private-confessional) to the deeply enquiring (though never abstruse) and the forcefully political (though never excluding issues that transcend the narrowly partisan). Above all they make the case for viewing rhyme, meter, and prosodic structure as intrinsically a part of verse-practice and a source of everything that is most distinctive and valuable in poetry.
Matthew Arnold: Everyman's Poetry (Everyman's Poetry)
by Matthew ArnoldCritic, essayist, educator and poet, author of The Scholar Gypsy, Dover Beach, The Forsaken Merman and other popular poems.
Matthew Arnold: A Literary Life (Literary Lives)
by C. MachannMatthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies. Machann challenges the popular image of Arnold as an elitist intellectual and shows how his poetry and prose grew out of his personal life and his passionate engagement with the world, emphasizing the journal publications that drove his career as a literary, social and religious critic.
Matthew Arnold: The Poet as Humanist
by George Robert StangeArnold is among the most inaccessible of 19th-century poets, a fact of which he himself was well aware. Asking a great deal of his readers, he expected them to share his remote excitements and to follow his complicated intellectual processes. This study of Arnold's major poetic ideas defines their philosophical backgrounds through close and sustained reading of many individual poems. Professor Stange finds that Arnold organized his examination of life around these central ideas: poetry, nature, self, and love. He also considers Arnold’s work in relation to the philosophical and literary events and traditions of the continent, particularly Goethe’s lyrics and classical humanism.Originally published in 1967.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Max and Moritz: Large Print (Dover Humor Ser.)
by Wilhelm BuschA lively new translation of this anarchic children's classic about the inventive pranks of two young boysLock up your chickens! Look out for the bugs in your bed! And check that there's nothing explosive in your teacher's pipe!Meet Max and Moritz, the infamously naughty boys whose sole purpose in life is to terrify their neighbourhood. There's nothing these two pranksters like more than causing mayhem! Their inexhaustible talent for mischief brings chaos and comedy to every page of these delightfully wicked stories.With its anarchic energy and unforgettable illustrations, Max and Moritz has become one of the most enduring children's classics of all time. Its wicked anti-heroes have been entertaining readers young and old for over 150 years – so dive in!Wilhelm Busch (1832–1908) was a German humorist, poet, illustrator and painter. He contributed satirical sketches to German weekly papers and wrote short verse narratives accompanied by illustrations, which are now considered to be forerunners of the comic strip. Max and Morit, his most famous work, was published in 1865.
Max is Missing
by Peter PorterFew poets now writing share Porter’s sense of the big picture, his ability to read the small event against the waxings and wanings of culture and empire. Whether these poems look at Europe through the strata of its Golden Ages, revisit the Australia of his childhood or turn their surreal wit to the quieter domestic landscape, together they amount to a sustained meditation on the spirit that bears comparison with the late poems of Wallace Stevens. Magisterial in its perspective and possessed of a rare intellectual sanity, Max is Missing is Porter’s most charged and direct work since The Cost of Seriousness.
May Day: the new collection from one of Britain's best-loved poets
by Jackie KayMay Day is the long-awaited new poetry collection from one of our best-loved poets and former Makar of Scotland, Jackie Kay.These poems cast an eye over several decades of political activism, from the international solidarity of the Glasgow of Kay’s childhood, accompanying her parents’ Socialist campaigns, through the feminist, LGBT+ and anti-racist movements of the 80s and 90s, up to the present day when a global pandemic intersects with the urgency of Black Lives Matter.Kay brings to life a cast of influential figures, delving beneath the surfaces of received narratives: the Jamaican model Fanny Eaton, muse of the Pre-Raphaelite Brotherhood in England; Paul Robeson, Angela Davis and the poet Audre Lorde; and a ‘what-if’ poem concerning Rabbie Burns and a road-not-taken towards the West Indian slave trade. Woven through the collection is a suite of lyric poems concerning the recent losses of Kay’s parents: poems of grief and profound change that are infused with the light of love and celebration.
Maya Angelou: Complete Poetry
by Dr Maya AngelouFrom her reflections on African American life and hardship in Just Give Me a Cool Drink of Water 'fore I Diiie to her revolutionary celebrations of womanhood in Phenomenal Woman and Still I Rise, and her elegant tributes to dignitaries Bill Clinton and Nelson Mandela (On the Pulse of Morning and His Day Is Done, respectively), every inspiring word of Maya Angelou's poetry is included in the pages of this volume.
Mayakovsky: A Biography
by Bengt JangfeldtFew poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful. With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life. Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry. Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.
Mayakovsky: A Biography
by Bengt JangfeldtFew poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful. With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life. Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry. Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.
Mayakovsky: A Biography
by Bengt JangfeldtFew poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful. With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life. Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry. Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.
Mayakovsky: A Biography
by Bengt JangfeldtFew poets have led lives as tempestuous as that of Vladimir Mayakovsky. Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful. With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life. Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry. Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.
Maybe Esther: A Family Story
by Katja PetrowskajaThe poignant, searching, haunting story of one family’s entanglement with twentieth-century history AN INTERNATIONAL BESTSELLER
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky
Mean (Phoenix Poets)
by Colette LaBouff AtkinsonIn the appropriately titled Mean, Colette LaBouff Atkinson’s speakers confront a series of cruel lovers, estranged ex-husbands and ex-ex-wives, neglectful parents, disrespectful children, menacing drunks, would-be rapists, well-meaning but ineffectual teachers, and that annoying kid in first grade who wouldn’t leave you alone. Managing to “say” what most of us would only think but never dare speak out loud, this stunning debut collection reveals that the horrors and cruelty we experience in everyday life can turn out to be very real indeed. But Atkinson does not merely rake her subjects across the coals: she deftly exposes, instead, how the world mirrors back to us our own meanness, lending it a truth and a history. In forty-three deadpan, often merciless prose poems that are masterpieces of the form, Mean lays bare the darkness within the narrator’s heart as well as in ours. "Colette Labouff Atkinson’s artful laconicism attains the force of a shout, without ever raising its voice. The intelligent, merciless narrative cool arrays a sad comedy, with an unemphatic but penetrating 'and then . . . and then': accounts of love pursued far more often than it is glimpsed or realized."—Robert Pinsky