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I Knew You Could Do It!
by Nancy TillmanI knew you could do it! I knew that you could! Of everyone out there I knew that you would.A celebration of everyday accomplishments as well as life’s milestones, I Knew You Could Do It applauds anyone who has overcome hurdles and challenges, and also cheers them into the future. And for anyone who needs an infusion of support or reassurance, it tells them, 'I believe in you.'In a sturdy board book, just right for little hands to hold, this very special story comes from Nancy Tillman, bestselling author of On the Night You Were Born.
I Love My Mum
by Gaby MorganLet your mum know she's the best with this selection of over fifty lovely poems for Mother's Day.
I Need Art: An illustrated memoir
by Henn KimEverything I feel from reading and listening to music I commit to paper in black pen And gradually, blot by blot, stroke by stroke, A new mode of expression emerges. At this point, it's just scribbles in a diary Not yet reborn as “Henn Kim” of the future._________________________________Depression and creativity, love and family, books and music: this personal and vulnerable memoir by the iconic South Korean illustrator explores her life from the ages of seventeen to thirty-three through image, text and poetry. From what nearly broke her to what saved her, everyone will find something to comfort them in Henn Kim's world.Praise for Starry Night, Blurry Dreams: 'A compelling and unique collection that is more than worthy of a place on your bookshelves' Red'A poignant commentary on the complex emotions that affect all of us at one point or another, from heartbreak to fantasy to sorrow' Creative Review
I Need Art: A memoir in images from the iconic South Korean Sally Rooney illustrator
by Henn KimEverything I feel from reading and listening to music I commit to paper in black pen And gradually, blot by blot, stroke by stroke, A new mode of expression emerges. At this point, it's just scribbles in a diary Not yet reborn as “Henn Kim” of the future._________________________________Depression and creativity, love and family, books and music: this personal and vulnerable memoir by the iconic South Korean illustrator explores her life from the ages of seventeen to thirty-three through image, text and poetry. From what nearly broke her to what saved her, everyone will find something to comfort them in Henn Kim's world.Praise for Starry Night, Blurry Dreams: 'A compelling and unique collection that is more than worthy of a place on your bookshelves' Red'A poignant commentary on the complex emotions that affect all of us at one point or another, from heartbreak to fantasy to sorrow' Creative Review
I Send You A Hug
by Anne BoothA lyrical, heart-warming message of love from someone far awayWhen Big Bear and Little Bear have to say goodbye, Big Bear tells Little Bear about all the ways she'll send a hug from afar:I can change my hug into bird song early in the morning,or into the sea so I can wave at you when you are on the beach.Join Little Bear on his adventure to discover all the many different ways to feel a hug from a loved one, even when apart.A soothing and uplifting story for every child who is missing someone.
I Strongly Believe in Incredible Things: A Creative Journey Through The Everyday Wonders Of Our World
by Rob AutonA selection of the world’s most incredible things according to award-winning writer, comedian, artist and podcaster Rob Auton
I, the Poet: First-Person Form in Horace, Catullus, and Propertius
by Kathleen McCarthyFirst-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice."In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.
I Want! I Want!
by Vicki FeaverThe title of Vicki Feaver’s remarkable new collection derives from Blake’s illustration of a child standing with one foot on a ladder to the moon, crying ‘I want! I want!’ In the title poem it represents her childhood ambition to be a poet; in another, she rejects pressure towards achievement and longs to return to the sensual world of the earth. This startlingly honest book follows the ladder of a life for seventy-five years, in poems that show how much is connected. Unlocking the voice of a silenced, powerless girl, Feaver writes about an apparently stable childhood which, to her, was painfully insecure: tormented with parental expectations and sibling jealousy, torn between mother and grandmother. The eleven-year-old who wanted to become a poet becomes the woman ‘buried under ice with words burning inside’, who becomes the old woman still ‘searching for words’ – fearful now of memory loss and a failing body.I Want! I Want! is the work of a poet looking for a pattern in her life before it’s too late. Urgent, accessible and deeply moving, this is poetry of witness and survival: a vivid testament to the triumph of a poet’s spirit.s spirit.
I Wanted to Quit Too: Stories For The Heart And Soul
by Hussain ManawerThe new book from Sunday Times Bestseller, Hussain Manawer, I WANTED TO QUIT TOO. Split into five parts - Health, Hustle, Help, Hope and Healing - and featuring exclusive poetrythroughout from award-winning creative, Manawer, this groundbreaking anthology includes short stories and conversations from global household names and hometown heroes including photographer Greg Williams, actress Courteney Cox, actors Hero Fiennes Tiffin and Jay Ellis, YouTuber KSI, rugby union player Maro Itoje, singer-songwriter Sinead Harnett, amongst many others. The book is centred around powerful life lessons, where contributors share their experiences navigating difficult personal circumstances and how when weathering even the toughest storms, instead of giving up they have found the strength to move forwards. It is a powerful celebration of human resilience and love and will offer a vehicle for hope - for readers to create a better ecosystem for preserving their mental health and wellbeing.
I Wish I Knew: Poems To Soothe Your Soul And Strengthen Your Spirit
by Donna AshworthTHE SUNDAY TIMES BESTSELLING POETRY COLLECTION In this fast-paced world, I Wish I Knew is a collection of poems to guide us through the wilderness of life, navigating body image, emotions, mental health and personal growth. With honest lessons learned from rock bottom, Donna Ashworth's writing helps us to find courage in chaos and rise to every challenge. Sparking joy, surprise and gratitude on each page, this collection will soothe your soul, strengthen your spirit and help you find your own unique voice. 'Donna's much-needed words will no doubt empower and lift our young people today.' Lisa Faulkner 'A little corner of calm within life's storm - wonderful.' Cat Deeley 'Donna has a rare gift of being able to put into words how we all feel. Her writing is like a hug from a wise friend.' Samia Longchambon 'Donna's wise and beautiful words help us reach a place of peace and acceptance. I would love to have read them many years ago.' Lisa Snowdon
I Wish I Knew: Poems To Soothe Your Soul And Strengthen Your Spirit
by Donna AshworthIn this fast-paced world, I Wish I Knew is a collection of poems to guide us through the wilderness of life, navigating body image, emotions, mental health and personal growth. With honest lessons learned from rock bottom, Donna Ashworth's writing helps us to find courage in chaos and rise to every challenge. Sparking joy, surprise and gratitude on each page, this collection will soothe your soul, strengthen your spirit and help you find your own unique voice.
Ian Hamilton Collected Poems
by Alan Jenkins Ian HamiltonA professional man of letters - critic, editor, biographer - though never a professional poet, Ian Hamilton (1938-2001) referred to his poems as 'miraculous lyrical arrivals', and he bided their time with exemplary patience and humility. His widely praised first collection, The Visit, published by Faber in 1970, was incorporated into Fifty Poems in 1988, itself expanded to Sixty Poems in 1998. In a preface to the former collection, he wrote: 'Fifty poems in twenty-five years: not much to show for half a lifetime, you might think. And in certain moods, I would agree.' Readers of Hamilton's condensed and immaculate oeuvre have felt otherwise: the poems of his youth and middle years (there was to be no opportunity for a late flowering) acquired talismanic significance for his contemporaries, and their combination of terseness and emotional intensity continues to set an example to younger poets. Edited by Alan Jenkins, this authoritative Collected Poems contains all of the poetry that Ian Hamilton chose to publish, together with a small number of uncollected and unpublished poems; it also supplies an illuminating introduction, and succinctly helpful apparatus. The result is an edition whose thoroughness and tact are themselves a moving tribute, restoring to view one of the most disinctive bodies of work in twentieth-century English poetry.
Ibsen and the Theatre: Essays in Celebration of the 150th Anniversary of Henrik Ibsen’s Birth
by Henrik Ibsen Errol Durbach
Ic3: The Penguin Book of New Black Writing in Britain
by UnknownA celebratory 20th anniversary edition of this landmark collection from black writers across the literary spectrumThis ground-breaking anthology was first published twenty years ago, into a different literary landscape. Showcasing the work of more than 100 black British authors, this 20th anniversary edition celebrates their lasting contributions to literature and to our wider culture.Including poetry from Roger Robinson, David Dabydeen, Bernardine Evaristo, Jackie Kay and Benjamin Zephaniah, short stories from Ferdinand Dennis, Diana Evans, Catherine Jonson, E.A. Markham and Ray Shell; essays from Floella Benjamin, Linda Bellos, Treva Etienne, Kevin Le Gendre and Labi Siffre; memoirs from Margaret Busby, Henry Bonsu, Buchi Emecheta, Sol B. River and Leone Ross, and many others.IC3 spans a wealth of genres - from poetry, to short fiction, memoir and essays - to demonstrate the range and astonishing literary achievements of black writers, who remain underrepresented in British culture today. Featuring a new introduction from original editors Kadija Sesay and Courttia Newland, this collection reflects on the legacy of these writers and their extraordinary work.
The Ice Age: poems
by Paul FarleyPaul Farley’s debut collection, The Boy From the Chemist is Here to See You, was one of the most celebrated debuts of the nineties. The poems in The Ice Age are as engaged and engaging as ever, but also display a new philosophical depth: Farley’s gift is to uncover the evidence so often overlooked by less attentive observers, finding – in childhood games, dental records and dog-eared field guides – those details by which we are proven and elegized. The Ice Age will only enhance Farley’s reputation as one of the most formally gifted and imaginative poets to have emerged in recent years.
Icelight (Wesleyan Poetry Series)
by Ranjit HoskoteIcelight, Ranjit Hoskote's eighth collection of poems, enacts the experience of standing at the edge—of a life, a landscape, a world assuming new contours or going up in flames. Yet, the protagonists of these poems also stand at the edge of epiphany. In the title poem, we meet the Neolithic cave-dweller who, dazzled by a shapeshifting nature, crafts the first icon. The 'I' of these poems is not a sovereign 'I'. A questing, questioning voice, it locates itself in the web of life, in relation to the cosmos. In 'Tacet', the speaker asks: "What if I had/ no skin/ Of what/ am I the barometer?" Long committed to the Japanese mono no aware aesthetic, Hoskote embraces talismans, premonitions, fossils: active residues from the previous lives of people and places. Icelight is a book about transitions and departures, eloquent in its acceptance of transience in the face of mortality. AubadeRumours of wind, banners of cloud.The low earth shakes but the stormhas not arrived. You packfor the journey, look up, look throughthe doors at trees shedding their leavestoo soon, a track on which silk shoeswould be wasted, a moonstill dangling above a boat.Wearing your salt mask, you facethe mulberry shadows.The valley into whichyou're rappellingis you.
"Ich singe daz wir alle werden vol": Das Steinmar-Oeuvre in der Manesseschen Liederhandschrift
by Gesine Lübben
"Ich will das rote Sefchen küssen": Nachdenken über Heines letzten Gedichtzyklus. (Heine Studien)
by Arnold PistiakHeines letzter Gedichtzyklus »Gedichte. 1853 und 1854« ist bis heute ein Stiefkind der Forschung wie der Leser geblieben - trotz der Versicherung des Dichters: »Die Poesien sind etwas ganz Neues und geben keine alten Stimmungen in alter Manier.«
I'd Know You Anywhere, My Love: A special gift celebrating family love
by Nancy TillmanThere are things about you quite unlike any other.Things always known by your father or mother.So if you decide to be different one day,no worries . . . I'd know you anyway.Every child is special and unique, but every child also loves to dream of being something different. In I'd Know You Anywhere, My Love, bestselling author and artist Nancy Tillman has created another heartfelt masterpiece celebrating the joys of imagination, and the comfort of always knowing that "you are loved."
The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form (Routledge Studies in Romanticism)
by D.B. RudermanThis book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. …a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)
The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form (Routledge Studies in Romanticism)
by D.B. RudermanThis book radically refigures the conceptual and formal significance of childhood in nineteenth-century English poetry. By theorizing infancy as a poetics as well as a space of continual beginning, Ruderman shows how it allowed poets access to inchoate, uncanny, and mutable forms of subjectivity and art. While recent historicist studies have documented the "freshness of experience" childhood confers on 19th-century poetry and culture, this book draws on new formalist and psychoanalytic perspectives to rethink familiar concepts such as immortality, the sublime, and the death drive as well as forms and genres such as the pastoral, the ode, and the ballad. Ruderman establishes that infancy emerges as a unique structure of feeling simultaneously with new theories of lyric poetry at the end of the eighteenth century. He then explores the intertwining of poetic experimentation and infancy in Wordsworth, Anna Barbauld, Blake, Coleridge, Erasmus Darwin, Sara Coleridge, Shelley, Matthew Arnold, Tennyson, and Augusta Webster. Each chapter addresses and analyzes a specific moment in a writers’ work, moments of tenderness or mourning, birth or death, physical or mental illness, when infancy is analogized, eulogized, or theorized. Moving between canonical and archival materials, and combining textual and inter-textual reading, metrical and prosodic analysis, and post-Freudian psychoanalytic theory, the book shows how poetic engagements with infancy anticipate psychoanalytic and phenomenological (i.e. modern) ways of being in the world. Ultimately, Ruderman suggests that it is not so much that we return to infancy as that infancy returns (obsessively, compulsively) in us. This book shows how by tracking changing attitudes towards the idea of infancy, one might also map the emotional, political, and aesthetic terrain of nineteenth-century culture. It will be of interest to scholars in the areas of British romanticism and Victorianism, as well as 19th-century American literature and culture, histories of childhood, and representations of the child from art historical, cultural studies, and literary perspectives. "D. B. Ruderman’s The Idea of Infancy in Nineteenth-Century British Poetry: Romanticism, Subjectivity, Form is an interesting contribution to this field, and it manages to bring a new perspective to our understanding of Romantic-era and Victorian representations of infancy and childhood. …a supremely exciting book that will be a key work for generations of readers of nineteenth-century poetry." Isobel Armstrong, Birkbeck, University of London Victorian Studies (59.4)
Ideas of Space in Contemporary Poetry
by Ian DavidsonThis book draws out connections between ideas of space in cultural and social theory and developments in contemporary poetry. Studying the works of poets from the UK and USA we explore relationships between the texts, ideas of globalization and issues of nationality, identity, language and geography.
Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry
by Jennifer WongAn exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.
Identity, Home and Writing Elsewhere in Contemporary Chinese Diaspora Poetry
by Jennifer WongAn exploration of the burgeoning field of Anglophone Asian diaspora poetry, this book draws on the thematic concerns of Hong Kong, Asian-American and British Asian poets from the wider Chinese or East Asian diasporic culture to offer a transnational understanding of the complex notions of home, displacement and race in a globalised world.Located within current discourse surrounding Asian poetry, postcolonial and migrant writing, and bridging the fields of literary and cultural criticism with author interviews, this book provides close readings on established and emerging Chinese diasporic poets' work by incorporating the writers' own reflections on their craft through interviews with some of those featured. In doing so, Jennifer Wong explores the usefulness and limitations of existing labels and categories in reading the works of selected poets from specific racial, socio-cultural, linguistic environments and gender backgrounds, including Bei Dao, Li-Young Lee, Marilyn Chin, Hannah Lowe and Sarah Howe, Nina Mingya Powles and Mary Jean Chan. Incorporating scholarship from both the East and the West, Wong demonstrates how these poets' experimentation with poetic language and forms serve to challenge the changing notions of homeland, family, history and identity, offering new evaluations of contemporary diasporic voices.