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Hölderlin. Der Pflegsohn: Texte und Dokumente 1806-1843 mit den neu entdeckten Nürtinger Pflegschaftsakten. Schriften der Hölderlin-Gesellschaft, Band 16
Hölderlin-Handbuch: Leben ‒ Werk ‒ Wirkung
Nur wenige deutsche Dichter erfahren eine ähnlich starke Aufmerksamkeit bis in die jüngste Gegenwart wie Friedrich Hölderlin. Das Handbuch, seit vielen Jahren das Standardwerk zur Hölderlin-Forschung, informiert in der Neuauflage detailliert über den aktuellen Forschungs- und Wissensstand. Es analysiert das gesamte Werk des Dichters und behandelt darüber hinaus die Biographie im Kontext der Epoche, die Voraussetzungen für das Werk, die Poetologie und schließlich die Rezeption Hölderlins. So werden verschiedene Zugangsweisen und die Vielfalt der Denkmotive Hölderlins transparent. In der zweiten Auflage wurden zahlreiche Artikel neu verfasst und ergänzt.
Hölderlin-Handbuch: Leben – Werk – Wirkung
Hölderlin in allen Facetten. Nur wenige deutsche Dichter erfahren eine ähnlich starke Aufmerksamkeit bis in die jüngste Gegenwart. Das Handbuch informiert detailliert über den aktuellen Forschungs- und Wissensstand. Es behandelt die Biografie im Kontext der Epoche, Voraussetzungen für das Werk, Quellen und Poetologie. Sämtliche Werke von den frühen Hymnen über Hyperion bis zu den großen Elegien und Gesängen werden analysiert. So werden verschiedene Zugangsweisen und die Vielfalt der Denkmotive Hölderlins transparent.
Hölderlin-Handbuch: Leben - Werk - Wirkung
Das Handbuch informiert detailliert und kenntnisreich über den Forschungs- und Wissensstand zu Hölderlin: Biografie im Kontext der Epoche, Voraussetzungen und Quellen des Werks, Poetologie, Analysen des gesamten Werks - von den frühen Hymnen über Hyperion bis zu den 'großen' Elegien und Gesängen - Rezeptionsgeschichte, Nachwirkungen in Literatur, Musik und bildender Kunst, Zeittafel, Bibliografie und Register. Die verschiedenen Zugangsweisen zu Hölderlins Werk und die Vielfalt der Denkmotive, die von ihm ausgehen, werden transparent gemacht.
Hölderlin und die Folgen
by Rüdiger GörnerEin Zeichen sind wir, deutungslos. Schmerzlos sind wir und haben fast / Die Sprache in der Fremde verloren. So beginnt Friedrich Hölderlins Hymne, die dem Gedächtnis gilt, der Göttin der Erinnerung, Mnemosyne. Dieses Buch will den Dichter der Dichter erinnern und das, was seine Dichtungen, die ihresgleichen in der deutschen Sprache nicht kennen, an Fragwürdigem angeregt, ja, ausgelöst haben. Die hier unternommenen Zugänge gelten einem zu seiner Zeit Ausgegrenzten, einem Sprachkünstler, den seine Zeitgenossen zum Fremden erklärten, bis er sich selbst fremd wurde. Diese mehrfache Fremdheitserfahrung Hölderlins wurde später durch ideologisch motivierte Heimholungsversuche und Vereinnahmungen konterkariert. Rüdiger Görner stellt diesen komplexen Zusammenhang als einen in der jüngeren Literaturgeschichte besonderen Fall dar.
Hollow Palaces: An Anthology of Modern Country House Poems
The ‘country house poem’ was born in the seventeenth century as a fruitful way of flattering potential patrons. But the genre’s popularity faded – ironically, just as ‘country house society’ was emerging. It was only when the power and influence of the landed classes had all but ebbed away that poets returned to the theme, attracted perhaps by the buildings’ irresistible dereliction, but equally by their often very personal histories. This is the first complete anthology of modern country house poems, and it shows just how far (as Simon Jenkins points out in his Foreword) poems can ‘penetrate the souls of buildings’. Over 160 distinguished poets representing a diversity of class, race, gender, and generation offer fascinating perspectives on stately exteriors and interiors, gardens both wild and cultivated, crumbling ruins and the extraordinary secrets they hide. There are voices of all kinds, whether it’s Edith Sitwell recreating her childhood, W. B. Yeats and Wendy Cope pondering Lissadell, or Simon Armitage’s labourer confronting the Lady who’s ‘got the lot’. We hear from noble landowners and loyal (or rebellious) servants, and from many an inquisitive day-tripper. The book’s dominant note is elegiac, yet comedy, satire, even strains of Gothic can be heard among these potent reflections. Hollow Palaces reminds us how poets can often be the most perceptive of guides to radical changes in society. The book is illustrated by Rosie Greening.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
Hollywood & God (Phoenix Poets)
by Robert PolitoHollywood & God is a virtuosic performance, filled with crossings back and forth from cinematic chiaroscuro to a kind of unsettling desperation and disturbing—even lurid—hallucination. From the Baltimore Catechism to the great noir films of the last century to today’s Elvis impersonators and Paris Hilton (an impersonator of a different sort), Robert Polito tracks the snares, abrasions, and hijinks of personal identities in our society of the spectacle, a place where who we say we are, and who (we think) we think we are fade in and out of consciousness, like flickers of light dancing tantalizingly on the silver screen. Mixing lyric and essay, collage and narrative, memoir and invention, Hollywood & God is an audacious book, as contemporary as it is historical, as sly and witty as it is devastatingly serious.
The Holy Land
by Maurice RiordanAt the heart of Maurice Riordan's third collection is a sequence of eighteen dramatic idylls set in rural Cork in the 1950s, in which the subdued microcosm of farm and smallholding - of boundary, townland and parish - is defined through the individual voices of the poet's father and assorted friends, farmhands and neighbours (Moss, Dan-Jo, Davey Divine, the Bo'son, Uncle Tom the Buck, the Gully). The settings of these loosely contiguous fragments almost casually define a historical community, ranging around farm and fields, through furze and ragwort, headland and plantation, haggard and Bog - tracing the immemorial scenes of traditional farming life: cutting drains, harvesting, fencing, potato planting, beet topping â?" and their close and intimate topography is recalled with a Proustian fidelity to names (the Long Field, the Kiln Field, the Small Fields, the Hill Fields, Higgs's Field, the Passage, the old Deer Park, the Orchard, the Bottom Glen)The tentative oral fluidity of these remarkable poems flickers on the borderline of prose, resolving complexities into an impression of timeless pastoral life, at once archaic yet precisely pitched in time. Other poems in The Holy Land proffer alternative forms of capture and recapture, and resemble light-sensitive plates storing and restoring what one poem refers to as 'the understory'. Thus the stilled life of 1950s rural Ireland is recreated, with echoes of classical models such as Theocritus, or of traditional Irish materials from the Fenian cycle, celebrating 'the music of what happens'. As Patrick Kavanagh wrote in his poem 'Epic': 'I have lived in important places, times when great events were decided: who owned that half a rood of rock...'
Home: Poems & Songs Inspired by American Immigrants
by Deepak Chopra Kabir Sehgal Paul AvgerinosNATIONAL BESTSELLERThe United States is composed of and built by immigrants, and it has been a beacon to those in search of a new life for hundreds of years.HOME is a collection of thirty-four poems and twelve songs inspired by a diverse group of immigrants who have made significant contributions to the United States. From Yo-Yo Ma to Audrey Hepburn, Albert Einstein to Celia Cruz, these poems symbolize the many roads that lead to America, and which we expect will continue to converge to build the highways to our future.Offering a welcoming feeling intended to inform our cultural conversation and enhance our national dialogue, HOME has twelve accompanying musical pieces that serve as personal meditations on the essence of home, in which you can reflect upon where you feel most welcome, whether a place or state of mind.Written and composed by immigrants and first generation Americans, HOME provides a stronger sense of welcome and belonging for everyone.
Home at Grasmere: Extracts from the Journal of Dorothy Wordsworth and from the Poems of William Wordsworth (Penguin Classics)
by Dorothy Wordsworth William WordsworthA continuous text made up of extracts from Dorothy Wordsworth's Journal and a selection of her brother's poems. Dorothy Wordsworth kept her Journal 'because I shall give William pleasure by it'. In doing so, she never dreamt that she was giving future readers not only the chance to enjoy her fresh and sensitive delight in the beauties that surrounded her at Grasmere but also a rare opportunity to observe 'the progress of a poet's mind'. Colette Clark's skilful and perceptive arrangement of Dorothy's entries alongside William's poems throws a unique light on his creative process, and shows how the interdependence of brother and sister was a vital part in the writing of many of his great poems. By reading these poems in relation to the Journal it is possible to trace the processes by which they were committed to paper and so achieve a fuller understanding of them. A writer in her own right, Dorothy kept her Journal sparse in personal and emotional detail. Yet there is, nevertheless, a deep emotional undercurrent running beneath the surface which only falters when William marries Mary Hutchinson. Never again was Dorothy to achieve the freedom, spontaneity and the limpidly beautiful prose with which she infused and irradiated the Grasmere Journals.
The Home Child: from the Forward Prize-winning author of Black Country
by Liz Berry*WINNER OF THE WRITERS' PRIZE - BOOK OF THE YEAR*Inspired by a true story, The Home Child is a beautiful novel-in-verse about a child far from home‘Ground-breaking’ Benjamin Zephaniah * ‘Beautifully crafted’ Guardian * ‘Extraordinary’ Hannah LoweIn 1908, Eliza Showell, twelve years old and newly orphaned, boards a ship that will carry her from the slums of the Black Country to rural Nova Scotia. She will never return or see her family again.With nothing to call her own, the wild beauty of her surroundings is the only solace Eliza has – until another Home Child, a boy, arrives at the farm and changes everything.Inspired by the true story of Liz Berry’s great aunt, this spellbinding novel in verse is an exquisite portrait of a girl far from home.‘One of the outstanding books of this year. Although this is a historical tale its resonance is timeless’ Sunday Times‘Deeply moving. A graceful, delicate book, stunning in its emotional depth... I know I'll return to it many times in the future’ Megan Hunter, author of The End We Start From
Home Is Not A Place
by Johny Pitts Roger Robinson‘Beautiful, haunting, thought-provoking … A book I will return to again and again’ Bernardine Evaristo ‘Masterful … A thing of brilliance’ Caleb Azumah Nelson, author of Open Water A gorgeously produced, hugely original examination of Black Britishness in the 21st century
Home Truths: A collection of poetry (Wordcatcher Modern Poetry)
by Philip JohnHome Truths will unplug you from the distractions of modern society so that you can truly admire the world we have been gifted with and the potential consequences of the inherent greed of the human race. Reflecting on our journey so far and taking time to appreciate what we have, the poems will challenge the way you view the world and encourage you to think about the way you live your own life.
Homeless in My Heart
by Felix DennisFollowing in the footsteps of A Glass Half Full, Lone Wolf and When Jack Sued Jill, Homeless In My Heart - Felix Dennis's long-awaited new collection of verse - is 'the story of a fool whose life was saved by poetry'.Felix Dennis's life has been a long series of unlikely events: incarceration by the British government in 1971 following the longest conspiracy trial in British history; recording a chart single with John Lennon; co-authoring Muhammad Ali's first biography; becoming one of the richest individuals in Britain; launching one of the most successful media brands in the world; falling into crack cocaine addiction; beginning the task of planting a huge native broad-leaf forest in the Heart of England; salvaging the wreckage of a life dedicated to hedonism; and, lastly, and most surprisingly of all, discovering that he could write the kind of poetry that people wanted to read and to hear.Now, with the publication of Homeless In My Heart, Felix Dennis's extraordinary talents have come to fruition - from ironic tales of darkness and savagery to hymns of praise for the glories of nature. Homeless In My Heart fulfils the promise predicted by the author and critic Tom Wolfe, who has called Dennis 'a 21st-century Kipling [whose poetry] rollicks and rolls with rhyme, meter and melody'.
Homer: The Poetry of the Past
by Andrew FordAndrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past.Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.
Homer: The Resonance of Epic (Classical Literature and Society)
by Barbara Graziosi Johannes HauboldThis book offers a new approach to the study of Homeric epic by combining ancient Greek perceptions of Homer with up-to-date scholarship on traditional poetry. Part I argues that, in the archaic period, the Greeks saw the lliad and Odyssey neither as literary works in the modern sense nor as the products of oral poetry. Instead, they regarded them as belonging to a much wider history of the divine cosmos, whose structures and themes are reflected in the resonant patterns of Homer's traditional language and narrative techniques. Part II illustrates this claim by looking at some central aspects of the Homeric poems: the gods and fate, gender and society, death, fame and poetry. Each section shows how the patterns and preoccupations of Homeric storytelling reflect a historical vision that encompasses the making of the universe, from its beginnings when Heaven mated with Earth, to the present day.
Homer: The Resonance of Epic (Classical Literature and Society)
by Barbara Graziosi Johannes HauboldThis book offers a new approach to the study of Homeric epic by combining ancient Greek perceptions of Homer with up-to-date scholarship on traditional poetry. Part I argues that, in the archaic period, the Greeks saw the lliad and Odyssey neither as literary works in the modern sense nor as the products of oral poetry. Instead, they regarded them as belonging to a much wider history of the divine cosmos, whose structures and themes are reflected in the resonant patterns of Homer's traditional language and narrative techniques. Part II illustrates this claim by looking at some central aspects of the Homeric poems: the gods and fate, gender and society, death, fame and poetry. Each section shows how the patterns and preoccupations of Homeric storytelling reflect a historical vision that encompasses the making of the universe, from its beginnings when Heaven mated with Earth, to the present day.
Homer: Everyman's Poetry
by HomerSelected verse from the Iliad and the Odyssey, edited by David Hopkins.
Homer: A Guide for the Perplexed (Guides for the Perplexed #257)
by Ahuvia KahaneShortlisted for the Runciman Award 2013Homer's poetry is widely recognized as the beginning of the literary tradition of the West and among its most influential canonical texts. Outlining a series of key themes, ideas, and values associated with Homer and Homeric poetry, Homer: A Guide for the Perplexed explores the question of the formation of the Iliad and the Odyssey - the so-called 'Homeric Problem'. Among the main Homeric themes which the book considers are origin and form, orality and composition, heroic values, social structure, and social bias, gender roles and gendered interpretation, ethnicity, representations of religion, mortality, and the divine, memory, poetry, and poetics, and canonicity and tradition, and the history of Homeric receptions. Drawing upon his extensive knowledge of scholarship on Homer and early epic, Ahuvia Kahane explores contemporary critical and philosophical questions relating to Homer and the Homeric tradition, and examines his wider cultural impact, contexts and significance. This is the ideal companion to study of this most influential poet, providing readers with some basic suggestions for further pursuing their interests in Homer.