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Greetings to Our Friends in Brazil
by Paul DurcanPaul Durcan has been at the heart of Irish cultural life for 30 years and his poetry has acquired a huge international following. Greetings to Our Friends in Brazil is his most challenging and engaging collection yet, one that addresses itself through Ireland and the Irish diaspora to the whole world beyond.
Greg the Sausage Roll: A LadBaby Book (Greg the Sausage Roll)
by Mark Hoyle Roxanne HoyleThe tinsel is up in the bakery, the lights are twinkling and the mince pies are sold out.It's CHRISTMAS EVE! Greg the Sausage Roll is so excited he could burst.And when he's scooped up as a last-minute treat for Santa, he's catapulted into a magical festive caper beyond his wildest dreams.Hold on tight for a spectacular sausage roll-ercoaster of an adventure!Developed and written by the social media phenomenon that is LadBaby - the king and queen of Christmas and of sausage rolls - this is set to be a truly unmissable picture book release.
Greg the Sausage Roll: Discover Greg’s brand new festive adventure (Greg the Sausage Roll)
by Mark Hoyle Roxanne HoyleThis Christmas, Greg the Sausage Roll is back and this time he's swept up in an even bigger festive rollercoaster that takes him all the way to the North Pole. Get ready to meet some brand-new friends and family - Greg is a sausage roll on a mission to make this year the best Christmas EVER!Developed and written by the social media phenomenon that is LadBaby - the king and queen of Christmas and of sausage rolls - and creators of the hilarious No. 1 bestseller Greg the Sausage Roll: Santa's Little Helper.
Greg the Sausage Roll: Wish You Were Here (Greg the Sausage Roll)
by Mark Hoyle Roxanne HoyleSun's out, crumbs out - Greg the Sausage Roll is SO EXCITED to be jetting off on his first-ever holiday! He's ready to hop on a plane to paradise for some FUN IN THE SUN! Karaoke, splashing in the pool, ice cream - Greg's ready to try it all and have the BEST HOLIDAY EVER!But will he miss his sausage-roll sweetheart, Gloria, and all his friends back at the bakery?Developed and written by the social media phenomenon that is LadBaby - the king and queen of sausage rolls - and creators of the hilarious No. 1 bestseller Greg the Sausage Roll: Santa's Little Helper.Discover more adventures with Greg: Greg the Sausage Roll: Santa's Little HelperGreg the Sausage Roll: The Perfect Present
Grimalkin And Other Poems
by Thomas LynchThe poems in Grimalkin - Thomas Lynch's first publication in Britain are all concerned, in one way or another, with achieving a balance in the face of gravity. In each poem, Lynch is looking for this equilibrium between equal and opposing forces: the gravities of sex and death, love and grief - all the things that make us breathless and horizontal, mortal and memorable. By means of a wry, mordant wit, telling observation and glorious poise, we are shown the strong tensions that make us human: the forces in our nature that create, replicate, restore, renew us; and those that kill us, constrict our lives, silence us. From spirited invective to meditations on morality, from lyrics of love and desire to a corrosive flyting to his ex-wife, these poems explore an extraordinary emotional range and technical facility but, more importantly, they reveal a compassionate, wise, and genial humanity.
Grimms' Fairy Tales, Retold by Elli Woollard, Illustrated by Marta Altes
by Elli WoollardA beautiful gift edition of Grimms' Fairy Tales featuring five classic stories, charmingly retold in rhyming verse with stunning illustrations.Follow Little Red through the woods, where she encounters a wolf! Find out what happens when Hansel and Gretel meet a witch, and see who secretly stitches the poor shoemaker’s shoes. Who are the mysterious musicians of Bremen . . . and will Cinderella go to the ball, after all?Bringing together the incredible talents of award-winning illustrator and Booktrust Time to Read favourite, Marta Altés and author and poet, Elli Woollard, this unique collection of Grimms' Fairy Tales is a fresh and funny take on the iconic original tales by the brothers Grimm. Richly illustrated throughout by author of Little Monkey and New in Town, this is perfect for new and younger readers and will delight children and adults alike.A perfect companion title to Aesop’s Fables and Just So Stories, retold by Elli Woollard, created by the same winning team.Stories include:CinderellaLittle Red CapThe Musicians of BremenHansel and GretelThe Elves and the Shoemaker.
Grimoire
by Robin RobertsonLonglisted for the Highland Book Prize 2020From the author of The Long Take, shortlisted for the Booker Prize and winner of both the Walter Scott Prize and the Goldsmiths Prize.‘I’ve long admired Robin Robertson’s narrative gift . . . If you love stories, you will love this book.’ Val McDermidLike some lost chapters from the Celtic folk tradition, Grimoire tells stories of ordinary people caught up, suddenly, in the extraordinary: tales of violence, madness and retribution, of second sight, witches, ghosts, selkies, changelings and doubles, all bound within a larger mythology, narrated by a doomed shape-changer – a man, beast or god.A grimoire is a manual for invoking spirits. Here, Robin Robertson and his brother Tim Robertson – whose accompanying images are as unforgettable as cave-paintings – raise strange new forms which speak not only of the potency of our myths and superstitions, but how they were used to balance and explain the world and its predicaments.From one of our most powerful lyric poets, this is a book of curses and visions, gifts both desired and unwelcome, characters on the cusp of their transformation – whether women seeking revenge or saving their broken children, or men trying to save themselves. Haunting and elemental, Grimoire is full of the same charged beauty as the Scottish landscape – a beauty that can switch, with a mere change in the weather, to hostility and terror.
The Grotlyn
by Benji DaviesA stunningly illustrated picture book full of mystery and suspense, from the bestselling author of THE STORM WHALE and GRANDAD’S ISLAND.
Gub
by Scott McKendry'Gub is unlike anything I have ever read. In a playful demotic that is exhilarating, hilarious and never forced, Scott McKendry makes magic of a Belfast that in other hands would make grim reading. The most exciting poet to come out of the north of Ireland in many years' Louise Kennedy, author of Tresspasses'There is nothing else like this in Irish poetry. A lyrical savant of the highest level, and one of the most exciting writers in Ireland today, McKendry is utterly his own beast' Michael Nolan, author of Close To Home'A distinctive and energetic voice' Sunday Times IrelandDemons, geese, The Laughing Cow, marching bands, LSD and pistols smuggled home from the USSR. You'll find all these in Scott McKendry's GUB. Rooted in the language of working-class Belfast, and slipping between eras and time zones, closing the gap between the real and the fantastical, the academic and the everyday, the parish and the polis, McKendry's exhilarating debut collection comes to terms with generational trauma, social decay and the rituals of a place with a fraught history and an uncertain future. Invoking the balaclava'd gunmen, urban warlords and explosions which gripped the decades either side of the Good Friday Agreement, GUB drags the language of ghettoised Belfast into serious Irish poetry. Wearing the lyrical influences of his 'ugly city' lightly - Carson, McGuckian, Longley - McKendry's tightly-wrought structures weave an unprecedented verse of mourning, witness, alter ego, class alienation and aesthetic turmoil. Noisy, dark and witty, GUB is an utterly new voice out of Belfast, but one posting bulletins across inner-city neighbourhoods everywhere.
The Guerrilla Is Like a Poet – Ang Gerilya Ay Tulad ng Makata
by Jose Maria SisonThis book is titled after the world-renowned poem of Jose Maria Sison, “The Guerrilla Is Like a Poet,” which celebrates with natural imagery and in a lyrical way the Filipino people’s revolutionary struggle for national liberation and democracy against foreign and feudal oppression and exploitation. The book contains poems from Sison’s Prison and Beyond, which won the Southeast Asia WRITE Award, as well as new poems that further develop the theme of struggle for national and social liberation as well as exile. It also carries articles of creative writers on the significance and relevance of his poetry. Sison is a Filipino revolutionary with extensive guerrilla experience and has been a recognized poet since his student days at the University of the Philippines. The publication of this book has been sparked by the effort of the Academy for Cultural Activism of the New World Summit to present the people’s culture in the national democratic struggle in the Philippines.
Guide to the Lakes (Oxford World's Classics)
by William WordsworthWilliam Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape. It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.
Guide to the Lakes: With Mr. Wordsworth's Description Of The Scenery Of The Country, Etc. And Five Letters On The Geology Of The Lake District (Oxford World's Classics)
by William WordsworthWilliam Wordsworth's Guide to the Lakes gives a first-hand account of his feelings about the unique countryside that was the source of his inspiration. He addresses concerns that are relevant today, such as how the growing number of visitors, and the money they might bring, would affect such a small and vulnerable landscape. It is now understood that Wordsworth's notion of the Lake District as 'a sort of national property, in which every man has a right and interest who has an eye to perceive and a heart to enjoy', expressed in his Guide, gave a rationale for the foundation of the National Trust in 1895 and the establishment of the Lake District National Park in 1951. Furthermore, the 2017 nomination document for the Lake District as a World Heritage site quotes this phrase in recognition of Wordsworth's contribution to the idea that 'landscape has a value, and that everyone has a right to appreciate and enjoy it'. We can now see how Wordsworth's Guide has had a far-reaching influence on the modern concept of legally-protected landscape. First published in 1810 and repeatedly revised by its author over the ensuing twenty-five years, William Wordsworth's Guide to the Lakes has long been considered a crucial text for scholars of Romantic-era aesthetics, ecology, travel writing, and tourism.
Guillén on Guillén: The Poetry and the Poet
by Jorge Guillén Reginald Gibbons Anthony L. GeistJorge Guillén is one of Spain's most important and productive poets of the twentieth century; yet though recently honored with prestigious literary prizes in Spain, Italy, and the United States, he remains little known in this country. This selection of his poetry and his commentary on the poems comprise an extraordinary introduction of the poet to an English-speaking audience. Ranging over the nearly sixty years of Guillén's poetic career, this anthology consists of the poet's own selection of forty-one poems that represent for him the coherence and unity of his life's work. His commentary on each poem explains its place and significance in this context. With the original Spanish and the English translations on facing pages, the anthology proceeds thematically. The poet asks us to consider the architecture of his work as a whole, and not necessarily his development as a poet. At Guillén's invitation, the translators visited him at his home in Cambridge, Massachusetts, where they taped the poet reading and talking about his poetry for more than five hours. Guillén on Guillén is the edited transcript of that meeting.Originally published in 1979.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Gustav Schlesier: Hölderlin - Aufzeichnungen
Gustav Schlesiers Hölderlin-Aufzeichnungen - bislang nur archivalisch zugänglich - endlich vollständig veröffentlicht.
H. D. & Bryher: An Untold Love Story of Modernism
by Susan McCabeH.D. & Bryher: An Untold Love Story of Modernism takes on the daring task of examining the connection between two queer women, one a poet and the other a historical novelist, living from the late 19th century through the 20th century. When they met in 1918, H.D. was a modernist poet, married to a shell-shocked adulterous poet, and pregnant by another man. She fell in love with Bryher, who was entrapped by her wealthy secretive family. Their bond grew over Greek poetry, geography, ancient history and literature, the telegraph, and telepathy. They felt their love-and their true identities existed invisibly- a giddy, and disturbing element to their relationship; they lived off and on in distant geographies, though in near continual contact. This book exposes why literary history has occluded this love story of the world wars and poetic modernism.
H. D. & Bryher: An Untold Love Story of Modernism
by Susan McCabeH.D. & Bryher: An Untold Love Story of Modernism takes on the daring task of examining the connection between two queer women, one a poet and the other a historical novelist, living from the late 19th century through the 20th century. When they met in 1918, H.D. was a modernist poet, married to a shell-shocked adulterous poet, and pregnant by another man. She fell in love with Bryher, who was entrapped by her wealthy secretive family. Their bond grew over Greek poetry, geography, ancient history and literature, the telegraph, and telepathy. They felt their love-and their true identities existed invisibly- a giddy, and disturbing element to their relationship; they lived off and on in distant geographies, though in near continual contact. This book exposes why literary history has occluded this love story of the world wars and poetic modernism.
H of H Playbook
by Anne Carson'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit HubH of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome."I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth Century Iran
by Dominic Parviz BrookshawDespite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Hafiz and His Contemporaries: Poetry, Performance and Patronage in Fourteenth Century Iran (British Institute Of Persian Studies Ser. #Vol. 3)
by Dominic Parviz BrookshawDespite his towering presence in premodern Persian letters, Shams al-Din Muhammad Hafiz of Shiraz (d. 1390) remains an elusive and opaque character for many. In order to look behind the hyperbole that surrounds Hafiz's poetry and penetrate the quasi-hagiographical film that obscures the poet himself, this book attempts a contextualisation of Hafiz that is at once socio-political, historical, and literary. Here, Hafiz's ghazals (short, monorhyme, broadly amorous lyric poems) are read comparatively against similar texts composed by his less-studied rivals in the hyper competitive, imitative, and profoundly intertextual environment of fourteenth-century Shiraz. By bringing Hafiz's lyric poetry into productive, detailed dialogue with that of the counterhegemonic satirist, 'Ubayd Zakani (d. 1371), and the marginalised Jahan-Malik Khatun (d. after 1391; the most prolific female poet of premodern Iran), our received understanding of this most iconic of stages in the development of the Persian ghazal is disrupted, and new avenues for literary exploration open up. Looking beyond the particular milieu of Shiraz, this study re-assesses Hafiz's place in the Persian poetic canon through reading his poems alongside those produced by professional poets in other major centres of Persian literary activity who enjoyed comparable fame in the fourteenth century. Recognising the aesthetic achievements of his contemporaries does not diminish the splendour of Hafiz's, rather it forces us to accept that Hafiz was but one member of a band of poets who jostled for the limelight in competing, often intersecting, patronage and reception networks that facilitated intense cultural exchange between the cities of post-Mongol Iran and Iraq. Hafiz's ghazals, characterised as they are by conscious and deliberate hybridity, ambiguity, and polysemy, are products of a creative mind bent on experimenting with genre. While in no way seeking to deny the mystical stratum of the Persian ghazal in its fourteenth-century manifestation, this study emphasises the courtly and profane dimensions of the form, and regards Hafiz through a sober lens with keen attention to his dynamic role at the heart of a vibrant poetic community that was at once both fiercely local and boldly cosmopolitan.
Hafiz and the Religion of Love in Classical Persian Poetry
by Leonard LewisohnI.B.Tauris in association with the Iran Heritage Foundation
Hafiz and the Religion of Love in Classical Persian Poetry (International Library of Iranian Studies)
by Leonard LewisohnThe romantic lyricism of the great Persian poet Hafiz (1315-1390) continues to be admired around the world. Recent exploration of that lyricism by Iranian scholars has revealed that, in addition to his masterful use of poetic devices, Hafiz's verse is deeply steeped in the philosophy and symbolism of Persian love mysticism. This innovative volume discusses the aesthetic theories and mystical philosophy of the classical Persian love-lyric (ghazal) as particularly exemplified by Hafiz (who, along with Rumi and Sa'di, is Persia's most celebrated poet). For the first time in western literature, Hafiz's rhetoric of romance is situated within the broader context of what scholars refer to as 'Love Theory' in Arabic and Persian poetry in particular and Islamic literature more generally. Contributors from both the West and Iran conduct a major investigation of the love lyrics of Hafiz and of what they signified to that high culture and civilization which was devoted to the School of Love in medieval Persia. The volume will have strong appeal to scholars of the Middle East, medieval Islamic literature, and the history and culture of Iran.
Haiku and Modernist Poetics
by Y. HakutaniThis book examines the genesis and development of haiku in Japan and traces its impact on modernist poetics. This study shows that the most pervasive East-West artistic, cultural, and literary exchange that has taken place in modern and postmodern times was in the reading and writing of haiku in the West. Hakutani roots Y.B Yeats symbolism in cross cultural visions; reveals Ezra Pound s imagism to have originated in haiku; and discusses some of the finest haiku written by Jack Kerouac, Richard Wright, Sonia Sanchez, and James Emanuel.
Haiku for a Season / Haiku per una stagione: Haiku Per Una Stagione
by Andrea ZanzottoAndrea Zanzotto is one of the most important and acclaimed poets of postwar Italy. This collection of ninety-one pseudo-haiku in English and Italian—written over several months during 1984 and then revised slowly over the years—confirms his commitment to experimentation throughout his life. Haiku for a Season represents a multilevel experiment for Zanzotto: first, to compose poetry bilingually; and second, to write in a form foreign to Western poetry. The volume traces the life of a woman from youth to adulthood, using the seasons and the varying landscape as a mirror to reflect her growth and changing attitudes and perceptions. With a lifelong interest in the intersections of nature and culture, Zanzotto displays here his usual precise and surprising sense of the living world. These never-before-published original poems in English appear alongside their Italian versions—not strict translations but parallel texts that can be read separately or in conjunction with the originals. As a sequence of interlinked poems, Haiku for a Season reveals Zanzotto also as a master poet of minimalism. Zanzotto’s recent death is a blow to world poetry, and the publication of this book, the last that he approved in manuscript, will be an event in both the United States and in Italy.