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Empty Nest: Poems for Families
by Carol Ann Duffy‘Duffy is magnificent, grounded, heartfelt, dedicated to the notion that poetry can give us the music of life itself’ ScotsmanIn this stunning anthology Carol Ann Duffy has selected 99 poems exploring parenting.The special bond between parent and child is both powerful and unique. And yet there is a time when that bond must ease, where our grip on that dear one must loosen, when we must let them go whether we are ready to or not.In Empty Nest, a beautiful selection of modern and classic poems range along the tender line between parent and child, covering growing old, the deep love of a parent, the everyday of family life and leaving home to live an independent life, but also unthinkable grief, loss and estrangement. Some of our very favourite poets feature in the selection, such as Elizabeth Bishop, Jackie Kay, Simon Armitage, Shakespeare, Imtiaz Dharker, Seamus Heaney and Don Paterson.These poems are by turns wry, affecting, profound, melancholy and wise; they will console and comfort those suddenly facing a house that’s much cleaner but also much quieter than it was. There is something here for every reader to treasure.
Endpoint and Other Poems
by John UpdikeEndpoint opens with a series of connected poems which were written on the occasions of Updike's recent birthdays and culminate in his confrontation with his final illness. They look back on the boy that Updike once was, on his family and little town and the circumstances that fed his love of writing. Then there are 'Other Poems', ranging from fanciful musings about what it would be like to be a stolen Rembrandt painting to celebratory outpourings that capture the spontaneity and flux of life. Finally, there is a set of sonnets, some of which are inspired by exotic travels in distant lands, and some of which simply take pleasure in the idiosyncrasies of nature in Updike's own backyard.For John Updike, the writing of poetry was always a special joy, and this final collection is an eloquent and moving testament to the life of this extraordinary writer.
The Ends of Meter in Modern Japanese Poetry: Translation and Form
by Scott MehlIn The Ends of Meter in Modern Japanese Poetry, Scott Mehl analyzes the complex response of Meiji-era Japanese poets and readers to the challenge introduced by European verse and the resulting crisis in Japanese poetry. Amidst fierce competition for literary prestige on the national and international stage, poets and critics at the time recognized that the character of Japanese poetic culture was undergoing a fundamental transformation, and the stakes were high: the future of modern Japanese verse. Mehl documents the creation of new Japanese poetic forms, tracing the first invention of Japanese free verse and its subsequent disappearance. He examines the impact of the acclaimed and reviled shintaishi, a new poetic form invented for translating European-language verse and eventually supplanted by the reintroduction of free verse as a Western import. The Ends of Meter in Modern Japanese Poetry draws on materials written in German, Spanish, English, and French, recreating the global poetry culture within which the most ambitious Meiji-era Japanese poets vied for position.
England: Poems from a School
by Kate Clanchy'Not just good for school children, but great by any standard' - Phillip PullmanOxford Spires Academy is a small comprehensive school with 30 languages – and one special focus: poetry. In the last five years, its students have won every prize going. They have been celebrated in the Guardian ('The Very Quiet Foreign Girls Poetry Group’), and the subject of a BBC Radio 3 documentary.In this unique anthology, their mentor and teacher prize-winning poet Kate Clanchy brings their poems together, and allowing readers to see why their work has caused such a stir. By turns raw and direct, funny and powerful, lyrical and heartbreaking, they document the pain of migration and the exhilaration of building a new land, an England of many voices. In England: Poems from a School, you will find poetry as easy to read as it is hard to forget, as fresh and bright as the young poets who produced it.A donation of 50p from the sale of each copy of this book will be made to and shared equally between the charities First Story and Forward Arts Foundation to help further creative writing in schools.
England's Best Loved Poems: The Enchantment of England
by George CourtauldThis treasure trove of very British poetry brings together over 100 classic poems, selected by bestselling author and proud patriot George Courtauld. Including national favourites such as Rupert Brooke's 'The Soldier', George Herbert's 'Love' and John Betjeman's 'A Subaltern's Love Song' these are poems chosen for their resonant power, nostalgia and simplicity. Following themes such as bravery and fellowship, love and regret, and people and places, this charming collection is a pleasure to dip into. And with lesser-known poems by the likes of Emily Bronte, Winston Churchill and Sir Walter Raleigh, this inspiring anthology offers more than the average poetry book. The author places each poem in its historical context, gives a potted biography of each poet and offers his own personal interpretation of the words and themes. This wonderful and original collection will enchant poetry lovers everywhere.
England's Green
by Zaffar KunialZaffar Kunial is a proven master of taking things apart, polishing up the fugitive parts of single words, of a sound, a colour, the name of a flower, and putting them back together so that we see them in an entirely different light. In the poems of England's Greenwe are invited to look at the place and the language we think we know and made to think again. With everything so newly set, we are alert, as the poet is, to the 'dark missing/step in a stair', entering this new world with bated breath. By such close attention to the parts, the poems have a genius for invoking absence, whether that be a missing father, the death of a mother or a path not taken. Fully formed, they share a centre of gravity: migrations, memories, little transgressions and disturbances, summoned and contained in small gestures - a hand held, the smell of a newly bred rose or the scratch a limpet makes to mark its home.'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' Jackie Kay
The English Eliot: Design, Language and Landscape in Four Quartets (Routledge Library Editions: T. S. Eliot)
by Steve EllisThis book, first published in 1991, supplies a neglected cultural context for T. S. Eliot’s writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot’s unproblematic commitment to England, and the ‘Englishness’. The book traces Eliot’s classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.
The English Eliot: Design, Language and Landscape in Four Quartets (Routledge Library Editions: T. S. Eliot #3)
by Steve EllisThis book, first published in 1991, supplies a neglected cultural context for T. S. Eliot’s writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot’s unproblematic commitment to England, and the ‘Englishness’. The book traces Eliot’s classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.
English Language Poets in University College Cork, 1970–1980
by Clíona Ní RíordáinThis book looks at a cohort of poets who studied at University College Cork during the 1970s and early 1980s. Based on extensive interviews and archival work, the book examines the notion that the poets form a “generation” in sociological terms. It proposes an analysis of the work of the poets, studying the thematics and preoccupations that shape their oeuvre. Among the poets that figure in the book are Greg Delanty, Theo Dorgan, Seán Dunne, Gerry Murphy, Thomas McCarthy, Gregory O’Donoghue, and Maurice Riordan. The volume is prefaced by Eiléan Ní Chuilleanáin.
The English Line: Poetry of the Unpoetic from Wordsworth to Larkin
by John Powell WardThis book is a survey of a main strand in English poetry over the last two hundred years. This strand is characterized by ordinary everyday language, a meditative and somewhat melancholic tone, and settings in landscape and nature. Some of the main poets treated are Wordsworth, Tennyson, Arnold, Hardy, Frost, Edward Thomas, Housman, Macneice and Larkin. Some of the most important questions that arise are: why these features go together; why the line is essentially male; how far recent theoretical criticism is applicable to such poetry; and why some of the important poets are not English.
English Lyric Poetry: The Early Seventeenth Century
by Jonathan PostEnglish Lyric Poetry is a comprehensive reassessment of lyric poetry of the early seventeenth century. The study is directed at both beginning and more advanced students of literature, and responds to more specialised scholarly inquiries pursued of late in relation to specific poets. This extremely lucid and elegantly written book avoids the limitations of much recent criticism. Donne, Jonson, the Spenserians, Herbert, Milton, Marvell, Vaughan, as well as many non-canonical and women poets, all receive sustained, fresh, and detailed analysis. Jonathan Post seeks to assimilate many of the post-New Critical theoretical concerns with readings of the major and minor, male and female, authors of the period.
English Lyric Poetry: The Early Seventeenth Century
by Jonathan PostEnglish Lyric Poetry is a comprehensive reassessment of lyric poetry of the early seventeenth century. The study is directed at both beginning and more advanced students of literature, and responds to more specialised scholarly inquiries pursued of late in relation to specific poets. This extremely lucid and elegantly written book avoids the limitations of much recent criticism. Donne, Jonson, the Spenserians, Herbert, Milton, Marvell, Vaughan, as well as many non-canonical and women poets, all receive sustained, fresh, and detailed analysis. Jonathan Post seeks to assimilate many of the post-New Critical theoretical concerns with readings of the major and minor, male and female, authors of the period.
English Poetry and Modern Arabic Verse: Translation and Modernity
by Ghareeb IskanderThis is the first study to examine the Arabic translations of a number of major modern poems in the English language, in particular T. S. Eliot's The Waste Land and Walt Whitman's Song of Myself. With case studies dedicated to the Arab translators who were themselves modernist poets, including Badr Shakir al-Sayyab and Saadi Yusuf, the author brings a reading of the translations as literary works in their own right. Revealing why the Arab modernists were drawn to these poems through situational context, Ghareeb Iskander shows that the influence exerted by the English originals stems from the creative manner in which the Arab poet-translators converted them into their own language.
English Poetry and Modern Arabic Verse: Translation and Modernity
by Ghareeb IskanderThis is the first study to examine the Arabic translations of a number of major modern poems in the English language, in particular T. S. Eliot's The Waste Land and Walt Whitman's Song of Myself. With case studies dedicated to the Arab translators who were themselves modernist poets, including Badr Shakir al-Sayyab and Saadi Yusuf, the author brings a reading of the translations as literary works in their own right. Revealing why the Arab modernists were drawn to these poems through situational context, Ghareeb Iskander shows that the influence exerted by the English originals stems from the creative manner in which the Arab poet-translators converted them into their own language.
English Poetry and Old Norse Myth: A History
by Heather O'DonoghueEnglish Poetry and Old Norse Myth: A History traces the influence of Old Norse myth — stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja — on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
English Poetry of the Eighteenth Century, 1700-1789
by David FairerIn recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
English Poetry of the Eighteenth Century, 1700-1789
by David FairerIn recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
English Poetry of the First World War
by John H. JohnstonThe author deals with the shock of World War I as it was registered in the work of Rupert Brooke, Siegfried Sassoon, Edmund Blunden, Wilfred Owen, Isaac Rosenberg, Herbert Read, and David Jones. He finds in Read and Jones the culmination of a tendency away from personal lyric response toward formal control and a positive vision.Originally published in 1964.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
English Poetry of the Seventeenth Century
by George ParfittProvides a comprehensive and entertaining account of the vitality and variety of achievement in seventeenth-century English poetry. Revised and up-dated throughout, Dr Parfitt has added new material on poets as varied as Marvell and Traherne. There is also a completely new chapter on women poets of the seventeenth century which considers the significant contributions of writers such as Katherine Philips and Margaret Cavendish. The proven quality and success of Dr Parfitt's survey makes this the essential companion for the teacher and student of seventeenth-century verse.
English Poetry of the Seventeenth Century
by George ParfittProvides a comprehensive and entertaining account of the vitality and variety of achievement in seventeenth-century English poetry. Revised and up-dated throughout, Dr Parfitt has added new material on poets as varied as Marvell and Traherne. There is also a completely new chapter on women poets of the seventeenth century which considers the significant contributions of writers such as Katherine Philips and Margaret Cavendish. The proven quality and success of Dr Parfitt's survey makes this the essential companion for the teacher and student of seventeenth-century verse.
English Poetry of the Sixteenth Century
by Gary F. WallerExplores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
English Poetry of the Sixteenth Century
by Gary F. WallerExplores the poetry of the Renaissance, from Dunbar in the late 15th century to the Songs and Sonnets of John Donne in the early 17th. The book offers more than the wealth of literature discussed: it is a pioneering work in its own right, bringing the insights of contemporary literary and cultural theory to an overview of the period.
English Poetry Since 1940
by Neil CorcoranNeil Corcoran's book is a major survey and interpretation of modern British poetry since 1940, offering a wealth of insights into poets and their work and placing them in a broader context of poetic dialogue and cultural exchange. The book is organised into five main parts, beginning with a consideration of the late Modernism of T. S. Eliot and W. H. Auden and ranging, decade by decade, from the poetry of the Second World War and the `New Romanticism' of Dylan Thomas to the Movement, the poetry of Northern Ireland, the variety of contemporary women's poetry and the diversity of the contemporary scene. The book will be especially useful for students as it includes detailed and lively readings of works by such poets as Ted Hughes, Seamus Heaney and Philip Larkin.
English Poetry Since 1940
by Neil CorcoranNeil Corcoran's book is a major survey and interpretation of modern British poetry since 1940, offering a wealth of insights into poets and their work and placing them in a broader context of poetic dialogue and cultural exchange. The book is organised into five main parts, beginning with a consideration of the late Modernism of T. S. Eliot and W. H. Auden and ranging, decade by decade, from the poetry of the Second World War and the `New Romanticism' of Dylan Thomas to the Movement, the poetry of Northern Ireland, the variety of contemporary women's poetry and the diversity of the contemporary scene. The book will be especially useful for students as it includes detailed and lively readings of works by such poets as Ted Hughes, Seamus Heaney and Philip Larkin.
English Renaissance Literature and Contemporary Theory: Sublime Objects of Theology
by Paul CefaluThis book offers the first sustained assessment of the ways in which recent contemporary philosophy and cultural theory - including the work of Giorgio Agamben, Alain Badiou, Eric Santner, Slavoj Zizek, and Alenka Zupancic - can illuminate Early Modern literature and culture.